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Famous Indian Classical Musicians and Vocalists Free Static GK E-Book
oliveboard FREE eBooks FAMOUS INDIAN CLASSICAL MUSICIANS & VOCALISTS For All Banking and Government Exams Famous Indian Classical Musicians and Vocalists Free static GK e-book Current Affairs and General Awareness section is one of the most important and high scoring sections of any competitive exam like SBI PO, SSC-CGL, IBPS Clerk, IBPS SO, etc. Therefore, we regularly provide you with Free Static GK and Current Affairs related E-books for your preparation. In this section, questions related to Famous Indian Classical Musicians and Vocalists have been asked. Hence it becomes very important for all the candidates to be aware about all the Famous Indian Classical Musicians and Vocalists. In all the Bank and Government exams, every mark counts and even 1 mark can be the difference between success and failure. Therefore, to help you get these important marks we have created a Free E-book on Famous Indian Classical Musicians and Vocalists. The list of all the Famous Indian Classical Musicians and Vocalists is given in the following pages of this Free E-book on Famous Indian Classical Musicians and Vocalists. Sample Questions - Q. Ustad Allah Rakha played which of the following Musical Instrument? (a) Sitar (b) Sarod (c) Surbahar (d) Tabla Answer: Option D – Tabla Q. L. Subramaniam is famous for playing _________. (a) Saxophone (b) Violin (c) Mridangam (d) Flute Answer: Option B – Violin Famous Indian Classical Musicians and Vocalists Free static GK e-book Famous Indian Classical Musicians and Vocalists. Name Instrument Music Style Hindustani -
Gangubai Hangal's Primary Guru in Music Was Sawai Gandharva. She Has Also Acknowledged the Inspiration and Influence of Her
Gangubai Hangal's primary guru in music was Sawai Gandharva. She has also acknowledged the inspiration and influence of her mother Ambabai and Zohrabai Agrewali on her musical development. Her singing embodies an extraordinary grasp of the essence of raga, keen sensitivity of swara, and an acute feeling for aesthetic design. She lives in Hubli and ********* Excerpts of an interview from C.S. Lakshmi's The Singer and the Song - Conversations with Women Musicians Vol 1 (2000). On her Padma Bhushan award: Gangubai: It is normally announced to the D.C. (District Collector) here. Then they come to ask to check who the person is, whether they want to receive the award or not. "You have got it, do you want to accept it?" My uncle was sitting outside, I wasn't there. "What is it? If it is Padma Bhushan she will take it," he said. "If you come tomorrow she will be back." I came back. He said, "Look, you have got the Padma Bhushan." They came and took my signature from the Tehsildar's office. After they took it, I thought, 'These are announced on January 26th, maybe on the 25th night. I must listen to the radio before I sleep. Both of us must sit together before the radio, listen to the announcement and then sleep'. We sat for a long time. Nothing was announced. So I said, "Look, they asked me for my signature just like that. It's not there. Nothing has come." It did not occur to me that nobody's name was announced. -
To Download the Advance Information Sheet
