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2012/2013

Cinderella

Jules Massenet Two Hundred Forty-Seventh Program of the 2012-13 Season ______

Indiana University Theater presents

as its 427th production Cendrillon

Music by Jules Massenet Libretto by Henri Cain

Ronald Zollman, Conductor Albert-André Lheureux, Stage Director C. David Higgins, Set and Costume Designer Julie Duro, Lighting Designer William Jon Gray, Chorus Master Gary Arvin, Diction Coach

______Musical Arts Center Thursday, November 8 7:00 p.m. Friday, November 9 Saturday, November 10 8:00 p.m. Sunday, November 11 2:00 p.m. music.indiana.edu Cast

November 8 November 9 November 10 November 11 Lucette (Cendrillon)...... Alyssa Martin Jacquelyn Matava Pandolfe ...... Reuben Walker Preston Orr Madame de la Haltière...... Eileen Jennings Jane Rownd Noémie . Anastasia Talley Abbey Curzon Dorothée...... Amber McKoy Madolynn Pessin La Fée (Fairy Godmother)...... Angela Yoon Sandra Periord Le Prince Charmant (Prince Charming). . . Sarah Ballman Michael Brandenburg La Surintendant des Plaisirs (Master of Ceremonies)...... Bruno Sandes Le Doyen de la Faculté (Dean of Faculty). Andrew LeVan Le Roi (The King) ...... Ryan Kieran Le Premier Ministre (Prime Minister). Zachary Coates Le Héraut (The Herald). Daniel Lentz Six Esprits (Six Spirits)...... Kathryn Summersett, Emily Smith Elizabeth Faranda, Rachel Evans Meghan Folkerts, Anna Prokop Princesses . Sarah Akemon, Monica Armstrong Danielle Guevara, Alana Hodgdon Kaitlin Jellison, Abigail Mowery Demi Alexandra Vanderwerff, Sarah Wells Modiste. Christopher Seefeldt Hairdresser / Servant...... Brayton Arvin Tailor / Servant...... Max Zander

One 15-Minute Intermission

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Subscribe online at Your Indiana home, www.homesandlifestylesmagazine.com cover to cover Synopsis by Matthew Leone Act I Madame de la Haltière’s Mansion Courtier Pandolfe and his second wife, Madame de la Haltière, are busy preparing for a grand ball at the King’s palace. As the servants complain of Madame’s badgering, Pandolfe longs for happier times. He wonders why he gave up a peaceful existence with his daughter, Lucette (Cendrillon), to marry the spiteful Madame Haltière. He also laments over Madame’s conceited daughters, Noémie and Dorothée, as well as the unfortunate fate that has befallen his daughter due to the marriage. Madame Haltière and her daughters go over their plan to attract Prince Charming’s attention at the ball and, joined by a gloomy Pandolfe, they depart for the King’s palace. Shortly afterward, Cendrillon ponders her circumstances—she would love to attend the ball, but her housework beckons. After she falls asleep, the Fairy appears and commands her sprites to fashion a gown and carriage for Cendrillon. After the Fairy awakens her, Cendrillon is excited to attend the ball but worries that she will be recognized. The Fairy then gives her a crystal slipper, which will make her unrecognizable, and she also warns Cendrillon that she must return home by midnight. Cendrillon promises the Fairy she will return on time and then departs for the ball.

Act II The King’s Palace The ball has begun, although Prince Charming is glum, despite the encouragement from the Master of Ceremonies and his Courtiers. As the Prince longs for true love, the King enters and reminds his son that he must choose a bride. A “suite dansante” signals the entry of numerous guests, including Pandolfe, Madame Haltière, and her excited daughters. Suddenly, Cendrillon enters, and, while Haltière and her daughters scoff at the new arrival, the other guests—including the Prince—are entranced by her appearance. Prince Charming approaches Cendrillon and courts her, and, although Cendrillon is initially evasive, love soon blossoms between them. Suddenly, the clock strikes midnight, and Cendrillon quickly departs, leaving the stunned Prince behind. Act III Scene 1: Madame de la Haltière’s Mansion Cendrillon returns home, but she is troubled—in her hasty departure, she lost the crystal slipper. Shortly thereafter, Pandolfe, Madame Haltière, Noémie, and Dorothée enter. They are engaged in a heated discussion over the mysterious guest that captivated Charming’s attention. Cendrillon joins in, sensing her father’s discomfort. Discussion soon turns to argument, and Madame Haltière says that the Prince ultimately rejected the mysterious guest after the ball. This last comment leaves Cendrillon disturbed and forces Pandolfe to angrily order his wife and stepdaughters to their rooms. Pandolfe consoles Cendrillon, promising they will return to his country home to find peace again. However, Cendrillon believes her stepmother’s lies and resolves to run away to die and end her father’s suffering. She rushes off as lightning fills the sky. Scene 2: The Fairy’s Domain At a great oak tree in an enchanted forest, sprites inform the Fairy of Cendrillon and the Prince’s unfortunate predicaments. The Fairy then draws Cendrillon and the Prince together at the oak tree, concealing their identities from one another with a wall of clover. The Prince tells of his experience at the ball, in which a mysterious woman captured his heart, only to leave suddenly at midnight. As their conversation unfolds, they both recognize each other’s identities. The Fairy removes the clover barrier (at their insistence), and they share a passionate embrace. As the sprites gather around, a magic sleep overtakes them. Classes

Performances

ivytech.edu/waldron Galleries Act IV Scene 1: The Terrace of Cinderella’s Home Some time has passed. Pandolfe keeps vigil over his daughter, who was found months earlier by a stream, delirious. He convinces her that the story she had told him—about the Fairy, the Prince, the crystal slipper—was simply a dream. As they celebrate spring and the beauty of nature, Madame Haltière arrives. The King has summoned ladies from across the lands (including Madame Haltière and her daughters) to claim the crystal slipper. If the slipper’s owner is not found, the Prince will die of despair. Cendrillon, recognizing her supposed dream was actually real, begs for the Fairy’s help so she can go to the palace.

Scene 2: The King’s Palace Various princesses and ladies of rank enter the court. Prince Charming is on the verge of fainting from his despair when suddenly Cendrillon appears. The crowd looks on in amazement, and the Prince, recognizing Cendrillon, embraces her as they express their love for one another. Pandolfe arrives with Madame Haltière and her daughters. Since Cendrillon is not wearing the crystal slipper, her identity is revealed to her family. The King, the court, Pandolfe, and even Madame Haltière praise the reunited couple. As Pandolfe announces that everything has ended happily, the ensemble bids the audience farewell, hoping that we have enjoyed the fairy tale.

