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Im Auftrag: Medienagentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected]
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 01805 - 060347 90476 [email protected] FRANK SINATRAS ZEITLOSE MUSIK WIRD WELTWEIT MIT DER KOMPLETTEN KARRIERE UMFASSENDEN JAHRHUNDERTCOLLECTION ‘ULTIMATE SINATRA’ GEFEIERT ‘Ultimate Sinatra’ erscheint als CD, Download, 2LP & limited 4CD/Digital Deluxe Editions und vereint zum ersten Mal die wichtigsten Aufnahmen aus seiner Zeit bei Columbia, Capitol und Reprise! “Ich liebe es, Musik zu machen. Es gibt kaum etwas, womit ich meine Zeit lieber verbringen würde.” – Frank Sinatra Dieses Jahr, am 12. Dezember, wäre Frank Sinatra 100 Jahre alt geworden. Anlässlich dieses Jubiläums hat Capitol/Universal Music eine neue, die komplette Karriere des legendären Entertainers umspannende Collection seiner zeitlosen Musik zusammengestellt. Ultimate Sinatra ist als 25 Track- CD, 26 Track-Download, 24 Track-180g Vinyl Doppel-LP und als limitierte 101 Track Deluxe 4CD- und Download-Version erhältlich und vereint erstmals die wichtigsten Columbia-, Capitol- und Reprise- Aufnahmen in einem Paket. Alle Formate enthalten bisher unveröffentlichte Aufnahmen von Sinatra und die 4CD-Deluxe, bzw. 2LP-Vinyl Versionen enthalten zusätzlich Download-Codes für weitere Bonustracks. Frank Sinatra ist die Stimme des 20. Jahrhunderts und seine Studiokarriere dauerte unglaubliche sechs Jahrzehnte: 1939 sang er seinen ersten Song ein und seine letzten Aufnahmen machte er im Jahr 1993 für sein weltweit gefeiertes, mehrfach mit Platin ausgezeichnetes Album Duets and Duets II. Alle Versionen von Ultimate Sinatra beginnen mit “All Or Nothing At All”, aufgenommen mit Harry James and his Orchestra am 31. August 1939 bei Sinatras erster Studiosession. Es war die erste von fast 100 Bigband-Aufnahmen mit den Harry James und Tommy Dorsey Orchestern. -
The BG News May 4, 2001
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 5-4-2001 The BG News May 4, 2001 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News May 4, 2001" (2001). BG News (Student Newspaper). 6812. https://scholarworks.bgsu.edu/bg-news/6812 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. State University FRIDAY May 4, 2001 SOCCER: PARTLY CLOUDY Men's, women's teams HIGH: 76 | LOW: 47 start training in summer www.bgnews.com to be at the top; PAGE 10 independent student press VOLUME 90 ISSUE 152 Hitting Conklin students upset links at Residents hold meeting with Carter administrators to discuss maintenance Park By Jordan Fouts By IvyIckes CITT REPORTER *0M[N S REPORTER Putting a new spin on an old New is better. game, Carter Park will hosl its But that was not the case this annual disc golf tournament past year in Conklin Hall. tomorrow morning. Tuesday night, the residents Billing itself as the "World's of Conklin met with Linda Biggesl Disc Golf Tournament," it Newman, director of Residence is part of a national coordination Life and lim Zentmeyer, associ- by Circular Productions, a disc ate director of golf course design and installation Housing/Operations and company. -
FAHRENHEIT 451 by Ray Bradbury This One, with Gratitude, Is for DON CONGDON
FAHRENHEIT 451 by Ray Bradbury This one, with gratitude, is for DON CONGDON. FAHRENHEIT 451: The temperature at which book-paper catches fire and burns PART I: THE HEARTH AND THE SALAMANDER IT WAS A PLEASURE TO BURN. IT was a special pleasure to see things eaten, to see things blackened and changed. With the brass nozzle in his fists, with this great python spitting its venomous kerosene upon the world, the blood pounded in his head, and his hands were the hands of some amazing conductor playing all the symphonies of blazing and burning to bring down the tatters and charcoal ruins of history. With his symbolic helmet numbered 451 on his stolid head, and his eyes all orange flame with the thought of what came next, he flicked the igniter and