NEW TITLE AUGUST 2015 MUSIC ISBN: 978-93-83098-98-9 `595/£14.99/$20 PB Published by Fine publishing within reach D-78, Okhla Industrial Area, Phase-I, New Delhi-110 020, INDIA Tel: 91-11-26816301, 49327000; Fax: 91-11-26810483, 26813830 email: [email protected]; website: www.niyogibooksindia.com MUSIC `595/£14.99/$20 PB ISBN: 978-93-83098-98-9 Size:229 x 152mm, 324pp, 26 b/w photographs Interviewers Black and white, 80gsm bookprint Geeta Sahai & Shrinkhla Sahai Paperback Ever wondered how late Pandit Ravi Shankar went beyond cultural boundaries to Geeta Sahai is a writer, propagate Hindustani classical music and impact the global music scene? How did broadcaster and documentary Ustad Amjad Ali Khan fight emotional and financial setbacks to settle into musical filmmaker. Her short stories harmony with destiny? How did Begum Akhtar’s soulful voice inspire a reluctant have won international awards percussionist to dedicate his life to vocal music and emerge as the legendary Pandit and have been included in Jasraj? How did late Dr Gangubai Hangal break away from the shackles of social an international anthology– ostracism to emerge as a legend of her times? Undiscovered Gems. She was associated with Worldspace Satellite Radio for nearly ten years Beyond Music – Maestros in Conversation delves into candid opinions on issues, as Programme Director - Radio Gandharv-24X7 revealing thoughts on music-making and emotional sagas of some of the most Hindustani Classical Music Station. She has made accomplished, revered classical musicians—Dr Prabha Atre, Pandit Vishwa Mohan many introspective documentary films. Currently, Bhatt, Dr N. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
THE RECORD NEWS ======The Journal of the ‘Society of Indian Record Collectors’ ------ISSN 0971-7942 Volume: Annual - TRN 2011 ------S.I.R.C
THE RECORD NEWS ============================================================= The journal of the ‘Society of Indian Record Collectors’ ------------------------------------------------------------------------ ISSN 0971-7942 Volume: Annual - TRN 2011 ------------------------------------------------------------------------ S.I.R.C. Units: Mumbai, Pune, Solapur, Nanded and Amravati ============================================================= Feature Articles Music of Mughal-e-Azam. Bai, Begum, Dasi, Devi and Jan’s on gramophone records, Spiritual message of Gandhiji, Lyricist Gandhiji, Parlophon records in Sri Lanka, The First playback singer in Malayalam Films 1 ‘The Record News’ Annual magazine of ‘Society of Indian Record Collectors’ [SIRC] {Established: 1990} -------------------------------------------------------------------------------------------- President Narayan Mulani Hon. Secretary Suresh Chandvankar Hon. Treasurer Krishnaraj Merchant ==================================================== Patron Member: Mr. Michael S. Kinnear, Australia -------------------------------------------------------------------------------------------- Honorary Members V. A. K. Ranga Rao, Chennai Harmandir Singh Hamraz, Kanpur -------------------------------------------------------------------------------------------- Membership Fee: [Inclusive of the journal subscription] Annual Membership Rs. 1,000 Overseas US $ 100 Life Membership Rs. 10,000 Overseas US $ 1,000 Annual term: July to June Members joining anytime during the year [July-June] pay the full -
MUSIC Hindustani