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Program Notes by Virginia Whealton The story of Cinderella is so well known that it hardly seems to need introduction: a beautiful, kind, hardworking girl, mistreated by her stepmother and stepsisters, goes to a ball and wins the heart of a prince with the help of her fairy godmother and a glass slipper. Yet Jules Massenet’s Cendrillon (1899) was not merely meant to tell the tale of a wronged but ultimately triumphant heroine. Instead, in the manner of the French tradition of opéra-féerie (fairy opera), all components of Massenet’s Cendrillon—music, dance, and scenic display—come together to offer a musical and visual spectacle of an enchanted, long-ago world. As if to make sure that nobody could mistake the operatic genre of Cendrillon, the work closes with the chorus, “The play is over. We have done our best to take you away to Fairyland!” It should come as no surprise, then, that Massenet called Cendrillon not an opera but a conte de fées—a fairy tale. Massenet’s librettist, Henri Cain, created a plot that offered many opportunities to explore the fantastic delights of fairyland. Cain based his libretto of Cendrillon on the version of Cinderella written by Charles Perrault, a seventeenth-century author who crafted elegant versions of many old folktales. Perrault’s Cendrillon was a compact work, and a poem at the end of the tale summarized its morals. The first: graciousness supersedes beauty and is a true gift of the fairies. The second: even those endowed with the best talents may not succeed without the help of a fairy godmother (quite a moral, indeed!). Although Cain retained the skeleton of Perrault’s plot, which differs from some modern versions of the tale in that Cendrillon’s father is not dead but merely unable to confront his overbearing wife, he abandoned the didactic flavor of the story in favor of creating luxurioustableaux . For example, spirits and elves, and not just the Fairy Godmother, come to Cendrillon’s aid as she prepares for the ball. (In this opera, Cendrillon’s true and rightful name is Lucette; however, her stepfamily mockingly calls her “Cendrillon” after the cinders of the hearth by which she often sits.) In Act III, Scene 4, Cain adds a dream-like sequence in which both Cendrillon and Prince Charming wander into the domain of the fairies after having been separated at the ball. Massenet’s music perfectly evokes this ethereal realm, as the Fairy Godmother sings haunting vocalises atop a faint, sometimes whispering, sometimes wordless chorus of the spirits. Although Cain creates fantastical journeys into fairyland, he also portrays the foibles and faults of the human world. In the first act, he satirizes Cendrillon’s family, and Massenet’s music complements Cain’s libretto. In Act I, Scene 2, Pandolphe, Cendrillon’s henpecked father, expresses his frustration with his wife and his desire to be a master rather than a subject. Massenet gives Pandolphe nervous buffa patter, suggesting that his situation is at least partly comic. When Pandolphe considers the miseries of his daughter, however, he sings in a more lyrical and intimate style, though he lacks the melodic sensitivity, harmonic color, and sensitive scoring that characterize Massenet’s dramatic writing at its finest. Pandolphe’s weak music mirrors his weak character. In the following scene, Cendrillon’s stepmother enters to a grand, regal fanfare, but she too quickly becomes a comic figure as she and her daughters chatter about the upcoming ball and sing along with an affected, slightly off kilter, and rather waltz-like minuet. Only in Act I, Scene 5, with Cendrillon’s first aria, does a more serious and non-caricatured tone set in. Sitting by the fire, Cendrillon repeatedly sings a wistful, sinuous melody, accompanied by a delicate filigree and high drone-like shimmer. Yet in between repetitions of her melancholy tune, she bursts into a joyous, waltz-like strain. From her first appearance, Cendrillon is a character of emotional breadth. Massenet’s writing for her, from this hearth song to her final duet with Prince Charming, “Vous êtes mon Prince charmant” (Act IV, Scene 3), showcases the expressive power that is the hallmark of his operatic writing. Act II, set at the ball, originally included a series of dances, or entrées. These added to the visual spectacle of Cendrillon, and they were a nod to the long tradition of character dances in French opera, in which different people or groups of people present themselves in succession. Not all of the entrées will be performed this evening, but you will hear the king’s Rigadoun. This dance, antiquated even in Massenet’s own time, evokes Cendrillon’s “long ago” world. The premiere ofCendrillon on May 24, 1899, at the Opéra-Comique in Paris was nothing short of triumphant. The opera enjoyed great success in France and abroad until World War I. But as the twentieth century progressed, performances of Cendrillon dwindled. Ironically, the very qualities that made Cendrillon so appealing to its original audiences have since caused it to be compared negatively to other Massenet , such as Manon (1884) and Thaïs (1894), which ostensibly carry heavier dramatic weight. The negative critical response aside,Cendrillon is a poignant reflection of the world into which it was born, France’s belle époque, or beautiful age, at the turn of the last century. Like the art nouveau glass of Gallé, the jewelry René Lalique, or the furniture of Gaillard, Cendrillon reflects a society that resisted the coldness of industrialism by seeking to infuse everyday life with beauty, mystery, and fantasy. Director’s Notes “Cendrillon,” or “Nothing is Impossible” by Albert-André Lheureux “Coeur sans amour, printemps sans roses! ... Heart void of love, and spring bare of flowers!” If you’ve found love, do not avoid it, live completely in it—you should not miss true love! Life without a deep love is not a life. Each of us should find one’s charming Prince or Princess. We need hope. We also need to dream another world where violence and hate would be banished and where pure love would have its full place. The fairy says in Massenet’sCendrillon , “Ah, now love! For an hour, let it seem that you love in a dream!” Jules Massenet’s lyrical work Cendrillon is also the hidden story of a spoiled marriage, which led to separation. The child from this first marriage (Lucette/ Cendrille/Cendrillon) was put aside by her stepmother, herself already being the mother of two children. But Cendrillon deserves joy, light, and a successful life also. Fortunately, nothing is impossible, and the dream will come true in the rest of the story. Who out of seven billion people in the world does not know Perrault’s tale or the masterpiece by Walt Disney? Yes, for all of us, it is first of all a fairy tale. But, in the final analysis, Cendrillon’s story also touches—as in a game—upon the complex relationships of recomposed families, especially in Jules Massenet’s and librettist Henri Cains’ work. The father does not have the power (which is usually du côté de la barbe, or “on the side of the beard”) in this new family. Unfortunately, he let little Lucette— referred to as Cendrille or Cendrillon—into the clutches of his new wife, Madame de la Haltière, which is a disaster. Although living as a le grillon du Foyer, or domestic, she still seeks fulfillment. This is a sparkling work full of vibrant music, intelligence, and sensitivity, in which drama alternates with humor. Never before had Massenet found such funny verve. This work, looking like lace, and this music, finely nuanced, do not disprove the critics of the end of the nineteenth-century, who often said that this opera was “feminine” thanks to its subtleties, sensitivity, and mystery. The work irradiates from inside; a soft light, often nostalgic, emanates from these sublime pages. The adaptation of Perrault’s tale into a wonderful theatrical poem by Henri Cain brings two different worlds together—one made of wonder and enchantment, the other made out of reality with its psychological dimension. The audience may even question dream and reality, as Cendrillon and her father do. Massenet and Cain bring back for us childhood and our light dreams but also our first nightmares in the middle of agitated nights. What immense talents and what great poetry are put together! The characters of the ultimately burlesque mother, two daughters, and court dignitaries—puppets full of desire for power, ambition, or gold—are a sharp contradiction with the characters of Cendrillon and her father, who are humanity itself. As for the fairy and her acolytes—the spirits—through their magic enchantments, they succeed to humanely eliminate sadness and confusion, which very often invade each of our lives. They even make Prince Charming, a child spoiled by his father and his entourage, friendly. He is deeply moving in his amorous quest. How many brainwaves are needed (the gorgeous choirs that sometimes are heard in the distance, and so many other rare pearls) in order to allow the two lovers to find each other and say, “De nous, l’Amour fera des Dieux.” (“And love shall make us both divine.”), as well as “Je t’aime et je t’aimerai toujours.” (“I love you, and I’ll always love you.”). Massenet’s Cendrillon has a happy ending—like in Perrault and Disney—but also has a dramatic aspect that was not really in the original tale, which is developed here thanks to a concrete approach towards reality and its hazards. Ultimately, what should a stage director do in front of such a masterpiece, oscillating between dream and reality, to be faithful to the work and to give way to its streams in order to best serve its genius and the particular lights (sometimes new) on a universal myth? Yes, dream is close to reality—we should believe it. On Candide’s lips, Voltaire had spoken of the “Meilleur des mondes possibles” (“Best of possible worlds”). Leonard Bernstein also has transposed it in music, in one of the most beautiful musicals ever written. Through these two works and their messages, let’s try to find some clues to life. A human life on this earth often looks like a labyrinth in which it is difficult to find a positive progression. Let’s try, in particular through the example of Cendrillon, to become more human and to more often turn towards those in pain. Because egoism contributes to nothing but a person’s drying out. Let’s live happiness we build at every meeting in our lives, and let’s spread it around us. Let’s try, during our short passage on earth, to live in sharing and in love with one another. Enjoy the evening with Massenet, his enchanting music, and Perrault. And, first of all, with the wonderful young artists I have had the pleasure to direct—they who have the joy of waking up to the true wealth of our humanity: art and beauty. Artistic Staff Conductor From New York’s Carnegie Hall to Sydney’s Opera House—via Amsterdam’s Concertgebouw, Salle Pleyel in Paris, Suntory Hall in Tokyo, and Berlin’s Philharmonic Hall—Ronald Zollman’s name has become a familiar one to many international concertgoers. Now the principal guest conductor of the Czech Radio Symphony Orchestra in Prague, he was born in Antwerp (Belgium), where he began his musical training at the age of four. He later became the pupil of Igor Markevitch and Nadia Boulanger in Paris. He has appeared as a guest conductor with important orchestras on all continents, such as BBC Symphony Orchestra, Orchestre de la Suisse Romande, Residentie Orchestra, Orchester des Hessischen Rundfunks, Scottish Chamber Orchestra, San Diego Symphony, Sydney Symphony Orchestra, Shanghai Symphony Orchestra, Bamberger Symphoniker, Swedish Radio Orchestra, and Tokyo Philharmonic. In the field of opera, Zollman has been the guest of La Monnaie in Brussels (Cosi fan Tutte, La Bohème, Where the Wild Things Are, Rake’s Progress), the (La Traviata), the Netherlands Opera (Albert Herring), the Scottish Opera (Turn of the Screw), the Banff Festival (), and the BBC (Der Prinz von Homburg). This production of Cendrillon is his fourth appearance in the pit at IU Opera Theater. From 1989 till 1993, Zollman was musical director of the National Orchestra of Belgium, a position he then held since 1993 with the Philharmonic Orchestra of UNAM in Mexico City. In September 2002, he took the music directorship of the Northern Israel Symphony (Haifa), and, in September 2009, he became director of orchestral studies at the Carnegie Mellon School of Music in Pittsburgh, as well as music director of their Philharmonic Orchestra, with which he recently appeared at New York’s Carnegie Hall and Washington’s Kennedy Centre. Also active in the world of film music, Zollman recorded the soundtrack for Le Maître de Musique (The Master of Music), the award-winning motion picture featuring José Van Dam, which was a nominee for Best Foreign Picture at the Academy Awards in Hollywood. The musical quality of this soundtrack was recognized with a Gold Record award. Zollman’s discography includes recordings with the Czech Philharmonic Orchestra, the National Orchestra of Belgium, the Jeunesses Musicales World Orchestra (Berlin), the Zürcher Kammerorchester, the Symphony Orchestra of Basel, and many others. Stage Director Albert-André Lheureux is a stage director and a theater manager. He founded the Theâtre de l’Esprit Frappeur at Brussels when he was 18. Soon he was appointed artistic and technical director of Forest National, the Brussels Sports and Culture Centre. In Belgium, he also founded and managed the Theâtre du Jardin Botanique and the Theâtre du Résidence Palace. In 1963, he started a theater movement in Brussels called Jeune Theâtre (Young Theater); he himself kept acting for 10 years. Lheureux has staged more than 70 dramatic productions in theaters of numerous countries. Since 1983, he also acts as an opera director. He has staged approximately 60 operas, among them Ravel’s L’enfant es les Sortilèges, Penderecki’s The Devils of Loudun, Saint-Saëns’ Samson and Delilah, Mozart’s Die Zauberflöte, Don Giovanni, Così fan tutte, and The Abduction from the Seraglio, Gounod’s Faust, Mireille, and Romeo and Juliet, Verdi’s Othello, Leigh’s Man of La Mancha, Rossini’s Cenerentola and Il barbiere di Siviglia, Gagneux’s Orfeus, Mussorgsky’s Khovantchina, Reyer’s Sigurd, Prodromides Les Traverses du Temps, Penderecki’s Czarna Maska, Puccini’s La Bohème and Manon Lescaut, Beethoven’s Fidelio, Bizet’s Carmen, Strauss’s Ariadne auf Naxos, and Meyerbeer’s Les Hugenots. He has done most of his opera staging in French cities, including at Opéra de Massy (Paris), Opéra de Rennes, Opéra d’Angers, Opéra de Toulon, Opéra de Metz, and others. He has produced several grand open-air performances that have been visited by over 100,000 people during summers in Belgium, Spain, Cyprus, and Sweden. From 2000 to 2002, he was an artistic advisor to the Cyprus open air festival. Lheureux has taught interpretation at the National Theater School of Canada and the Diffusion Arts Institute of Belgium, where he has also been coordinator of the theater section. He has received many awards, among them the International Grand Prix at the Brazilian Short Film Festival for his film Possession du Condamné, inspired by Jean Genet’s poetry, and the Grand Prix of the Belgian Society of Authors. In France, he was awarded Chevalier de l’Ordre des Arts et des Lettres (The Order of Arts and Letters). In 2012, one hundred years after Massenet’s death, Lheureux directs, among other theatrical activities, two of Massenet’s operas: Werther at the Vanemuine Opera in Estonia and this production of Cendrillon. Set & Costume Designer Born in Bloomington, Ind., and raised not two blocks from campus, C. David Higgins started his theatrical studies at IU intent on becoming an actor/dancer before he discovered his love for scenic design. He studied with the famous C. Mario Cristini and became proficient in the Romantic-Realist style of scenic design and painting. After earning his master’s degree, he joined the staff of Indiana University Opera Theater and worked there as master scenic artist from the time the Musical Arts Center opened in 1971 until his retirement in December 2011. He was appointed to the faculty in 1976 and served as chair of the Opera Studies Department and principal designer for Opera Theater. His design credits throughout the United States include the San Antonio Festival, Memphis Opera, Norfolk Opera, Louisville Opera, Detroit Symphony, Canton Ballet, and Sarasota Ballet, as well as many other venues. His Indiana University productions have been seen throughout North America as rentals by major regional opera companies. His many international credits include the Icelandic National Theater; Ballet San Juan de Puerto Rico; Korean National Opera; Seoul City Opera; Korean National Ballet; Dorset Opera (England); Teatro la Paz de Belém, Brazil; and the Teatro National de São Paulo, Brazil. He has designed the scenery for the world première of Our Town (Ned Rorem), the American premières of Jeppe (Sandström) and The Devils of Loudun(Penderecki), and the collegiate premières of Nixon in China (Adams) and The Ghosts of Versailles (Corigliano), as well as many other operas and ballets. Known for his Italianate painting style, Opera News magazine has referred to Higgins as one of the finest American scenic artists today.

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YOUR INDIANAsmithville.net COMMUNICATIONS COMPANY Lighting Designer Lighting designer Julie Duro returns to IU Opera Theater, where she designed the lighting for Così fan tutte, Il Barbiere di Siviglia, Manon, and Romeo et Juliette in past seasons. She has worked with many opera, dance, and theater companies throughout the United States. Her work in opera includes designs for the Santa Fe Opera, Opera International in Washington, D.C., Opera Illinois, Dayton Opera, Triangle Opera Theater, Florida State Opera, Houston’s Ebony Opera Guild, the Connecticut Opera, the Green Mountain Opera Festival, and Opera North. She has worked extensively at the Westport Country Playhouse in Westport, Conn., where she designed the lighting for A Word or Two Before You Go, a one-man show written by and starring Christopher Plummer, and The Member of the Wedding, directed by Joanne Woodward. Her work in dance encompasses designs for North Caroline Dance Theatre, the Australian Ballet, Southern Ballet Theatre, Dances Patrelle, the Lar Lubovitch Dance Company, and Mark Stuart Dance Theatre. She was the resident lighting designer for the critically acclaimed Ohio Ballet from 1996 to 1999, and she works frequently with Tulsa Ballet, where she designed the lighting for Don Quixote, Cinderella, and The Nutcracker in 2009, and with Pittsburgh, where her work can be seen each year in The Nutcracker. In addition, she has designed lighting for Luna Stage, Artpark, Pennsylvania Centre Stage, the Asolo Conservatory in Florida and The Juilliard School, and she is the resident lighting designer for the yearly Salute to the Presidential Scholars in Washington, D.C., at the Kennedy Center. Chorus Master William Jon Gray is chair of the Choral Department at the Indiana University Jacobs School of Music, where he conducts the Pro Arte Singers—the university’s internationally recognized early music chamber choir—and teaches graduate-level conducting, choral literature, and score reading. He was named chorus director of Chicago’s Music of the Baroque’s in 2010, collaborating with conductors Jane Glover and Nicholas Kraemer. Gray has been associate conductor of the Carmel Bach Festival in California, leading major choral and orchestral works and preparing performances with internationally renowned conductor Bruno Weil. He has also been assistant conductor of the Handel and Haydn Society of Boston. Gray has made guest appearances with orchestras and at festivals around the United States, including the Handel and Haydn Society, Princeton Festival, National Chamber Orchestra, Billings Symphony, and the Lafayette Symphony. He has appeared as guest director of the professional chorus of Chicago’s Grant Park Music Festival, collaborating with Carlos Kalmar in performances of Dvorak’s Requiem and The Spectre’s Bride, as well as Haydn’s The Seasons. He has prepared choruses for the Indianapolis Symphony Orchestra and the National Chamber Orchestra, and he currently serves as faculty director of opera choruses for IU Opera Theater, collaborating with such notable directors as Tito Capobianco (La Traviata), Colin Graham (Peter Grimes), Vincent Liotta (A View from the Bridge), and Tomer Zvulun (Faust). Gray served as artistic director of the Masterworks Chorus and Orchestra of Washington, D.C., from 1986 to 1993 and was artistic director of the Bach Chorale Singers from 1994 to 2010, conducting more than 100 performances of major choral works. With the Bach Chorale Singers, he received national critical acclaim for the commercially released recording In Praise of the Organ: Latin Choral and Organ Music of Zoltán Kodály. In November 2012, Jubilate, a new recording of early and modern Christmas music will be released featuring the professional chorus and orchestra of Chicago’s Music of the Baroque. Gray studied at Indiana University, New England Conservatory, Boston University, and The Juilliard School. He performed frequently with Robert Shaw as a member of the Robert Shaw Festival Singers, both in recordings and in concerts in France and at Carnegie Hall. My life’s never been more fun!