the house jumped up in a gorging fire that burned the evening sky red and yellow and black. He strode in a swarm of fireflies. He wanted above all, like the old joke, to shove a marshmallow on a stick in the furnace, while the flapping pigeon- winged books died on the porch and lawn of the house. While the books went up in sparkling whirls and blew away on a wind turned dark with burning. Montag grinned the fierce grin of all men singed and driven back by flame. He knew that when he returned to the firehouse, he might wink at himself, a minstrel man, Does% burntcorked, in the mirror. Later, going to sleep, he would feel the fiery smile still gripped by his Montag% face muscles, in the dark. -
HOLIDAY, BILLIE, 1915-1959. Billie Holiday Collection, 1953-1981
HOLIDAY, BILLIE, 1915-1959. Billie Holiday collection, 1953-1981 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Descriptive Summary Creator: Holiday, Billie, 1915-1959. Title: Billie Holiday collection, 1953-1981 Call Number: Manuscript Collection No. 1035 Extent: 1 linear foot (2 boxes), 2 oversized papers boxes(OP) Abstract: Collection of materials relating to the personal life and career of African American blues singer Billie Holiday, her husband Louis McKay, and her estate. Language: Materials entirely in English. Administrative Information Restrictions on Access OP2 folder 1 is restricted for preservation reasons. Researchers must use photocopies in OP1 folder 12 instead Terms Governing Use and Reproduction Special restrictions apply: Printed or manuscript music in this collection that is still under copyright protection and is not in the Public Domain may not be photocopied or photographed. Researchers must provide written authorization from the copyright holder to request copies of these materials. Source Purchase, 2005, with subsequent additions. Citation [after identification of item(s)], Billie Holiday collection, Manuscript, Archives and Rare Book Library, Emory University. Processing Processed by Elizabeth Russey, January 25, 2006. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Billie Holiday collection, 1953-1981 Manuscript Collection No. 1035 This finding aid may include language that is offensive or harmful. Please refer to the Rose Library's harmful language statement for more information about why such language may appear and ongoing efforts to remediate racist, ableist, sexist, homophobic, euphemistic and other oppressive language. -
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell
“In the Mood”—Glenn Miller (1939) Added to the National Recording Registry: 2004 Essay by Cary O’Dell Glenn Miller Original release label “Sun Valley Serenade” Though Glenn Miller and His Orchestra’s well-known, robust and swinging hit “In the Mood” was recorded in 1939 (and was written even earlier), it has since come to symbolize the 1940s, World War II, and the entire Big Band Era. Its resounding success—becoming a hit twice, once in 1940 and again in 1943—and its frequent reprisal by other artists has solidified it as a time- traversing classic. Covered innumerable times, “In the Mood” has endured in two versions, its original instrumental (the specific recording added to the Registry in 2004) and a version with lyrics. The music was written (or written down) by Joe Garland, a Tin Pan Alley tunesmith who also composed “Leap Frog” for Les Brown and his band. The lyrics are by Andy Razaf who would also contribute the words to “Ain’t Misbehavin’” and “Honeysuckle Rose.” For as much as it was an original work, “In the Mood” is also an amalgamation, a “mash-up” before the term was coined. It arrived at its creation via the mixture and integration of three or four different riffs from various earlier works. Its earliest elements can be found in “Clarinet Getaway,” from 1925, recorded by Jimmy O’Bryant, an Arkansas bandleader. For his Paramount label instrumental, O’Bryant was part of a four-person ensemble, featuring a clarinet (played by O’Bryant), a piano, coronet and washboard. Five years later, the jazz piece “Tar Paper Stomp” by Joseph “Wingy” Manone, from 1930, beget “In the Mood’s” signature musical phrase. -
