'Peripheral' Culture in the Metropolis: West Indians in New York City
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Guyanese Online Newsletter – March 2011
March 2011 The Newsletter and Blog for Guyanese Individuals, Associations and Groups Worldwide Blog: guyaneseonline.wordpress.com MASHRAMANI—2011 Guyanese Online - First Anniversary MASHRAMANI 2011 Established in March 2010 No rain: excellent parade: thousands attend Guyanese Online thanks its readers for a successful first year Here are some of the achievements of the Blog Website and Monthly Newsletter for this first year:- Publication of twelve monthly newsletters—(view) Distribution to an estimated 30,000+ persons monthly. Website Blog entries of articles and videos = 320 Blog website visitors for the year = 114,080 Highest month - visitors = 25,810 (February 2011) Highest daily readership = 1,569 (February 23, 2011) TOP 20- Guyanese Online Blog– February 2011 (February 24, 2011—Kaieteur News) The Guyanese Online Blog received a record 25,810 hits in Feb- ruary. The Top-20 entries for February 2010 are listed here:- They came out of the hinterland and churches and from beverage companies to phone companies, and even the Guyanese Online Newsletter - February 2011 hearing impaired didn‘t have to hear to party during the celebration of the country‘s 41st Republic anniversary. Bring Back Anansi-Diana Chapman-video Come Visit Guyana - video It was a colourful party in true Guyanese style. SINGING FRANCINE ~ Go Brave! The country‘s carnival-like revelry on the streets of the MASH 2011 Photos and Reports capital saw hundreds taking part in the annual Mashra- Guyanese on People's Court mani costume and float parade, and they didn‘t mind the Living in Guyana – slide show thousands who came out to ―watch‖ them. -
Portland Daily Press: April 18, 1898
PORTLAND DAILY PRESS. ESTABLISHED JUNE 23, 18B2-VOL.35. PORTLAND, MAINE, MONDAY MORNINg”" APRIL 18, 1898. PRICE THREE CENTS^^ ■ .. —i^——... MISCELLANEOUS._ _ MANILA PANIC STRIKEN. THE HOUSE MAY NOT YIELD. SITUATION GRAVE. London, April 18.— A special dispatch from Singa- pore says that the steamship Leo XIII from Manila, has (Special to the Press.) arrived there crowded with Spanish officials anti well to Washington D. c„ April 17.-The situation here do families, who are escaping from the rebel- foeai^ it is Spanish very critical so i’ar as tomorrow's ac- Makes lion which is spreading rapidly in the 110,1 01 ,lle Rouse | Thillipines. They is concerned. There is great report that Manila is panic strikcn. anger that a section of Republicans may vote with I*®mo<:r”ts £t)r Stomachs J"le concurrence in the Senate resolutions. Reed I he Republican | Speaker Confident It Will leaders understand this, and have been actively at work today forming the party lines to stand by ! Over. the Rouse resolution. The Senate INVOKED. resolution is con- DEUS EX MACHINA sidered most ♦ Through the unwise and fraught with troubles for the spurs LAST Stand First future. Ills stomach it builds HOPE. Action. that all Will Save thought of the New J The Only Thins Which Spain- by England con- ♦ the anew. will stand body from War. gressmen by the House resolutions ♦ The ards tomorrow, stomach is although some of the New cleansed and England senators, especially £ Eodgc, Frye and Chandler voted ♦ strengthened, London, April 18.—The Madrid corre- with the “war at once” T the of the Times telegraphing Sun- party in the Senate last night, ft was digestive spondent Autonomists Start for Conference t thought that the fluids are in- House resolutions were X day says: very radical when they passed, ♦ creased, appetite is made keen 4 “In official circles today there is an with but every one looks to them now as and Cubans. -
CALENDAR of EVENTS 2015 Pull out and Pin up the Paper Version, Or Use the Version APRIL with Live Links at 2 – 6 Bequia Easter Regatta
C A R I B B E A N C MPASS CALENDAR OF EVENTS 2015 Pull out and pin up the paper version, or use the version APRIL with live links at www.caribbeancompass.com! 2 – 6 Bequia Easter Regatta. www.begos.com/easterregatta 3 Public holiday in many places (Good Friday) Where yacht club initials are given, for contact information see 4 FULL MOON CARIBBEAN YACHT AND SAILING CLUBS at the end of this calendar. 6 Public holiday in many places (Easter Monday) 13 –18 Les Voiles de Saint-Barth. www.lesvoilesdesaintbarth.com JANUARY 13 –18 Oyster Regatta BVI. www.oysteryachts.com/events/ 1 Public holiday or “recovery day” in many places (New Year’s Day); Junkanoo parades in 13 – 19 Rincón International Film Festival, Puerto Rico. www.rinconfilm.com The Bahamas; SSCA New Year’s Day Gam in Trinidad, www.ssca.org 15 – 21 Antigua Classic Yacht Regatta. www.antiguaclassics.com 1 – 4 St. Kitts & Nevis Carnival. www.stkittsneviscarnival.com 19 Massy Stores Dinghy Regatta, Barbados. BYC 1 – 4 Crucian Christmas Festival, St. Croix. www.stcroixtourism.com/christmas_festival.htm 19 Public holiday in Venezuela (Signing of the Act of Venezuelan Independence) 2 Public holiday in Cuba (Victory of Armed Forces Day) and Haiti (Founding Fathers’ Day) 19 – 21 Marina ZarPar Regatta, Boca Chica, Dominican Republic. http://marinazarpar.com 3 – 5 Public holiday in Guyana (The Prophet’s Birthday) 22 International Earth Day 4 FULL MOON 24 Guadeloupe to Antigua Race. www.sailingweek.com 6 Public holiday in some places (Three Kings Day/Epiphany) 25 Yachting World magazine Round Antigua Race. -
