DOCSLIB.ORG

INPUT: I ~Regents on the Issues of Publications, the Activities Fee, And, M Most Important, Discipline, It Is Difficult to Muster Optimism

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INPUT: I ~Regents on the Issues of Publications, the Activities Fee, And, M Most Important, Discipline, It Is Difficult to Muster Optimism N c ::: Togetherness .~ With the student body feeling the pressure of the Board of INPUT: I ~Regents on the issues of publications, the Activities Fee, and, m most important, discipline, it is difficult to muster optimism. letters to the editor ;:: Yet the greatest optimism is necessary for anyone to take ad­ ;lvantage of the opportunity to testify at the Regents' hearing Perfectly clear concernong abortoon For a In reference to your request to man the proposed disciplinary code. Catholoc to be in opposotoon to the meet woth me concernong the ~ Arthur Libby, Director of Student Life, claims that he be­ moral teachong of the Church To the editor: charge made agaonst me ~ ?l iieves the Board to be very open to suggestions. The Student would be a seroous departure from " Behavoor whoch )eopardozea the In the October 2 7 ossue of the ~Government is more cautious, but still hopeful. Many other the Catholoc Community It would safety or wellbeong of fellow RETRIEVER an article appeared be sinful members of the Untversoty i students and faculty are very skeptical. Based on all recent on page three introducing the In the same paragraph I am communoty". let me say that 1 w• i actions, skepticism is well founded. Campus Ministry in Catonsville. quote as sayong that borth control meet woth you under certatn :: The Board has been totally unresponsive in the past months The article was distilled from two is a moot question. " I don't believe apecrfoc corcumstances· .o to any student reactions. They have been almost exclusively hours of rambling conversation there's any question about that ... " 1) That the monutes of aut ;;single-minded in eliminating the areas of student life which with your Features Editor. Cathy are the exact words. let me make meeting be tJoken in lhort hand Carroll. She did an excellent job of Clhave been causing them difficulty. They have gone so far as it perfectly clear that the Roman Esperanto b'( the Imam ~ reducing our conversation but 1 to infringe on the basic rights of the students as human beings Church is totally against any form Praetoroa. must take exception to two and citizens. of artifocial birth control. Artificial 2) That every twenty mrnutee 1 important matters. If Student Life and Student Government can manage opti­ birth control is sinful. As a Catholic be allowed a rest periOd durong In the third paragraph from the mism at this time they are most likely playing their roles as I certainly follow this teachong and which Betty Ammerman songs the end Miss Carroll has me quoted as as an official "teacher" for the death song from " Aida" whrle links between the student body and the Regents. It is their saying that abortion " ... depends on Church I am not able or willing to juggling four sea-urchons, two ~ duty to make an effort to persuade the Board to change its the individual involved ..... Frankly. 1 teach anything contrary to thos. which must bear a passrng mind about these harsh new policies. But despite a supposed follow my Church's view and there If there is to be true Ecumenism resemblance to David Eosenhower, common goal, the same difficulty as always exists. Student can be no question that for me in the Campus Ministry here. my 3) That. on case of a stalemate. abortion is immoral. The quote Life is administration oriented, and the SG is student position as a Roman Catholic your mother and my mother oriented. While both are calling for a unified position it is comes from the fact that I priest cannot be amboguous. decode th& outcome by foghtong very questionable whether one can be reached. It is more im· dintinguished between the moral I deeply regret that I gave any with sox-foot balsa wood cudgels portant that the Student Government present a legitimate view of abortion as opposed to the wrong impressions. I am while balancing on a toghtrope opposition to the code, than to make major concessions in the legal situation in the state. I think unapologetically a Roman priest suspended QVer the Jones Falla hope of gaining a few minor changes in the proposal. one can be a faithful Catholic and and quite open to discussion of Expressway at 5 00 P M next hold various views on the laws these or other issues. Monday Thank you for the introduction Concernong the troal itself. I wiN to the campus your artocle assent to ot only if ot os held on the afforded. old gymnasium wherein the Rev. Frank Sullivan students, staff, and faculty may freely attend the open