Cash Box , Page 38 23, 1959 Album Reviews
— May The Cash Box , Page 38 23, 1959 Album Reviews POPULAR PICKS cont. “TO WHOM IT MAY CONCERN’’—Nat “TWO TIME WINNERS”- -Andy Williams “King” Cole—Capitol W 1190 & Stereo SW —Cadence CLP 3026 1190 Andy Williams, who most recently scored Nat “King” Cole lends his warm expres- with “Hawaiian Wedding Song,” has sive tones to 12 new songs, all of which chosen for his newest Cadence LP a dozen are of the love ballad kind—undoubtedly standards that have recently witnessed a Cole’s ablest vehicles. The title song, co- big pop revival by various artists. He penned by the singer, is from his current indulges the tunes with the modern beat him, ‘ The Night of the Quarter Moon.” treatment, attesting to their indestruct- Other tunes include “Love-Wise,” “In The ibility. Included are “Twilight Time,” “My Heart of Jane Doe,” “If You Said No”, “This Happiness,” “It’s All in the Game,” “Love Morning It was Summer.” No obstacles Letters in the Sand,” “Blueberry Hill” and block the hit path of Cole’s latest effort. his own hit. A chart stand awaits this set. ‘HOLLYWOOD IN RHYTHM”—Ray Coniff IN RHYTHM HOLLYWOOD and his Orch.—Columbia CL 1310 & Stereo RAY CONNIFF CS 8117 Musical Medicine “MUSICAL MEDICINE BY MIKE PEDICIN In his third “Rhythm” album (“Broadway Apollo 484 In Rhythm” now on the lists following a b>'Mikt Package is a successful run of “Concert In Rhythm”), potpourri of combo-vocal rhythm stanzas by the Pedicin outfit, Ray Coniff continues his pace setting ar- mostly taken at rangements of old favorites, turning here a lively rock beat. -
Jazz Standards Arranged for Classical Guitar in the Style of Art Tatum
JAZZ STANDARDS ARRANGED FOR CLASSICAL GUITAR IN THE STYLE OF ART TATUM by Stephen S. Brew Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2018 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Luke Gillespie, Research Director ______________________________________ Ernesto Bitetti, Chair ______________________________________ Andrew Mead ______________________________________ Elzbieta Szmyt February 20, 2018 ii Copyright © 2018 Stephen S. Brew iii To my wife, Rachel And my parents, Steve and Marge iv Acknowledgements This document would not have been possible without the guidance and mentorship of many creative, intelligent, and thoughtful musicians. Maestro Bitetti, your wisdom has given me the confidence and understanding to embrace this ambitious project. It would not have been possible without you. Dr. Strand, you are an incredible mentor who has made me a better teacher, performer, and person; thank you! Thank you to Luke Gillespie, Elzbieta Szmyt, and Andrew Mead for your support throughout my coursework at IU, and for serving on my research committee. Your insight has been invaluable. Thank you to Heather Perry and the staff at Stonehill College’s MacPhaidin Library for doggedly tracking down resources. Thank you James Piorkowski for your mentorship and encouragement, and Ken Meyer for challenging me to reach new heights. Your teaching and artistry inspire me daily. To my parents, Steve and Marge, I cannot express enough thanks for your love and support. And to my sisters, Lisa, Karen, Steph, and Amanda, thank you. -
DYNATRON 74 R A
