DOCSLIB.ORG

Kirk Lynn Cv

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Kirk Lynn Cv KIRK LYNN Department of Theatre and Dance Playwriting and Directing Program University of Texas at Austin 1 University Station D3900 Austin, TX 78712 [email protected] RESEARCH INTERESTS AND FIELDS Writing for contemporary performance, fiction, screenwriting, the anthropology of play EDUCATION 2004 Master of Fine Arts in Playwriting, James A. Michener Center for Writers, The University of Texas at Austin • Secondary Concentration: Fiction 1993 Bachelor of Arts in English, The University of Texas at Austin • Graduated Cum Laude EMPLOYMENT Appointments at The University of Texas at Austin 2008-present The University of Texas at Austin, Department of Theatre and Dance • 2017-Present: Associate Professor, Head of Playwriting • 2016-2017: Associate Professor, Performance Production Division Head (incl. Design, Playwriting, Directing, Production) • 2013-2016: Assistant Professor, Head of Playwriting/Directing Program • 2010-2013: Lecturer • 2008-2010: Adjunct Professor Other Appointments 2014-present Lecturer in Playwriting, Yale University, School of Drama 2005 Guest Artist, Florida State University, Tallahassee Additional Professional Employment 1995-present Founding Co-producing Artist Director, Rude Mechs, Austin, TX • 2004-2008: Development Director HONORS AND AWARDS 2018 Inducted into the Texas Institute of Letters Herb Alpert Award Nomination 2017 Howlround National Convening for the Committee of the Jubilee Lynn CV 1 2017 New Harmony Project, Writer in Full Development 2016 National Endowment for the Arts, Project Grant, Key Artist, Perverse Results: Not Every Mountain ($12,000) 2016 Writers' League of Texas Book Awards Discovery Prize Winner for Fiction for Rules for Werewolves 2015 Kenyon Playwrights Conference Commission of a new play entitled The Cabin ($15,000) Faculty Fellow, College of Fine Arts, The University of Texas at Austin College of Fine Arts, Summer Stipend, The University of Texas at Austin 2014 Herb Alpert Award Nomination 2013 Map Fund Grant, Key Artist, Stop Hitting Yourself ($23,000) B. Iden Payne Award, Outstanding Production & Best Original Script, Fixing King John University Co-Op Creative Research Award for Your Mother’s Copy of the Kama Sutra 2012 Department of Theatre and Dance, Teaching Excellence Award, The University of Texas at Austin 2011 United States Artists Foundation, Jeanne and Michael Klein Fellow in the Theater Arts ($50,000) MacDowell Colony Residency Time Out New York, “Best of 2011,” The Method Gun New York Magazine, 2011 Culture Award, The Method Gun Austin Critics Table Awards, Best Musical Production, I’ve Never Been So Happy David Mark Cohen New Play Award, I’ve Never Been So Happy 2010 Fusebox Festival Collaboration Award (with Magsamen + Hillerbrand), Blender Love 2009 National Endowment for the Arts, New Play Development, I’ve Never Been So Happy ($10,000) Lynn CV 2 National Endowment for the Arts, Project Grant, Key Artist, I’ve Never Been So Happy ($12,000) 2008 National Endowment for the Arts, Project Grant, Key Artist, Method Gun, ($12,000) Map Fund Grant, Key Artist, Method Gun ($23,000) 2007 Creative Capital Foundation, Project Grant: Playwright, The Method Gun ($45,000) Total Theatre Award, Edinburgh Fringe Festival, Get Your War On 2006 National Endowment for the Arts, Project Grant, Key Artist, Decameron, ($10,000) 2005 Map Fund Grant, Key Artist, Match-Play ($20,000) 2004 Map Fund Grant, Key Artist, Cherrywood ($15,000) 2003 National Endowment for the Arts, Project Grant, Key Artist, How Late It Was How Late ($5,000) Map Fund Grant, Key Artist, El Paraiso ($20,000) PUBLICATIONS 2016 “Getting Wild in the Suburbs.” To the Best of Our Knowledge. Public Radio International, 14 Feb. 2016. Web. 19 May 2016. <http://www.ttbook.org/book/getting-wild-suburbs>. Audio podcast. "Writer Kirk Lynn On Escaping, Attending, and Destroying Everything." The Write Up. KUT.ORG, 25 Jan. 2016. Web. 19 May 2016. <http://kut.org/post/writer-kirk- lynn-escaping-attending-and-destroying-everything>. “Writers Recommend, Kirk Lynn.” Web log post, Poets &Writers, 1 January 2016. Web. 2015 Rules for Werewolves, a novel by Kirk Lynn, Melville House Press, Fall 2015. Print. “Influences.” Web log post. Library of America. 