2013 Reference Document Chapter 1 - Persons Responsible for the Reference Document and Statutory Auditors
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Manual for Language Test Development and Examining
Manual for Language Test Development and Examining For use with the CEFR Produced by ALTE on behalf of the Language Policy Division, Council of Europe © Council of Europe, April 2011 The opinions expressed in this work are those of the authors and do not necessarily reflect the official policy of the Council of Europe. All correspondence concerning this publication or the reproduction or translation of all or part of the document should be addressed to the Director of Education and Languages of the Council of Europe (Language Policy Division) (F-67075 Strasbourg Cedex or [email protected]). The reproduction of extracts is authorised, except for commercial purposes, on condition that the source is quoted. Manual for Language Test Development and Examining For use with the CEFR Produced by ALTE on behalf of the Language Policy Division, Council of Europe Language Policy Division Council of Europe (Strasbourg) www.coe.int/lang Contents Foreword 5 3.4.2 Piloting, pretesting and trialling 30 Introduction 6 3.4.3 Review of items 31 1 Fundamental considerations 10 3.5 Constructing tests 32 1.1 How to define language proficiency 10 3.6 Key questions 32 1.1.1 Models of language use and competence 10 3.7 Further reading 33 1.1.2 The CEFR model of language use 10 4 Delivering tests 34 1.1.3 Operationalising the model 12 4.1 Aims of delivering tests 34 1.1.4 The Common Reference Levels of the CEFR 12 4.2 The process of delivering tests 34 1.2 Validity 14 4.2.1 Arranging venues 34 1.2.1 What is validity? 14 4.2.2 Registering test takers 35 1.2.2 Validity -
REFERENCE DOCUMENT Containing the Annual Financial Report Fiscal Year 2016 PROFILE
REFERENCE DOCUMENT containing the Annual Financial Report Fiscal Year 2016 PROFILE The Lagardère group is a global leader in content publishing, production, broadcasting and distribution, whose powerful brands leverage its virtual and physical networks to attract and enjoy qualifi ed audiences. The Group’s business model relies on creating a lasting and exclusive relationship between the content it offers and its customers. It is structured around four business divisions: • Books and e-Books: Lagardère Publishing • Travel Essentials, Duty Free & Fashion, and Foodservice: Lagardère Travel Retail • Press, Audiovisual (Radio, Television, Audiovisual Production), Digital and Advertising Sales Brokerage: Lagardère Active • Sponsorship, Content, Consulting, Events, Athletes, Stadiums, Shows, Venues and Artists: Lagardère Sports and Entertainment 1945: at the end of World 1986: Hachette regains 26 March 2003: War II, Marcel Chassagny founds control of Europe 1. Arnaud Lagardère is appointed Matra (Mécanique Aviation Managing Partner of TRAction), a company focused 10 February 1988: Lagardère SCA. on the defence industry. Matra is privatised. 2004: the Group acquires 1963: Jean-Luc Lagardère 30 December 1992: a portion of Vivendi Universal becomes Chief Executive Publishing’s French and following the failure of French Offi cer of Matra, which Spanish assets. television channel La Cinq, has diversifi ed into aerospace Hachette is merged into Matra and automobiles. to form Matra-Hachette, 2007: the Group reorganises and Lagardère Groupe, a French around four major institutional 1974: Sylvain Floirat asks partnership limited by shares, brands: Lagardère Publishing, Jean-Luc Lagardère to head is created as the umbrella Lagardère Services (which the Europe 1 radio network. company for the entire became Lagardère Travel Retail ensemble. -
TIAGO RODRIGUES Antoine Et Cléopâtre D’Après William Shakespeare
