Occupant Responses to Active Head Restraints
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(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
A Proposal for Rear Seat Head Restraint Geometric Ratings
A PROPOSAL FOR REAR SEAT HEAD RESTRAINT GEOMETRIC RATINGS Avery, Matthew Weekes, Alix Mary Brookes, David Thatcham, UK Paper Number 11-0131 ABSTRACT The paper offers a new insight into the protection offered by rear seat head restraints against whiplash Consumer safety ratings organisations have injuries. The ratings can be used by consumer published static ratings of the head restraint safety organisations to increase public awareness geometry, with the aim of raising public awareness and to encourage development of rear seats that can of correct head restraint positioning, and offer protection against whiplash injuries. encouraging vehicle manufacturers to improve geometry. The geometry of front seat head INTRODUCTION restraints has improved each year, but the rear seats have not been investigated. Research into A number of consumer safety ratings organisations protection against whiplash injuries has shown that have published static ratings of the head restraint reducing the head restraint backset and improving geometry since 2003, with the aim of raising public height is effective in reducing real world injury awareness of correct head restraint positioning, and risk. In comparison to the front seats whiplash encouraging vehicle manufacturers to improve injuries occur less frequently in the rear seats, but geometry. These geometric ratings assess the rear seat occupancy can be as high as 12%. The proximity of head restraint to the head of a 50th research objective in this paper is therefore to percentile male occupant, using a H-Point Machine examine the head restraint geometry of the rear (HPM) and Head Restraint Measuring Device seats in comparison to the front seats, by presenting (HRMD) [1]. -
US FMVSS 202 Impact.Pdf
/ulNir/ A Z 004 - /48Qq- - I-- --m- e--- t3 People Saving People U.S. Department http://uww.nhtsa.dot.gov Of Transportation FINAL REGULATORY IMPACT ANALYSIS FMVSS NO. 202 HEAD RESTRAINTS FOR PASSENGER VEHICLES Office of Regulatory Analysis and Evaluation National Center for Statistics and Analysis November 2004 EXECUTIVE SUMMARY The Final Rule This Final Regulatory Impact Analysis accompanies a final rule to require front seat head restraints in passenger cars, pickups, vans, and utility vehicles to be capable of achieving a height where the top of the head restraint is at least 800 mm (3 1.5 inches) above the H-point (which represents the normally seated 50thmale hip point). The final rule would also add a lower limit on height; head restraints in all front outboard seats may not be less than 750 mm (29.5 inches) from the H-point. The final rule would not require rear outboard head restraints, but would specify that if head restraints are installed they must be at least 750 mm. It also would require in front seats only that the distance between the back of the head form representing the position of a 50thpercentile head, in a normally seated position, and the head restraint (defined as backset) be no farther than 55 mm (2.2 inches) in any adjustment position. Benefits The benefits of increasing the height of head restraints and limiting the backset of head restraints are estimated to be: 15,272 whiplash injuries reduced in the front seat 1,559 whiplash injuries reduced in the rear seat 16,83 1 total whiplash injuries reduced costs ($2002) Average costs per vehicle are estimated to be: $4.51 in front seats $1.13 in rear seats for vehicles with rear head restraints $5.42 per average vehicle Total cost per year is estimated to be $84.2 million ($70.1 million for the front seat and $14.1 million for the rear seat). -
Print Version
DEVELOPMENT OF NEW WHIPLASH PREVENTION SEAT Masahide Sawada Junji Hasegawa Toyota Motor Corporation. Japan Paper Number 05-0288 ABSTRACT A finite element model was used to simulate rear-end collisions under the same conditions as sled Whiplash, or soft tissue cervical injury, is a tests using a BIO-RID II dummy, with a THUMS common injury incurred by occupants of passenger human model placed on our newly developed seat. cars in rear-end collisions. Despite much Prior to the simulation, the validity of the THUMS investigation into the cause of such injury, no was investigated by comparing its head and neck single mechanism describes it completely. Proposed motions with those in experiments. The validated criteria focus on the relative motions of the head and THUMS predicted a reduction of local strain in the the thorax, while few case studies have been made neck on the newly developed seat. on the motions of the cervical vertebrae. Recently, Having succeeded in reducing both the injury the human body finite element model values to the dummy and the local strain of the neck called ”THUMS”(Total HUman Models for Safety) of the THUMS, we predict that our new seat design and the use of X-ray cineradiography devices by to help reduce whiplash injury. volunteers have accelerated the investigation into the motions of the cervical vertebrae. 