Shary Boyle Curriculum Vitae
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A Building Renos Start This Summer
I'M GOING NEWS ENTERTAINMENT OPINIONS TO THE An open letter to the students BEACH and Students' Association Board CALL ME IN SEPTEMBER. of Red River Community College Red River Community College May 25 - August 25, 1998 Volume 30• Issue 20 Changes on the way: A Building renos start this summer By Ross Romaniuk "The big firms adhere to a value - 10 N • kr 1 Staff Writer they want to give something back to their community," said TITANIC YOU ed River College Garbutt. O STUDENTS' ASSOCIATION is looking to the The campaign team, now num- bering about 40 volunteers, has private sector to RR been networking in and around Rcome through Winnipeg to drum up financial Volunteers and future students ofn Red River Community College thank you with the necessary funds for support since August of last year. for your support of the Vision Inovation Partnership Campaian---our first the College's first major Although the project is going established to fund Building, A renovations program facilities expan- well now, it got off to a slow gC College start. Many businesses were Community Red River majorwhich fund will raisingcreate a facility to tae education and Red River students into sion. reluctant to contribute to the Office take VIP Campaign The capital campaign to raise pri- Notre Dame Ave. College because 2055 A109 - vate funds for the upcoming they weren't aware of the range Winnipeg, MB R3H 039 the future. Phone: (204) 632-2011 Your support comes at an imporntgrowing time in demand the development for skilled andof the technologi- redevelopment of Building A has of programs it provides, 4859 - generated $1.35 million of the Fax: (204) 632 explained Garbutt. -
Liz Magor I Have Wasted My Life
Andrew Kreps 22 Cortlandt Alley, Tue–Sat, 10 am–6 pm Tel. (212)741-8849 Gallery New York, NY 10013 andrewkreps.com Fax. (212)741-8163 Liz Magor I Have Wasted My Life May 21 - July 3 Opening Reception: Friday, May 21, 4 - 7 pm Andrew Kreps Gallery is pleased to announce I Have Wasted My Life, an exhibition of new works by Liz Magor at 22 Cortlandt Alley. On the wall, a new sculpture titled Perennial is formed from a duffle coat, which in the 1960s and 1970s had become a de-facto uniform for student protestors, including those part of the nascent environmental movement in Vancouver, where Greenpeace was founded in 1971. A near artifact from this time, the coat carries with it the accumulated wear from these actions. The artist’s own interventions seek to repair the garment, though in lieu of erasure, Magor marks the damage using paint, ink, and sculptural material. Simultaneously, Magor adds vestiges of the coat’s past activity, such as two cookies cast in gypsum placed in its pocket to resuscitate it to its prior use. Magor often positions humble objects at the center of her sculptures, the stuff that plays fleeting roles in our lives as repositories for memories and affection before being replaced. Three found workbenches, positioned throughout the galleries, become stages for these objects, suggesting sites for their rehabilitation. On each, a meticulously molded and cast toy animal rests between an array of accumulated items that range from the deeply personal, such as small collections of rocks, shells, and dried flowers, to those that are ubiquitous, such as Ikea Lack furniture, which is produced in a way that it is no longer contained to one place, or time. -
Social18 Sponsor
PRESENTING SOCIAL18 SPONSOR THURSDAY SEPTEMBER 27 Fundraising Dinner and Auction SETTING TIME THURSDAY SEPTEMBER 27 2018 VENUE EVERGREEN BRICK WORKS 550 BAYVIEW AVENUE SCHEDULE 6PM COCKTAIL RECEPTION+ SILENT AUCTION 7PM DINNER 9PM LIVE AUCTION CONDUCTED BY STEPHEN RANGER of WADDINGTON’S Canadian Art is the preeminent platform for journalism and criticism about art and culture in Canada. Our print, digital, educational and programming initiatives deliver smart, accessible ideas, stories and opinions. A national non-profit foundation, Canadian Art develops and supports art writers, and engages with the work of artists, established and new. Most important, we empower diverse audiences to understand, debate and be inspired by art. Now in