76: Rick Rubin, the Seclusive Zen Master
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A Conversation with Brandi Carlile by Frank Goodman (7/2007
A Conversation with Brandi Carlile by Frank Goodman (7/2007. Puremusic.com) Raw talent vs. expensive packaging is always a pleasant surprise in the entertainment business. Brandi Carlile is the very rare exception to the rule; she and her band made their own EP, piece by piece with their own money, and Columbia ended up buying it and putting it out. Rolling Stone chose her as one of the 10 Artists to Watch in 2005. The subsequent Columbia full length debut CD contained new versions of a number of the songs from the EP. Relentless gigging leading up to the EP and through the debut had already moved her through various styles with her running twin partners, the Hanseroth Brothers. Tim and Phil had had a hard rock band called The Fighting Machinists, and they bring that honed edge to the BC sound. She is not only a vocalist that can literally do it all, the band itself moves fluidly and convincingly from flat out country right through edgy pop radio rock. She's the only artist you can see on CMT whose main cited influences are Elton John, k.d. lang, Jeff Buckley, and Radiohead. One hears all the time now about how acts getting tunes on Grey's Anatomy can practically launch their career, but in BC's case, there was a Grey's episode that actually debuted a version of the video for Brandi's big song "The Story." Overall, no less than four of her songs have been used in the show. She's hot, super talented, and a driven workaholic. -
Changes to Rule 5.5B1, Extent of Item for Notated Music
CC:DA/MLA/2011/2 May 12, 2011 page 1 of 5 To: ALA/ALCTS/CCS Committee on Cataloging: Description and Access From: Mark Scharff, Music Library Association liaison to CC:DA Subject: Change to RDA 7.24 and Glossary, Artistic and/or Technical Credit The Bibliographic Control Committee of the Music Library Association requests CC:DA’S endorsement of the proposed revision to the text of Resource Description and Access (RDA). We ask for your consideration and endorsement at the 2011 Annual Meeting so that the proposal may be considered by the Joint Steering Committee at their November meeting. This proposal has been reviewed by members of OLAC’s Cataloging Policy Advisory Committee (CAPC). As mentioned at the end of the document, CC:DA may wish to broaden the scope of this proposal; if that is the case, we hope for timely action. Background Music catalogers have traditionally recorded information on music producers and engineers deemed to be significant in a note, according to AACR2 rule 6.7B6, Statements of Responsibility. Such information has been accommodated in MARC field 508 $a, Creation/Production Credits Note. Furthermore, music catalogers have often found it prudent to trace the names of producers and engineers in added entries, for enhanced access. As presently written, RDA 7.24 restricts the recording of this information to motion pictures and video recordings, thereby limiting catalog users’ access to this information in the realm of sound recordings. Rationale RDA 7.24 and the Glossary currently define Artistic and/or Technical Credit as “a listing of persons, families, or corporate bodies making contributions to the artistic and/or technical production of a motion picture or video recording other than as performers, narrators, or presenters.” MLA proposes that the Glossary definition and Basic Instructions on recording artistic and/or technical credits (7.24.1) be expanded to include sound recording producers and engineers. -
Inside This Week
Thu'rsday A Student Publication November I, too? Volume 52 Issue 8 UNIVERSITY 0 F WISCONSIN-STEVENS PO INT Locked and loaded: UW-SP PrQ.tective Services to introduce armed police officers t·o campus Sara Suchy police on campus 24 hours a an increasing number of peo "Our number one concern consult SCA before making THE POINTER day, seven days a week. ple who are hostile towards has always been the safety the decision to arm police offi [email protected] .EDU "Currently we are the only them. Most of these people of our students; we take that cers. campus in the UW-System to are not students, but it is not very, very seriously." "Some students are con not already have armed police fair to our officers to put them Student Government cerned that having guns on Students at the University officers," said Bob Tomlinson, campus will provoke violence. of Wisconsin-Stevens Point Vice Chancellor of Student Some students actually feel might be