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3211 E Moores Pike, Bloomington, IN 47401 812-558-0724 | redbudhills.com Diction Coach Gary Arvin has served as vocal coach and assistant conductor for the Houston Grand Opera, the Santa Fe Opera, the Cincinnati Opera, and the American Institute of Musical Studies in Graz, Austria. He formerly was the official competition pianist for the International Belvedere Competition in Vienna, the world’s largest operatic singing competition. Equally active in Art Song, Arvin has appeared in recital with singers throughout the United States, Austria, Germany, Czechoslovakia, Finland, and Korea, and distinguished himself as a pianist-collaborator both here and abroad for Gérard Souzay in French mélodies, Hans Hotter in German Lieder, and Sir Peter Pears in the vocal works of Benjamin Britten. Arvin has recorded for ORF (Austria), the National Radio of Finland, the National Radio of the Czech Republic, and Sung-Eun Records (Korea). His recital appearances have included the major concert stages of Vienna, Salzburg, Prague, Helsinki, Seoul, New York, Boston, Chicago, Cleveland, Houston, and Santa Barbara. As a Fulbright Scholar, Arvin studied at the Hochschule für Musik und darstellende Kunst in Vienna after earning degrees in voice and languages from Indiana University and vocal coaching from the University of Illinois. He is currently associate professor of vocal coaching, repertoire, and diction at the Jacobs School of Music. He was diction coach for recent IU Opera Theater productions of Faust, Roméo et Juliette, and The Light in the Piazza.

Cast Lucette (Cendrillon) Alyssa Martin, mezzo-soprano, is currently a second-year master’s student at the Indiana University Jacobs School of Music, where she also received her bachelor’s degree in May 2011. She has been seen on the IU Opera stage as Dorabella in the 2011 production of Così fan tutte and as Prince Orlovsky in the 2010 production of Die Fledermaus. She has also sung the role of Zweite Dame in W. A Mozart’s Die Zauberflöteat the Bay View Music Festival in Petoskey, Mich. She was most recently seen as a festival artist at Utah Festival Opera, where she covered Siebel in Faust. She is the recipient of several awards, including second prize at the Indianapolis Matinee Musicale, second prize at the Utah Festival Opera Competition, and first prize and Audience Favorite at the Dayton Opera Guild Competition. She completed her undergraduate studies under the tutelage of Patricia Stiles and is currently a student of Carol Vaness.

Praised by The New York Times as “a moving performer,” mezzo-soprano Jacquelyn Matava is currently a second-year doctoral student at the Jacobs School of Music, studying with Mary Ann Hart. A native of Farmington, Conn., Matava received her Bachelor of Arts cum laude from Vassar College, with majors in both music and economics. She spent the 2011 and 2012 summers as a vocal fellow at the Tanglewood Music Center, where she collaborated with and Stephanie Blythe. With IU Opera Theater, she has sung the roles of Nancy in Britten’s Albert Herring, Cecilia March in Adamo’s Little Women, and Marthe in Gounod’s Faust. Matava also performed as a soloist in Stravinsky’s Les Noces with IU Ballet Theater and the Contemporary Vocal Ensemble. Other performances at IU include the Neighbor in Stravinsky’s Mavra, the Gypsy Woman in Rachmaninoff’s Aleko, and scene performances as Hermia in Britten’s A Midsummer Night’s Dream and the title roles in Thomas’s Mignon and Rossini’s . In June 2012, she sang the role of Susannah Dickinson in the workshop/premiere performance of Timothy Noble’s Alamo. An avid performer of choral repertoire, Matava has been heard as a soloist in performances of Duruflé’s Requiem, Handel’s Messiah¸ Bach’s Mass in B Minor, and Mozart’s Requiem.

Pandolfe A native of Henderson, Texas, Preston Orr is a master’s student at the Jacobs School of Music. With IU Opera Theater, he has sung the roles of Marco in Gianni Schicchi, The Notary in Der Rosenkavalier, and Louis in A View from the Bridge, as well as appearing in the choruses of Così fan tutte, La Bohème, and Candide. He has also been seen as Jacob Walker in the workshop reading of Timothy Noble’s new musical, Alamo, as Mang Ong in the workshop production of P. Q. Phan’s new opera, The Tale of Lady Thi Kinh, and as the Old Gypsy in Aleko in the opera workshop directed by Carol Vaness. Last summer, he debuted the role of Lewis in Brenda Sparks’s That Way Goes the Game, a new work of art song theatre, at the Vancouver International Song Institute. He received his Bachelor of Music degree magna cum laude from Vanderbilt University, where he studied with Gayle Shay. With Vanderbilt Opera Theatre, he sang the roles of Papageno inThe Magic Flute, Frank Maurrant in Street Scene, and Figaro in The Marriage of Figaro.He is a student of Timothy Noble. Reuben Walker is making his debut on the IU Opera stage and is pursuing a Master of Music in Voice Performance degree in his first year at the Jacobs School of Music. He is studying with Patricia Havranek. Walker grew up in Washington state and completed his undergraduate degree at Western Washington University, where he was a Presser Scholar. There, he performed the title role in the university’s production of Don Giovanni and performed Gustav Mahler’s Kindertotenlieder as a concerto competition finalist. In his time at Jacobs, he has performed as soloist for Vaughan Williams’ Five Mystical Songs and as a member of the Don Giovanni opera chorus.

Madame de la Haltière Eileen Jennings is a mezzo-soprano from Cleveland, Miss., studying with Patricia Havranek as she works toward the Doctor of Music in Voice Performance. Jennings has performed with IU Opera Theater inAlbert Herring as Florence Pike, in She Loves Me as Ilona Ritter, and in The Love for Three Oranges as Princess Clarissa. She covered the role of Madame de la Haltiere in IU’s previous production of Cendrillon. She performed the role of Mother Goose in Stravinsky’s The Rake’s Progress at the Princeton Festival in Princeton, N.J., in 2011. Jennings is committed to her community, spending her summers teaching music to 4-12-year-old children in the Mississippi Delta at the Janice Wyatt Summer Arts Institute, a program she attended from its inception for eight years.

A native of Hammond, La., mezzo-soprano Jane Rownd is pursuing a doctoral degree under the tutelage of Scharmal Schrock. Rownd has been seen in IU Opera Theater’sAlbert Herring (Mrs. Herring), Little Women (Meg March), and Lucia di Lammermoor (Alisa), as well as in Stravinsky’s Mavra (The Mother) with IU Studio Opera. Her previous stage credits include The Marriage of Figaro (Cherubino), Die Fledermaus (Prince Orlovsky), and A Funny Thing Happened on the Way to the Forum (Domina). On the concert stage, she has been a featured soloist in Bernard Rands’ “now, again” with the IU New Music Ensemble and Durufle’s Requiem, Handel’s Messiah, Pergolesi’s Stabat Mater, and Mozart’s Coronation Mass and Vesperae de Dominica. Rownd holds a master’s degree from the Jacobs School and received her bachelor’s degree with honors from Southeastern Louisiana University, where she studied with Scharmal Schrock and David Bernard. Noémie Soprano Abbey Curzon from Calgary, Canada, has a Bachelor of Music degree from Rice University in Houston. In the summer of 2009, she covered Olympia in Les Contes d’Hoffmann at the Brevard Summer Institute. In 2010, she appeared as Frederika in the Shepherd School of Music’s production of A Little Night Music and was Amore in its fall production of L’Incoronazione di Poppea. This past summer, she performed the role of Josephine inH.M.S. Pinafore at Brevard, N.C., with the Janiec Opera Company. Curzon is a first-year master’s student at Jacobs, studying with Patricia Wise.

Anastasia Talley is making her IU debut as Noémie. She is a first-year master’s student and is pursuing her degree in voice performance. She received her bachelor’s degree in music education from the University of Southern Mississippi (USM). While at USM, she performed the role of Musetta (La Bohème) and First Lady (Die Zauberflöte). She has also performed roles for community outreach, which include the title role of Seymour Barab’s Little Red Riding Hood and the role of the Rose in Rachel Portman’s The Little Prince. In addition to operatic performances, she also performed as a soprano soloist in Haydn’s Missa brevis Sancti Joannis de deo (also known as the Little Organ Mass) and Bach’s Mass in B Minor. Talley is a student of Mary Ann Hart.

Dorothée Amber McKoy, mezzo-soprano, is in the third year of her master’s degree at the Jacobs School of Music as a student of Patricia Havranek. She received her Bachelor of Music-Performance from the University of Wisconsin (UW)-Whitewater while studying with Brian Leeper. Recent opera credits include the Unicorn in the world-premiere opera Mooch the Magnificentby Indiana composer Lauren Bernofsky (with Roundabout Opera for Kids), Jack/Rapunzel’s Prince in Into the Woods (Roundabout Opera for Kids), La Conversa in Suor Angelica (Indiana University Opera), Prince Orlovsky in a concert version of Die Fledermaus (UW-Whitewater), Cherubino in Le Nozze di Figaro (UW-Whitewater), and Grandma in Little Red Riding Hood (UW-Whitewater in 2010, Roundabout Opera for Kids in 2011). In October 2010, McKoy was an Encouragement Award winner in the Wisconsin District National Council Auditions.

Mezzo-soprano Madolynn Pessin received her Bachelor of Vocal Performance at Webster University and is now pursuing a Master of Music at Indiana University under the instruction of Mary Ann Hart. At Webster, Pessin made her debut in short operatic scenes as Rose Maybud from Gilbert and Sullivan’s , Meg Page from Verdi’s Falstaff, and then concluded her performances with the title role from Bizet’s Carmen. This is her debut with IU Opera Theater. Enjoy this Performance– and ours!

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fasindy.org La Fée (Fairy Godmother) Soprano Sandra Periord is a native of Saline, Mich., in her third year of undergraduate studies in voice performance at the Jacobs School of Music. This is her debut on the MAC stage. Last year, she performed in IU Opera Theater’s La Bohème and Candide, as well as Roundabout Opera for Kid’s production of Into the Woods. In February, Periord received the Joann Athanas Memorial Award from the National Society of Arts and Letters Competition. Prior to coming to IU, she won first place in the National Association of Teachers of Singing competitions and was a finalist in the Michigan Madrigal Competition. This summer, she attended the premiere season of Opera NEO in San Diego, Calif. She is a student of Alice Hopper.

Coloratura soprano Angela Yoon is a native of South Korea. She is currently pursuing her Master of Music degree studying under Robert Harrison at Indiana University, where she is also an assistant instructor in the Voice Department. Yoon earned her bachelor’s degree from Baylor University, where she studied with Robert Best. Prior to Baylor, she studied at McLennan College with Lise Uhl. Previous roles in operas and scenes have included Frasquita (Carmen), Madame Goldentrill (Impresario), Königin der Nacht (Die Zauberflöte), Sandman (Hansel and Gretel), Plaintiff (Trial by Jury), and Mabel (The Pirates of Penzance). Le Prince Charmant (Prince Charming) Mezzo-soprano Sarah Ballman, from Eagle Grove, Iowa, is in the final semester of her master’s degree at Indiana University, where she studies with Patricia Havranek. Ballman received her Bachelor of Arts degree in voice with honors at South Dakota State University (SDSU) in Brookings, S.D., in 2009, where she studied with Emily Wood Toronto. Throughout her years at SDSU, Ballman performed in many opera scenes, including from Rossini’s La Cenerentola (Angelina), Bizet’s Carmen (Carmen), and Mozart’s The Magic Flute (Pamina). She also performed the role of Olga in the world premiere of the chamber opera The Trickster and the Troll, written by Kristen Kuster, with the Heartland Opera Troupe in 2008. At IU, Ballman has performed with the Contemporary Vocal Ensemble and was chosen as the mezzo- soprano soloist for Aaron Copland’s In the Beginning, performed in Chicago at the KAM Isaiah Israel Synagogue in 2010 with the choir. Ballman has also performed with the Indianapolis Symphony Orchestra as the alto soloist for ’s Messiah and with the Bloomington Chamber Singers as the alto soloist for ’s Missa Solemnis. Her roles with IU Opera Theater include Una Conversa in Puccini’s Suor Angelica and Octavian in ’ Der Rosenkavalier. Next semester, she will be performing the role of Nefertiti in IU Opera Theater’s new production of Philip Glass’s Akhnaten.