hearong_ Critique by Barry Hoffman Abortion 'myth' Byrdsfly in T•ampolines should be provided Dear Editors. for the Judges and I expect you to I'm getting sick and tired of wear your tapdancing shoes. The Byrds land on campus scene and developing many a unfamiliar tune. the opener " Lover hearing about quick and easy Evelyn Barker should conduct the November 13 in the wake of a talented musician. of the Bayou." a number fraught abortions. To terminate a opening ceremonoes and the salute popular new album following the However. the new quartet has with voodoo and White's lead. pregnancy is rarely easy for the to the Yippee Flag plus the two-year-old tradition set by the become rather permanent-looking. Next comes the abbreviated but woman. Few women can treat national anthem. Brown Shoes Cream for major rock groups-a save for a shift in bass players six beautiful performance of Dylan's their abortions with the Don't Make It (b'( Frank Zappa). double album. one of which is live. months ago. Me Guim is still the " Positively Fourth Street." offhandedness of the writer. The The defense table should be The bonus-pr~ced package. twelve-string genius. He alternates followed by Byrd-songs : operation is followed not only by provided with an adequate supply Untotled. contains some of the leads with rockabilly Clarence " Nashville West:· "So You Want physical pain. but often by guilt of high-heeled shoes and group's most introguon3. intense. White. a kind of Country Clapton. to be a Rock and Roll Star:· and remorse. peppermint Pez (I'm kind of fun­ and enjoyable music to this date. who developed a way to make any 'Daylan's " Mr. Tambourine Man." Also. in Baltimore abortions are ny about them). Of course. the four Byrds of guitar sound like a pedal steel and a superb " Mr. Spaceman." not readily available. Only a person If I am acquitted. I reserve the Untotled are not Jom Me Guiff!, Nashville model. Skip Battin is the The latter three are dominated by who has had little contact with the right to make a plaster cast of Bill Dave Crosby. M ike Clarke. and new bassman. whose addition McGuim's twelve string lead gynecological departments of Rothstein's pems and have it Chros Hollman. Nor are they Roger gave the Byrds new vitality in and strong vocal . which Baltimore hospitals can maintain placed on permanent display at Me Guom, Gram Parsons. Chros return for breaking almost two unfortJnately lacks a high the myth of the easy abortion. Baltimore Museum of Art Hollman. and Kevon Kelly. As most years w ithout a personality harmony from the group's other Most hospitals do not want to be (Abstract Sculpture Department) Byrd-watchers know. Me Gu im is change. a Byrds record. Gene members. primarily because their bothered with the flood of abortion along with a bronze plaque giving the sole survovor of the origonal Parsons is a hard. Baker-style microphones are at lower requests. proper onstructions for use and quontet (losted as the former minus drummer who adds a touch of jazz volumes. The live album finishes However. the main danger in cleaning. If I am found guilty. I will Gene Clarke) whoch has given birth to the overall style. The result is a with sixteen minutes of " Eight the .. easy. cheap abortion" myth is appeal to the mercy of the Court on otself to Dollard and Clarke. the glorious mix. particularly in the live Miles High," a fantastic lour-way its effect on contraception. With tearfully reminding them that they Flyong Burroto Brothers (also album. whereon Me Guim's folk­ join with all kinds of overtones. abortions supposedly always were young once and that boys featurong Gram Parsons) and of rock, White's country twang. undertones. and brilliant variations available. many couples postpone will be boys. course. Crosby. Stolls. Nash. & Batton's heavy rock. and Parson's of a theme by Me Guim. Crosby. the contraception question until Until then. I remaon. Young Roger (Jom) Me Guom has jazz. blend in an aurally colorful and Clarke. the woman is pregnant. Many Arthur Levi the Younger. earned a reputatoon as the John sound. The live album's vocals are young men do not share the Third Inheritor of the Mayall of rock. brongong onto the The live album features only one better organized. and the music is responsibility in this matter. They richer due to the overdubbing. The smugly assume that there is no songs are great. if not too relevant. reason for .. a college-educated In other words " Chestnut Mare" is a lovely yarn woman to get pregnant Dear Sir: nowadays." It's not " their" fault if THE RETRIEVER bout a wild horse: " Truck Stop As co-chairman of the SGA Girl" is White's touching hillbilly women are sacred of birth control Volume V, Number 9 Lecture Committee, I would 111m> poem. and " All Thongs" is pills and intro-uterone devices.