seeing more armed Affairs. unsafe having guns around police officers patrolling cam Chancellor Linda Bunnell campus," said Goldowski. pus in the near future after a is also expected to mandate Tomlinson views the ini committee organized by the that the UW-SP campus have tiative as a means of prevent Board of Regents to evalu armed police officers before ing a tragedy like Virginia Tech ate security of uw campus the entire UW-System requires from happening at UW-SP. es presents their report next it. "If something like Virginia week. Currently, there are three Tech happened here, the first "Immediately following full-fledged police officers on thing people would say is we the Virginia Tech shooting last campus and that number is need to have armed police on spring, President Kevin Reilly expected to climb to seven in campus to keep the students [president of the University the near future. -
Charris Efthimiou Metallica's Tone Colour Characteristics of Their Riffs
Charris Efthimiou Metallica’s Tone Colour Characteristics of their Riffs (1983–1986) and the Differences between Slayer and the New Wave of British Heavy Metal Annotation The aim of this article is to consider the design of the riffs of Angel of Death and other songs from the first three albums by Slayer (Show No Mercy 1983, Hell Awaits 1985 and Reign in Blood 1986) from a music analytical point of view (including tone-colour analysis of the riffs). If Slayer’s riff design (from 1983 to 1986) is considered from an overall perspective, the following results can be observed: • A rapid tempo and a constant change in the tone-colours of the guitar (palm mute, powerchords and monophonic melodies) characterise the sound of most riffs from the first three albums of this band. • Although the number of tone colours is limited, exact repetitions of tone colours are avoided. • Melodies in thirds, sixths and octaves are rare. At the same time (1983–1986) and in the same geographic area (U.S. West Coast), the band Metallica found their own compositional path within the thrash metal genre. Although the two bands dedicate their songs to very different topics, there are significant proximity points in the section of riff design. The same music-analytical methods (such as the analysis of tone- colours) are used with Metallica again. Thus, on the one hand, correlations can be determined and special features unique with Slayer’s music can be highlighted on the other. Furthermore, in order to determine other similarities and differences, the riffs of Metallica and Slayer will be compared with riffs by bands belonging to the NWoBHM (New Wave of British Heavy Metal) and were active in the years 1983–1986 (including Iron Maiden and Motörhead). -
Fill Your Summer with Music Draft
FILL YOUR SUMMER WITH MUSIC DRAFT SUMMER 2020 CLASSICAL | JAZZ | FOLK | POP | WORLD = THE MEMORABLE ROCKPORT MUSIC EXPERIENCES EXPERIENCE DEMAND AN INSPIRED • World-class artists EXCEPTIONAL from around the globe • stellar acoustics SPACE. • engaging and accessible community events for all ages INTIMATE • A warm, inviting setting for an unparalleled "…beautiful to the eye concert experience as well as the the ear" The New York Times • Salon-like setting evoking ©Acadia Mezzofanti ©Acadia late night cabarets, jazz clubs and Celtic sessions CONTENTS 5 SEASIDE 39th Annual • Gorgeous harbor views ROCKPORT CHAMBER MUSIC FESTIVAL • Picturesque New England June 12–July 12 | August 7-9 coastal village 18 Ten years ago, the opening of the Shalin Liu 9th Annual ROCKPORT JAZZ FESTIVAL Performance Center brought a much-anticipated July 26–August 2 dream to reality for Rockport Music. Originally founded as a chamber music festival in the 80’s, 21 Rockport Music’s new concert hall has truly SUMMER AT ROCKPORT surpassed all expectations. With the opening of Jazz, Folk, Pop & World the hall, the organization has seen exponential May–September growth into multiple musical genres, hosted 28 broadcast events from around the world, and is 2nd Annual ROCKPORT CELTIC FESTIVAL YEAR-ROUND considered “one of the most beautiful halls in OFFICIAL the country.” This year we celebrate the 10th August 27–30 PARTNERS EXCLUSIVE REALTOR anniversary of its opening with a spectacular 30 OFFICIAL HOTEL OFFICIAL TRANSPORTATION summer gala on June 5. We hope you'll join us! -
Teaching Latin Love Poetry with Pop Music1