"Lord, ain't it funny how time slips away?" asked a semi-popalar song of the day. ((I hope, nobody a6lu which day..,I can't necaJUL i£ that wab con temporary with Sweet Tuxedo Girt, Tuxedo Junction or Life in the Faat Lane.)) No, it ain't. Not the least bit. This issue was planned for November 1980 and what with one thing and another I think the actual publication date will be February 1981. Still I suppose that is better than September. The ex cuses are all standard so pick whichever you can think of and apply it to the seni-lateness of this issue. Semi because I really do not have any particular schedule to stick to and the zine gets published whenever. When ever I get around to it. (Not to be confused with ROUND TUTT which is Becky Cartwright’s FLAPzine. This isn’t a FLAPzine although copies will probably showup there as well as elsewhere. Maybe even elsewhen. Elsewhere or here or elsewhen or even now this is the 74th issue of DYNATRON a faznine (a what?) of sorts. A fanzine of sorts (got it right that time) concerned with nothing serious—just the usual stf. DYNATRON is available for 50q per copy or, preferably, trades, contributions of material, and letters of comment. (The usual, as most ignorant fanzine reviewers say although I prefer the unusual.) CONTRIBUTIONS OF ARTICLES, ESSAYS, REVIEWS, ETC., ARE NEEPEP.^ The files are empty and ol’ Roytac is about run dry. There isn't much incentive to publish when there isn’t any thing to publish. -
Most Popularly Requested Music
Most Popularly Requested Music First Dance Songs The following are some of the most popular First Dance songs we are requested to perform. You may use it as a helpful guide in selecting your song or just let us know a special song that you would prefer. L-O-V-E Natalie Cole Lucky Jason Mraz Wonderful Tonight Eric Clapton You're My Home Billy Joel Way You Look Tonight Frank Sinatra Only You Train/Platters Save Room John Legend Here and Now Luther Vandross Everything Michael Buble Ain’t No Mountain High Enough Ashford and Simpson When a Man Loves a Woman Percy Sledge Better Together Jack Johnson Overjoyed Stevie Wonder / Mary J. Blige My One and Only Love Ella Fitzgerald/Sting Just the Way You Are Billy Joel / Maggie Gyllenhaal In Your Eyes Peter Gabriel / Jeffery Gaines Ribbon in the Sky Stevie Wonder Lovely Day Bill Withers From This Moment Shania Twain I'm Yours Jason Mraz Never Too Much Luther Vandross I’ll Stand By You Pretenders/Carrie Underwood Your Love is King Sade Inseparable Natalie Cole At Last Etta James/Jason Mraz 590 Madison Avenue 21st Floor New York, NY 10022 / 212.541.3770 / Fax 212.521.4099 / www.startalentinc.com / [email protected] True Companion Marc Cohn You Are The Best Thing Ray LaMontagne Love of a Lifetime Firehouse My Wish Rascal Flatts When You Say Nothing at All Allison Krause Book of Love Peter Gabriel (Just the) Two of Us Grover Washington By Your Side Sade All the Things You Are Cole Porter Can't Take My Eyes off of You Lauryn Hill / Frankie Valli It Had To Be You Frank Sinatra Shelter Ray LaMontagne As Stevie Wonder I Melt With You Modern English / Nouvelle Vague The Greatest Love of All Whitney Houston Fly Me To The Moon Frank Sinatra Have I Told You Lately Van Morrison / Rod Stewart (Just the) Two of Us Grover Washington Jr. -
Notations Spring 2011
The ASCAP Foundation Making music grow since 1975 www.ascapfoundation.org Notations Spring 2011 Tony Bennett & Susan Benedetto Honored at ASCAP Foundation Awards The ASCAP Foundation held its 15th Annual Awards Ceremony at the Allen Room, Frederick P. Rose Hall, Home of Jazz at Lincoln Center, in New York City on December 8, 2010. Hosted by ASCAP Foundation President, Paul Williams, the event honored vocal legend Tony Bennett and his wife, Susan Benedetto, with The ASCAP Foundation Champion Award in recognition of their unique and significant efforts in arts education. ASCAP Foundation Champion Award recipients Susan Benedetto (l) & Tony Bennett with Mary Rodgers (2nd from left), Mary Ellin A wide variety of ASCAP Foundation Scholarship Barrett (2nd from right), and ASCAP Foundation President Paul and Award recipients were also honored at the Williams (r). event, which included special performances by some of the honorees. For more details and photos of the event, please see our website. Bart Howard provides a Musical Gift The ASCAP Foundation is pleased to announce that composer, lyricist, pianist and ASCAP member Bart Howard (1915-2004) named The ASCAP Foundation as a major beneficiary of all royalties