20 October 2015. Web. Lynn CV 3 “The Alarm Clock.” Web log post. Melville House Press, 9 July 2015. Web. “Plays v. Novels.” Web log post. Lit Hub. 15 Oct. 2015. Web. 2014 Your Mother’s Copy of the Kama Sutra, Hanover, NH: Smith and Kraus, 2014. Print. “Playwright Perspective: Kirk Lynn.” Breaking from Realism. Hanover: Smith and Kraus, 2014. 149-151. Print. 2013 "Monolog." 15-Second Plays. Brooklyn: Ugly Duckling Presse, 2013. 17. Print. “Self-Instructions to Help Me Find What Matters Most.” The 53rd State Occasional No. 1. Brooklyn: 53rd State Press, 2013. 34-36. Print. with Hilerbrand+Magsamen. Higher Ground. Exhibit Catalog. 2013. Print. 2012 "How Much Is Enough? Our Values in Question." Theater 42.3 (2012): 48-63. Print. (Peer Reviewed) "Questions and Prayers: An Author's Preface to How Much Is Enough?" Theater 42.3 (2012): 43-47. Print. (Peer Reviewed) "In Search of the Artistic Home | HowlRound." Web log post. HowlRound. 26 Jan. 2012. Web. "Thoughts on Collaboration." Lpontius.com. N.p., 23 Apr. 2012. Web. 19 May 2016. <http://lpontius.com/guest-blog-kirk-lynn-thoughts-on-collaboration/>. Web. 2011 "Prayer for a Bad Performance | HowlRound." Editorial. HowlRound. 10 July 2011. Web. “Method Gun." Humana Festival 2010: The Complete Plays. New York: Playscripts, 2011. Print. Lynn CV 4 2009 “Method Gun.” Play: a Journal of Plays. Brooklyn, NY: Paper Theater, 2009: 123- 150 Print. as Stella Burden. "Cinderections." Play: A Journal of Plays. Brooklyn, NY: Paper Theater, 2009: 151-59. Print. 2007 Zen Junior High. Woodstock, IL: Dramatic Pub., 2007. Print. 2003 with Shawn Sides. “Collective Dramaturgy: A Co-Consideration of the Dramaturgical Role in Collaborative Creation.” Theatre Topics 13.1 (2003): 111- 15. Print. (Peer Reviewed) ARTISTIC WORK Current Artistic Projects COLD RECORD A solo show premiered at the Public Theatre’s Under the Radar Festival in NYC in Jan. 2019, and will now tour internationally to Toronto and Australia. RULES FOR WEREWOLVES – Film Adaptation Optioned by Peter Harvey in association with 10 Acre Films, to be directed by Jeremy Schaulin-Rioux. FIXING THE LAST HENRY Part of the Fixing Shakespeare Series, developed with the University of Iowa, to premiere in Austin in December of 2019. THE EMPORIUM Writing, Editing, and Adapting Thornton Wilder’s last/unfinished play, THE EMPORIUM. THE VOW A novel telling the story of man who takes a vow of silence without checking with his wife or employer; as the man’s life appears to everyone else to be falling apart, his inner life grows richer and more rewarding. CYRANO — A PERFORMANCE APP Part board game, part performance art, a new app to make performance more widely available without production costs. Current examples, THE REPLACEMENT TAPES and KARAOKE CHRISTMAS CAROL. Lynn CV 5 Past Artistic Projects The Replacement Tapes written by Kirk Lynn, created by Rude Mechs • On-going Rude Mechs Performance by Mail Not Every Mountain written by Kirk Lynn, created by Rude Mechs • April 2018 Fusebox Motion Media, Austin, TX • March 2017 Rude Mechs Off Center, Austin, TX • June 2018 Pivot Arts Loyola, Chicago, IL • July 2018 Guthrie Guthrie, Minneapolis, MN 147 Devices written by Kirk Lynn, created by Magsamen & Hillerbrand • May 2018 Magsamen & Hillerbrand Match, Houston, TX The Lamp is the Moon written by Kirk Lynn • April 2019 Genesee College Genesee, NY • April 2018 