Teaching Classical Languages Volume 10, Issue 2 Kopestonsky 71 Never Out of Style: Teaching Latin Love Poetry with Pop Music1 Theodora B. Kopestonsky University of Tennessee, Knoxville ABSTRACT Students often struggle to interpret Latin poetry. To combat the confusion, teachers can turn to a modern parallel (pop music) to assist their students in understanding ancient verse. Pop music is very familiar to most students, and they already trans- late its meaning unconsciously. Building upon what students already know, teach- ers can reframe their approach to poetry in a way that is more effective. This essay shows how to present the concept of meter (dactylic hexameter and elegy) and scansion using contemporary pop music, considers the notion of the constructed persona utilizing a modern musician, Taylor Swift, and then addresses the pattern of the love affair in Latin poetry and Taylor Swift’s music. To illustrate this ap- proach to connecting ancient poetry with modern music, the lyrics and music video from one song, Taylor Swift’s Blank Space (2014), are analyzed and compared to poems by Catullus. Finally, this essay offers instructions on how to create an as- signment employing pop music as a tool to teach poetry — a comparative analysis between a modern song and Latin poetry in the original or in translation. KEY WORDS Latin poetry, pedagogy, popular music, music videos, song lyrics, Taylor Swift INTRODUCTION When I assign Roman poetry to my classes at a large research university, I re- ceive a decidedly unenthusiastic response. For many students, their experience with poetry of any sort, let alone ancient Latin verse, has been fraught with frustration, apprehension, and confusion. -
The Most Important Dates in the History of Surfing
11/16/2016 The most important dates in the history of surfing (/) Explore longer 31 highway mpg2 2016 Jeep Renegade BUILD & PRICE VEHICLE DETAILS ® LEGAL Search ... GO (https://www.facebook.com/surfertoday) (https://www.twitter.com/surfertoday) (https://plus.google.com/+Surfertodaycom) (https://www.pinterest.com/surfertoday/) (http://www.surfertoday.com/rssfeeds) The most important dates in the history of surfing (/surfing/10553themost importantdatesinthehistoryofsurfing) Surfing is one of the world's oldest sports. Although the act of riding a wave started as a religious/cultural tradition, surfing rapidly transformed into a global water sport. The popularity of surfing is the result of events, innovations, influential people (http://www.surfertoday.com/surfing/9754themostinfluentialpeopleto thebirthofsurfing), and technological developments. Early surfers had to challenge the power of the oceans with heavy, finless surfboards. Today, surfing has evolved into a hightech extreme sport, in which hydrodynamics and materials play vital roles. Surfboard craftsmen have improved their techniques; wave riders have bettered their skills. The present and future of surfing can only be understood if we look back at its glorious past. From the rudimentary "caballitos de totora" to computerized shaping machines, there's an incredible trunk full of memories, culture, achievements and inventions to be rifled through. Discover the most important dates in the history of surfing: 30001000 BCE: Peruvian fishermen build and ride "caballitos -
PDF Download Metallica: for Bass Guitar & Vocal: Master of Puppets
METALLICA: FOR BASS GUITAR & VOCAL: MASTER OF PUPPETS PDF, EPUB, EBOOK Mark Phillips | 54 pages | 01 Dec 1991 | Cherry Lane Music Co ,U.S. | 9780895244086 | English | United States Metallica: For Bass Guitar & Vocal: Master of Puppets PDF Book Email address: optional. With a reputation for drinking, the band stayed sober on recording days. Collector's Guide Publishing. ECW Press. Archived from the original on June 9, Metallica showed up ready to rock, bringing along fully formed demos with fleshed-out arrangements; even their solos were composed. Archived from the original on July 28, Used to contact you regarding your review. With sections performed at beats per minute, it is one of the most intense tracks on the record. All of the songs have been performed live, and some became permanent setlist features. The album revitalized the American underground scene , and inspired similar records by contemporaries. Metal and Hard Rock. Select "Master of Puppets" in the "Filtra" field. And Justice for All as a trilogy over the course of which the band's music progressively matured and became more sophisticated. Retrieved May 16, Master of Puppets peaked at number 29 on the Billboard and received widespread acclaim from critics, who praised its music and political lyrics. He also said that the group was "definitely peaking" at the time and that the album had "the sound of a band really gelling, really learning how to work well together". Retrieved June 12, With bass tablature, standard notation, vocal melody, lyrics, chord names, bass notation legend and introductory text. Duke University Press. Australian Guitar. -