Calendar of Caribbean Events 2020
K Y M C C A R I B B E A N C MPASS CALENDAR OF CARIBBEAN EVENTS 2020 Pull out and pin up the paper version, and use the version with live links APRIL at www.caribbeancompass.com 1 – 7 Antigua Classic Yacht Regatta. www.antiguaclassics.com 3 Girl Pat Race (Trinidad to Grenada). TTSA, www.ttsailing.org Where yacht club initials are given, for contact information see 4 – 5 St. Maarten Multiclass Regatta. SMYC, www.smyc.com CARIBBEAN YACHT & SAILING CLUBS at the end of this calendar. 7 FULL MOON JANUARY 10 – 13 Bequia Easter Regatta, BSC, www.bequiaregatta.com 1 Public holiday or ‘recovery day’ in many places (New Year’s Day); 12 – 18 Les Voiles de St. Barths. SBYC, www.stbarthyachtclub.com Junkanoo parades in the Bahamas 15 Public holiday in Puerto Rico (Birthday of José de Diego) 1 Annual Festival Parade in Montserrat. visitmontserrat.com/festivals 16 - 19 Carnival in Jamaica 1 SSCA Gam, Chaguaramas, Trinidad. [email protected] DAVID GOLDHILL 1 – 4 St. Kitts ‘Sugar Mas’. Stkittstourism.kn/about/events 3 – 4 St. Croix ‘Crucian Carnival’. www.stcroixtourism.com/christmas_festival.htm 6 Public holiday in some places (Three Kings Day/Epiphany) 8 – 14 Broadway to Bequia Theater Festival, Bequia. BroadwaytoBequia.com 10 FULL MOON 10 Public holiday in the Bahamas (Majority Rule Day) 11 World ARC 2020-21 departs Rodney Bay, St. Lucia. WCC, www.worldcruising.com 11 Nanny Cay Round Tortola Race. RBVIYC, royalbviyc.org 12 – 20 St. Barts Music Festival. www.stbartsmusicfestival.org/festival 13 – 18 Panama Jazz Festival. panamajazzfestival.com 14 – 19 Barbados Film Festival. -
2006 Report to the City of Toronto Table of Contents
2006 Report to the City of Toronto Table of Contents Notice................................................................................................................................1 Executive Summary ..........................................................................................................2 The Festival.......................................................................................................................3 History of Caribana .......................................................................................................4 Festival Management Committee .....................................................................................6 Highlights and Accomplishments ..................................................................................8 Stakeholders Views.......................................................................................................9 Chair..........................................................................................................................9 Co Chair ..................................................................................................................10 Toronto Mas Bands Association..............................................................................10 Caribana Cultural Committee..................................................................................10 Organization Steel Pan Association........................................................................10 Organization of Calypso Performing Artists ............................................................11 -
J'ouvert in Brooklyn Carnival: Revitalizing Steel Pan and Ole Mas Traditions Author(S): Ray Allen Source: Western Folklore, Vol
J'ouvert in Brooklyn Carnival: Revitalizing Steel Pan and Ole Mas Traditions Author(s): Ray Allen Source: Western Folklore, Vol. 58, No. 3/4, Studies of Carnival in Memory of Daniel J. Crowley (Summer - Autumn, 1999), pp. 255-277 Published by: Western States Folklore Society Stable URL: http://www.jstor.org/stable/1500461 Accessed: 22-04-2015 17:46 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Western States Folklore Society is collaborating with JSTOR to digitize, preserve and extend access to Western Folklore. http://www.jstor.org This content downloaded from 134.74.122.250 on Wed, 22 Apr 2015 17:46:56 UTC All use subject to JSTOR Terms and Conditions J'ouvertin Brooklyn Carnival: Revitalizing SteelPan and Ole Mas Traditions' RAY ALLEN The rumbleof distantdrums rolls across ProspectPark, breaking the pre-dawntranquility that envelopes central Brooklyn on Labor Day morn- ing. Mywatch says 4 a.m.-theJ'Ouvert celebration must be underway.Qui- etlyslipping out of myapartment into the cool of the night,I note the ironyof being late forCarnival, an eventthat by naturedefies time. Still, I quicken mypace, cuttingacross the park,drawn towards the percussive din and faintstrains of steelpan. -
Table of Contents