TIAGO RODRIGUES Antoine et Cléopâtre d’après William Shakespeare Théâtre de la Bastille – Du 14 septembre au 8 octobre 2016 Service de presse : Christine Delterme, Guillaume Poupin Assistante : Alice Marrey Tél : 01 53 45 17 13 | Fax : 01 53 45 17 01 [email protected] [email protected] [email protected] Revue de presse Radio/TV TIAGO RODRIGUES Antoine et Cléopâtre d’après William Shakespeare 45e édition – Festival d’Automne à Paris Ecouter : Vendredi 30 septembre 2016 France Culture / La Fabrique de l’Histoire / Emmanuel Laurentin – 9h05 à 10h Emission spéciale sur Antoine et Cléopâtre de Tiago Rodrigues http://www.franceculture.fr/emissions/la-fabrique-de-lhistoire/prix-dhistoire-du-senat-et-table-ronde-fiction PRESSE 25 ARTICLES L’Université Syndicaliste – Vendredi 26 août 2016 Les Echos Week-End – Lundi 29 août 2016 Tout Prévoir – Septembre 2016 Théâtral Magazine – Septembre / Octobre 2016 La Terrasse – Septembre 2016 Inferno Magazine.com – Lundi 3 octobre 2016 Libération – Mardi 6 septembre 2016 Libération – Vendredi 9 septembre 2016 Figaro Scope – Mercredi 14 septembre 2016 Du théâtre par gros temps.com – Jeudi 15 septembre 2016 Io Gazette – Jeudi 15 septembre 2016 (deux articles) Les Echos.fr – Jeudi 15 septembre 2016 Le Journal du Dimanche.fr – Jeudi 15 septembre 2016 Agence France Presse Mondiales – Vendredi 16 septembre 2016 Relaxnews.com – Vendredi 16 septembre 2016 Rue du théâtre.eu – Vendredi 16 septembre 2016 Théâtre Actu.com – Samedi 17 septembre 2016 Un fauteuil pour l’orchestre.com -
Littérature Étrangère Et Monde Du Livre, À Paris, Au XIX° Siècle. Diana
I Seminário Brasileiro sobre Livro e História Editorial Realização: FCRB · UFF/PPGCOM · UFF/LIHED 8 a 11 de novembro de 2004 · Casa de Rui Barbosa — Rio de Janeiro — Brasil O texto apresentado no Seminário e aqui disponibilizado tem os direitos reservados. Seu uso está regido pela legislação de direitos autorais vigente no Brasil. Não pode ser reproduzido sem prévia autorização do autor. Littérature étrangère et monde du livre, à Paris, au XIX° siècle. Diana Cooper-Richet Centre d’Histoire Culturelle des sociétés contemporaines Université de Versailles Saint-Quentin-en-Yvelines Si Paris a été, pour reprendre l’expression de Walter Benjamin, la Capitale du XIX° siècle1, elle l’a sans doute surtout été de la « République mondiale des lettres »2. N’a-t-il pas été amplement montré que cette ville était dotée d’un prestige littéraire à nul autre pareil? Par ailleurs, au cours de la même période, Paris est devenue une cité cosmopolite vers laquelle affluent de nombreux étrangers. Tout ceci contribuera à faire de celle que l’on nomme la « Ville Lumière », un espace dans lequel les transferts culturels sont à la fois d’une extrême variété et d’une incomparable richesse. Dans ce contexte, la diffusion de la littérature étrangère progresse. Elle emprunte différents types de canaux, tant sur le plan des supports qui portent les textes venus d’ailleurs, que sur celui de la langue dans laquelle ils sont offerts aux lecteurs. La littérature étrangère peut, en effet, emprunter deux voies pour tenter de se faire connaître, celle de la version originale, c’est-à-dire celle de la publication dans la langue dans laquelle le texte a été écrit, celle qui ne s’adresse qu’à un public d’initiés maîtrisant au moins un vocable autre que le sien. -
La Bataille Se Poursuit,Les Points Clés Des
Jeux TV : les marques installées laissent peu de place aux nouveautés Un plateau, plusieurs candidats et une somme d’argent à la clé, le jeu TV constitue un genre historique phare en France comme à l’étranger. Installées parfois depuis plusieurs dizaines de saisons, certaines marques tendent à se renouveler à travers de nouvelles mécaniques, de nouveaux visages, sans systématiquement rencontrer le succès. NPA Conseil analyse l’évolution de l’offre de jeux de plateau, les performances du genre, avant de s’intéresser à sa programmation à l’international. Les chaînes de la TNT n’ont pas réussi à imposer le genre En l’espace d’une saison, l’offre de jeux TV a évolué différemment en fonction des chaînes de diffusion. On observe ainsi un volume à la hausse sur les chaînes historiques, alors qu’il est en déclin sur les chaînes de la TNT. Sur la saison 2016-2017, les jeux représentent 204 heures soit 0,2% de l’ensemble de la programmation de l’univers TNT, un recul de 0,6 point comparé à la saison précédente, soit une chute de 580 heures de jeux à l’antenne. On peut expliquer cela, notamment par les déprogrammations multiples de marques qui ont peiné à s’imposer, ne dépassant pas pour certaines la phase du pilote. Ce fût le cas deL’académie des 9, jeu animé par Benjamin Castaldi en début de saison 2015-2016 en quotidienne, puis en hebdomadaire avant de s’absenter totalement de la grille des programmes de C8 la saison suivante. Autre jeu absent des grilles en 2016-2017, Le grand match…, proposé en Prime Time sur la même chaîne une saison auparavant. -