Images of Aggression and Substance Abuse in Music Videos : a Content Analysis
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Images of aggression and substance abuse in music videos : a content analysis Monica M. Escobedo San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Escobedo, Monica M., "Images of aggression and substance abuse in music videos : a content analysis" (2009). Master's Theses. 3654. DOI: https://doi.org/10.31979/etd.qtjr-frz7 https://scholarworks.sjsu.edu/etd_theses/3654 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. IMAGES OF AGGRESSION AND SUBSTANCE USE IN MUSIC VIDEOS: A CONTENT ANALYSIS A Thesis Presented to The Faculty of the School of Journalism and Mass Communications San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Science by Monica M. Escobedo May 2009 UMI Number: 1470983 Copyright 2009 by Escobedo, Monica M. INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Canceled: Positionality and Authenticity in Country Music's
Graduate Theses, Dissertations, and Problem Reports 2021 #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito [email protected] Follow this and additional works at: https://researchrepository.wvu.edu/etd Part of the Ethnomusicology Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, Musicology Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Social Media Commons Recommended Citation Saporito, Gabriella, "#Canceled: Positionality and Authenticity in Country Music’s Cancel Culture" (2021). Graduate Theses, Dissertations, and Problem Reports. 8074. https://researchrepository.wvu.edu/etd/8074 This Thesis is protected by copyright and/or related rights. It has been brought to you by the The Research Repository @ WVU with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you must obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in WVU Graduate Theses, Dissertations, and Problem Reports collection by an authorized administrator of The Research Repository @ WVU. For more information, please contact [email protected]. #Canceled: Positionality and Authenticity in Country Music’s Cancel Culture Gabriella Saporito Thesis submitted to the College of Creative Arts at West Virginia University in partial fulfillment of the requirements for the degree of Master of Arts in Musicology Travis D. Stimeling, Ph.D., Chair Jennifer Walker, Ph.D. Matthew Heap, Ph.D. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
RESUME FINAL 10-7-19.Xlsx
MacGowan Spencer AWARD WINNING MAKEUP + HAIR DESIGNER, GROOMER I MAKEUP DEPT HEAD I SKIN CARE SPECIALIST + BEAUTY EDITOR NATALIE MACGOWAN SPENCER [email protected] www.macgowanspencer.com Member IATSE Local 706 MakeupDepartment Head FEATURE FILMS Director ▪ Hunger Games "Catching Fire" Francis Lawrence Image consultant ▪ “Bad Boys 2” Michael Bay Personal makeup artist to Gabrielle Union ▪ Girl in a Spiders Web Fede Alvarez Makeup character designer for Claire Foy Trilogy leading lady TV SHOWS/ SERIES ▪ HBO Insecure Season 1, 2 + 3 Makeup DEPT HEAD ▪ NETFLIX Dear White People Season 2 Makeup DEPT HEAD ▪ FOX Leathal Weapon Season 3 Makeup DEPT HEAD ▪ ABC Grown-ish Season 3, episode 306, 307, 308, 309 Makeup DEPT HEAD SHORT FILMS Director SHORT FILMS Director ▪ Beastie Boys "Make Some Noise" Adam Yauch ▪ Toshiba DJ Caruso ▪ Snow White Rupert Sanders ▪ "You and Me" Spike Jonze SOCIAL ADVERTISING: FaceBook, Google, Apple COMMERCIALS Director COMMERCIALS Director ▪ Activia Liz Friedlander ▪ Glidden Filip Engstrom ▪ Acura Martin De Thurah ▪ Heineken Rupert Saunders ▪ Acura W M Green ▪ Honda Filip Engstrom ▪ Adobe Rhys Thomas ▪ Hyundai Max Malkin ▪ Allstate Antoine Fuqua ▪ Infinity Carl Eric Rinsch ▪ Apple "Family Ties" Alejandro Gonzales Inarritu ▪ International Delight Renny Maslow ▪ Applebee's Renny Maslow ▪ Pepperidge Renny Maslow ▪ Applebee's Renny Maslow ▪ Hennessey ▪ AT&T Oskar ▪ Jordan Rupert Sanders ▪ AT&T Rupert Saunders ▪ Kia Carl Eric Rinsch ▪ AT&T Filip Engstram ▪ Liberty Mutual Chris Smith ▪ Catching Fire Francis Lawrence ▪ Lincoln Melinda M. ▪ Chevy Filip Engstram ▪ Miller Lite Antoine Fuqua ▪ Cisco Chris Smith ▪ NFL Chris Smith ▪ Comcast Pat Sherman ▪ Nike Rupert Saunders ▪ Cottonelle Renny Maslow ▪ Nissan Dominick Ferro ▪ Crown Royal Frederick Bond ▪ Pistacios Chris smith ▪ Dannon Liz Friedlander ▪ Pistachios Job Chris smith ▪ Disney Renny Maslow Featuring Snoop Dog, Dennis Rodman + Snooki ▪ Dr.