Load more

Recommended publications
  • Memphis Jug Baimi
    94, Puller Road, B L U E S Barnet, Herts., EN5 4HD, ~ L I N K U.K. Subscriptions £1.50 for six ( 54 sea mail, 58 air mail). Overseas International Money Orders only please or if by personal cheque please add an extra 50p to cover bank clearance charges. Editorial staff: Mike Black, John Stiff. Frank Sidebottom and Alan Balfour. Issue 2 — October/November 1973. Particular thanks to Valerie Wilmer (photos) and Dave Godby (special artwork). National Giro— 32 733 4002 Cover Photo> Memphis Minnie ( ^ ) Blues-Link 1973 editorial In this short editorial all I have space to mention is that we now have a Giro account and overseas readers may find it easier and cheaper to subscribe this way. Apologies to Kees van Wijngaarden whose name we left off “ The Dutch Blues Scene” in No. 1—red faces all round! Those of you who are still waiting for replies to letters — bear with us as yours truly (Mike) has had a spell in hospital and it’s taking time to get the backlog down. Next issue will be a bumper one for Christmas. CONTENTS PAGE Memphis Shakedown — Chris Smith 4 Leicester Blues Em pire — John Stretton & Bob Fisher 20 Obscure LP’ s— Frank Sidebottom 41 Kokomo Arnold — Leon Terjanian 27 Ragtime In The British Museum — Roger Millington 33 Memphis Minnie Dies in Memphis — Steve LaVere 31 Talkabout — Bob Groom 19 Sidetrackin’ — Frank Sidebottom 26 Book Review 40 Record Reviews 39 Contact Ads 42 £ Memphis Shakedown- The Memphis Jug Band On Record by Chris Smith Much has been written about the members of the Memphis Jug Band, notably by Bengt Olsson in Memphis Blues (Studio Vista 1970); surprisingly little, however has got into print about the music that the band played, beyond general outline.
    [Show full text]
  • Pandoras Box CD-List 06-2006 Short
    Pandoras Box CD-list 06-2006 short.xls Form ARTIST TITLE year No Label price CD 2066 & THEN Reflections !! 1971 SB 025 Second Battle 15,00 € CD 3 HUEREL 3 HUEREL 1970-75 WPC6 8462 World Psychedelic 17,00 € CD 3 HUEREL Huerel Arisivi 1970-75 WPC6 8463 World Psychedelic 17,00 € CD 3SPEED AUTOMATIC no man's land 2004 SA 333 Nasoni 15,00 € CD 49 th PARALLELL 49 th PARALLELL 1969 Flashback 008 Flashback 11,90 € CD 49TH PARALLEL 49TH PARALLEL 1969 PACELN 48 Lion / Pacemaker 17,90 € CD 50 FOOT HOSE Cauldron 1968 RRCD 141 Radioactive 14,90 € CD 7 th TEMPLE Under the burning sun 1978 RRCD 084 Radioactive 14,90 € CD A - AUSTR Music from holy Ground 1970 KSG 014 Kissing Spell 19,95 € CD A BREATH OF FRESH AIR A BREATH OF FRESH AIR 196 RRCD 076 Radioactive 14,90 € CD A CID SYMPHONY FISCHBACH AND EWING - (21966CD) -67 GF-135 Gear Fab 14,90 € CD A FOOT IN COLDWATER A Foot in coldwater 1972 AGEK-2158 Unidisc 15,00 € CD A FOOT IN COLDWATER All around us 1973 AGEK-2160 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - Vol. 1 1973 BEBBD 25 Bei 9,95 € CD A FOOT IN COLDWATER best of - Vol. 2 1973 BEBBD 26 Bei 9,95 € CD A FOOT IN COLDWATER The second foot in coldwater 1973 AGEK-2159 Unidisc 15,00 € CD A FOOT IN COLDWATER best of - (2CD) 1972-73 AGEK2-2161 Unidisc 17,90 € CD A JOINT EFFORT FINAL EFFORT 1968 RRCD 153 Radioactive 14,90 € CD A PASSING FANCY A Passing Fancy 1968 FB 11 Flashback 15,00 € CD A PASSING FANCY A Passing Fancy - (Digip.) 1968 PACE-034 Pacemaker 15,90 € CD AARDVARK Aardvark 1970 SRMC 0056 Si-Wan 19,95 € CD AARDVARK AARDVARK - (lim.