Seattle Children’s Theatre SCT, Seattle, OR The Cold Record written by Kirk Lynn, created by Rude Mechs • September 2019 Horizon Fest Calendra, AUSTRALIA • September 2019 Brisbane Fest Brisbane, AUSTRALIA • July 2019 Brave Festival Toronto, CANADA • January 2019 Under the Radar Public Theatre, NYC • April 2018 Fusebox Festival MOHA, Austin, TX Fixing Troilus and Cressida written by Kirk Lynn, created by Rude Mechs • March 2017 Rude Mechs Zach, Austin, TX Karaoke Christmas Carol, written by Kirk Lynn, created by Rude Mechs • December 2017 Rude Mechs Ground Floor, Austin, TX Fixing Timon of Athens written by Kirk Lynn, created by Rude Mechs • February 2016 Rude Mechs The Off Center, Austin, TX Field Guide written by Kirk Lynn, created by Rude Mechs, commissioned by Yale Repertory • March 2015 Rude Mechs The Off Center, Austin, TX 99 Breakups written by Kirk Lynn, commissioned and created by Pig Iron • September 2014 Pig Iron PAFA (Pig Iron), Philadelphia, PA Your Mother’s Copy of the Kama Sutra written by Kirk Lynn • October 2018 Present Company MOHA, Austin, TX • April 2014 Playwrights Horizons Playwrights Horizons, New York, NY Lynn CV 6 Bum Phillips: Cowboy, Coach, Christian: an opera libretto by Kirk Lynn, commissioned by Monk Parrots • March 2014 Monk Parrots LaMama, New York, NY Stop Hitting Yourself written by Kirk Lynn, created by Rude Mechs, commissioned by Lincoln Center • May 2014 Dallas Theatre Center Dallas Theatre Center, Dallas, TX • January 2014 Lincoln Center LTC3, New York, NY • April 2013 Rude Mechs The Off Center, Austin, TX The Method Gun written by Kirk Lynn, created by Rude Mechs • May 2016 Midtown Arts MATCH, Houston, TX • September 2014 The University of Texas The University of Texas, Austin, TX • February 2013 Colony Theatre Colony Theater, Miami, FL • February 2013 Vanderbilt University Vanderbilt University, Nashville, TN • January 2013 Walker Arts Center Walker Arts, Minneapolis, MN • January 2013 Middlebury College Middlebury
Load more

Recommended publications
  • RFID) That Can Be "Read" When Close to a Sensor
    PRESS RELEASE, Immediate distribution__ We are working on a new release of materials that includes the audio files of the press conference. Thanks to all the people interested in following up the case, we will keep you informed. We are translating the report to different languages, we have translated already to english, spanish and swedish. Mail us if you can translate the information presented in this website. Thanks! THE PHYSICAL ACCESS SECURITY TO WSIS: A PRIVACY THREAT FOR THE PARTICIPANTS. [IN PICTURES] PRESS RELEASE, Immediate distribution URL: http://www.contra.info/wsis | [email protected] PRESS CONFERENCE Friday 12th December 2003 at 11.30 am à « La Pastorale », Route de Ferney 106 à Genève http://www.pressclub.ch/archives/events_2003/event_121203_1130.htm [Press Release English PDF] - [Nota Prensa en Castellano] - Ass. Prof. Dr. Alberto Escudero-Pascual, Researcher in Computer Security and Privacy, Royal Institute of Technology, Stockholm, Sweden (EN, SP) Tel: + 41786677843 , +46 702867989 - Stephane Koch, President Internet Society Geneva, Executive Master of Economic Crime Investigations, Geneva, Switzerland. (FR, EN) Tel: +41 79 607 57 33 - George Danezis, Researcher in Privacy Enhancing Technologies and Computer Security, Cambridge University, UK. (FR, EN, GR) GENEVA, 10th DEC 2003 An international group of independent researchers attending the Word Summit on the Information Society (WSIS) has revealed important technical and legal flaws, relating to data protection and privacy, in the security system used to control access to the UN Summit. The system not only fails to guarantee the promised high levels of security but also introduces the very real possibility of constant surveillance of the representatives of the civil society.