Course Catalogue 2016 /2017
Course Catalogue 2016 /2017 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 19 Business & Economics 19 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 53 Education 56 English 57 French 71 Geography 79 German 85 History 89 Italian 101 Latin 102 Law 103 Mathematics & Finance 104 Political Science 107 Psychology 120 Russian 126 Sociology & Anthropology 126 Spanish 128 Tourism 138 2 the diversity of its main players. It will thus establish Art, Architecture, the historical context of this production and to identify the protagonists, before defining the movements that Music & Cinema appear in their pulse. If the development of the course is structured around a chronological continuity, their links and how these trends overlap in reality into each IMPORTANT: ALL OUR ART COURSES ARE other will be raised and studied. TAUGHT IN FRENCH UNLESS OTHERWISE INDICATED COURSE CONTENT : Course Outline: AS1/1b : HISTORY OF CLASSIC CINEMA introduction Fall Semester • Impressionism • Project Genesis Lectures: 2 hours ECTS credits: 3 • "Impressionist" • The Post-Impressionism OBJECTIVE: • The néoimpressionnism To discover the great movements in the history of • The synthetism American and European cinema from 1895 to 1942. • The symbolism • Gauguin and the Nabis PontAven COURSE PROGRAM: • Modern and avantgarde The three cinematic eras: • Fauvism and Expressionism Original: • Cubism - The Lumière brothers : realistic art • Futurism - Mélies : the beginnings of illusion • Abstraction Avant-garde : - Expressionism -
Bibliography Abram - Michell
Landscape Design A Cultural and Architectural History 1 Bibliography Abram - Michell Surveys, Reference Books, Philosophy, and Nikolaus Pevsner. The Penguin Dictionary Nancy, Jean-Luc. Community: The Inoperative Studies in Psychology and the Humanities of Architecture and Landscape Architecture. Community. Edited by Peter Connor. Translated 5th ed. London: Penguin Books, 1998. by Peter Connor, Lisa Garbus, Michael Abram, David. The Spell of the Sensuous: Holland, and Simona Sawhney. Minneapolis: Perception and Language in a More-Than-Human Foucault, Michel. The Order of Being: University of Minnesota Press, 1991. World. New York: Pantheon Books, 1996. An Archaeology of the Human Sciences. Translated by [tk]. New York: Vintage Books, Newton, Norman T. Design on the Land: Ackerman, James S. The Villa: Form and 1994. Originally published as Les Mots The Development of Landscape Architecture. Ideology of Country Houses. Princeton, et les choses (Paris: Gallimard, 1966). Cambridge: Harvard University Press, 1971. N.J.: Princeton University Press, 1990. Giedion, Sigfried. Space, Time and Architecture. Ross, Stephanie. What Gardens Mean. Chicago Bachelard, Gaston. The Poetics of Cambridge: Harvard University Press, 1967. and London: University of Chicago Press, 1998. Space. Translated by Maria Jolas. Boston: Beacon Press, 1969. Gothein, Marie Luise. Translated by Saudan, Michel, and Sylvia Saudan-Skira. Mrs. Archer-Hind. A History of Garden From Folly to Follies: Discovering the World of Barthes, Roland. The Eiffel Tower and Other Art. New York: E. P. Dutton, 1928. Gardens. New York: Abbeville Press. 1988. Mythologies. Translated by Richard Howard. New York: Farrar, Straus and Giroux, 1979. Hall, Peter. Cities in Civilization: Schama, Simon. Landscape and Memory. The City as Cultural Crucible. -
MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems
institut montaigne MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems REPORT MAY 2019 MEDIA POLARIZATION “À LA FRANÇAISE” MEDIA POLARIZATION There is no desire more natural than the desire for knowledge MEDIA POLARIZATION “À LA FRANÇAISE”? Comparing the French and American Ecosystems MAY 2019 EXECUTIVE SUMMARY In France, representative democracy is experiencing a growing mistrust that also affects the media. The latter are facing major simultaneous challenges: • a disruption of their business model in the digital age; • a dependence on social networks and search engines to gain visibility; • increased competition due to the convergence of content on digital media (competition between text, video and audio on the Internet); • increased competition due to the emergence of actors exercising their influence independently from the media (politicians, bloggers, comedians, etc.). In the United States, these developments have contributed to the polarization of the public square, characterized by the radicalization of the conservative press, with significant impact on electoral processes. Institut Montaigne investigated whether a similar phenomenon was at work in France. To this end, it led an in-depth study in partnership with the Sciences Po Médialab, the Sciences Po School of Journalism as well as the MIT Center for Civic Media. It also benefited from data collected and analyzed by the Pew Research Center*, in their report “News Media Attitudes in France”. Going beyond “fake news” 1 The changes affecting the media space are often reduced to the study of their most visible symp- toms. For instance, the concept of “fake news”, which has been amply commented on, falls short of encompassing the complexity of the transformations at work. -
Publishing in the Nineteenth Century
1 Publishing in the Nineteenth Century Originally published as “Editer au XIXe siècle”, Revue d’histoire littéraire de la France, vol. 107, no. 4, 2007, pp. 771–90. Introduction When Roger Chartier and Henri-Jean Martin were preparing the introduction to the first volume of their monumental Histoire de l’Édition francaise (History of French publishing), which they entitled Le livre conquérant. Du Moyen Age au milieu du XVIIe siècle (The Conquering Book. From the Middle Ages to the mid-seventeenth century), they encountered a problem – one might even call it an aporia. They explained their twin debt both to Lucien Febvre, the initiator of research into the history of the book,1 and to Jean-Pierre Vivet, a journalist turned director of Promodis Publishing, who had expressed his desire to “see [the publisher] placed at the center of these four volumes,” which he had entrusted to them.2 This outspoken directive implied that the figure of the publisher long predated the invention of printing, and that he had been performing the role of broker or mediator without interruption from the thirteenth up to the twentieth century, as is the case today. The two editors were very well aware that sustaining such a notion could prove risky, and so they added this further comment, which partly contradicted what had gone before: The story we would like to tell is one in which the role of the publisher was gradually asserted and became more clearly defined; he was bold in the age of the conquering 1 Lucien Febvre and Henri-Jean Martin, L’apparition du livre (Paris: Albin Michel, 1958), translated into English as The Coming of the Book: The Impact of Printing, 1450-1800 (London: Verso, 1976). -
Milestones 2008 Milestones
009 2 / Milestones 2008 Milestones Milestones 2008 / 2009 www.lagardere.com Document prepared by the Corporate Communications Department This document is printed on paper from environmentally certified sustainably PEFC/10-31-1222 managed forests. (PEFC/10-31-1222) Grasset 817_MIL09_covHD_c03_T2_UK.indd 2 15/06/09 11:06 à écout res er liv s e 859_MIL09_corpo_T2.indd 1 d 15/06/09 12:03 P r o fi l e Lagardère, a world-class pure-play media group led by Arnaud Lagardère, operates in more than 40 countries and is structured according to four distinct, complementary business lines: • Lagardère Publishing, its book-publishing business segment. • Lagardère Active, which specializes in magazine publishing, audiovisual (radio, television, audiovisual production) and digital activities, and advertising sales. • Lagardère Services, its travel retail and press-distribution business segment. • Lagardère Sports, which specializes in the sports economy and sporting rights. Lagardère holds a 7.5% stake in EADS, over which it exercises joint control. 