and copyrights from his musical compositions. In line with this generous bequest, The ASCAP Foundation has established programs designed to ensure the preservation of Bart Howard’s name and legacy. These efforts include: Songwriters: The Next Generation, presented by The ASCAP Foundation and made possible by the Bart Howard Estate which showcases the work of emerging songwriters and composers who perform on the Kennedy Center’s Millennium Stage. The ASCAP Foundation Bart Howard Songwriting Scholarship at Berklee College recog- nizes talent, professionalism, musical ability and career potential in songwriting. -
Frank's World
Chris Rojek / Frank Sinatra Final Proof 9.7.2004 10:22pm page 7 one FRANK’S WORLD Frank Sinatra was a World War One baby, born in 1915.1 He became a popular music phenomenon during the Second World War. By his own account, audiences adopted and idol- ized him then not merely as an innovative and accomplished vocalist – his first popular sobriquet was ‘‘the Voice’’ – but also as an appealing symbolic surrogate for American troops fighting abroad. In the late 1940s his career suffered a precipitous de- cline. There were four reasons for this. First, the public perception of Sinatra as a family man devoted to his wife, Nancy, and their children, Nancy, Frank Jr and Tina, was tarnished by his high-octane affair with the film star Ava Gardner. The public face of callow charm and steadfast moral virtue that Sinatra and his publicist George Evans concocted during his elevation to celebrity was damaged by his admitted adultery. Sinatra’s reputation for possessing a violent temper – he punched the gossip columnist Lee Mortimer at Ciro’s night- club2 and took to throwing tantrums and hurling abuse at other reporters when the line of questioning took a turn he disap- proved of – became a public issue at this time. Second, servicemen were understandably resentful of Sina- tra’s celebrity status. They regarded it as having been easily achieved while they fought, and their comrades died, overseas. Some members of the media stirred the pot by insinuating that Sinatra pulled strings to avoid the draft. During the war, like most entertainers, Sinatra made a virtue of his patriotism in his stage act and music/film output. -
Wedding Ceremony Jazz and Blues
Wedding Ceremony The Prayer Ave Maria Erik Satie -Gymnopedie Canon in D- Pachabel Jesu Joy of Mans Desire- Bach Bridal Chorus from Lohengrin= (Here Mendelssohn Wedding March Comes the Bride) Bach- Prelude in C “Spring”-Vivaldi Four Seasons Chopin- Prelude in e minor Debussy- Reverie The Look of Love Can’t Help Falling in Love-Elvis At Last-Etta James Unforgettable Sunrise Sunset How Sweet It Is to Be Loved by You Longer Than-Dan Fogelberg The First Time Ever I Saw Your Face Wonderful World When You Say Nothing at All-Allison Krauss You Raise Me Up- Josh Groban Kiss From a Rose- Seal Secret Garden- Springsteen With or Without You- U2 Jazz and Blues Alice in Wonderland Waltz for Debbie God Bless the Child After Midnight Ain’t Misbehaving Beginning to See the Light Ellington Black and Blue Blue Monk Blue Skies I. Berlin Birth of the Blues Blue and Sentimental Body and Soul But beautiful Breezin Brubeck Medley Blue Rondo- Take Five-The Duke- Strange Meadowlark- Raggy Waltz Cherokee Deed I do Deep Purple Don't Get Around Much Anymore Emily Everything Happens to Me Fly Me to the Moon Georgia Getting Sentimental Over You Green Dolphin Street Green in Blue Greenhouse Blues Harlem Nocturne Here Comes That Rainy Day Honeysuckle Rose I Can't Get Started I Got it Bad I Remember You I Thought About You In My Solitude Jersey Bounce Lullaby of Bird land Lush Life Mercy Mercy Mood Indigo Moonlight Serenade Glen Miller Midnight Sun My Funny Valentine My Foolish Heart My Romance Nature Boy Nearness of You Our Love is Here to Stay On a Clear Day Poinciana Prelude to a Kiss Satin Doll Serenade in Blue Since I Fell for You Skylark So Rare Sophisticated Lady Stardust St.