    [Show full text]
  • Cybercommunities, Postmodern Aesthetics, and Political Musicking of Multimedia Mashups
    THE CREATION AND MEDIATION OF POLITICAL TEXTS IN VIRTUAL SPACES: CYBERCOMMUNITIES, POSTMODERN AESTHETICS, AND POLITICAL MUSICKING OF MULTIMEDIA MASHUPS M.A. THESIS Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Lindsay M. Bernhagen, B.A., M.A. ***** The Ohio State University 2008 Master‘s Thesis Committee: Professor Danielle Fosler-Lussier, Adviser Approved by Professor Daniel Avorgbedor Professor David Staley ______________________ Adviser Music Graduate Program ABSTRACT In the face of increasing consolidation of the radio market, a more conservative political climate, and growing sensitivity to public dissent in the wake of the Patriot Act, there has been a dearth of anti-war music in the mass music market since 2001. While country radio has provided a platform for the musical articulation of pro-war positions, YouTube, a video-sharing website, has become a place where the increasingly individual experience of listening to anti-war music can be supplemented with more communal listening. On YouTube, users on both sides of the war debate can create their own political mashups, a medium comprised of mixed audio samples and/or mixed video samples preserved for public consumption. Observing the behavior as a silent participant on the message boards corresponding to mashups of Toby Keith‘s ―Courtesy of the Red, White, and Blue (The Angry American)‖ and John Lennon‘s ―Imagine,‖ I demonstrate that political communities with specific communication and aesthetic values are being formed around these multimedia signs. Online communities offer a somewhat more democratic alternative for public articulation of political positions; however, the rhetoric of the online communities and of the larger musical-political climate post-9/11 is considerably parallel.
    [Show full text]
  • Imagining Afghanistan: Global Fiction and Film of the 9/11 Wars
    Purdue University Purdue e-Pubs Purdue University Press Books Purdue University Press Fall 9-16-2019 Imagining Afghanistan: Global Fiction and Film of the 9/11 Wars Alla Ivanchikova Hobart and William Smith Colleges Follow this and additional works at: https://docs.lib.purdue.edu/purduepress_ebooks Part of the Comparative Literature Commons, and the English Language and Literature Commons Recommended Citation Ivanchikova, Alla, Imagining Afghanistan: Global Fiction and Film of the 9/11 Wars. (2019). Purdue University Press. (Knowledge Unlatched Open Access Edition.) This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Comparative Cultural Studies Ari Ofengenden, Series Editor The series examines how cultural practices, especially contemporary creative media, both shape and themselves are shaped by current global developments such as the digitization of culture, virtual reality, global interconnectedness, increased people flows, transhumanism, environ- mental degradation, and new forms of subjectivities. We aim to publish manuscripts that cross disciplines and national borders in order to provide deep insights into these issues. Alla Ivanchikova Purdue University Press West Lafayette, Indiana Copyright 2019 by Purdue University. Printed in the United States of America. Cataloging-in-Publication data is on file with the Library of Congress. Paperback ISBN: 978-1-55753-846-8 An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high-quality books Open Access for the public good. The Open Access ISBN for this book is 978-1-55753-975-5.
    [Show full text]
  • Kirk Lynn Cv
    KIRK LYNN Department of Theatre and Dance Playwriting and Directing Program University of Texas at Austin 1 University Station D3900 Austin, TX 78712 [email protected] RESEARCH INTERESTS AND FIELDS Writing for contemporary performance, fiction, screenwriting, the anthropology of play EDUCATION 2004 Master of Fine Arts in Playwriting, James A. Michener Center for Writers, The University of Texas at Austin • Secondary Concentration: Fiction 1993 Bachelor of Arts in English, The University of Texas at Austin • Graduated Cum Laude EMPLOYMENT Appointments at The University of Texas at Austin 2008-present The University of Texas at Austin, Department of Theatre and Dance • 2017-Present: Associate Professor, Head of Playwriting • 2016-2017: Associate Professor, Performance Production Division Head (incl. Design, Playwriting, Directing, Production) • 2013-2016: Assistant Professor, Head of Playwriting/Directing Program • 2010-2013: Lecturer • 2008-2010: Adjunct Professor Other Appointments 2014-present Lecturer in Playwriting, Yale University, School of Drama 2005 Guest Artist, Florida State University, Tallahassee Additional Professional Employment 1995-present Founding Co-producing Artist Director, Rude Mechs, Austin, TX • 2004-2008: Development Director HONORS AND AWARDS 2018 Inducted into the Texas Institute of Letters Herb Alpert Award Nomination 2017 Howlround National Convening for the Committee of the Jubilee Lynn CV 1 2017 New Harmony Project, Writer in Full Development 2016 National Endowment for the Arts, Project Grant, Key Artist, Perverse Results: Not Every Mountain ($12,000) 2016 Writers' League of Texas Book Awards Discovery Prize Winner for Fiction for Rules for Werewolves 2015 Kenyon Playwrights Conference Commission of a new play entitled The Cabin ($15,000) Faculty Fellow, College of Fine Arts, The University of Texas at Austin College of Fine Arts, Summer Stipend, The University of Texas at Austin 2014 Herb Alpert Award Nomination 2013 Map Fund Grant, Key Artist, Stop Hitting Yourself ($23,000) B.