The Maharaja Sayajirao University of Baroda, Vadodara Ph. D Entrance Tet (PET) SYLLABUS Subject: MUSIC PET ExamCode : 21 Hindustani (Vocal, Instrumental & Musicology), Karnataka, Percussion and Rabindra Sangeet Note:- Unit-I, II, III & IV are common to all in music Unit-V to X are subject specific in music -1- Unit-I Technical Terms: Sangeet, Nada: ahata & anahata , Shruti & its five jaties, Seven Vedic Swaras, Seven Swaras used in Gandharva, Suddha & Vikrit Swara, Vadi- Samvadi, Anuvadi-Vivadi, Saptak, Aroha, Avaroha, Pakad / vishesa sanchara, Purvanga, Uttaranga, Audava, Shadava, Sampoorna, Varna, Alankara, Alapa, Tana, Gamaka, Alpatva-Bahutva, Graha, Ansha, Nyasa, Apanyas, Avirbhav,Tirobhava, Geeta; Gandharva, Gana, Marga Sangeeta, Deshi Sangeeta, Kutapa, Vrinda, Vaggeyakara Mela, Thata, Raga, Upanga ,Bhashanga ,Meend, Khatka, Murki, Soot, Gat, Jod, Jhala, Ghaseet, Baj, Harmony and Melody, Tala, laya and different layakari, common talas in Hindustani music, Sapta Talas and 35 Talas, Taladasa pranas, Yati, Theka, Matra, Vibhag, Tali, Khali, Quida, Peshkar, Uthaan, Gat, Paran, Rela, Tihai, Chakradar, Laggi, Ladi, Marga-Deshi Tala, Avartana, Sama, Vishama, Atita, Anagata, Dasvidha Gamakas, Panchdasa Gamakas ,Katapayadi scheme, Names of 12 Chakras, Twelve Swarasthanas, Niraval, Sangati, Mudra, Shadangas , Alapana, Tanam, Kaku, Akarmatrik notations. Unit-II Folk Music Origin, evolution and classification of Indian folk song / music. Characteristics of folk music. Detailed study of folk music, folk instruments and performers of various regions in India. Ragas and Talas used in folk music Folk fairs & festivals in India. -2- Unit-III Rasa and Aesthetics: Rasa, Principles of Rasa according to Bharata and others. Rasa nishpatti and its application to Indian Classical Music. Bhava and Rasa Rasa in relation to swara, laya, tala, chhanda and lyrics. -
Track Name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt
Track name Singers VOCALS 1 RAMKALI Pt. Bhimsen Joshi 2 ASAWARI TODI Pt. Bhimsen Joshi 3 HINDOLIKA Pt. Bhimsen Joshi 4 Thumri-Bhairavi Pt. Bhimsen Joshi 5 SHANKARA MANIK VERMA 6 NAT MALHAR MANIK VERMA 7 POORIYA MANIK VERMA 8 PILOO MANIK VERMA 9 BIHAGADA PANDIT JASRAJ 10 MULTANI PANDIT JASRAJ 11 NAYAKI KANADA PANDIT JASRAJ 12 DIN KI PURIYA PANDIT JASRAJ 13 BHOOPALI MALINI RAJURKAR 14 SHANKARA MALINI RAJURKAR 15 SOHONI MALINI RAJURKAR 16 CHHAYANAT MALINI RAJURKAR 17 HAMEER MALINI RAJURKAR 18 ADANA MALINI RAJURKAR 19 YAMAN MALINI RAJURKAR 20 DURGA MALINI RAJURKAR 21 KHAMAJ MALINI RAJURKAR 22 TILAK-KAMOD MALINI RAJURKAR 23 BHAIRAVI MALINI RAJURKAR 24 ANAND BHAIRAV PANDIT JITENDRA ABHISHEKI 25 RAAG MALA PANDIT JITENDRA ABHISHEKI 26 KABIR BHAJAN PANDIT JITENDRA ABHISHEKI 27 SHIVMAT BHAIRAV PANDIT JITENDRA ABHISHEKI 28 LALIT BEGUM PARVEEN SULTANA 29 JOG BEGUM PARVEEN SULTANA 30 GUJRI JODI BEGUM PARVEEN SULTANA 31 KOMAL BHAIRAV BEGUM PARVEEN SULTANA 32 MARUBIHAG PANDIT VASANTRAO DESHPANDE 33 THUMRI MISHRA KHAMAJ PANDIT VASANTRAO DESHPANDE 34 JEEVANPURI PANDIT KUMAR GANDHARVA 35 BAHAR PANDIT KUMAR GANDHARVA 36 DHANBASANTI PANDIT KUMAR GANDHARVA 37 DESHKAR PANDIT KUMAR GANDHARVA 38 GUNAKALI PANDIT KUMAR GANDHARVA 39 BILASKHANI-TODI PANDIT KUMAR GANDHARVA 40 KAMOD PANDIT KUMAR GANDHARVA 41 MIYA KI TODI USTAD RASHID KHAN 42 BHATIYAR USTAD RASHID KHAN 43 MIYA KI TODI USTAD RASHID KHAN 44 BHATIYAR USTAD RASHID KHAN 45 BIHAG ASHWINI BHIDE-DESHPANDE 46 BHINNA SHADAJ ASHWINI BHIDE-DESHPANDE 47 JHINJHOTI ASHWINI BHIDE-DESHPANDE 48 NAYAKI KANADA ASHWINI -
Pune DEA Report 2008