1. INTRODUCTION Seats have been developed that are specially designed to reduce impact on the neck in rear-end Soft tissue cervical injury (whiplash) is a collisions by simultaneously restraining the head and common injury resulting from rear-end collisions in body of the occupant and controlling their motion passenger cars. -
Booster Seat Study
A long description about this cover October 2002 REPORT TO CONGRESS National Highway Traffic Safety Administration U.S. Department of Transportation Washington, DC 20590 Continue to TABLE OF CONTENTS TABLE OF CONTENTS | Title Page | Executive Summary | Chapter 1 Background Safety Problem Progress of Child Passenger Safety in the United States Public Awareness of Booster Seats NHTSA’s Active Role in Promoting Booster Seats History of NHTSA’s Regulatory Activities on Booster Seats Current Federal Motor Vehicle Safety Standard No. 213 Requirements Comments and Recommendations Regarding Booster Seat Evaluation | Chapter 2 Public Perception - Use and Effectiveness Use of Booster Seats Barriers to Using Booster Seats Misuse of Booster Seats Booster Seats and Lap/Shoulder Belt Fit in Young Children Other Belt Positioning Devices Premature Graduation from Child Restraints to Safety Belts Summary of 2000 Motor Vehicle Occupant Safety Survey (MVOSS) on Booster Seat Use Consumer Complaints Relating to Belt Positioning Booster Seats Summary of Public Comments on Booster Seats Public Perception on the Effectiveness of Booster Seats | Chapter 3 Benefits to Children from Usage Real World Experience in the United States Real World Experience in Sweden Real World Experience in Canada Limitations of Available Data in Determining Effectiveness Scientific/Experimental Test Data | Chapter 4 Summary and Conclusions Public Perception Real World Experience Laboratory Test Findings Conclusions | Appendices Appendix 1: Agency Child Restraint -
Marvel Checklist
Marvel Checklist Updated 6/12/19 01 Thor 23 IM3 Iron Man 02 Loki 24 IM3 War Machine 03 Spider-man 25 IM3 Iron Patriot 03 B&W Spider-man (Fugitive) 25 Metallic IM3 Iron Patriot (HT) 03 Metallic Spider-man (SDCC ’11) 26 IM3 Deep Space Suit 03 Red/Black Spider-man (HT) 27 Phoenix (ECCC 13) 04 Iron Man 28 Logan 04 Blue Stealth Iron Man (R.I.CC 14) 29 Unmasked Deadpool (PX) 05 Wolverine 29 Unmasked XForce Deadpool (PX) 05 B&W Wolverine (Fugitive) 30 White Phoenix (Conquest Comics) 05 Classic Brown Wolverine (Zapp) 30 GITD White Phoenix (Conquest Comics) 05 XForce Wolverine (HT) 31 Red Hulk 06 Captain America 31 Metallic Red Hulk (SDCC 13) 06 B&W Captain America (Gemini) 32 Tony Stark (SDCC 13) 06 Metallic Captain America (SDCC ’11) 33 James Rhodes (SDCC 13) 06 Unmasked Captain America (Comikaze) 34 Peter Parker (Comikaze) 06 Metallic Unmasked Capt. America (PC) 35 Dark World Thor 07 Red Skull 35 B&W Dark World Thor (Gemini) 08 The Hulk 36 Dark World Loki 09 The Thing (Blue Eyes) 36 B&W Dark World Loki (Fugitive) 09 The Thing (Black Eyes) 36 Helmeted Loki 09 B&W Thing (Gemini) 36 B&W Helmeted Loki (HT) 09 Metallic The Thing (SDCC 11) 36 Frost Giant Loki (Fugitive/SDCC 14) 10 Captain America <Avengers> 36 GITD Frost Giant Loki (FT/SDCC 14) 11 Iron Man <Avengers> 37 Dark Elf 12 Thor <Avengers> 38 Helmeted Thor (HT) 13 The Hulk <Avengers> 39 Compound Hulk (Toy Anxiety) 14 Nick Fury <Avengers> 39 Metallic Compound Hulk (Toy Anxiety) 15 Amazing Spider-man 40 Unmasked Wolverine (Toytasktik) 15 GITD Spider-man (Gemini) 40 GITD Unmasked Wolverine (Toytastik) 15 GITD Spider-man (Japan Exc) 41 CA2 Captain America 15 Metallic Spider-man (SDCC 12) 41 CA2 B&W Captain America (BN) 16 Gold Helmet Loki (SDCC 12) 41 CA2 GITD Captain America (HT) 17 Dr. -
Avengers Explored