2 Milestones 2008 / 2009 859_MIL09_corpo_T2.indd 2 15/06/09 12:03 Grasset Pr o fi l e 3 859_MIL09_corpo_T2.indd 3 15/06/09 12:04 GOVERNANCE Arnaud Lagardère editorial I am convinced that we must continually cultivate and strengthen our company fundamentals, which are both straightforward and sound. By giving concrete expression to our strategic perspective as a pure-play media company focusing on content creation, we have achieved unquestioned legitimacy and are now striving for leadership at global level. With the diversifi cation of our activities, both geographically and by business line, we have assembled a well-balanced portfolio of complementary assets. -
Generous Donors
Generous 2016 Donors3M Company Alyssa Anttila Angelika Brown Barry St. Mane 3Mgives Amanda Cameron Angie Sifferman Batt Family Foundation A.C. Moore Amanda Horn Aniqa Anjum Bay Sales Aaliyah Quirschfeld Amanda Kuck Anish Vasisth Bay View Middle School Students Abbey Vangeloff Amanda Lynam Ann Foley Bazic Stationery/Bangkit USA ABC Show Amanda Novelline Ann Nelson Corporation Abrams Books Amanda Ritchey Anne Bannister BBP Bags ACCO Brands Amanda Schmidt Anne Miranowski Behrens Manufacturing Accutech Data Supplies Amanda Sills Anne Reuther Belkin International Acme United Corporation Amanda Thompson Anne Seaquist Ben Schoff Acro Service Corporation Amani Ahrens Anonymous Benjamin Bernstein ACTIVA Products Inc Amax Inc Anshul Roonwal Bergen County Technical Schools Adam Smith Amazon.com Anthony Cannonito Berit Lewison Adam Thomas AmazonSmile Foundation Antoinette Marquez Berrett-Koehler Publishers Adapt Inc Amber Baumgartner Anton Appel Beth Jacob Congregation Adcamp Associates American Book Company Antti Palomaki Beth Shivak Adco Litho Line American Education Products LLC AOL Better Office Products, Inc. Adhesive Label American Licorice Arcadia Publishing Beverly Lassiter Adriana Parvanova American Marketing Association Arcstone BI Incorporated Adrienne Goering Ami Patel Ari Dimas BIC Consumer Products, USA Advance Professional Amit Kumar Desai Armani Sanders BIC Graphic Advantus Corp. Ammie Tamano Arnab Khandaker Big Ridge Elementary School Students AdventureKEEN Amy Goddard Art and Elixir Inc Bigso Box of Sweden Aeyoung Yoo Amy Koch Artistic -
The Oldest Independent Publisher in the English Speaking World
the Oldest Independent Publisher in the English Speaking World The oldest publishers in the English speaking world are: Witherbys 1740 London Witherbys is the oldest independent publisher in the English speaking world still operating under the name of its founder. Witherbys started as a stationer in the City of London, 6 years after Lloyd’s List, the oldest daily newspaper in the world, was first published in 1734. From the outset, Witherbys published and sold marine insurance clauses for the carriage of cargo by ship, which have been issued at approximately 4 yearly intervals since that time. The 77th Edition is to be published in 2013. Since 2008, Witherbys has been based in Edinburgh. John Murray 1768 London In 2002, John Murray was sold to Hodder Headline, part of the W H Smith group, and in 2004 Hodder Headline was bought by Hachette Livre. Schroedel 1792 20th Century Now part of the Westermann printing and publishing group Constable & Co. 1795 Edinburgh Became ‘Constable & Robinson Ltd.’ in 1999, now based in London. John Wiley & Sons 1807 New York Butterworths 1818 London Butterworths was acquired by Reed Elsevier Plc in 1970 Chambers 1819 Edinburgh Chambers was purchased by Harrap’s in the early 1990s and is now part of The Hachette Book Group. Pickering (& Chatto) 1820 London Became ‘Pickering & Chatto’ in 1878 Hachette Livre 1826 France Hachette Book Group was created when Hachette Livre, a global publishing company based in France, acquired Time Warner Book Group from Time Warner in 2006. In 1902 Houghton Mifflin 1832 USA In 2007 Houghton Mifflin Company acquired Harcourt Education, which was founded in 1919.