    [Show full text]
  • Montana Kaimin, April 17, 1981 Associated Students of the University of Montana
    University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 4-17-1981 Montana Kaimin, April 17, 1981 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, April 17, 1981" (1981). Montana Kaimin, 1898-present. 7140. https://scholarworks.umt.edu/studentnewspaper/7140 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Editors debate news philosophies By Doug O’Harra of the Society of Professional Montana Kaimin Reporter Journalists about a controversy arising out of the Weekly News’ , Two nearly opposite views of reporting of the trial and senten­ journalism and newspaper cing, and a Missoulian colum­ coverage confronted one another nist’s subsequent reply several yesterday afternoon as a Mon­ days later. tana newspaper editor defended On Sept. 3, Daniel Schlosser, a his paper’s coverage of the trial 36-year-old Whitefish man, was and sentencing of a man con­ sentenced to three consecutive 15- victed of raping young boys. year terms in the Montana State Before about 70 people, packed Prison for three counts of sexual in the University of Montana assault.
    [Show full text]
  • DESERT ROSE BAND~ACOUSTIC (Biography)
    DESERT ROSE BAND~ACOUSTIC (biography) ROCK & ROLL HALL OF FAME MEMBER CHRIS HILLMAN AND THE DESERT ROSE BAND~ACOUSTIC TO PERFORM IN A RARE APPEARANCE Joining Chris Hillman in this acoustic appearance are John Jorgenson on guitar/mandolin, Herb Pedersen on guitar and Bill Bryson on bass. Chris Hillman was one of the original members of The Byrds, which also included Roger McGuinn, David Crosby, Gene Clark and Michael Clarke. The Byrds were inducted into the Rock & Roll Hall of Fame in 1991. After his departure from the Byrds, Hillman, along with collaborator Gram Parsons, was a key figure in the development of country-rock. Hillman virtually defined the genre through his seminal work with the Byrds and later bands, The Flying Burrito Brothers and Manassas with Steven Stills. In addition to his work as a musician, Hillman is also a successful songwriter and his songs have been recorded by artists as diverse as; Emmylou Harris, Patti Smith, The Oak Ridge Boys, Beck, Steve Earl, Peter Yorn,Tom Petty, and Dwight Yoakam. In the 1980s Chris formed The Desert Rose Band which became one of country music’s most successful acts throughout the 1980s and 1990s, earning numerous ‘Top 10’ and ‘Number 1’ hits. The band’s success lead to three Country Music Association Awards, and two Grammy nominations. Although the Desert Rose Band disbanded in the early 1990s, they performed a reunion concert in 2008 and have since played a few shows together in select venues. Herb Pedersen began his career in Berkeley, California in the early 1960′s playing 5 string banjo and acoustic guitar with artists such as Jerry Garcia, The Dillards, Old and in the Way, David Grisman and David Nelson.
    [Show full text]
  • History of Rock and Roll Unit 2 02/18/2014
    History of Rock and Roll Unit 2 02/18/2014 Bob Dylan Born as Robert Zimmerman 1941 in Minnesota Played in lots of bands singing POP in high school, interest in rock and roll led to American Folk in college Woody Guthrie- Bob Dylan’s musical idol o Goes to NY mental hospital to visit Guthrie with Huntingtons disease Begiins playing in clubs in Greenwich Village Signed to Columbia Records by John Hammond, against Columbia Record’s wishes “Blowin in the Wind”- most popular song at this time, is widely recorded and becomes an international hit for Peter, Paul and Mary setting precedent for many other artists who have hits with Dylan’s songs “Times They are A-Changin’”- Folk songs there is a structure and a repeating moral… About Vietnam war.. Don’t criticize what you cant understand o Produced by Tom Wilson Album: Another Side of Bob Dylan- “My Back Pages”- “ah, but I was so much older then, im younger than that now”—he starts writing about himself o This song has been interpreted as a rejection of Bob’s earlier personal and political idealism, illustrating a growing disillusionment with the 1960s folk protest movement, and his desire to move in a new direction “Subterranean Homesick Blues”—Inspired by Chuck Berry’s “Too much monkey business” o this is Dylan’s first single to chart in the US peaking at #39 “Mr. Tambourine Man”—The Byrd’s version reached #1 in US and UK and is the title track of their first album. “Like a Rolling Stone”—“How does it feel, hoe does it feel to be without a home like a complete unknown, like a rolling stone?” o #2 in US, #4 in UK o Mike Bloomfield-guitar o Al Kooper-Improvised the organ rif 1965 Newport Folk Festival- Dylan is warmly received where he is considered the leading songwriter Album Blonde On Blonde- Producer Bob Johnston Dylan crashes his motorcycle near his home in Woodstock, New York.