    [Show full text]
  • Princeton University Press, 2000
    JRN 449 Writing About War: Seeking Narratives in Conflict Prof. Thanassis Cambanis (MPA *00, former New York Times and Boston Globe correspondent) Spring 2009, Thursdays, 1:30 to 4:20, Henry House Contact professor at [email protected]. Catalogue Description: This course will teach students how to extract gripping and precise narratives from the fog of war, and how to cover with perspective the diffuse political decision-making that leads to war. We will learn about the mechanics of covering conflict. We will read journalistic, literary and philosophical accounts of war. Students will produce original reported narrative journalism, culminating in a piece of reporting they may try to place for publication. Seminar participants will visit The New York Times newsroom, and either Human Rights Watch or the International Rescue Committee. Goals and structure of course: This course will explore how to write about conflict and war. We will examine and practice journalism at either end, beginning with the political process of war-making and ending with the visceral experience of war itself. We will learn what makes a narrative compelling; we will also refine techniques to keep war reporting in balance – critical, truth-speaking, and contextual – under the distorting pressure of wartime. Today, the Iraq war and the post-9/11 “Global War on Terror” have lent urgency to the need for better conflict journalism. The same quandaries arise in other crucial hotspots: nuclear Iran, roiling Israel-Palestine, resurgent Russia. But the same questions and principles inform the low-ebb, never-ending conflicts that receive less notice but touch much of the world.
    [Show full text]
  • Guthrie Theater Announces 2017-2018 Dowling Studio Season
    FOR IMMEDIATE RELEASE July 31, 2017 Press release #1713 For more information contact: Marita Meinerts Albinson, 612.225.6142 [email protected] GUTHRIE THEATER ANNOUNCES 2017-2018 DOWLING STUDIO SEASON (Minneapolis/St. Paul)—The Guthrie Theater (Joseph Haj, Artistic Director) today announced the productions and presentations slated for the 2017-2018 Dowling Studio season, including the Midwest premiere of Mala by Melinda Lopez, the return of monologist Mike Daisey, a residency with the theater collective Rude Mechs, as well as first-time partnerships with established and emerging artists and community members. As part of the theater’s Level 9 Series, all tickets for productions in the Dowling Studio are $9. To purchase, call the Box Office 612.377.2224 or toll-free 877.44.STAGE or visit guthrietheater.org. “As part of the Level 9 Series, we’re committed to ensuring greater access for audiences through $9 tickets and expanding the range of programming available on the ninth floor, challenging our expectations of theater as an art form and deepening our ties to the community through conversation,” said Artistic Director Joseph Haj. “We have cultivated exciting collaborations with new partners locally and we continue to attract nationally acclaimed artists to the Guthrie to develop their work with us. I am deeply proud of the work our team has done to curate this lineup, and look forward to sharing this richly layered season with our community.” The Guthrie kicks off the studio season with the Midwest premiere of the ArtsEmerson production of Mala, written and performed by Melinda Lopez and directed by David Dower, playing September 22 – October 8.