National Discourse on Carnival Arts Report by Ansel Wong, October 2009 1 2 © Carnival Village, Tabernacle 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form, or by any means, electronic, mechanical, photocopying, recorded or otherwise, without the prior permission of the author. Contact details for further information: Shabaka Thompson CEO Carnival Village, Tabernacle Powis Square London W11 2AY Tel: +44 (0) 20 7286 1656 [email protected] www.Carnivalvillage.org.uk 3 This report is dedicated to the memory of David Roussel-Milner (Kwesi Bachra) 18 February 1938 – 28 October 2009 4 Executive Summary Introduction The Carnival Village, The ELIMU Paddington Arts Carnival Band, the Victoria and Albert Museum and HISTORYtalk hosted the National Discourse on Carnival from Friday 2 October to Sunday 4 October 2009 with a number of post-conference events lasting for the duration of the month of October. The programme was delivered through two strands – ROOTS (a historical review and critical analysis of Carnival in London from 1969) and ROUTES (mapping the journey to artistic and performance excellence for Carnival and its related industries) - to achieve the following objectives: Inform Carnival Village‟s development plans Formulate an approach to and build a consensus on Carnival Arts Identify and develop a strategic forum of stakeholders, performers and artists Recognise and celebrate artistic excellence in Carnival Arts Build on the legacies of Claudia Jones and other Carnival Pioneers The Programme For the duration of the event, there were two keynote presentations; the first was the inaugural Claudia Jones Carnival Memorial Lecture delivered by Dr Pat Bishop and the second was delivered by Pax Nindi on the future of Carnival. -
Pan African Agency and the Cultural Political Economy of the Black City: the Case of the African World Festival in Detroit
PAN AFRICAN AGENCY AND THE CULTURAL POLITICAL ECONOMY OF THE BLACK CITY: THE CASE OF THE AFRICAN WORLD FESTIVAL IN DETROIT By El-Ra Adair Radney A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirement for the degree African American and African Studies - Doctor of Philosophy 2019 ABSTRACT PAN AFRICAN AGENCY AND THE CULTURAL POLITICAL ECONOMY OF THE BLACK CITY: THE CASE OF THE AFRICAN WORLD FESTIVAL IN DETROIT By El-Ra Adair Radney Pan African Agency and the Cultural Political Economy of the Black City is a dissertation study of Detroit that characterizes the city as a ‘Pan African Metropolis’ within the combined histories of Black Metropolis theory and theories of Pan African cultural nationalism. The dissertation attempts to reconfigure Saint Clair Drake and Horace Cayton’s Jr’s theorization on the Black Metropolis to understand the intersectional dynamics of culture, politics, and economy as they exist in a Pan African value system for the contemporary Black city. Differently from the classic Black Metropolis study, the current study incorporates African heritage celebration as a major Black life axes in the maintenance of the Black city’s identity. Using Detroit as a case study, the study contends that through their sustained allegiance to African/Afrocentric identity, Black Americans have enhanced the Black city through their creation of a distinctive cultural political economy, which manifests in what I refer to throughout the study as a Pan African Metropolis. I argue that the Pan African Metropolis emerged more visibly and solidified itself during Detroit’s Black Arts Movement in the 1970s of my youth (Thompson, 1999). -
UNIVERSITY of CALIFORNIA RIVERSIDE Take a Wine and Roll
UNIVERSITY OF CALIFORNIA RIVERSIDE Take a Wine and Roll “IT”!: Breaking Through the Circumscriptive Politics of the Trini/Caribbean Dancing Body A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Critical Dance Studies by Adanna Kai Jones March 2016 Dissertation Committee: Dr. Anthea Kraut, Chairperson Dr. Marta E. Savigliano Dr. Amalia Cabezas Copyright by Adanna Kai Jones 2016 The Dissertation of Adanna Kai Jones is approved: Committee Chairperson University of California, Riverside ACKNOWLEDGEMENTS You know how at fundraisers they say, “Every penny counts,” well the same applies to the process of dissertating. Every hug, every smile, every cheer, every piece of advice, every rough draft read, every second of listening, every book borrowed, every meal offered, every dollar granted, and every prayer sent on my behalf, all of these moments pushed me closer to the very real moment of completion. According to the south African philosophy of ubuntu, meaning “I am because we are,” I could only have made it here because of each and every one of you who hugged, smiled, cheered, mentored, read, listened, shared, cooked, and prayed for me. We all participated in a journey that has not only changed how I approach learning and teaching, but it has also changed how I view myself, as well as my purpose in this world. For each and every one of these necessary moments, I am eternally grateful. Thank you all from the bottom of my heart, mind, and soul. And now it is time for the “shout-outs!” With regards to funding for my research in both Trinidad and Barbados, I am grateful for the support of the Dissertation Research Grant and the Dissertation Year Program Fellowship, both of which were received through the University of California, Riverside. -