its 23rd year, Social 2018 offers one of the largest live and silent contemporary art auctions in Canada, and is an essential source of funding for Canadian Art. The great selections in this year’s auction reflect a discerning, mindful and generous art advisory committee, co-chaired by Jessica Bradley and Stefan Hancherow. These are people commit- ted to reflecting the values of our publication—in other words, to assembling artworks you can talk about, debate, and that alter and enrich in meaning as you think about and look at them. Many thanks to all of the artists and gallerists who have donated works this year. You keep our conversations on art interesting, and ongoing. David Balzer Canadian Art Editor-in-Chief and Co-Publisher 3 LETTER FROM THE PRESENTING SPONSOR Art inspires important conversations. It can also be a catalyst for change, driving us to evolve, examine and shape our communities. -
Thank You to Our Donors Donor Report 2013
DONOR REPORT 2013 THANK YOU TO OUR DONORS AA decade ago, ago, T HEThe WalrusWALRUS was WbornAS BORN. A decade ago, The Walrus was born, filled with stories about Canada Your contribution makes a huge difference. Every dollar has an and its place in the world. Published by the charitable, non-profit impact, and your gift demonstrates your commitment to the Walrus Foundation, the magazine relies on gifts from the philan- environment, arts and culture, politics and world affairs, law and thropic community to engage, connect, and inform Canadians. justice, fiction and poetry, and health and science—and to Canada. Thanks to you, The Walrus experienced a significant milestone in You make The Walrus possible. And for that, all of us at the Walrus 2013: the tenth anniversary of the magazine. Generous support Foundation are truly grateful. from members of the Walrus community made this achievement Thank you for your support in 2013, and please help us keep the possible, in spite of tumultuous changes in the media and conversation going for years to come. economic landscapes. You helped sustain a forum for smart, thoughtful, intelligent conversation on vital matters. Thanks to you, The Walrus features works by leading illustrators, painters, photographers, and designers, from Bruce Mau and Gary Taxali to Joanne Tod and Douglas Coupland, along with many Michael Decter emerging artists. Chair, Board of Directors Thanks to you, The Walrus offers the best of long-form journalism and fiction by Canada’s foremost writers and thinkers, including Katherine Ashenburg, Ron Graham, Charlotte Gray, John Lorinc, Lisa Moore, Craig Davidson, Kamal Al-Solaylee, and Zsuzsi Gartner, as well as young up-and-coming voices. -
FOR IMMEDIATE RELEASE Thursday February 28, 2019 from Holocaust
FOR IMMEDIATE RELEASE Thursday February 28, 2019 From Holocaust survivor to one of Canada’s most acclaimed painters and cultural philanthropists: Gershon Iskowitz: Life & Work chronicles one man’s remarkable trajectory from Auschwitz to famed Canadian artist TORONTO, ON — A few days after teenaged Gershon Iskowitz (1920 or 1921–1988) was accepted into the Academy of Fine Arts in Warsaw, the Nazis invaded Poland. As a Jew, Iskowitz was sent to Auschwitz and Buchenwald concentration camps, where he drew as a means of resilience. Surviving the war, he immigrated to Canada in 1948 where he quickly became one of its most important painters. Today the Art Canada Institute releases its online art book Gershon Iskowitz: Life & Work, by Ihor Holubizky which—for the first time ever—makes the story of this Canadian hero available to audiences, free of cost, in both English and French. “The book is of critical importance,” says Sara Angel, Founder and Executive Director of the Art Canada Institute, “because Iskowitz not only created some of the most important artistic documents of the Holocaust, he became an internationally renowned abstract painter and founded the Gershon Iskowitz Prize which became the country’s most important visual arts award of its kind.” The book also tells of Iskowitz’s 1967 transformative artistic experience when a Canada Council grant enabled him to take a trip to Churchill, Manitoba, where an aerial view of scattered clouds and vibrant colours inspired a new artistic direction. Over his mature career, Iskowitz produced a unique, coherent, and compelling body of abstract works. “For him the sky was a universal view, one we can all experience regardless of where we live,” says Ihor Holubizky, author of Gershon Iskowitz: Life & Work. -
