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International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else
New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students. -
Adoration Fr-Nl-En
PRESENTE / PRESENTEERT ADORATION un film de / een film van Fabrice du Welz avec / met Thomas Gioria, Fantine Harduin, Benoît Poelvoorde, Laurent Lucas, Peter Van den Begin, Charlotte Vandermeersch, Anaël Snoek, Gwendolyn Gourvenec FESTIVAL DE LOCARNO 2019 – PIAZZA GRANDE FIFF 2019 – COMPETITION : Prix d’interprétation pour Fantine Harduin & Thomas Gioria SITGES FESTIVAL 2019 - OFICIAL FANTÀSTIC COMPETICIÓN : Special Jury Prize - Best Photography - Manu Dacosse - Special Mention of the Jury for Thomas Gioria & Fantine Harduin Méliès d'Argent (award given to the best European fantastic genre feature film) FESTIVAL DU NOUVEAU CINEMA MONTREAL 2019 BFI LONDON 2019 © Kris Dewitte Belgique, France / België, Frankrijk – 2019 – DCP – Couleur/Kleur – 2.35 – 5.1 VO FR avec ST NL / FR OV met NL OT - 98’ Distribution / Distributie : IMAGINE SORTIE NATIONALE RELEASE 15/01/2020 T : 02 331 64 31 / M Tinne Bral : 0499 25 25 43 photos / foto's : http://press.imaginefilm.be press : THE PR FACTORY Marie-France Dupagne : [email protected] & Barbara Van Lombeek : [email protected] SYNOPSIS FR ADORATION, c’est l’histoire de Paul, un jeune garçon solitaire de 14 ans. Sa mère est femme de ménage dans une clinique psychiatrique. Son père les a quittés il y a déjà très longtemps. Une nouvelle patiente arrive à la clinique. Elle s’appelle Gloria, une adolescente trouble et solaire. Paul va en tomber amoureux fou et s’enfuir avec elle, loin du monde des adultes… NL ADORATION is het verhaal van Paul, een 14-jarige dromer. Zijn moeder is werkvrouw in een psychiatrisch ziekenhuis. Zijn vader is lang geleden uit hun leven verdwenen. -
Le PRIX De La JEUNESSE Au Festival De Cannes - Repères Historiques
Le PRIX de la JEUNESSE Au festival de Cannes - Repères historiques Document mis à jour le 9 janvier 2021 Nota Comme leur nom l’indique, ces fiches « Repères historiques » sont l’indication chronologique des principaux faits marquants liés au sujet traité. Elles ne visent pas à être des analyses approfondies. Leur objectif est simplement de donner au lecteur des indications de bases, en lui permettant, s’il le désire, d’aller « plus loin ». Dans le cas précis, il s’agit d’un témoignage d’acteur, « source d’information primaire », susceptible d’être utilisée par des historiens et chercheurs, avec d’autres sources, le cas échéant. En 2013, le prix de la Jeunesse n’a pas été reconduit par le ministère. Plan I - Historique et modalités - De la dimension locale à une dimension européenne • De 1982 à 1988 • De 1989 à 2002 II - Une reconnaissance croissante au sein d’une manifestation internationale • De 2003 à 2009 • De 2010 à 2013, un changement de nature III - L’organisation IV - L’encadrement des jeunes • Comment rendre les jeunes acteurs du projet ? • Comment relier un travail éducatif à une approche du monde professionnel ? • Comment intégrer une dimension européenne ? V - Partenariat et éducation populaire • Les projections au quartier Ranguin • Les sélections parallèles, une éducation au regard VI - Communication VII - Évaluation et conclusion VIII - Palmarès %%%% Prix de la Jeunesse - Festival de Cannes 1 CHMJS La volonté de proposer un événement pour les jeunes pendant le festival de Cannes, re- connu comme le plus important festival de cinéma au monde, revient à Edwige Avice, ministre de la Jeunesse et des Sports de 1981 à 1984, l’idée d’un prix décerné par un jury de jeunes lui ayant été suggérée par Frédéric Mitterrand. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
Land of Mine
LAND OF MINE Directed and Written by Martin Zandvliet Official Selection 2016 Sundance Film Festival 2015 Toronto International Film Festival 101 Minutes East Coast Publicity West Coast Publicity Distributor Sophie Gluck & Block Korenbrot Sony Pictures Classics Associates 6100 Wilshire Blvd Carmelo Pirrone Sophie Gluck Suite 170 Maya Anand Aimee Morris Los Angeles, CA 90048 550 Madison Ave [email protected] 323-634-7001 tel New York, NY 10022 [email protected] 323-634-7030 fax 212-833-8833 tel 212-833-8844 fax CAST Sgt. Rasmussen ROLAND MØLLER Captain Ebbe MIKKEL BOE FØLSGAARD Sebastian Schumann LOUIS HOFMANN Helmut Morbach JOEL BASMAN Ernst Lessner EMIL BELTON Werner Lessner OSKAR BELTON FILMMAKERS Written and directed by Martin Zandvliet Director of Photography Camilla Hjelm Knudsen, DFF Production Designer Gitte Malling Casting Director Simone Bär Editors Per Sandholt Molly Malene Stensgaard Composer Sune Martin Sound Designer Rasmus Winther Jensen Re-recording Mixer Lars Ginzel Production Sound Mixer Johannes Elling Dam Costume Designer Stefanie Bieker Hair and Make-up Designer Barbara Kreuzer Producer Mikael Chr. Rieks Malte Grunert Line Producer Louise Birk Petersen Post Producer Mette Høst Hansen Executive Producers Henrik Zein Torben Majgaard Lena Haugaard Oliver Simon Daniel Baur Stefan Kapelari Silke Wilfinger Associate Producer Klaus Dohle LOGLINE As World War Two comes to an end, a group of German POWs, boys rather than men, are captured by the Danish army and forced to engage in a deadly task – to defuse and clear land mines from the Danish coastline. With little or no training, the boys soon discover that the war is far from over. -