Tenor Michael Brandenburg, a native of Austin, Ind., studied voice with Joseph Levitt while pursuing an M.S. in Aquatic Biology at Ball State University. He has studied the roles of Don Jose in “Carmen” and Alfred in “Die Fledermaus.” He was a 2010 semi-finalist in the Bel Canto Foundation Competition in Chicago and an Indiana District winner in the 2010 and 2012 Metropolitan Opera National Council Auditions. He is currently pursuing a Performer Diploma at the Jacobs School of Music and is a fellow of the school. Brandenburg is a student of Timothy Noble.

La Surintendant des Plaisirs (Master of Ceremonies) Bruno Sandes was born in Juazeiro, Brazil. He had his first experience with professional singing when he was accepted into one of the most famous choirs from Northeast Brazil, with which he stayed for five years as soloist. In Brazil, he worked with music with children at social risk and sang in concerts to raise funds for charities. In 2006, Sandes met his mentor and first voice coach, Fátima de Brito, who encouraged and guided him towards a soloist career. The baritone sang on tour through Austria, Italy, and Germany. As a soloist, he won second prize representing South America in Germany in the Heart of Europe International Choir Competition. He has sung in several concerts in Brazil and Europe, and was chosen as a guest soloist for the traditional Easter and Christmas Concerts at the Metropolitan Cathedral in Alagoas, Brazil. Sandes won first place in the XI Maracanto International Voice Competition, was selected as a semifinalist in the IX Maria Callas International Voice Competition, and was one of six singers in the 42nd International Winter Festival of Campos do Jordão (the largest music festival in Latin America). Currently, Sandes is pursuing a Bachelor of Music in Voice Performance at the Jacobs School of Music, studying with Robert Harrison. Le Doyen de la Faculté (The Dean of Faculty) Andrew LeVan is in his third year of study for a Master of Music in Voice Performance and is a student in the studio of Brian Horne. He was recently seen as Mayor Upfold in IU Opera’s production of Benjamin Britten’s Albert Herring. He has performed with the Ohio Light Opera and Indiana Festival Theater in addition to his work with IU Opera. He received his bachelor’s degree in voice performance from the College of Wooster, where he studied with Carrie Culver and David Templeton.

Le Roi (The King) From Bay Ridge, Brooklyn, N.Y., Ryan Kieran is a sophomore earning his Bachelor of Music in Voice Performance. He attended Fiorello H. LaGuardia High School of Music & Art and Performing Arts, participating in shows such as Gilbert and Sullivan’s Naughty Marietta and leading as the Poet in Robert Wright’s and George Forrest’s Kismet. This is Kieran’s first principal role on the MAC stage. He sang in the chorus for IU Opera’s production of Leonard Bernstein’s Candide last spring, He is looking forward to his involvement in upcoming performances such as Falstaffand studies with Timothy Noble.

Le Premier Ministre (Prime Minister) Baritone Zachary Coates received his bachelor’s degree in voice performance from Westminster Choir College of Rider University and is currently pursuing a Master of Music degree at Indiana University, studying voice with Andreas Poulimenos. At the Jacobs School, he has been seen in the role of Wagner (Faust), Guglielmo (Così fan tutte), Sid (Albert Herring), and the lead in Don Giovanni. He has appeared with Westminster Opera Theater singing Golaud (Pelleas et Melisande), the Father (Hansel and Gretel), the Marquis de la Force (Les Dialogues des Carmelites), and Pinellino (Gianni Schicchi), and with the Princeton Amateur Society singing King Melchior (Amahl and the Night Visitors). Coates has also appeared frequently as a concert soloist, including performances of the Faure Requiem with the IU Symphonic Choir, the Mozart Requiem with the Westminster Symphonic Choir, and Haydn’s Mass in Time of War with the American Classical Orchestra under conductor Thomas Crawford. Le Héraut (Herald) At IU, Daniel Lentz most recently sang and baritone roles in the opera project Lully: Glory without Love? Earlier in 2012, he sang the bass solos in Buxtehude’s Membra Jesu nostri cantata with Concentus. In 2011, he sang the bass solos in J. S. Bach’s Nun komm, der Heiden Heiland with the Bloomington Bach Cantata Project. Also in 2011, he sang chorus roles in Bernard Rand’s world premiere of Vincent at IU Opera. In 2010, he made his debut with the Piccolo Spoleto Festival at Charleston, S.C., in the title role of Gianni Schicchi. He taught voice on the adjunct faculty at The College of Charleston. He was featured for two seasons at the Bay View Music Festival in Michigan, as Papageno in Die Zauberflöte in 2010 and as Il conte di Almaviva in Le Nozze di Figaro in 2009. A native of Ohio, Lentz received his Bachelor of Music from The College of Wooster and his Master of Music from IU. At IU, roles have included Haly in L’Italiana in Algeri, Antonio in Le Nozze di Figaro, Curio in Giulio Cesare, Betto in Gianni Schicchi, and Mefistofeles in Schumann’s Scenes from Goethe’s Faust. Lentz was recently awarded the Artistic Excellence Award from the Jacobs School of Music and has begun course work towards the Doctor of Music in Voice Performance. He studies with Patricia Stiles. Upcoming productions at IU include the roles of Elviro in Handel’s Xerxes.

Six Esprits (Six Spirits) Kathryn Summersett, soprano, hails from the small town of L’Anse, Mich., and is currently in her second year of doctoral studies for performance in early music at the Jacobs School. She studies under Paul Elliot and received her Master of Music in 2011 at the University of North Texas (UNT). With the UNT opera, she performed the role of Despina in Così fan tutte. She soloed at Boston Early Music Festival 2009 with the UNT collegium, for which she received a positive review in Early Music America magazine. In summer 2010, she performed at the University of Cordoba, Argentina, with soprano Patricia Gonzalez, and participated in American Bach Soloists’ first summer academy. In June 2011, she soloed again at Boston Early Music Festival with the UNT collegium, as well as in Early Music America’s Young Performers Festival. Also in 2011, she received the Adams/ Nordstrom Early Music Award, given to one graduating student per year. In June 2012, Summersett was the first vocalist to receive a scholarship to attend the Lute Society of America conference. Also that summer, she performed in the Accademia D’Amore in Seattle, Wash. This is her debut with IU Opera Theater.

Emily Smith is a senior voice performance major from Newport News, Va. She has appeared in the choruses for IU’s productions of Die Zauberflöte, Faust, and A View from the Bridge. In addition, she was featured as an emerging artist in the scene workshop at Oberlin in Italy as Susanna from Le Nozze di Figaro. She sang in the chorus for L’Elisir d’Amore in Cortona, Italy, with the same group. This is Smith’s first role with IU Opera Theater. She is a student of Timothy Noble. Six Esprits (Six Spirits) (cont.) Elizabeth Faranda is from Spring City, Pa., and is in her first year of her Master of Music in Voice Performance. This is her second production at IU; she was a member of the chorus in IU Opera’s latest production of The Merry Widow. She received her Bachelor of Music from Ithaca College, where she performed Proserpina in Monteverdi’s L’Orfeo and A Rosette in Rachel Portman’s The Little Prince.She performed the role of Peep-Bo and was an ensemble member with the Savoy Company of Philadelphia. Faranda studies with Patricia Wise.

Southern California native Rachel Evans, soprano, is in the first year of her doctoral studies at IU, under the tutelage of Patricia Havranek. She earned her B.A. and M.M. degrees at the University of California, Los Angeles (UCLA), where she performed numerous roles as a mezzo-soprano, including Zita in Gianni Schicchi (Puccini), La Badessa and La Maestra Delle Novitzie in Suor Angelica (Puccini), Dorabella in Così fan tutte (Mozart), Mallika in Lakme: Redux (Delibes/Oliver/Ryback), Fate in Lorca: Child of the Moon (Krouse), Nancy in Albert Herring (Britten), L’Enfant and L’Ecureuil in L’enfant et les Sortileges (Ravel), and Ramiro in La Finta Giardiniera (Mozart). She performed the role of Zita in Gianni Schicchi (Puccini) with the Hawaii Performing Arts Festival in 2011. Roles with the Lyric Opera of Los Angeles include Armelinde in Cendrillon (Pauline Viardot) and Suse Blunt in Der Vampyr (Marschner). She sang four seasons in the Los Angeles Opera chorus; and has appeared as a soloist with the Pasadena Symphony, UCLA Chorale, UCLA Chamber Singers, and University Chorus.

Mezzo-soprano Meghan Folkerts, a native of Scottsdale, Ariz., is a first-year master’s student of Mary Ann Hart, pursuing her degree in voice performance. This is her IU Opera Theater debut. Last summer, she performed the roles of Maddalena in Rigoletto, the Third Lady inDie Zauberflöte, Mallika in Lakmé, and Paquette in Candide in Northwestern University’s Opera Scenes Program under the direction of W. Stephen Smith and Gene Roberts. She received her bachelor’s degree in vocal performance from Wisconsin Lutheran College (WLC) and studied with Carolyn Fons. While at WLC, she performed roles in many theater productions, including Mopsa (The Winter’s Tale), the Doctor (New York), Lady Jedburgh (Lady Windermere’s Fan), and Anita (West Side Story). Folkerts also frequently appeared as a concert soloist at WLC, including in Mass in G Minor by Vaughan Williams, Liebeslieder, Op. 52 by Brahms, and Te Lucis Ante Terminum by McDermid.

Mezzo-soprano Anna Mary Prokop is thrilled to participate in her first production with IU Opera Theater. A Maryland native, she received her Bachelor of Music at The Boston Conservatory. Highlights from her undergraduate degree include alto soloist in Haydn’s Theresienmesse and mezzo-soprano soloist in Orff’s Carmina Burana. Operatic roles include Suzy in La Rondine, Amastre (cover) in , and the Sandman in Hansel and Gretel. Prokop is a first-year master’s student in the studio of Marietta Simpson.

Philharmonic Orchestra

Violin I Cello (cont.) Trombone Mariana Cottier-Bucco Miles Norman Logan Chopyk Johna Smith Lauren Coburn Matthew Williamson Alan Snow Emily Candaux Cameron Smith, Bass Sara Chen Anna Chesson Jonathan Chern Tuba Christy Chen Bass Daniel Herrick Leo Kowalski Daniel Carson Anna Roder Kaden Henderson Timpani Anastasia Falasca Dominic Kenny Erich Rieppel Emily Acri Josue Corona Pablo Munoz Carl Egbert Percussion Eva van Haaften Jonathan Tomasello Flute Bridget Leahy Violin II Felice Doynov Julian Loida Dechopol Kowintaweewat Jessica Lipstone I Pei Lin Victor Villarreal, Piccolo Harp Clara Vazquez Natalie Salzman Akari Hatanaka Oboe Molly Grettenberger Ji Hye Choi Lindsay Flowers, English Arianna Cappon Horn Banda Jasmine Scott Vivian Ferrillo Sarah Shin, Flute Jason Mellow Mylie Payne, Oboe Ari Fisher Clarinet Shannon Walsh, Trumpet Jessica Bouma Roy Park Ethan Cobb, Trumpet Erik Franklin Jonathan Milke, Percussion Viola Susanna Johnson, Viola Andrew Francois Bassoon Ji Hyun Yim, Celesta Evan Robinson Margaret Fay Ju-An Park, Harmonium Colin Wheatley Reiss Schoendorf Heather Hills, Harp Abigail Rojansky Rebecca Cieply, Harp Ryan Beauchamp Horn Patrick Miller Jesse Clevenger Orchestra Manager Benjamin Wagner Drew Wright Anna Tsai Camilla Berretta Clark Hutchinson Johna Smith, Asst. Esther Han Kenji Ulmer Michael Hill Orchestra Set-Up Cello Johna Smith Jacob Wunsch Trumpet Emily Acri Jae Choi Zachary Kingins Brenton Carter Sonja Kraus Samuel Callahan Akari Hatanaka Wei-Ting Chang Anna Roder

Librarian Mariel Stauff Cendrillon Opera Chorus William Jon Gray, Chorus Master Evan Rees, Rehearsal Accompanist

Soprano Te nor Elena Figueroa Benjamin Cortez Caroline Jamsa Behrouz Farrokhi Carey Jarosik Benjamin Seiwert Rainelle Krause Richard Smagur Caitlin McDougall Asitha Tennekoon Elizabeth Nixon Jacob Williams Katherine Polit Gabrielle Stuart Davis Baritone / Bass Zachary Coates Soprano / Mezzo Soprano Matthew Cooksey Deborah Backman Will Dickinson Georgia Boonshoft Connor Duffy Martha Eason Jason Eck Kelsey Randall Evan Forbes Janessa Reames Tyler Henderson Olivia Savage Ryan Kieran Danielle Steg Benjamin Koenig Daniel Lentz Dieran Manning William Paget Bruno Sandes Christopher Seefeldt