Astral Bodies Shuvinai Ashoona Karen Azoulay Shary Boyle Spring Hurlbut Pamela Norrish
Mercer Union, a centre for contemporary art 1286 Bloor Street West, Toronto, ON M6H 1N9 Canada T 416-536-1519 F 416-536-2955 www.mercerunion.org Astral Bodies Shuvinai Ashoona Karen Azoulay Shary Boyle Spring Hurlbut Pamela Norrish 25 November 2016 – 4 February 2017 The group exhibition Astral Bodies brings together works that imagine spaces beyond the physical – emotional, mythological, cosmological – tracing efforts to understand the nature of divinity and how we fit into the universe. Featured practices connect to ideas of being, animism, and the power of making the imagination take form. In works that span drawing, sculpture, and video, these artists court intoxicating historical visions that haunt modern imagination in our perpetual quest for knowledge and enlightenment. Here, the night sky recreated with candle flame, hypnotic swirls of human ash, and daydreams on eternity evoke personal positions in relation to the vastness of the world. They also offer fantastical reflections on the juncture between reason and dreams, existing at the meeting point of perception, awareness and philosophy. In the context of Astral Bodies, this assembly of viewpoints results in an exploration of contemporary Western pathologies, contradictions, and anxieties about what lies beyond our immediate reality. Curated by York Lethbridge Artist Biographies Shuvinai Ashoona was born in Cape Dorset in 1961, the daughter of artists Kiawak Ashoona and Sorosilutu. She began drawing in 1996, and was first included in the Cape Dorset annual print collection in 1997. Ashoona’s work has appeared in exhibitions including: Three Women, Three Generations, McMichael Canadian Collection (1999); Toronto’s Nuit Blanche (2008); Justina Barnicke Gallery, Toronto (2009); The 18th Biennale of Sydney and Sakahans, National Gallery of Canada (both 2013), and SITElines 2014: Unsettled Landscapes, Sante Fe, New Mexico. -
SKETCH SKETCH President and Vice-Chancellor Dr
The magazine of OCAD University Volume 25, Issue 1 Summer 2013 SKETCH SKETCH President and Vice-Chancellor Dr. Sara Diamond Chancellor Catherine (Kiki) Delaney Chair, Board of Governors Ian C. Tudhope Vice-President, Academic Dr. Christine Bovis-Cnossen Vice President, Finance & Administration Matt Milovick Vice-President, Development & Alumni Relations and President, OCAD University Foundation Jill Birch Associate Vice-President, Research, and Dean, Graduate Studies Dr. Helmut Reichenbächer Associate Vice-President, University Relations Carole Beaulieu Associate Vice-President, Students Deanne Fisher Dean, Faculty of Art Dr. Vladimir Spicanovic Dean, Faculty of Design Dr. Gayle Nicoll Dean, Faculty of Liberal Arts & Sciences and School of Interdisciplinary Studies Dr. Kathryn Shailer Chair, OCAD U Foundation Richard Kostoff President, Alumni Association Maggie Broda Produced by OCAD U Marketing & Communications Editor Larissa Kostoff Design Hambly & Woolley Inc. Contributors Suzanne Alyssa Andrew, Rose Bouthillier, Naomi Buck, Christopher Moorehead, Ellyn Walker Special thanks to Sarah Mulholland, Kelley Teahen, Cheryl Wang, Laura Wood Charitable Registration #10779-7250 RR0001 Canada Post Publications Agreement #40019392 Printed on recycled paper. Return undeliverable copies to: OCAD University 100 McCaul Street, Toronto, Ontario Canada M5T 1W1 Telephone 416.977.6000 Facsimile 416.977.6006 ocadu.ca Note: The views and opinions expressed in this publication are those of its contributors and do not necessarily reflect OCAD University policy or position. CONTENTS 14 22 FEATURES 4 centrefold From process to practice: OCAD University and the Strategic National Arts Alumni Project (SNAAP) 14 Making change: OCAD U’s new minor Art & Social Change MFA candidate Ellyn Walker talks curriculum, community-building and contribution By Ellyn Walker 2 HAPPENINGS 3 PRESIDENT’S MESSAGE 4 CAMPUS NEWS 19 ALUMNI NEWS 22 ALUMNI PROFILE 25 EXHIBITION The magazine of OCAD University Volume 25, Issue 1 Summer 2013 SKETCH Front cover Shary Boyle, Ophiodea, 2013. -