PHYSICAL CHARACTERISTICS 1.1 Landuse Landuse Categories Landuse depicts the use and pattern of land in the district. Hence, the landuse map acts as the most important map for planning and site allocation. Landuse pattern in different Taluka of the district has been shown in Annexure 1, Table 18. The landuse pattern in Pune district is described as below: i Forests The Landuse and Landcover Map of MRSAC, Nagpur (2001-02) show that the total land under forest is 3648 sq.km, which is 23.32% of the district (Table-III). Hilly portion of Western side of the district is covered by the forestland and includes Taluka Junnar, Ambegaon, Khed, Maval, Mulshi, Bhor and Velhe. Small patches of forestland are also found in Taluka Purandhar and Haveli. The Taluka Shirur and Daund are having negligible forest cover, wheras Taluka Baramati and Indapur has no forest cover. Major portion of Taluka Mulshi, Velhe and Bhor is covered by forestland. The talukawise village locations under different forest types are shown at Annexure 1, Table 31. Table I. Types of Forests and Land under Forest in Pune District Sr.No Forest type Area (sq.km.) 1. Closed forest 1054.69 2. Open forest 497.53 3. Degraded forest 2095.77 Since no demarcated information of reserve forest could be available from source department, the area of reserve forest is earmarked from the SOI Toposheet No. 47E, 47I, 47J, 47N, 47F, 47O. It might be possible that, exact area of reserve forest may not match with the boundary of reserve forest, which is shown on the map. -
Padma Vibhushan * * the Padma Vibhushan Is the Second-Highest Civilian Award of the Republic of India , Proceeded by Bharat Ratna and Followed by Padma Bhushan
TRY -- TRUE -- TRUST NUMBER ONE SITE FOR COMPETITIVE EXAM SELF LEARNING AT ANY TIME ANY WHERE * * Padma Vibhushan * * The Padma Vibhushan is the second-highest civilian award of the Republic of India , proceeded by Bharat Ratna and followed by Padma Bhushan . Instituted on 2 January 1954, the award is given for "exceptional and distinguished service", without distinction of race, occupation & position. Year Recipient Field State / Country Satyendra Nath Bose Literature & Education West Bengal Nandalal Bose Arts West Bengal Zakir Husain Public Affairs Andhra Pradesh 1954 Balasaheb Gangadhar Kher Public Affairs Maharashtra V. K. Krishna Menon Public Affairs Kerala Jigme Dorji Wangchuck Public Affairs Bhutan Dhondo Keshav Karve Literature & Education Maharashtra 1955 J. R. D. Tata Trade & Industry Maharashtra Fazal Ali Public Affairs Bihar 1956 Jankibai Bajaj Social Work Madhya Pradesh Chandulal Madhavlal Trivedi Public Affairs Madhya Pradesh Ghanshyam Das Birla Trade & Industry Rajashtan 1957 Sri Prakasa Public Affairs Andhra Pradesh M. C. Setalvad Public Affairs Maharashtra John Mathai Literature & Education Kerala 1959 Gaganvihari Lallubhai Mehta Social Work Maharashtra Radhabinod Pal Public Affairs West Bengal 1960 Naryana Raghvan Pillai Public Affairs Tamil Nadu H. V. R. Iyengar Civil Service Tamil Nadu 1962 Padmaja Naidu Public Affairs Andhra Pradesh Vijaya Lakshmi Pandit Civil Service Uttar Pradesh A. Lakshmanaswami Mudaliar Medicine Tamil Nadu 1963 Hari Vinayak Pataskar Public Affairs Maharashtra Suniti Kumar Chatterji Literature -
Army Pounds Terror Camps Along
