Indians and a Changing Frontier: the Art of George Winter. Cata
SINISQUA AND HERCHILDREN Tippecanoe County Historical Association, Lafayette, Indiana. Gift of Mrs. Cable G. Ball. Indians and a Changing Frontier: The Art of George Winter. Cata- log of the George Winter Collection located at the Tippecanoe County Historical Association, Lafayette, Indiana. Compiled by Sarah E. Cooke and Rachel B. Ramadhyani. Essays by Chris- tian F. Feest and R. David Edmunds. (Indianapolis: Indiana Historical Society, in cooperation with the Tippecanoe County Historical Association, 1993. Pp. [xiii], 269. Illustrations, notes, index. $49.95.) George Winter (1809-18761, an English-born artist of modest talent, is remembered primarily for his drawings of Potawatomi and Miami Indians. While living for a time in Ohio, Winter learned of the pending removal by the federal government of the Potawato- mi to lands west of the Mississippi. Impulsively, he rushed to Indi- ana in time to record one of the saddest moments in Potawatomi history. Winter came to Indiana thinking he would linger a few months and remained, instead, for the rest of his life. He died in Lafayette in 1876. Winter worked in pencil, oil, and watercolor. He tried his hand at portraiture, landscape, and still life. As an artist he Book Reviews 299 enjoyed little financial success and, during his lifetime, even less public acclaim. He merits recognition today for his accurate depic- tion of the Potawatomi and Miami Indians at a critical moment in their history. Winter filled several sketchbooks with eyewitness drawings of these Native Americans in a transitional state between their traditional life ways and their acculturation to the dominant society. He sketched women and children as well as prominent leaders.
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