SHARY BOYLE Toronto, Canada SELECT EXHIBITIONS SOLO +
SHARY BOYLE Toronto, Canada SELECT EXHIBITIONS SOLO + COLLABORATIONS 2018 Kabuki-za, The Gardiner Museum, Toronto, ON, CA The Illuminations Project, with Emily Vey Duke. Art Gallery of Nova Scotia, Halifax, NS, CA 2017 The Smile at the Bottom of the Ladder, Galerie 3, Quebec City, PQ, CA Scarecrow, MacKenzie Art Gallery, Regina, SK, CA Slipper, with Ambera Wellman. Suzanne Biederberg Gallery, Amsterdam, NL 2015 Universal Cobra, with Shuvinai Ashoona. PFOAC, Montreal, PQ, CA 2014 Illuminations Project, with Emily Vey Duke. Oakville Galleries, Oakville, ON, CA 2013 Music for Silence, Canada Pavilion, 55th Venice Biennale, ITA 2012 Buttermint Equilux, Louis Vuitton Maison, Toronto, ON, CA Stranger, Jessica Bradley Gallery, Toronto, ON, CA Canadian Artist, BMO Project Room, Toronto, ON, CA 2011 The Illuminations Project, Institute of Contemporary Art, Philadelphia, US 2010 Shary Boyle: Flesh and Blood, Art Gallery of Ontario, Toronto; Galerie de l’UQAM. Montreal, PQ (2011); Contemporary Art Gallery, Vancouver, BC (2011) 2009 Moon Hunter, Fumetto Festival, Lucerne, CHE The Cave, Jessica Bradley Art + Projects, Toronto, ON, CA 2008 The History of Light, Southern Alberta Art Gallery, Lethbridge, AB, CA 2007 The Clearances, Space Gallery, London, UK Wonderlust, Jessica Bradley Art + Projects, Toronto, ON, CA 2006 Lace Figures, The Power Plant, Toronto, ON, CA GROUP 2019 Dark Spring, Sargent’s Daughters, New York City, NY, US 2018 Cedric ter Bals, Shary Boyle, Marjolijn Meij, Galerie Maurits van de Laar, The Hague, NL Reopening, Canadian Cultural -
ASHOONA, Shuvinai
SUVINAI ASHOONA (SUVENAI) Date of Birth: August 5, 1961 Male/Female: Female E7-1954 Place of Birth: Cape Dorset Mother: Sorosolutu Ashoona Father: Kiawak Ashoona Shuvenai was born in Cape Dorset in August, 1961. She is the daughter of Kiawak Ashoona and Sorosilutu, both well known for their contributions to the arts in Cape Dorset. Shuvenai began drawing in 1993. She works with pen and ink, coloured pencils and oil sticks and her sensibility for the landscape around the community of cape Dorset is particularly impressive. Her recent work is very personal and often meticulously detailed. Shuvenai’s work was first included in the Cape Dorset annual print collection in 1997 with two small dry-point etchings entitled Interior (97-33) and Settlement (97-34). Since then, she has become a committed and prolific graphic artist, working daily in the Kinngait Studios Shuvenai’s work has attracted the attention of several notable private galleries as well as public institutions. She was featured along with her aunt, Napachie Pootoogook, and her grandmother, the late Pitseolak Ashoona, in the McMichael Canadian Collection’s 1999 exhibition entitled “Three Women, Three Generations”. More Recently she was profiled along with Kavavau Manumee of Cape Dorset and Mick Sikkuak of Gjoa Haven in the Spring 2008 issue of Border Crossings, a Winnipeg-based arts magazine. In an unusual contemporary collaboration, Suvinai recently worked with Saskatchewan-based artist, John Noestheden, on a "sky-mural" that was exhibited at the 2008 Basel Art Fair and was shown again at Toronto’s 2008 "Nuit Blanche". It later traveled to the 18th Biennale of Sydney in 2012 and in 2013 it was part of ‘Sakahans’ an exhibition of international Indigenous art at the National Gallery of Canada. -
Ho-Ho-Homegrown! a Personal Choice of 15 Stocking-Filler Cds by Canadian Acts
M ORE L IVING A What Goes On? More Music Seasonal Special: Ho-Ho-Homegrown! A Personal Choice Of 15 Stocking-Filler CDs By Canadian Acts By David Morrison I love lists. Love them! And there is no time when lists are more visible than Christmas, recommendations of this or that product as the ideal gift in list form just about everywhere you look. Regard- less of my available budget, I can’t help but scan them all! What’s more, I’ve decided to join in this festive season with New Lines at Maliah’s – I’ll check the internet for logos? a few (alphabetically presented) recom- mendations of my own from homegrown musical talent you should know about if Roxy Girl – 6 months to 7 years you don’t