    [Show full text]
  • The Byrds the Very Best of the Byrds Mp3, Flac, Wma
    The Byrds The Very Best Of The Byrds mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: The Very Best Of The Byrds Country: Canada Released: 2008 Style: Folk Rock, Psychedelic Rock, Classic Rock MP3 version RAR size: 1369 mb FLAC version RAR size: 1614 mb WMA version RAR size: 1322 mb Rating: 4.6 Votes: 227 Other Formats: ADX MP4 MPC DMF XM AIFF AU Tracklist 1 Mr. Tambourine Man 2:33 2 I'll Feel A Whole Lot Better 2:35 3 All I Really Want To Do 2:06 4 Turn! Turn! Turn! (To Everything There Is A Season) 3:53 5 The World Turns All Around Her 2:16 6 It's All Over Now, Baby Blue 4:55 7 5D (Fifth Dimension) 2:36 8 Eight Miles High 3:38 9 I See You 2:41 10 So You Want To Be A Rock 'n' Roll Star 2:09 11 Have You Seen Her Face 2:43 12 You Ain't Goin' Nowhere 2:37 13 Hickory Wind 3:34 14 Goin' Back 3:58 15 Change Is Now 3:25 16 Chestnut Mare 5:09 17 Chimes Of Freedom 3:54 18 The Times They Are A-Changin' 2:21 19 Dolphin's Smile 2:01 20 My Back Pages 3:11 21 Mr. Spaceman 2:12 22 Jesus Is Just Alright 2:12 23 This Wheel's On Fire 4:47 24 Ballad Of Easy Rider 2:04 Credits Artwork By – David Axtell Compiled By – Sharon Hardwick, Tim Fraser-Harding Photography By – Don Hunstein, Sandy Speiser Notes Packaged in Discbox Slider.
    [Show full text]
  • ''The Byrds Created Many, Many Pieces of Art· - High Art
    REVIEWER: Mike Delaney ''The Byrds created many, many pieces of art· - high art. Approximately perfect" - says Michael Delaney. · · Basically, the Byrds have been two: '(McGuinn, Clarke, Crosby, Clark and Hillman; McGuinn, Parsons, White, Battin. The original line-up (a quintet to a quartet to a trio) cut five albums up to '.anil "Gene Clark, Chris Hillman, David Crosby, Next, just before "The Notorious Byrd including "The Notorious Byrd Brothers". Roger McGuinn, Michael Clarke". - The Brothers'', David Crosby got fired for being Six, if you include "Greatest Hits Vol. I:"; Byrds; E.M.I. Stereo. SYLAA.8754. tOO' politieal; Michael Clarke split before seven, ,if you include "Preflyte" - a "Greatest .Hits Vol. l." - The Byrds. C.B.S. ''Sweetheart .. or The Rodeo" and Chris collector's piece made from old demo tapes. Stereo. SBP.233440. Hillman followed straight after. Clarence "Dr. Byrds & Mr. Hyde" /"Ballad Of Easy "Greatest Hits Vol. 2." - The ByrdS: C.B.S. White, John York, Kevin Kelly, Gram Rider!' albums sort of bridged the gap . Stereo. SBP.234256. Parsons, Gene Parson, came in, saw the band between Byrds Phase One And Two. A bit through "Sweetheart Of The Rodeo" and shaky in places. well into Byrds Phase Two, then, with the · ,Now, the 'Byrds are gone. McGuinn split , "There are only a few groups with value, exception of White and Gene Parsons, split. Byrds phase two in order to get the originals who relate to values beyond the sound of · Gram Parsons ('I'm your toy ... I'm your .back: ·Also, in between band sessions music. There are only a handful of those old boy') went over to Hillman and formed (roughly two albums a year), he intends to with th'e power to reach to the edge .of ~he the Flying Burrito Brothers; John York work solo.