IPG 2004-2.Book(07 Nurse.Fm)
Diaspora, Migration and Development in the Americas KEITH NURSE nternational migration is one of the defining features of the history of ILatin America and the Caribbean (lac). For most of its history the Americas have been a point of arrival and a net importer of labor. In the last five decades or so the pattern has been altered with the countries of Latin America and the Caribbean becoming net exporter of labor, largely to the core economies in the Western hemisphere, the us and Canada. There have also been significant movements of people from Latin Amer- ica and the Caribbean to Europe, principally from former colonies and non-independent territories. The migratory flow of people from lac to the North Atlantic is driven by two contemporary global imbalances: the widening socio-economic polarization (i.e. the widening income gap and the divergence in quality of living conditions) between the countries of the North and the South; and, demographic polarization in terms of the relative ageing of the population of the North (Wallerstein 2003). The purpose of this article is to analyze the contribution and impact of migration and diasporization to development in Latin America and the Caribbean. The paper argues that the discourse on migration and devel- opment needs to move beyond the discussion of the growth, value and impediments to remittances to take account of the dynamics of the global labor economy, the workings of the diasporic economy and the prospects for migrants and the societies they emigrate from. By highlighting the key areas of benefit and cost associated with migration, the aim is to weigh up the evidence and give an assessment of the challenges and opportuni- ties arising from the growth of the diasporic political economy. -
Redalyc.Curwen Best. 2012. the Popular Music and Entertainment
Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Harris, Jo Anne Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Maryland: Scarecrow Press. 211 pp. ISBN: 081087749X. Caribbean Studies, vol. 42, núm. 1, enero-junio, 2014, pp. 269-272 Instituto de Estudios del Caribe San Juan, Puerto Rico Available in: http://www.redalyc.org/articulo.oa?id=39238126014 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative rEsEñas dE libros • book rEviEws • comptEs rEndus 269 Curwen Best. 2012. The Popular Music and Entertainment Culture of Barbados: Pathways to Digital Culture. Maryland: Scarecrow Press. 211 pp. ISBN: 081087749X. Jo Anne Harris School of Liberal Arts Georgia Gwinnett College [email protected] pouge, Soca, Tuk, Dancehall, and Calypso! What happens when Straditional Caribbean sounds ‘mash up’ with digital technology? The answer is: a digital revolution and global superstars like Rihanna. In Curwen Best’s The Popular Music and Entertainment Culture of Bar- bados, Pathways to Digital Culture, getting back to the plantation roots of Bajan rhythms provides the historical backdrop to a Barbados phe- nomenon, while at the same time debating how tourism, technology, and transnational influences have transformed popular culture and music in Barbados. For those familiar with Caribbean music and history, one obvious question is: How did plantation drumming evolve into hi-def recor- dings of hip hop, dub, and dancehall? The author, professor of popular culture and literary studies at the University of the West Indies, Cave Hill Campus, offers some interesting comments on multiple paths to a [re]evolution of popular music and entertainment in Barbados. -
The Swell and Crash of Ska's First Wave : a Historical Analysis of Reggae's Predecessors in the Evolution of Jamaican Music
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2014 The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music Erik R. Lobo-Gilbert California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Lobo-Gilbert, Erik R., "The swell and crash of ska's first wave : a historical analysis of reggae's predecessors in the evolution of Jamaican music" (2014). Capstone Projects and Master's Theses. 366. https://digitalcommons.csumb.edu/caps_thes/366 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Erik R. Lobo-Gilbert CSU Monterey Bay MPA Recording Technology Spring 2014 THE SWELL AND CRASH OF SKA’S FIRST WAVE: A HISTORICAL ANALYSIS OF REGGAE'S PREDECESSORS IN THE EVOLUTION OF JAMAICAN MUSIC INTRODUCTION Ska music has always been a truly extraordinary genre. With a unique musical construct, the genre carries with it a deeply cultural, sociological, and historical livelihood which, unlike any other style, has adapted and changed through three clearly-defined regional and stylistic reigns of prominence. The music its self may have changed throughout the three “waves,” but its meaning, its message, and its themes have transcended its creation and two revivals with an unmatched adaptiveness to thrive in wildly varying regional and sociocultural climates.