Cendrillon Children’s Chorus Brent Gault, Children’s Chorus Master Lauren Hime and Brian McNulty, Assistants Tamara Brown Alexandra Lucas Basia Bryan Kelsey May Brittany Dobbins Niccolo Miles Grace GoldenAmelia Goswami Olivia McDermott-Sipe Emilie Goswami Haley Paulin Nick Irmscher Olivia Self Vivian Livesay Sophie Whikehart Eleanor Lloyd Student Production Staff Assistant Conductor ...... Brian Onderdonk Assistant Chorus Master ...... Genna Kim Choreographer ...... Jacob Taylor Assistant Stage Manager ...... Jake Wiener Head Fly Person ...... David Gordon-Johnson Deck Supervisors ...... Mitch Anthony, Robbie Kozub, Steven Wilson Deck Crew ...... Kristin Allen, Lindsay Hubble, Sarah Hunt Kainan Kawamura, Tyler Keown, Hafsah Khan Jacob Morehead, Anna Moore, Caitlain Patton Kristen Pickett, Sarah Schaefer, Amy Schulze Lynn Schulze, Alana Shanon Matthew Storino, Holly Noel Yeung Electrics Assistants ...... Patrick Clark, Krista Laskowski Electrics Crew ...... Nathan Belton, Daniel Hamilton Alexis Jarson, Rebecca Johnstone, Tim Krachuk Elizabeth Parker, Zachary Schmidt, June Tomastic Caitlin Watkins, Betsy Wray Props Master ...... Ashley Hughes, Monica Armstrong Paint Assistants ...... Brendon Marsh, Christa Ruiz Paint Crew ...... Monica Armstrong, Brayton Arvin, Hanna Brammer Krista Grant, Eva Mahan-Taylor, Alyssa Martin Wig, Hair, and Makeup Assistant Barbara Abbott Costume Crew . . . . . Hannah Andrews, Mara Jacobucci, Toni Kitsopoulos Rachel Perkins, Will Perkins Christa Ruiz, Olivia Yokers Supertitle Operator Chan Mi Jean Audio Production Crew ...... Andreas Kramer, Blake Rhein, Tal Samuel Video Production Crew Diego Otero, Avery Reidy, Matthew Tobey

Jacobs School of Music Honor Roll Fiscal Year 2011-2012 Individual, Corporate, and Foundation Supporters Th e Jacobs School of Music wishes to recognize those individuals, corporations, and foundations who have made contributions to the school between July 1, 2011, and June 30, 2012. Th ose listed here are among the Jacobs School’s most dedicated and involved benefactors, and it is their outstanding generosity that enables the IU Jacobs School of Music to continue to be the fi nest institution of its kind in the nation. $1,000,000 and Up David H. Jacobs Louise Addicott-Joshi and Th e Estate of Paul and Anne Plummer Th e Estate of Barbara M. Jacobs Yatish Joshi

$100,000 - $999,999 Gary and Kathy Anderson Gayle T. Cook Jack and Dora Hamlin Carl A. Cook Th e Estate of Mary M. Freeburne Sandy Littlefi eld $10,000 - $99,999 Wilton and Sara Aebersold Th e Estate of Virginia A. Jones Stanley E. Ransom Luba Dubinsky Shalin C. Liu Th e Estate of Virginia Schmucker Mary C. Gasser Pierpont A. Mack Th e Estate of Eva Sebok Ann and Gordon Getty Cullen and Rachel McCarty Th e Estate of Samuel W. Siurua Rusty and Ann Harrison Patricia S. McGiverin Robert D. Sullivan Ruth W. Johnson Jon A. Olson Marianne W. Tobias $5,000 - $9,999 S. Sue Aramian Th e Estate of Juanita M. Evans Dennis and Judith Leatherman Hank Bode and Susan Cartland-Bode Linda K. Fischer Th e Estate of Denis Sinor Carol V. Brown Jay and Karen Goodgold Peter Slemon Jack and Pamela Burks Katherine C. Lazerwitz Charles H. Webb Park & Louise Carmon $1,000 - $4,999 Marianne L. Ackerson Lenore S. Davis Peter and Monika Kroener Donald and Charlene Allen Jay and Jacqueline Dickinson Th e Kuehn Foundation William Banzhaf and Gary and Sandra Dowty Th omas and Th eresa Kulb Cathy Tschannen Jeremiah and Chelsea Duggan Robert and Sara LeBien Gregory J. Baranko D. Kim and Jane Dunnick Jeanette C. Marchant Olimpia F. Barbera Mary E. Forbes Beverly A. McGahey Robert Barker and Patsy Fell-Barker Ramona R. Fox A. G. McGrannahan David H. Barnard Edward and Mary Anne Fox John and Geraldine Miller Frederick and Beth Behning M. A. Gilbert James and Jacqueline Morris F. Dale and Linda Bengtson Glen G. Graber Lawrence and Betty Myers Norma B. Beversdorf John and Susan Graham Delano and Luzetta Newkirk Richard and Mary Bradford Jim and Roberta Graham Eugene O’Brien Roberta Brokaw Frank Graves and Christine Dugan Joan C. Olcott Jeff rey C. Brown and Craig Morris Henry C. Gulick Carol Orr Pamela S. Buell Fadi Haddad and Aline Herbert E. Parks and J. Peter Burkholder Hamati-Haddad Gertrude Doyle Donald and Jean Burkholder Alan J. Harris Daniel T. Perantoni Eleanor J. Byrnes Dale C. Hedding Leonard Phillips and David and Marcella Carlton Th e Estate of Bernhard C. Heiden Mary Wennerstrom J.P. and Barbara Carver Jolaine L. Hill Edward and Lois Rath William and Anita Cast J. Stanley and Alice Hillis Nancy P. Rayfi eld Fred and Beth Cate William T. Hopkins Robert and Joy Renshaw Harriet R. Chase Leland and Donna Horrall Gwyn and Barbara Richards Mark S. Cobb Ross S. Jennings Harold and Jeannette Segel John and Carol Cornwell Ted W. Jones Jeff erson S. Shreve J. Neal Cox Chitate Kagawa Janet S. Smith William and Marion Crawford Th omas and Gail Kasdorf Fredric and Roberta Somach Eloise M. Cure Donald A. Kidd W. Craig Spence Danny and Patty Danielson George and Cathy Korinek Ellen Strommen Linda Strommen Bruce and Madelyn Trible Craig and Cynthia Weyers Mark A. Sudeith Nicoletta Valletti Allen and Nancy White Charles and Lisa Surack Calvin and Margaret Varnell David L. Wicker Kevin Th eile Wolfgang Waversik Mark Wiedenmayer Susan C. Th rasher Natasha Wendt Laura S. Youens-Wexler Randall and Deborah Tobias John P. Wentworth Mimi Zweig