already. Mark Berube & The Patriotic Few Ghost Bees Tasseomancy However, I must stress, firstly, that this is What The Boat Gave The River (Youth Club Records) a personal choice uninfluenced by anyone (Redux/KBM) Quicksilver Boy 12 months to 7 years or anything beyond my own ears and Any fans of such as Joanna Newsom and Co- tastes. Secondly, I could’ve included many, A companion release to 2007’s equally fine corosie yet to encounter Halifax twins Romy many more than just these fifteen; the What The River Gave The Boat, this exquisite al- and Sari Lightman’s bewitching debut, here’s DC Runner from Crib to 3 years list could have been three or more times bum should appeal to fans of Rufus Wainwright, your cue. Quirky, creaky and kinda freaky, longer. -
Trains of Winnipeg, the Book Inside
trains of winnipeg trains of winnipeg poems by Clive Holden Copyright © 2002 Clive Holden All rights reserved. No part of this book may be reproduced by any means — graphic, electronic or mechanical — without the prior written permission of the publisher or author, with the exception of brief passages in reviews, or for promotional purposes. for Alissa Printed and bound in Canada Edited by Jon Paul Fiorentino and Robert Allen Book design: Clive Holden, Clint Hutzulak, Richard Hunt Cover design: Clint Hutzulak Filmstills & photos: Clive Holden The National Library of Canada Cataloguing in Publication Holden, Clive, 1959 – Trains of Winnipeg Thanks to Elizabeth and Martin Holden, Clint Hutzulak, Richard Hunt, Poetry. Jon Paul Fiorentino, Andrew Horridge, Christine Fellows, John K. Samson, ISBN 0-919688-57-8 Jason Tait, Steve Bates, Ricardo Sternberg, Gilbert Dong, Bonnie Light, 1. Title. Sean Virgo, Robert Allen, and Molly Peacock. PSXXXX.XXXXXXX 2002 CXXX’.X C2002-XXXXXX-X PRXXXX.X.XXXXXX 2002 The publisher and author gratefully acknowledge the financial assistance of the Canada Council for the Arts, SODEC, and the Manitoba Arts Council. Twelve of the poems in this book were first published on the audio CD, Trains of Winnipeg (2001), which is available from Endearing Records or Signature Editions. Others were first published in Matrix Magazine and Dark Leisure Magazine. DC Books The rest of the Trains of Winnipeg project can be seen and heard at: C.P. 662, 950 Decarie Montreal, Quebec, H4L 4V9, Canada www.trainsofwinnipeg.com. www.trainsofwinnipeg.com -
Public Art Talk on Painter Gershon Iskowitz Who Survived Auschwitz and Became One of Canada’S Most Acclaimed Artists and Cultural Philanthropists
FOR IMMEDIATE RELEASE March 1, 2019 Public art talk on painter Gershon Iskowitz who survived Auschwitz and became one of Canada’s most acclaimed artists and cultural philanthropists. On April 1, 2019, four leading art historians discuss the life and legacy of this extraordinary Canadian. TORONTO, ON — A few days after teenaged Gershon Iskowitz (1920 or 1921–1988) was accepted into the Academy of Fine Arts in Warsaw, the Nazis invaded Poland. As a Jew, Iskowitz was imprisoned at Auschwitz and then Buchenwald concentration camps, where he drew as a means of resilience. Following the war, he immigrated Toronto where a new chapter of his life as one of the city’s most influential artists was to begin. On April 1, 2019, to mark the release of the newly published online art book Gershon Iskowitz: Life & Work four art historians—Sara Angel, Ihor Holubizky, David Moos, and Georgiana Uhlyarik—pay tribute to the man, his art, and his legacy. “The talk will reveal not only how Iskowitz created some of the most important artistic documents of the Holocaust, but also how he became a renowned abstract painter, and founded the Gershon Iskowitz Prize, which is now the country’s most important visual arts award of its kind,” says Sara Angel, Founder and Executive Director of the Art Canada Institute. David Moos, art advisor, author, and curator, knew Iskowitz personally. He is the son of Walter Moos— owner of the legendary Moos Gallery in Toronto that represented Iskowitz alongside Canadian, American, and European artists, including Pablo Picasso and Marc Chagall. Ihor Holubizky, author of the newly released Gershon Iskowitz: Life & Work, will speak to Iskowitz’s artistic renown, and his status as one of the most distinctive painters in Canadian art.