Follow us on: @TheDailyPioneer facebook.com/dailypioneer RNI No. APENG/2018/764698 Established 1864 Published From OPINION 6 MONEY 8 SPORTS 12 VIJAYAWADA DELHI LUCKNOW BHOPAL THE NEW JIO SLAMS TRAI'S IUC ‘HIT MAN’S’ RAIPUR CHANDIGARH BHUBANESWAR INDIAN IDENTITY SUPERHIT SHOW RANCHI DEHRADUN REVIEW AS ANTI-POOR HYDERABAD *Late City Vol. 1 Issue 355 VIJAYAWADA, MONDAY OCTOBER 21, 2019; PAGES 12 `3 *Air Surcharge Extra if Applicable UPASANA’S GENTLE NOTE TO MODI { Page 11 } www.dailypioneer.com ARMY POUNDS TERROR CAMPS ALONG LOC l 3 terror camps destroyed in PoK, 6-10 Pak soldiers killed: Army chief Rawat l Pakistan rejects reports PNS n NEW DELHI substantial harm to the terror- sources said the four terror Army targeted terror camps in ians by Indian Army is an ist infrastructure across the Line launch pads were in Neelam the Pakistan-occupied Kashmir attempt to justify their false In a major counter-offensive of Control (LoC), Rawat told Valley, opposite the Tangdhar (PoK) and said it can arrange a claims of targeting alleged after Pakistan's unprovoked fir- reporters on the sidelines of an sector, and that 10-15 terrorists visit of diplomats from P5 camps," Ghafoor alleged and ing, the Indian Army on Sunday event. "So far, as per the infor- were staying in each of the nations to the area to expose also claimed that nine Indian carried out heavy artillery strikes mation available with us, 6-10 facilities at the time of the Indian "falsehood". soldiers killed and two Indian targeting four terror launch Pakistani soldiers have been attack, the most significant Spokesperson of Pakistan bunkers were destroyed by pads and several Pakistani mil- killed and nearly as many terror- offensive since India carried Military Major General Asif Pakistan Army. -
Village Map Sawale Taluka: Mawal Pimpari Malegaon Bk
Village Map Sawale Taluka: Mawal Pimpari Malegaon Bk. District: Pune Khand Karjat Inglun Kune Ansute !( Malegaon Kh. Andhra Sarovar Khed Kusur Dahuli Kambare Andar Mawal Wahangaon Borivali Kivale µ 3.5 1.75 0 3.5 7 10.5 Nagathali Kashal Kusavali km Thoran Jambhavali Kalhat Shirdhe Vadeshwar Rakaswadi Bhoyare Ukasan Pawalewadi Valavanti Mau Kondivade A.m. Somavadi Location Index Pale Nane Mawal Udhewadi Nigade Bhajgaon Vadivali Lake MoramarwadiKacharewadi Vaund Phalane District Index Vadavali Nandurbar Khandashi Brahmanwadi Ghonshet Bhandara Shiravata Sarovar Ambale Govitri Dhule Amravati Nagpur Gondiya Kondivade N.m Shire Badhalawadi Jalgaon Nesave Sai Velhavali Karanjgaon Takave Bk. Akola Wardha Nandgaon Umbare Navalakh Buldana Nashik Washim Chandrapur Jevare Mendhewadi Yavatmal Sangise Kambare N.m. Nanoli N.m. Aurangabad Pangaloli Belaj Palghar Mangarul Jalna Gadchiroli Budhavadi Nane Hingoli Khalapur Kune N.m. KarandoliVehergaon Shilatane Thane Paravadi Jadhavwadi Ahmednagar Parbhani Dahivali Mumbai Suburban Nanded Valvhan sarovar Valakh Rajpuri Mumbai Bid Takave Kh. Budhele Vadivale Pune Jambhul Raigarh Bidar Devghar Akurdi Latur Mundhavare Osmanabad Khadakale (CT) Kanhe Ambi Nanoli Tarf Chakan Varsoli Sangavi Jambavade Lonavala (M Cl) Waksai Karla Kamshet Nayagaon Sudumbare Satara Solapur Pathargaon Ratnagiri Boraj Brahman Wadi Varale Sangli Sadapur Sudhavadi Malawali N.m. Kusgaon Kh. Mohitewadi Dongargaon WADGAON (MAWAL) Maharashtra State Lonavale Lake Taje Pimpaloli !( Katavi Kolhapur Patan Chikhalse Ahirvade Sate Wadagaon (CT) Induri Devale Bhaje Sindhudurg Talegaon Dabhade (R) Kusgaon Bk. (Ct) Dharwad Aundholi Aundhe kh. Malewadi Kurvande Brahmanwadi Bedse Talegaon Dabhade (M Cl) Karunj Taluka Index Lohagad Sawantwadi Sadavali Ozarde Urse Adhe kh. DhalewadiMahagaon Baur Junnar Dudhivare Kadadhe Parandvadi Apati Somatane Gevhande Apati Prabhachiwadi Ambegaon Adavi Pale Pawan MawalShindgaon Thugaon Atvan Kale Ambegaon Yelase Malawali P.m.