$500 - $999 James and Ruth Allen Stephany A. Dunfee Michael W. Judd Charles and Margaret Athey Charles L. Fugo Patrick and Marianne McCall Harvey and Linda Auerbach Jon and Jann Fujimoto Jeff rey and Cynthia McCreary Linda A. Baker James and Tania Gardner Carmen J. McGrae Brian M. Barnicle Frank and Suzanne Gault David and Catherine Meltzer Charles and Gladys Bartholomew Robert and Elizabeth Glassey Ralph W. Morris Brett and Amy Battjer Dorothy J. Hastings Philip and Jennifer Nubel Christopher and Ruth Borman Gene F. Hedrick Dennis W. Organ Douglass and Ruth Boshkoff Laura B. Hentges PQ Phan Karen M. Boston-Wright Allan Hershfi eld and Mary A. Rickert Brayton and Tracie Brunkhurst Alexandra Young Randy Schekman and Nancy Walls Scott Cameron Jerome and Lucinda Hey Scharmal K. Schrock Douglas and Roseann Christian Rona Hokanson Richard C. Searles Miriam S. Clarke Harvey B. Holly Odette F. Shepherd James and Carol Clauser William and Karol Hope William R. Shindle Timothy, Cheryl, John, and Chester Hublar Mary L. Stein Elisabeth Dahlstrand Robert J. Hublar Susan E. Trippet Ralph and Nancy Daum Lawrence and Celeste Hurst L. Alan and Elizabeth Whaley Susan L. DiLeonardo Jeff rey S. Jepsen Barrie and Margaret Zimmerman Th omas and Marian Drake $250 - $499 Susan L. Adams Roger and Jean Fortna Ralph and Shirley Melton James A. Allison Bernard J. Froelich Emanuel and Kathleen Mickel Judith C. Anderson Don and Sandra Freund Terry and Sara Miller Jeff rey G. Anderson Gabriel and Sara Frommer Travis and Sarah Miller Kenneth and Elizabeth Aronoff Th omas E. Gerber Sam and Kathryn Morrison James F. Ault Susann Gilbert Ray and Wendy Muston Helen L. Aylsworth Alan R. Goldhammer Andrea Myslicki James and Mary Babb Selma C. Grant Margaret V. Norman David Y. Bannard Linda J. Greaf Charles Owen Mark and Ann Bear Doris A. Greenough Carol L. Pampalone William and Nichole Bier Charles and Th eresa Greenwood Edward Petsonk Myron and Susan Bloom David E. Greiwe R. Alan and Brenda Quick Louise Breau-Bontes Joan Hall Carolyn J. Rice Clayton and Pauletta Brewer Stephen and Jo Ellen Ham Joann Richardson Craig M. Brown Steven and Leona Handelman James and Mary Alice Rickert Winston and Marilyn Budrow Sheila Hass Christopher and Stephanie Ritrievi John N. Burrows Harlow and Harriet Hopkins Bruce Ronkin and Janet Zipes Phyllip B. Campbell Donna Hornibrook Sanford E. Rosenberg Philip and Elizabeth Capasso Emily L. Hostetter Byuong and Patine Ryu Lloyd and Dorinda Chase Nancy O. Hublar Monte Schwarzwalder and Robert and Gayle Chesebro John and Victoria Huntington Rebecca Henry Jerald and Megan Chester Marshall L. Hutchinson Andrew and Natalie Scott Aileen Chitwood Wayne and Kristin Jones David and Barbara Sheldon Paul and Catherine Christenson Russell L. Jones Wayne and Lois Shipe Jonathan D. Chu Kenneth and Elyse Joseph James B. Sinclair David Clark and Diane Coutre Kenneth and Linda Kaczmarek John L. Snyder Mark R. Conrad Carol R. Kelly Stanley and Cynthia Springer Floyd O. Cooley Marilyn J. Kloss Mike St John Katherine R. Covington Charles C. Knox James L. Strause Janice E. Daniels Virginia A. Krauss Karen M. Taylor John D. Danielson Kerry Krutilla and Shu-Chuan Chiu Robert M. Th ompson Bette G. Davenport Scott R. Latzky Eric and Rina Turpen Todd and Paulette Davidson Gregory and Veronica Leffl er Lawrence A. Vanore Robert and Josette Degeilh Amy L. Letson John and Tamyra Verheul Richard and Barbara Dell Eric and Rebecca Lightcap Donald H. Wissman Mary L. Denne Th omas and Nancy Liley Earl S. Woodworth Dominic and Susan Devito John and Barbara Lombardo Christopher Young and Kim and Dianne Diefenderfer Robert W. Magnuson Brenda Brenner Clarence and Judith Doninger Mary C. Majerus Giovanni Zanovello Peter E. Ellefson Herm and Carol McCreary Larry and Joyce Zimmerman William and Harriet Fierman Jerry and Phyllis McCullough Conrad and Debora Zimmermann Jorja Fleezanis P. Douglas McKinney $100 - $249 Lois C. Adams Miller Elsbeth Brugger Frank and Vickie Edmondson James and Tomilea Allison Earl and Merribeth Bruning Ryan T. Edwards Jean L. Almaria Mark and Jody Bruns Mark and Karin Edwards Joseph and Sharon Amlung Schuyler and Mary Buck John and Anne-Marie Egan Paula J. Amrod David and Brenda Buehler Anne C. Eisfeller Michael Anderson and Hal and Freddie Burke J R. Elkins Nancy Snustad James R. Burke Joseph E. Elliott Jeff rey J. Anderson Ralph and Ann Burns Judith T. Elliott Donna K. Anderson Doris J. Burton Charles and Anna Ellis Brad E. Annis Giuliana C. Busch Michael J. Ellis Roy and Janice Applegate Rebecca C. Butler Marc Embree and Jane Bunnell Kevin B. Arbogast Margaret R. Buttermore Steven K. Emery Brian K. Arreola John and Kristine Callahan Herman and Mary Emmert Mary K. Aylsworth Nanette Canfi eld Antonio and Jane Escueta Mary R. Babbitt Donald Capparella and Gerald and Coleen Falasca Robert and Sandra Babbs Amy Dorfman Mark and Jennifer Famous Margaret K. Bachman Joseph R. Car Elliot Fan and Elaine Chu Wesley A. Ballenger Lisa C. Cardwell Ponten John and Suzanne Farbstein Sandra C. Balmer James A. Carlson John Fearnsides and Margaret Jenny Daniel C. Balog John C. Carmichael Arthur and Th erese Fell Samuel and Janet Baltzer James and Melanie Case Martin and Susie Fine Pamela L. Banks Glen J. Cavanagh Donald and Myra Fisher Brent Baranko and Anne Robert and Susan Cave William and Eleanor Folley Gmelich Baranko James and Janice Childress Constance C. Ford John and Patricia Barnes Timothy W. Chipman Bruce and Betty Fowler Charles L. Barr Matthew Christ and Graham V. Fuguitt Ann Barras Sophia Goodman Mauricio Fuks and Violaine Patricia W. Barrett Katherine Ciesinski Gabriel-Fuks Robert R. Bartalot Cynthia M. Cirome David and Marilyn Fulton Michael and Joan Bartos Jeff rey Clanton and Scott Stewart James and Darla Gavin Robert W. Bastian Peter D. Claypool David and Linda Giedroc John and Paula Bates Marjorie L. Clayton Sander and Marina Gilman Barbara S. Baum Frederick and Emma Clem Bonnie L. Gilson Cecelia Beam Andrew Cogbill and Mara Parker Robert and Corinne Glass Martin and Judy Becker Jeff rey S. Cohen John M. Glover William and Sharon Beecroft Robert and Marica Coleman Walter A. Goldreich David and Ingrid Beery James D. Collier Edward R. Goldstein Suzanne K. Belbutoski Roger S. Collins Richard S. Gorden David and Ingrid Bellman Timothy and Sandra Connery Sylvia S. Gormley Joseph and Marjorie Belth Charles and Ann Conrad Arlene Goter Sharon M. Berenson Richard K. Cook Brian E. Graban Brian and Jan Berg Gail M. Cotler Pamela Grant Lauren Bernofsky Nora B. Courier Susan E. Grathwohl Olesia O. Bihun Cynthia M. Crago Warren and Barbara Gray Wilhelm and Renee Bilgram Gretchen E. Craig Stephen C. Greist Cheryl A. Bintz Genevieve S. Crane Teddy and Phyllis Gron David and Judy Blackwell Bettejane Crossen Holli M. Haerr Heinz and Gayle Blankenburg Janet S. Crossen Franck P. Hagendorf John and Mary Blutenthal Samuel and Mary Crowl Laurel K. Hagerman Michael and Pamela Bobb Michael G. Cunningham Patricia L. Hales Richard and Jana Bobo Bradley and Cheryl Cunningham Anthony J. Halloin Christine M. Bohlman John T. Dalton Kenneth and Judy Hamilton Lawrence and Mary Bond Eugene B. Daniels Brooks and Donna Hamm Frank R. Booth Mary W. Davidson Robert and Julie Hammel Francis and Kay Borkowski Allan J. Dean Norman L. Hanks Arthur and Karen Bortolini Robert and Helen Dedmon Th ompson and Lynn Hanks Gilles Bouyer and Patricia Reese Patrick and Karen Dessent Charlene A. Harb Carolyn E. Bowen Roger D. Dickerson Steven and Carol Harlos Bennet and Cynthia Brabson Barbara C. Dickey Ellie M. Harlow Elizabeth M. Brannon Arthur and Loreen Dimmick Stephen and Martha Harris Jeff rey L. Bransford Richard and Barbara Domek Donald W. Harris M. Ruth Brauch D. Michael Donathan Th eodore R. Harvey Ashley B. Breland Paul T. Dove William R. Harvey Paul E. Bresciani John and Sharon Downey John and Debra Hatmaker William Brittenback and Margaret J. Duffi n John and Martha Head William Meezan Gregory S. Dugan Clayton and Ellen Heath Keith and Maggie Brown Barbara J. Dunn Karl S. Henry Dorothea M. Brown Dale and Edith Dzubay Th omas and Suzanne Herendeen Wayne Brown and Brenda Kee Silsby S. Eastman Jan Herlinger Montgomery and Mary Brown Robert and Robin Eatman Florence E. Hiatt Marian T. Brown Patricia Eckstein Leslie W. Hicken Edward P. Bruenjes Marjorie A. Eddy Margaret M. Hickman J. William and Karen Hicks George Lawrence and Judith Auer William Newkirk and Cheryl Tschanz Dana E. Higbee Charles and Holly Ledvina Gail C. Newmark Kathryn K. Hodge Briant Lee and Nancy White-Lee Omar and Julia Nielsen Mark and Elizabeth Hofeldt James A. Leick Ann E. Norz Lowell and Ruth Hoff man Kristin M. Lensch Edward C. Nowacki Marilyn L. Hoff man Jeff rey M. Levenson Rebecca A. O’Connor Sarah K. Hogan Joseph J. Lewis David and Diane O’Hagan Fred M. Holdeman Jerry and Jane Lewis Melinda P. O’Neal Richard Holen and Anne Timothy Lewis Adrienne Ostrander Kojola-Holen Zhi Li Russell L. Otte Nicholas and Katherine Holzmer Michael Lind Mary A. Owings Dennis and Judith Hopkinson William and Karen Lion Hyung-Sun Paik Gregory A. Horn Barbara A. Lockard-Zimmerman Marilyn Park-Ellington Ray and Phyllis Horton Charles and Jo Lohmeyer Robert and Sandra Parker Ivan and Anne Hughes Robert and Susan Long Peggy W. Paschall John and Cindy Hughes Warren E. Loomis Walter and Beverly Pavasaris Marcia A. Hughes Luiz F. Lopes Kenneth D. Pennington Craig D. Hultgren John and Rachel Lorber Kathie I. Perrett Diane S. Humphrey Marie T. Lutz Wayne H. Peterson Wesley L. Humphrey Alma E. Lyle Byron and Nancy Peterson Mike Hurtubise and Ann Murray Joan I. Lynch Douglas Peterson and Pamela Paul and Jean Ingraham Michael J. MacLean Hanson-Peterson Roger and Carol Isaacs Robert and Marcia Mahnken Lamar Peterson and Eleanor Fell Jennifer A. Jafari David and Barbara Malson Robert and Pamela Phillips Carole L. James Mayer and Ellen Mandelbaum David and Deborah Pierson Charles and Laurie Jarrett Joseph and Leslie Manfredo Margaret A. Piety Warren W. Jaworski Rochelle G. Mann Ernest and Patricia Pinson Glenn E. Jenne Rudy T. Marcozzi Patrick E. Pope Donald and Wendy Jensen Brian D. Marcus James H. Potts Robert and Kathryn Jessup Philip and Rovena Marcus Gregg and Shayla Powell Martin D. Joachim Georgianna E. Marks Gregory Powell and Miriam Ted and Barbara Johnson Kathleen Maroko McLeod Powell Th omas and Marilyn Johnson Noel and Helena Masters Sylvanna T. Prechtl Carl L. Johnson Th omas O. Mastroianni Jan E. Prokop James and Marla Johnson Perry J. Maull Nancy G. Puckett Paul R. Johnston Matthew and Kelly Mayer Julia D. Ragains-Slawin Howard and Donna Kaplan Barbara E. Mayhew John A. Rathgeb David and Harriett Kaplan Philip and Elizabeth McClintock Alan and Diana Rawizza Kathleen Katra Gregory and Margaret McClure George Rebeck Janet Kelsay Th omas and Norma McComb Lincoln and Marlene Records Karen L. Keltner Scott and Kelly McCray Jack and Phyllis Relyea Margaret A. Kennedy-Dygas Patrick and Catherine McGinn Laura J. Rexroth Richard E. Kennon Francis and Winnifred McGinnis Steven L. Rickards Kevin Kerwin and Katherine Ellen L. McGlothin David W. Riddles Mahoney-Kerwin James and Nelia McLuckie William and Nancy Riggert Martin W. Kettelhut Mary Jo McMillan Scott and Katherine Riley Robert and Stephanie Keys Michael and Marcia McNelley Paul and Barbara Ristau Myrna M. Killey Mary K. Mehner Donald and Lucy Ritter John and Julianne King James F. Mellichamp Alice E. Robbins Laura J. King Glenn and Edith Mellow Jerry and Cynthia Robinson W. John and Sarah Kitzmiller Milford and H. Patricia Merrill Roger Roe Kristin J. Knipp Ben F. Miller Edward and Donna Ronco Iris J. Knollenberg Margaret J. Miller Linda J. Rosenthal Kimberly J. Koons Ronald and Joyce Miller James and Maureen Ross Marilyn L. Kouba Th omas J. Miller Carolyn R. Roush George J. Kozacik Raymond and Clara Millett Christina A. Runnacles-Hightower Joseph C. Kraus Darwin L. Missling Paul and Sheila Ryan Joel S. Krueger Patrick and Frances Mitchell Irving L. Sablosky Scott W. Kunkel Richard J. Mlynarski Mary L. Sachse Larry and Judy Laff erty Rosalind E. Mohnsen Robert and Ruth Salek David and Judith Lahm Jacqueline Monnier James R. Saliers David K. Lamb David and Maria Montgomery Janice Salvucci Dodd and Myrna Lamberton Jay E. Montgomery David and Ann Samuelson Glenda G. Lamont Philip and Patty Moreau James, Laura, and Judith San Pietro Th omas and Nancy Lancaster Gerald E. Mummert Michael and Susan Sanders Betty E. Landis Ronald L. Munson Anne E. Sanders Mary T. Langdon Cassie M. Murphy Stephanie Sant’Ambrogio Lois B. Lantz Dudley G. Murphy Virginia G. Sarber Aldis and Susan Lapins Darla J. Myers John and Donna Sasse Gregory Largent and Anna George and Diane Nadaf Susan J. Schaefer Leppert-Largent Robert E. Nagel John and Sarah Schaff er Nathan Larimer and Cara Owens David and Jean Nanney Beth E. Schlicksup David and Suzanne Larsen Emile G. Naoumoff Tamara L. Schmiege Timothy and Sara Laughlin David L. Newby Richard and Sabine Schneider Loren Schoenberg Paul V. Spade Linda J. Tucker Fredric and Nancy Schroeder C. Gregory and Mary Spangler John and Alice Tweedle Kenneth and Cecile Schubert Fredrick and Lori Spencer Charles and Janet VanNatta Matthew R. Schuler Viola J. Spencer Robert C. VanNuys Christopher and Janet Schwabe Barry R. Springer Dianne Vars Beverly Scott and Sylvia Peter and Ann Spurbeck Matthew and Th erese Veldman Patterson-Scott Darell and Susan Stachelski William and Shirley Vessels Michael Scott and Monica Murray David E. Starkey Erin M. Volland Perry and Lisa Scott Gary and Anne Steigerwald James R. Volstorf Walter Scott Paul Stephenson and Maria Schmidt William and Jane Volz Wolf Sebastian Malcolm and Ellen Stern Charlotte E. Wagner Harry and Priscilla Sebel Janis M. Stockhouse Barbara J. Waite John A. Seest Lawrence F. Stoff el Harvey and Melissa Walfi sh Uriel and Ilana Segal Karolyn H. Stonefelt Dennis and Julie Walsh Mary K. Seidholz Eric and Etsuko Strohecker Sarah F. Ward Christian and Mary Seitz Boyd and Sally Sturdevant Garry P. Wasserman James M. Self Lester Suehiro and Bunnie Paul and Mary Waytenick Danny and Sarah Sergesketter Au-Suehiro Jerry and Bonnie Weakley Nadine E. Shank John and Myra Swallow Wayne and Rebecca Weaver John and Merry Shapiro Gregory and Rhonda Swanson Eugene and Frances Weinberg Richard and Karen Shepherd Michael D. Sweeney Jason M. Welch Sandra K. Sherman Rick and Leaetta Tafl inger George Weremchuk Richard J. Sherr Yasuoki Tanaka Phyllis C. Wertime John and Rebecca Shockley Lester I. Tanji Mark and Karen Weserhausen Th omas and Donna Shriner Dana W. Taylor Marian P. White W. Robert and Jill Siddall Joyce A. Taylor Lloyd and Barbara White Charles and Eleanor Six Kathleen A. Taylor James T. White Abner Slatt and Pamela Haft Mark and Beth Taylor Tony J. Wiederhold John and Donna Slinkard Michael W. Taylor Robert Wilson and Cecily Shull James R. Smart Nancy C. Teutemacher Dolores Wilson Eliot R. Smith Amy R. Th arp James F. Winfi eld Estus Smith Derrick and Nancy Tietz William and Carola Winkle Frances L. Smith Scott Tisdel and Stefanie Jacob Carl and Donna Wiuff Marvin K. Smith Dava A. Tobey Peter and Teresa Wolf Lucille Snell Joseph and Diana Tompa George W. Wolfe Steve and Mary Snider Jonathan Towne and Rebecca Noreen Danny and Karen Wright Susan E. Snortland Stephanie G. Tretick James and Patricia Wright George and Barbara Sorrells Philip and Alice Trimble David and Joan Zaun James and Carolyn Sowinski Joshua and Julia Tripp Timothy and Sara Zwickl

Corporations and Foundations $100,000 and Up Georgina Joshi Foundation, Inc. Cook, Inc.