2020 Avengers Explored IRON MAN AND CAPTAIN AMERICA: A STUDY IN TRANSMEDIA, ADDITIVE COMPREHENSION AND ADDITIVE MYSTERY OLIVIER SNEPVANGERS Contents Introduction ............................................................................................................................................. 2 1. Theory: Transmedia and Narratology… Assemble! ............................................................................. 5 1.1 Transmedia .................................................................................................................................... 5 1.2 Narratology .................................................................................................................................. 10 1.3 Method ........................................................................................................................................ 19 2. Analysis: Captain America and Iron Man: A tale of two superheroes ............................................... 20 2.1 Captain America: Fragile body, Strong mind ............................................................................... 20 2.2 Iron Man: Fragile ego, Strong suit ............................................................................................... 29 2.3 Steve and Tony: Fragile friendship, Stronger together ............................................................... 37 2.3.1 The narratological nature of the relationship ...................................................................... 37 2.3.2 Exploring and expanding on Stony -
INVESTOR INFORMATION | Press Releases BURGER KING(R
1/21/2015 Burger King INVESTOR INFORMATION | Press Releases BURGER KING(R) Restaurants Nationwide Launch the WHIPLASH WHOPPER(R) for Paramount Pictures‘ and Marvel Entertainment‘s "Iron Man 2" The King Jumps into the Action and Joins Forces with Marvel for New "Iron Man 2"Themed Promotions MIAMI(BUSINESS WIRE)Apr. 27, 2010Burger King Corporation (NYSE: BKC) catapults customers into the thrilling world of "Iron Man 2," opening in theaters everywhere May 7, with an actionpacked national promotion featuring the WHIPLASH WHOPPER(R) sandwich. This limitedtime addition to the BK(R) menu captures the sharp edge of the film‘s villain, Whiplash, with an intense, redhot flavor combination featuring a flamebroiled WHOPPER(R) sandwich topped with melted Pepper Jack cheese, crispy red peppers and spicy mayonnaise. The fiery sandwich will be available for a suggested price of $3.79 at participating restaurants throughout the fourweek promotion. To further mark the return of this popular movie franchise, Burger King Corp. has created an exclusive collection of BK(R) Kids Meal toys that bring the power and attitude of "Iron Man" into restaurants. This collection of eight film inspired premiums are available with the purchase of a BK(R) Kids Meal and include four lifestyle accessories for girls and four actionpacked toys for boys, including an exclusive "Iron Man 2" figurine that stands a full seven inches tall when assembled.* "BKC is proud to have been a part of the theatrical debut of ‘Iron Man,‘ and we are thrilled to continue our support with ‘Iron Man 2,‘" said Mike Kappitt, chief marketing officer, North America, Burger King Corp. -
Brothers in Berets the Evolution of Air Force Special Tactics, 1953-2003
Brothers in Berets The Evolution of Air Force Special Tactics, 1953-2003 Forrest L. Marion, PhD Air Force History and Museums Program In Conjunction With Air Force Special Operations Command Air University Press Curtis E. LeMay Center for Doctrine Development and Education Maxwell Air Force Base, Alabama Project Editors Library of Congress Cataloging-in-Publication Data Belinda Bazinet and Dr. Ernest Allan Rockwell Names: Marion, Forrest L., author. | Air University (U.S.). Press, publisher. | Curtis E. LeMay Center for Copy Editor Doctrine Development and Education, issuing body. Tammi Dacus Title: Brothers in berets : the evolution of Air Force Cover Art and Book Design Special Tactics, 1953-2003 / Forrest L. Marion Daniel Armstrong Description: First edition. | Maxwell Air Force Base, Alabama : Air University Press, Curtis E. LeMay Cen- Composition and Prepress Production Michele D. Harrell ter for Doctrine Development and Education, [2018]. | At head of title: Air University, Curtis E. LeMay Center Print Preparation and Distribution for Doctrine Development and Education. | Includes Diane Clark bibliographical references and index. Identifiers: LCCN 2017059577| ISBN 9781585662784 | ISBN 158566278X Subjects: LCSH: United States. Air Force—Combat controllers—History. | United States. Air Force— Commando troops—History. | Special forces (Military science)—United States—History. | United States. Air Force Special Operations Command. Classification: LCC UG633 .M3144 2018 | DDC AIR UNIVERSITY PRESS 358.4131—dc23 | SUDOC D 301.26/6:T 11 -
ABSTRACT SHAEFFER, MATHEW TODD. with Great Power and Great