François Cluzet in 11.6
Pan-Européenne Presents In Association with Wild Bunch François Cluzet in 11.6 A film by Philippe Godeau Starring Bouli Lanners and Corinne Masiero Written by Agnès de Sacy and Philippe Godeau Loosely based on Alice Géraud "Toni 11.6 Histoire du convoyeur" 1h42 - Dolby SRD - Scope - Visa n°133.508 High definition pictures and press kit can be downloaded from www.wildbunch.biz SYNOPSIS Toni Musulin. Security guard. Porsche owner. Loner. Enigma. An ordinary man seeking revenge for humiliation at the hands of his bosses. A man with a slow-burning hatred of the system. And the man behind "the heist of the century". Q&A with Philippe Godeau After ONE FOR THE ROAD, how did you decide to make a film about this one-of-a-kind €11.6 million heist? From the very beginning, what mattered to me wasn't so much the heist as the story of that man who'd been an armoured car guard for ten years with no police record, and who one day decided to take action. How come this punctual, hard- working, seemingly perfect, lonely employee, who kept his distance from unions, ended up pulling off the heist of the century and went to the other side? With the screenwriter Agnès de Sacy, this was our driving force. What was it that drove him to take action? We did a lot of research, we visited the premises, and we met some of his co-workers, some of his acquaintances, his lawyers… What about the real Toni Musulin? Did you actually meet him? I didn't. -
A Brand New Testament Trailer
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Activity Results for 2015
Activity results for 2015 Eurimages, the Council of Europe Fund for the co-production, distribution and exhibition of European cinematographic works has 37 member states1. The Fund’s President is Jobst Plog. SOME KEY FIGURES In 2015, the total amount of support granted by the Fund amounted to €24 923 250, distributed as follows: Share of the Support Programme total amount Total amount allocated allocated €22 619 895 was awarded to European producers for Co-production 90.76% 92 European co-productions. 55.76% of projects submitted were supported. €1 253 477 was allocated to the two schemes in the distribution support programme: Distribution 5.03% Scheme 1, support for marketing and publicity expenses; Scheme 2, support for awareness raising of European cinema2. Theatres (programme €795 407 was paid to theatres to support programming initiatives in 2014. The 3.19% support) Eurimages/Europa Cinemas network comprised 70 theatres on 31 December 2015. €254 471 was allocated for promotional activities, the Eurimages Co-Production Promotion 1.02% Award – Prix Eurimages (EFA), the Eurimages Co-Production Development Award, the FACE Award, the Odyssée-Council of Europe Prize, presence in Cannes and Berlin, etc. AWARDS AND NOMINATIONS FOR FILMS SUPPORTED BY EURIMAGES Many films supported by the Eurimages Fund won awards at major international film festivals in 2015, including the film Mustang, which was probably the biggest prize-winner of the year. Ida attracted a record number of awards and nominations while Youth, the High Sun and the animated film Song of the Sea were also in the leading pack of prize-winners. -
Tom Stoppard
Tom Stoppard: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Stoppard, Tom Title: Tom Stoppard Papers 1939-2000 (bulk 1970-2000) Dates: 1939-2000 (bulk 1970-2000) Extent: 149 document cases, 9 oversize boxes, 9 oversize folders, 10 galley folders (62 linear feet) Abstract: The papers of this British playwright consist of typescript and handwritten drafts, revision pages, outlines, and notes; production material, including cast lists, set drawings, schedules, and photographs; theatre programs; posters; advertisements; clippings; page and galley proofs; dust jackets; correspondence; legal documents and financial papers, including passports, contracts, and royalty and account statements; itineraries; appointment books and diary sheets; photographs; sheet music; sound recordings; a scrapbook; artwork; minutes of meetings; and publications. Call Number: Manuscript Collection MS-4062 Language English Access Open for research Administrative Information Acquisition Purchases and gifts, 1991-2000 Processed by Katherine Mosley, 1993-2000 Repository: Harry Ransom Center, University of Texas at Austin Stoppard, Tom Manuscript Collection MS-4062 Biographical Sketch Playwright Tom Stoppard was born Tomas Straussler in Zlin, Czechoslovakia, on July 3, 1937. However, he lived in Czechoslovakia only until 1939, when his family moved to Singapore. Stoppard, his mother, and his older brother were evacuated to India shortly before the Japanese invasion of Singapore in 1941; his father, Eugene Straussler, remained behind and was killed. In 1946, Stoppard's mother, Martha, married British army officer Kenneth Stoppard and the family moved to England, eventually settling in Bristol. Stoppard left school at the age of seventeen and began working as a journalist, first with the Western Daily Press (1954-58) and then with the Bristol Evening World (1958-60).