    [Show full text]
  • Kent Worcester
    KENT WORCESTER PROFESSIONAL EXPERIENCE Professor of Political Science, Marymount Manhattan College, 2010-present. Assistant 1997-2003; Associate 2003- 2010. Adjunct Instructor, Department of Art History, School of Visual Arts, 2009-present. Chair, Department of Political Science, Marymount Manhattan College, 2010-2014. Chair, Division of Social Sciences, Marymount Manhattan College, 2004-2008. Adjunct Instructor, Department of Political Science, Columbia University, 1987-1991 and 2002-2003. Program Director, Social Science Research Council, 1991- 2000. EDUCATION Ph.D. Columbia University. Political Science. 1990. M.Phil (distinction). Columbia University. Political Science. 1986. M.A. Columbia University. Political Science. 1984. B.A. University of Massachusetts at Boston. Economics (distinction) and Political Science (honors). 1982. PUBLICATIONS Silent Agitators: Cartoon Art from the Pages of New Politics. BOOKS New Politics Associates, 2016. Peter Kuper: Conversations. University Press of Mississippi, 2016. Peter Bagge: Conversations. University Press of Mississippi, 2015. The Superhero Reader (coedited with Charles Hatfield and Jeet Heer). University Press of Mississippi, 2013. Nominated for a 2014 Eisner Award for Best Scholarly/Academic Writing. A Comics Studies Reader (coedited with Jeet Heer). University Press of Mississippi, 2009. Received the 2010 Peter C. Rollins Book Award for the year’s best book in cultural studies and/or American studies. Arguing Comics: Literary Masters on a Popular Medium (coedited with Jeet Heer). University Press of Mississippi, 2004. Violence and Politics: Globalization’s Paradox (coedited with Sally Avery Bermanzohn and Mark Ungar). Routledge, 2002. The Social Science Research Council: 1923-1998. SSRC, 2001. Foreword by Craig Calhoun, afterword by Kenneth Prewitt. C.L.R. James: A Political Biography. SUNY Press, 1996.
    [Show full text]
  • Wednesday, April 16, 2003
    2007 Joint Conference of the National Popular Culture and American Culture Associations April 4 - 7, 2007 Boston Marriott Copley Place ii Editor: Leslie L. Fife, Oklahoma State University; PCA/ACA Conference Coordinator Blackwell Editor: Michelle Sathan Additional information about the PCA/ACA is available at http://www.h-net.org/~pcaaca Table of Contents iii TABLE OF CONTENTS PCA AREA CHAIRS FOR THE 2007 CONFERENCE................. V ACA AREA CHAIRS FOR THE 2007 CONFERENCE ............XIV PCA/ACA CONFERENCE SITES & DATES........................... XVII 2006 PCA OFFICERS .................................................................XVIII 2006 ACA OFFICERS.................................................................XVIII BUSINESS AND BOARD MEETINGS........................................XIX SPECIAL CONFERENCE SESSIONS AND EVENTS...........XXIII CONFERENCE PAPERS FOR SALE ......................................XXXI REGISTRATION & EXHIBIT INFORMATION ................... XXXI SCHEDULE OVERVIEW........................................................ XXXII SCHEDULE ......................................................................................... 1 WEDNESDAY, APRIL 4, 2007 .......................................................... 1 WEDNESDAY, APRIL 4, 12:30–2:00 P.M............................................. 1 WEDNESDAY, APRIL 4, 2:30–4:00 P.M............................................... 5 WEDNESDAY, APRIL 4, 4:30–6:00 P.M............................................. 14 WEDNESDAY, APRIL 4, 6:30–8:00 PM.............................................
    [Show full text]
  • Clamor Magazine Include
    ABC NO RIO * The Beehive Collective Prisoner Art * Graffiti Indie Fashion plus a free stencil by Josh MacPhee! I Politics Sex Gender 'Culture Economics Media | People | | & I A Make i Mot War! i\\' ^^'il ' •»'• ^^ \ -•.« * .50 US/ $6.95 Canada 02> Issue 24 January/February 2004 2527A"96769' make art AND war (on injustice) >v cvGjijcRs SADDLE CREEK CD S. LP S. T-SHIRTS. POSTERS AND MORE AVAILABLE AT W WW. SADDLE C REEK COM NOW IT'S OVERHEAD Awash In a dark merodic pop senslbthty lush FALL BACK OPEN musical soundscapes. and hvpnotic vocals. Tall Back Open marks another step In the evolution CD (LBJ-58) and emergence of sonqwnter/sludio wizard MARCH 9. 2004 Andy LeMaster. Recrultinq the help of his Omaha and Athens musical families. Maria and Orenda from Azure Ray are present throughout and Conor Oberst and Michael Stipe help with backing vocals AZURE RAY Azure Ray have perfected the ethereal lilting vocal style - their honeyed voices blend together perfectly almost HOLD ON LOVE blurring into one silver thread - Paste CD/LP {LBJ-54) These ladies still sound as heavenly and amazing as THE DRINKS WE DRANK LAST NIGHT ever -Hold On Love is a heartrending and romantic album Under the Radar CD SINGLE (LBJ-55) Always haunting and always beautiful, Hold On Love shows NEW RESOLUTION Azure Ray s underlying warmth - CMJ New Music Report CD SINGLE (LBJ-57) (Their) voices intertwine over, around and into each other, creating thick textures warm enough to melt the most cynical of hearts Fahrenheit ALSO AVAILABLE CURSIVE BRIGHT EYES THE UGLY ORGAN LIFTED or THE STORY IS IN THE SOIL.