    [Show full text]
  • Songs of the Underground Rolling Thunder Revue
    Songs of the Underground Rolling Thunder Revue (a collectors guide to the Rolling Thunder Revue 1975-1976) Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 © Les Kokay 2000 All rights Reserved. This text may be reproduced, re-transmitted and redistributed provided that it is not altered in any way and the author is acknowledged.. Any corrections, additions and enhancements welcome. I may be contacted at [email protected] for any corrections or enhancements, but I am unable to provide any details on obtaining any tapes, CDs or Bootlegs, or items that would infringe the artists copyright. © Les Kokay 2003 2 All rights Reserved. Songs of the Underground - a collectors guide to the Rolling Thunder Revue 1975-1976 Contents Dedication ...............................................................................................................................................5 Acknowledgents and thanks.....................................................................................................................5 Introduction to RTR 1975...........................................................................................7 Rolling Thunder Revue Rehearsals Oct 75............................................................................................12 Plymouth, Massachusetts, War Memorial Auditorium, 30 Oct 75 ........................................................13 North Dartmouth, Massachusetts, South Eastern University, 1 Nov 75................................................18
    [Show full text]
  • GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie Van Varik
    GRAM PARSONS LYRICS Compiled by Robin Dunn & Chrissie van Varik. As performed in principal recordings (or demos) by or with Gram Parsons or, in the case of Gram Parsons compositions, performed by others. Gram often varied, adapted or altered the lyrics to non-Parsons compositions; those listed here are as sung by him. Gram’s birth name was Ingram Cecil Connor III. However, ‘Gram Parsons’ is used throughout this document. Following his father’s suicide, Gram’s mother Avis subsequently married Robert Parsons, whose surname Gram adopted. Born Ingram Cecil Connor III, 5th November 1946 - 19th September 1973 and credited as being the founder of modern ‘country-rock’, Gram Parsons was hugely influenced by The Everly Brothers and included a number of their songs in his live and recorded repertoire – most famously ‘Love Hurts’, a truly wonderful rendition with a young Emmylou Harris. He also recorded ‘Brand New Heartache’ and ‘Sleepless Nights’ – also the title of a posthumous album – and very early, in 1967, ‘When Will I Be Loved’. Many would attest that ‘country-rock’ kicked off with The Everly Brothers, and in the late sixties the album Roots was a key and acknowledged influence, but that is not to deny Parsons huge role in developing it. Gram Parsons is best known for his work within the country genre but he also mixed blues, folk, and rock to create what he called “Cosmic American Music”. While he was alive, Gram Parsons was a cult figure that never sold many records but influenced countless fellow musicians, from the Rolling Stones to The Byrds.
    [Show full text]
  • WDAM Radio's History of the Byrds
    WDAM Radio's Hit Singles History Of The Byrds # Artist Title Chart Comments Position/Year 01 Jet Set “The Only One I Adore” –/1964 Jim McGuinn, Gene Clark & David Crosby with studio musicians 02 Beefeaters “Please Let Me Love You” –/1964 03 Byrds “Mr. Tambourine Man” #1/1965 Jim McGuinn, Gene Clark, David Crosby, Michael Clarke & Chris Hillman. Only Jim McGuinn played on this recording with the Wrecking Crew studio musicians. 03A Bob Dylan “Mr. Tambourine Man” #6-Albums/ From Bringing It All Back Home. 1965 03B Brothers Four “Mr. Tambourine Man” #118-Albums/ Recorded in1964, but not issued until 1965.The 1965 Brothers Four had some management connection with Bob Dylan and had even shared some gigs. In late 1963, following JFK's assassination, the Brothers Four began looking at more serious material and were presented with some Bob Dylan demos. Among his songs the group chose to record was Mr. Tambourine Man. Bob Dylan has say over who first releases one of his songs and, since he didn't care for the Brothers Four's arrangement, it wasn't immediately issued. It appeared on their The Honey Wind Blows album following the Byrds' hit and Bob Dylan's own version. 04 Byrds “All I Really Want To Do” #40/1965 A-side of I’ll Feel A Whole Lot Better. 04A Cher “All I Really Want To Do” #15/1965 Cher’s first solo hit single. 04B Bob Dylan “All I Really Want To Do” #43-Albums/ From Another Side Of Bob Dylan. 1964 05 Byrds “I’ll Feel A Whole Lot Better” #103/1965 B-side of All I Really Want To Do.
    [Show full text]
  • Coahoma County, Mississippi, Field Trips, 1941-1942: a Guide
    American Folklife Center, Library of Congress Coahoma County, Mississippi, Field Trips, 1941-1942: A Guide Rob Cristarella, Todd Harvey, Nathan Salsburg, and Chris Smith (2016) 1 Contents Scope and Content .......................................................................................................................... 3 Chronology ...................................................................................................................................... 5 1941 ............................................................................................................................................. 5 1942 ............................................................................................................................................. 9 1943 ........................................................................................................................................... 15 Inventories .................................................................................................................................... 16 Series 1: Manuscripts ................................................................................................................ 16 Series 2: Sound Recordings ....................................................................................................... 22 Series 3: Graphic Images ........................................................................................................... 56 Series 4: Moving Images...........................................................................................................
    [Show full text]
  • Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion.
    [Show full text]