$25,000 - $99,999 Ann & Gordon Getty Foundation Summer Star Foundation for Nature, Art, and Humanity

$10,000 - $24,999 Harrison Steel Castings Company, Inc.

$1,000 - $9,999 Americas Society Bloomington Classical Guitar Juan Orozco LTD Inc. Avedis Zildjian Company Society, Inc. Opera Illinois League Camerata, Inc.

Up to $1,000 Christ Church Cathedral Th e Ella Fitzgerald Charitable Sigma Alpha Iota Bloomington City Optical Company Inc. Foundation Alumnae Chapter Community Chamber Music I-Association TIS Group Association Shawnee Summer Th eatre of Th e Woman’s Club Greene County, Inc. Annual Giving Circles Th e Indiana University Jacobs School of Music Annual Giving Circles include individuals dedicated to making a diff erence in the cultural life of the university. Th ese unrestricted gifts of opportunity capital support the areas of greatest need, including fi nancial aid, faculty research, academic opportunities, and visiting artists. Dean’s Circle Visionary Members $10,000 and Up Gary and Kathy Anderson Gayle T. Cook David H. Jacobs Carl A. Cook Ann and Gordon Getty Ruth W. Johnson Strategic Members $5,000 - $9,999 Sue Aramian Jay and Karen Goodgold Jack and Pamela Burks Dennis and Judith Leatherman Supporting Members $2,500 - $4,999 William and Marion Crawford Peter and Monika Kroener Curt and Judy Simic Frank Graves and Christine Dugan Eugene O’Brien Mark A. Sudeith Henry C. Gulick Gwyn and Barbara Richards David L. Wicker William T. Hopkins

Contributing Members $1,000 - $2,499 Robert Barker and Patsy Fell-Barker Jim and Roberta Graham John and Geraldine Miller F. Dale and Linda Bengtson Fadi Haddad and Aline Lawrence and Betty Myers Don and Jean Burkholder Hamati-Haddad Del and Lettie Newkirk Eleanor J. Byrnes Alan J. Harris Joan C. Olcott David and Marcella Carlton Dale C. Hedding James and Carol Orr J. P. and Barbara Carver Jolaine L. Hill Herbert Parks and Gertrude Doyle William and Anita Cast Ross S. Jennings Robert and Joy Renshaw Harriet R. Chase Ted W. Jones Harold and Jeannette Segel Mark Cobb Th omas and Gail Kasdorf Jeff erson S. Shreve John and Carol Cornwell Donald A. Kidd Fredric and Roberta Somach Danny and Patty Danielson George and Cathy Korinek William C. Spence Lenore S. Davis Th omas and Th eresa Kulb Charles and Lisa Surack Jeremiah and Chelsea Duggan Robert and Sara LeBien Randall and Deborah Tobias D. Kim and Jane Dunnick P. A. Mack Bruce and Madelyn Trible John and Susan Graham Jeanette C. Marchant Natasha Wendt Artist’s Circle $500 - $999 Charles and Margaret Athey Stephany Dunfee Dennis W. Organ Harvey and Linda Auerbach Charles L. Fugo Mary A. Rickert Linda A. Baker Harvey B. Holly Randy Schekman and Nancy Walls Charles and Gladys Bartholomew William and Karol Hope Scharmal K. Schrock Christopher and Ruth Borman Jeff rey S. Jepsen Richard C. Searles Karen M. Boston-Wright Michael W. Judd Odette F. Shepherd Roberta Brokaw Patrick and Marianne McCall Mary L. Stein Brayton and Tracie Brunkhurst Jeff rey and Cynthia McCreary Susan C. Th rasher Miriam S. Clarke Beverly A. McGahey Susan E. Trippet James and Carol Clauser Carmen McGrae John and Tamyra Verheul Susan L. DiLeonardo Philip and Jennifer Nubel $250 - $499 Susan L. Adams Gabriel and Sara Frommer Terry and Sara Miller Helen L. Aylsworth Th omas E. Gerber Andrea Myslicki James and Mary Babb Selma C. Grant Margaret V. Norman David Y. Bannard Linda J. Greaf Edward Petsonk Mark and Ann Bear Doris A. Greenough Leonard Phillips and Mary Wennerstrom Louise Breau-Bontes David E. Greiwe R. Alan and Brenda Quick Clayton and Pauletta Brewer Steven and Leona Handelman Edward and Lois Rath John N. Burrows Harlow and Harriet Hopkins Carolyn J. Rice Lloyd and Dorinda Chase Donna Hornibrook James and Mary Alice Rickert Robert and Gayle Chesebro Emily L. Hostetter Christopher and Stephanie Ritrievi Jerald and Megan Chester Russell L. Jones Bruce Ronkin and Janet Zipes Aileen Chitwood Carol R. Kelly Sanford E. Rosenberg Paul and Catherine Christenson Marilyn Kloss Byuong and Patine Ryu David Clark and Diane Coutre Charles C. Knox David and Barbara Sheldon Mark R. Conrad Virginia A. Krauss William R. Shindle Katherine R. Covington Kerry Krutilla and Shu-Chuan Chiu Wayne and Lois Shipe John D. Danielson Scott R. Latzky James B. Sinclair Todd and Paulette Davidson Gregory and Veronica Leffl er Stanley and Cynthia Springer Robert and Josette Degeilh Amy L. Letson Mike St John Richard and Barbara Dell Eric and Rebecca Lightcap James L. Strause Mary L. Denne Th omas and Nancy Liley Robert M. Th ompson Kim and Dianne Diefenderfer John and Barbara Lombardo Lawrence A. Vanore Clarence and Judith Doninger Mary C. Majerus L. Alan and Elizabeth Whaley William and Harriet Fierman Herm and Carol McCreary Donald H. Wissman Jorja Fleezanis Emanuel and Kathleen Mickel Larry and Joyce Zimmerman $100 - $249 Lois C. Adams Miller Hal and Freddie Burke Ryan T. Edwards Joseph and Sharon Amlung Ralph and Ann Burns Mark and Karin Edwards Paula J. Amrod Doris J. Burton John and Anne-Marie Egan Michael Anderson and Giuliana C. Busch Anne C. Eisfeller Nancy Snustad Rebecca C. Butler J R. Elkins Donna K. Anderson Margaret R. Buttermore Joseph E. Elliott Roy and Janice Applegate John and Kristine Callahan Judith T. Elliott Kevin B. Arbogast Nanette Canfi eld Charles and Anna Ellis Brian K. Arreola Donald Capparella and Michael J. Ellis Mary K. Aylsworth Amy Dorfman Marc Embree and Jane Bunnell Sandra C. Balmer Joseph R. Car Mary L. Emmert Samuel and Janet Baltzer James A. Carlson Antonio and Jane Escueta Pamela L. Banks John C. Carmichael Gerald and Coleen Falasca John and Patricia Barnes Robert and Susan Cave Mark and Jennifer Famous Charles L. Barr James and Janice Childress John and Suzanne Farbstein Patricia W. Barrett Timothy W. Chipman John Fearnsides and Margaret Jenny Robert R. Bartalot Cynthia M. Cirome Constance C. Ford Michael and Joan Bartos Peter D. Claypool Bruce and Betty Fowler Robert W. Bastian Marjorie L. Clayton Graham V. Fuguitt Barbara S. Baum Andrew Cogbill and Mara Parker Mauricio Fuks and Violaine Cecelia Beam Robert and Marcia Coleman Gabriel-Fuks Martin and Judy Becker Roger S. Collins Sander and Marina Gilman William and Sharon Beecroft Timothy and Sandra Connery Bonnie L. Gilson David and Ingrid Beery Nora B. Courier John M. Glover Suzanne K. Belbutoski Cynthia M. Crago Walter A. Goldreich Sharon M. Berenson Genevieve S. Crane Richard S. Gorden Olesia O. Bihun Janet S. Crossen Sylvia S. Gormley Wilhelm and Renee Bilgram Samuel and Mary Crowl Arlene Goter Cheryl A. Bintz Michael G. Cunningham Teddy and Phyllis Gron David and Judy Blackwell Bradley and Cheryl Cunningham Franck P. Hagendorf Heinz and Gayle Blankenburg John T. Dalton Laurel K. Hagerman Michael and Pamela Bobb Eugene B. Daniels Patricia L. Hales Richard and Jana Bobo Patrick and Karen Dessent Kenneth and Judy Hamilton Lawrence and Mary Bond Roger D. Dickerson Brooks and Donna Hamm Arthur and Karen Bortolini Barbara C. Dickey Norman L. Hanks Carolyn E. Bowen Arthur and Loreen Dimmick Charlene A. Harb Elizabeth M. Brannon Richard and Barbara Domek Steven and Carol Harlos M. Ruth Brauch D. Michael Donathan Stephen and Martha Harris Ashley B. Breland Paul T. Dove Donald W. Harris William M. Brittenback and John and Sharon Downey Th eodore R. Harvey William Meezan Margaret J. Duffi n John and Debra Hatmaker Dorothea M. Brown Silsby S. Eastman Clayton and Ellen Heath Montgomery and Mary Brown Robert and Robin Eatman Laura B. Hentges Marian T. Brown Patricia Eckstein Th omas and Suzanne Herendeen Earl and Merribeth Bruning Frank and Vickie Edmondson Florence E. Hiatt Joe and Margaret Hickman Milford and H. Patricia Merrill Beverly Scott and Sylvia Dana E. Higbee Margaret J. Miller Patterson-Scott Kathryn K. Hodge Ronald and Joyce Miller Michael Scott and Monica Murray Mark and Elizabeth Hofeldt Raymond and Clara Millett Walter L. Scott Lowell and Ruth Hoff man Darwin L. Missling Harry and Priscilla Sebel Fred M. Holdeman Patrick and Frances Mitchell Uriel and Ilana Segal Nicholas and Katherine Holzmer Rosalind E. Mohnsen Mary Seidholz Dennis and Judith Hopkinson Jacqueline Monnier Christian and Mary Seitz Ray and Phyllis Horton David and Maria Montgomery Danny and Sarah Sergesketter Ivan and Anne Hughes Jay E. Montgomery Nadine E. Shank Craig D. Hultgren Philip and Patty Moreau John and Merry Shapiro Diane S. Humphrey Cassie M. Murphy Richard and Karen Shepherd Wesley L. Humphrey Dudley G. Murphy John and Rebecca Shockley Mike Hurtubise and Ann Murray George and Diane Nadaf Th omas and Donna Shriner Jennifer A. Jafari David and Jean Nanney W. Robert and Jill Siddall Carole L. James Emile G. Naoumoff Charles and Eleanor Six Warren W. Jaworski David L. Newby Abner Slatt and Pamela Haft Glenn E. Jenne William Newkirk and Frances L. Smith Robert and Kathryn Jessup Cheryl Tschanz Estus Smith Martin D. Joachim Gail C. Newmark Eliot R. Smith Wayne and Kristin Jones Omar and Julia Nielsen Marvin K. Smith Howard and Donna Kaplan Ann E. Norz Steve and Mary Louise Snider David and Harriett Kaplan Rebecca O’Connor Susan E. Snortland Janet Kelsay David and Diane O’Hagan John L. Snyder Margaret A. Kennedy-Dygas Adrienne Ostrander George and Barbara Sorrells Richard E. Kennon Russell L. Otte C. Gregory and Mary Spangler Martin W. Kettelhut Mary A. Owings Fredrick and Lori Spencer Myrna M. Killey Hyung-Sun Paik Viola J. Spencer John and Julianne King Carol L. Pampalone Peter and Ann Spurbeck Laura J. King Marilyn Park-Ellington Darell and Susan Stachelski John and Sarah Kitzmiller Peggy W. Paschall David E. Starkey Iris J. Knollenberg Kenneth D. Pennington Paul Stephenson and Maria Schmidt Kimberly J. Koons Kathie I. Perrett Boyd and Sally Sturdevant Marilyn L. Kouba Byron and Nancy Peterson Lester Suehiro and Bunnie Joseph C. Kraus David and Deborah Pierson Au-Suehiro Scott W. Kunkel Margaret A. Piety Gregory and Rhonda Swanson Larry and Judy Laff erty Patrick E. Pope Michael D. Sweeney Dodd and Myrna Lamberton Gregory Powell and Miriam Yasuoki Tanaka Th omas and Nancy Lancaster McLeod Powell Lester I. Tanji Mary T. Langdon Sylvanna Prechtl Mark and Beth Taylor Lois B. Lantz Jan E. Prokop Joyce A. Taylor Aldis and Susan Lapins Nancy G. Puckett Dana W. Taylor Nathan Larimer and Cara Owens Julia D. Ragains-Slawin Kathleen A. Taylor David and Suzanne Larsen Lincoln and Marlene Record Nancy C. Teutemacher George Lawrence and Judith Auer Jack and Phyllis Relyea Amy R. Th arp Briant Lee and Nancy White-Lee Steven L. Rickards Joseph and Diana Tompa James A. Leick David W. Riddles Jonathan Towne and Rebecca Noreen Joseph J. Lewis William and Nancy Riggert Stephanie G. Tretick Zhi Li Scott and Katherine Riley Philip and Alice Trimble William and Karen Lion Donald and Lucy Ritter Linda Tucker Barbara A. Lockard-Zimmerman Jerry and Cynthia Robinson John and Alice Tweedle Charles and Jo Lohmeyer Roger Roe Charles and Janet VanNatta John and Rachel Lorber Edward and Donna Ronco Robert C. VanNuys Marie T. Lutz Linda J. Rosenthal Dianne Vars Joan I. Lynch James and Maureen Ross William and Shirley Vessels Michael J. MacLean Carolyn R. Roush James R. Volstorf Robert and Marcia Mahnken Paul and Sheila Ryan William and Jane Volz Mayer and Ellen Mandelbaum Mary L. Sachse Charlotte E. Wagner Rochelle G. Mann Robert and Ruth Salek Barbara J. Waite Rudy T. Marcozzi Janice Salvucci Harvey and Melissa Walfi sh Brian D. Marcus David and Ann Samuelson Sarah F. Ward Philip and Rovena Marcus Anne E. Sanders Paul and Mary Waytenick Georgianna Marks Stephanie Sant’Ambrogio Jerry and Bonnie Weakley Kathleen Maroko Virginia G. Sarber Wayne and Rebecca Weaver Th omas O. Mastroianni John and Donna Sasse Eugene and Frances Weinberg Barbara E. Mayhew Susan J. Schaefer Jason M. Welch Philip and Elizabeth McClintock John and Sarah Schaff er George Weremchuk Francis and Winnifred McGinnis Tamara L. Schmiege Marian P. White Ellen L. McGlothin Richard and Sabine Schneider Lloyd and Barbara White James and Nelia McLuckie Fredric and Nancy Schroeder Robert Wilson and Cecily Shull Mary Jo McMillan Matthew R. Schuler Dolores Wilson Michael and Marcia McNelley Christopher and Janet Schwabe James F. Winfi eld James F. Mellichamp Monte Schwarzwalder and Carl and Donna Wiuff Glenn and Edith Mellow Rebecca Henry Danny and Karen Wright Ralph and Shirley Melton Perry and Lisa Scott Timothy and Sara Zwickl Leadership Circle Members of the Leadership Circle have contributed lifetime gifts of $100,000 or more to the Indiana University Jacobs School of Music. We gratefully acknowledge the following donors, whose generosity helps the school reach new heights and build a sound fi nancial framework for the future.