    [Show full text]
  • Dissent in Jest: the Political Aesthetics of Contemporary Media Humour
    DISSENT IN JEST Ph.D. Thesis – Nicholas Holm McMaster University – English and Cultural Studies DISSENT IN JEST: THE POLITICAL AESTHETICS OF CONTEMPORARY MEDIA HUMOUR By NICHOLAS H.F. HOLM, B.A. (Hons), B.Sc., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirement for the Degree Doctor of Philosophy McMaster University © Copyright by Nicholas H.F. Holm, 2012 Ph.D. Thesis – Nicholas Holm McMaster University – English and Cultural Studies DOCTOR OF PHILOSOPHY (2012) McMaster University (English and Cultural Studies) Hamilton, Ontario TITLE: Dissent in Jest: The Political Aesthetics of Contemporary Media Humour AUTHOR: Nicholas H.F.Holm, B.A. (Massey University), B.Sc. (Massey University), B.A. (Hons) (Victoria University of Wellington), M.A. (McMaster University) SUPERVISOR: Susie O’Brien, Ph.D. NUMBER OF PAGES: 303 ii Ph.D. Thesis – Nicholas Holm McMaster University – English and Cultural Studies Abstract This dissertation argues that humour not only constitutes a central aesthetic strategy within contemporary mass media, but can also be understood as a form of cultural production that is central to how we understand our world as a site of value and politics. Drawing on an understanding of liberalism as a politics of “reasonable dissent,” I investigate how humour is thought to operate as an exemplary form of this politics through a consideration of popular and scholarly literature. I then complicate this theoretical and lay consensus regarding humour-as-dissent, through a consideration of the ways in which a range of specific filmic and televisual texts – Jackass, The Office, The Sarah Silverman Program, The Chappelle Show, The Simpsons, South Park, Family Guy, The Daily Show with Jon Stewart, The Colbert Report and Four Lions – produce an aesthetic of humour through the manipulation and mobilisation of textual strategies and affective registers, such as discomfort, absurdity and provocation.
    [Show full text]
  • 9/11: Event, Trauma, Nation, Globalization
    SVEUČILIŠTE U ZAGREBU FILOZOFSKI FAKULTET Sven Cvek 9/11: EVENT, TRAUMA, NATION, GLOBALIZATION Doktorska disertacija Zagreb, 2009. Sveučilište u Zagrebu Filozofski fakultet Ivana Lučića 3 Sven Cvek "9/11": DOGAĐAJ, TRAUMA, NACIJA, GLOBALIZACIJA 9/11: EVENT, TRAUMA, NATION, GLOBALIZATION Doktorska disertacija Mentor: Prof. dr. Stipe Grgas Zagreb, 2009. Table of Contents Introduction .............................................................................................................................. 2 1. Enduring Event: Telling Stories around September 11 .............................................. 14 2. Constant Replay: Community Building at the Site/Sight of Trauma ......................... 35 3. Common Ground: Melodramas of 9/11 ..................................................................... 54 4. Shock & Own: Mediation and Expropriation In the Shadow of No Towers .............. 78 5. Globalizing (the) Nation ........................................................................................... 105 6. The Market Moves Us in Mysterious Ways: Don DeLillo on 9/11 .......................... 120 7. Cosmopolis: A Meditation on Deterritorialization ................................................... 150 8. Killing Politics: The Art of Recovery in Falling Man ............................................. 180 9. Good Mourning, America: Genealogies of Loss in Against the Day ....................... 210 Concluding Remarks ...........................................................................................................
    [Show full text]