ABSTRACT SHAEFFER, MATHEW TODD. With Great Power and Great Responsibility: The Representation of America's Social Anxieties and Historical Events in The Amazing Spider- Man, 1962-1979. (Under the direction of committee Dr. David Zonderman). This thesis examines The Amazing Spider-Man comic series as a means to explore historical events and social anxieties during the 1960s and 1970s. Recently, superheroes have reclaimed a prominent place in American culture as superhero films are surging in popularity. Using The Amazing Spider-Man, I hope to highlight how superhero comic books are a valuable source for American cultural history and warrant serious scholarly research. To conduct my research, I looked at the scholarship on superhero comics, which has expanded greatly over the last few years, and conducted a close examination of Amazing Fantasy #15 (1962), which first introduces Spider-Man, and nearly 200 issues of The Amazing Spider-Man published from 1963 until 1979. I found that The Amazing Spider-Man comic series offers insight into American society and American values during the time period. I examine how The Amazing Spider-Man advocates the responsible use of science during the new Nuclear Age while also reflecting the dangers of new and unconstrained science. I study how the main character, Peter Parker, deals with social acceptance, general social anxieties, and finding his place in the world. I look at how the hero struggles with Cold War tensions, losing loved ones, seeing friends shipped off to war, social unrest, civil rights issues, student protests, political corruption, and much more. Finally, I look at how the perception of gender changes during the 1960s and 1970s by examining the evolution of both male and female gender values portrayed in the comic and how those values evolve over time. -
Traumatic Brain Injuries and Whiplash Injuries
Traumatic Brain Injuries and Whiplash Injuries Epidemiology and Long-Term Consequences Johan Styrke Department of Surgical and Perioperative Sciences, Surgery and Department of Community Medicine and Rehabilitation, Rehabilitation Medicine Umeå 2012 This work is protected by the Swedish Copyright Legislation (Act 1960:729) Copyright © 2012 by Johan Styrke ISBN: 978-91-7459-495-9 ISSN: 0346-6612 E-version available at: http://umu.diva-portal.org/ Printed by: Arkitektkopia Umeå, Sweden 2012 Till Maria, Eldar och Helmer Om man går fort, fort och tittar rakt fram då kommer man fort fram Om man går långsamt och tittar på allt vid vägkanten, om man tar upp en sten och luktar på en blomma då går det inte fort Men stenen och blomman har blivit ens vänner Kaj Beckman Barnens Versbok, 1986 Isbn:91-7448-713-2 Preface The head and neck are closely connected and are often simultaneously affected in traumatic events. Injury is sometimes evident when an intracranial bleeding or a neck fracture is encountered, but as of today, in the majority of cases of traumatic brain injuries and whiplash injuries, no objective finding verifies that actual tissue damage has occurred. The natural course of recovery in both traumatic brain injuries and whiplash injuries is that symptoms disappear within weeks to months. Still, some persons experience long-term symptoms and disability. Why is that? What can we do about it? These are the key questions within the field of research on traumatic brain injuries and whiplash injuries. I am proud to add a small piece to the puzzle through the publication of this thesis. -
The Human Shell: the Iron Man Armour As an Agent of Heroism
DOI 10.6094/helden.heroes.heros./2016/01/07 Joanna Nowotny 65 The Human Shell: The Iron Man Armour as an Agent of Heroism The figure of the superhero represents a form That allows him to take on the identity of a super- of hypertrophic modern heroism. It originated in hero working outside ordinary law enforcement. US-American comics in the late 1930s or the so- Forced to wear the magnetic chest plate at all called Golden Age of Comic Books, which gave times, Stark decides to become the superhero birth to famous characters like Superman, Bat- Iron Man, fighting to protect the weak. man, Wonder Woman or Captain America, each Stark’s particular brand of heroism is funda- owned by their respective publishing companies mentally related to the suit of armour he wears. and written and drawn by a wide variety of cre- In that sense, the ‘superheroism’ of this “mod- ators over the decades. The growing readership ern knight in shining armor”3 is comparable to of the comics today is based on the success other forms of heroism where the hero is mainly the superheroes have had in another me dium: defined through the use of certain armaments, the two biggest publishers, DC and Marvel, op- such as medieval knight-heroesʼ swords or lan- erate under the auspices of hugely successful ces, shields and suits of armour. Stark is not the global enterprises (Disney in the case of Marvel, only superhero who fits into that category: the Time Warner in the case of DC) that own the li- relationship between the hero and his weapon(s) cense s to the characters, turning them into cash is central in both superhero comics and movies machines in film, TV, and related advertising in general.