Over $10,000,000 Lilly Endowment, Inc. Th e Estate of Barbara M. Jacobs

Over $1,000,000 David H. Jacobs, Jr. Louise Addicott-Joshi and Yatish Joshi Th e Estate of Juana Mendel Dorothy Richard Starling Foundation Th e Estate of Paul and Anne Plummer Th e Estate of Clara L. Nothhacksberger Th e Georgina Joshi Foundation, Inc. Jack and Linda Gill Th e Estate of Juanita M. Evans Cook, Inc. Jack and Dora Hamlin Krannert Charitable Trust

$500,000 - $999,999 Th e Estate of Eva Sebok Th e Estate of George A. Bilque Arthur R Metz Foundation Th e DBJ Foundation Ann and Gordon Getty Robert R. O’Hearn Gary and Kathy Anderson Alexander S. Bernstein Th e Estate of Frederick G. and Th e Estate of Eva M. Heinitz Jamie Bernstein Mary M. Freeburne Th e Estate of Ione B. Auer Nina Bernstein Simmons Gayle T. Cook Ann and Gordon Getty Foundation Th e Estate of Ruth E. Th ompson Carl A. Cook Wilbert W. Gasser* and Jack and Pamela Burks * Deceased Mary Kratz Gasser

$250,000 - $499,999 Th e Estate of Wilfred C. Bain Bren Simon Th e Estate of Sylvia F. Budd Th e Estate of Samuel W. Siurua Th e Estate of Melvin Simon Beatrice P. Delany Charitable Trust Th e Estate of Lucille Espinosa Th e Estate of Herman B. Wells Irwin-Sweeney-Miller Foundation Th e Estate of David H. Jacobs Th e Estate of Harold R. Janitz Th e Estate of Angeline M. Battista Th e Estate of Marvin Carmack Presser Foundation IBM Global Services Th e Estate of Maidee H. Seward Olimpia F. Barbera Murray and Sue Robinson Th e Estate of John D. Winters Jamey and Sara Aebersold Rudolph and Joy Rasin Th e Estate of Nina Neal Th e Estate of Alvin M. Ehret Shalin C. Liu Paul and Cynthia S. Skjodt Christel DeHaan Summer Star Foundation for Nature, Deborah J. Simon Richard E. Ford Art, and Humanity Th e Estate of Emma B. Horn Christel DeHaan Family Foundation Th e Estate of Lee E. Schroeder David and Jacqueline Simon Marianne W. Tobias Herbert Simon

$100,000 - $249,999 Th e Estate of Frances A. Brockman Th e Estate of Th eodore C. Grams Brabson Library and Education Th e Estate of Charlotte Reeves Penn Asset Equity, LLC Foundation Smithville Telephone Company, Inc. Paul and Ellen Gignilliat Th e Estates of Samuel and Martha Siurua Scott and Kathryn Schurz Artur Balsam Foundation Georgia Wash Holbeck Living Trust Th e Estate of Mavis M. Crow Jean Creek and Doris Shoultz-Creek William D. Rhodes Foundation Harrison Steel Castings Company, Inc. Th e Estate of William H. Earles Ford Meter Box Foundation, Inc. Peter and Monika Kroener Th e Estate of Virginia Schmucker Marianne Y. Felton Betty Myers Bain Th e Estate of Robert D. Aungst David and Neill Marriott Rusty and Ann Harrison Leonard Phillips and Mary Wennerstrom Th e Estate of Dagmar K. Riley Fred Simon Cole & Kate Porter Memorial Th e Estate of David C. Hall Th e Estate of Eleanor Knapik Graduate Fellowship in Music Dick and Barbara Schilling Th e Estate of Margaret E. Miller Hank J. Bode and Susan Cartland-Bode Kenneth C. Whitener Th e Estate of Mary C. Tilton Bennet and Cynthia Brabson Joan & Marvin Carmack Foundation Th e Estate of Robert A. Edwards Th e Estate of Ursula Apel Robert and Sandra Harrison Robert Barker and Patsy Fell-Barker P. A. Mack Th e Estate of Dorothy Rey Stephen and Margaret Cole Russell Th e Estate of Eugene Knapik Fred C. Arto Th e Estate of Jean P. Nay Th e Estate of Th omas L. Gentry Eric D. Batterman Memorial Scholarship Th omson, Inc. Th e Estate of Jascha Heifetz Th e Estate of Marjorie Gravit Th e Estate of Margaret H. Hamlin Th e Legacy Society Th e Legacy Society at the Indiana University Jacobs School of Music honors the following individuals who have included the Jacobs School as a benefi ciary under their wills, trusts, life insurance policies, retirement plans, and other estate-planning arrangements.

Richard and Ann Alden Jack and Dora Hamlin Leonard Phillips and Mary Wennerstrom Jeanette Amboise-Chaumont Charles Handelman Jack W. Porter Gary J. Anderson J. Richard Hasler Ben B. Raney, Jr. Dennis and Virginia Bamber Gerald W. Hedman Stanley E. Ransom Olimpia F. Barbera David and Mildred Hennessy Clare G. Rayner Christa-Maria Beardsley Clara Hofberg Robert and Carlene Reed Michael E. Bent Rona Hokanson Charlotte Reeves Richard and Mary Bradford David M. Holcenberg Albert and Lynn Reichle Mildred J. Brannon William T. and Kathryn* Hopkins Gwyn and Barbara Richards Marjorie Buell David E. Huggins Ilona Richey Pamela Buell Harriet M. Ivey Murray and Sue Robinson Sarah Clevenger Walter and Bernice* Jones John* and Patricia Ryan Eileen T. Cline Myrna M. Killey Barbara R. Sable Jack and Claire Cruse C. Ray and Lynn Lewis Roy and Mary Samuelsen John* and Doris* Curran Richard and Ann Lilly Hubert A. Seller Susie Dewey George and Brenda Little John and Lorna Seward D. Michael Donathan Harriett Z. Macht Odette F. Shepherd Luba Dubinsky P. A. Mack Donald G. Sisler Th omas and Ellen Ehrlich Charles J. Marlatt Catherine A. Smith H. C. Engles Susan G. McCray George P. Smith, II Eleanor R. Fell Douglas McLain Mary L. Snider Marianne Y. Felton Sylvia A. McNair William and Elizabeth Strauss Michael and Sara Finton Donald and Sonna Merk Douglas* and Margaret Strong Philip* and Debra Ford William F. Milligan Robert D. Sullivan Marcella I. Gercken Robert A. Mix Hans* and Alice Tischler Monroe A. Gilbert Dale and Cynthia Nelson Henry and Celicia Upper Harold* and Lucille Goodman Del and Letty Newkirk Nicoletta Valletti Glen G. Graber Robert O’Hearn Robert J. Waller Ken and Kathleen Grandstaff Fred Opie and Melanie Spewock Patrice M. Ward-Steinman Ruth Grey Richard* and Eleanor Osborn Charles H. Webb Ransom* and Mary Jo Griffi n Arthur Panousis Michael D. Weiss Jonathan L. Gripe James and Helen Pellerite Robert and Patricia Williams Kathy Gripe Jean R. and Charles F.* Peters * Deceased Friends of Music Honor Roll Fiscal Year 2011-2012 Th e mission of the Society of the Friends of Music is to raise scholarship funds for deserving, talented students at the Indiana University Jacobs School of Music. Th e society was established in 1964 by a small group led by Herman B Wells and Wilfred C. Bain. We are pleased to acknowledge outright gifts made between July 1, 2011, and June 30, 2012.

Friends of Music $100,000 and Above Th e Estate of Marvin Carmack David H. Jacobs, Jr.

$5,000 - $99,000 Ruth Albright Jim and Laura Byrnes Murray and Sue Robinson Eleanor J. Byrnes Mark and Alora McAlister Scott and Kathryn Schurz

Guarantor Scholarship Circle Hoagy Carmichael $10,000 Rusty and Ann Harrison Dick and Barbara Schilling

Cole Porter $5,000 - $9,999 Bob Barker and Patsy Fell-Barker John and Adele* Edgeworth Ross S. Jennings Nelda M. Christ Stephen and Jo Ellen Ham Darby A. McCarty Jeanette C. Marchant Susie J. Dewey Raymond H. Tichenor*

Herman B Wells Circle Gold $2,500 - $4,999 Herbert Kuebler and Phil Evans Charles and Julia McClary Silver $1,000 - $2,499 Gary and Kathy Anderson Peter P. Jacobi John Pence Shaun and Jill Byrnes Ruth W. Johnson John and Lois Pless Jennifer Cast and Elizabeth Franklin Kenneth and Linda Kaczmarek Amy Rafk in William and Anita Cast Timothy Kittleson and Gwyn and Barbara Richards Soeun Cho Michael Donaldson Phyllis C. Schwitzer Jean Creek and Doris Shoultz-Creek Peter and Monika Kroener Jeff erson S. Shreve Regina Dean Dennis and Judith Leatherman Curtis and Judith Simic Barbara J. Dunn Ronald and Linda Maus L. Robert and Sylvia Stohler Don B. Earnhart Michael and Laurie McRobbie Gregg and Judith Summerville Paul and Ellen Gignilliat Gerald and Anne Moss Mark Webb and Lee Ann Smith James and Joyce Grandorf Dale and Cynthia Nelson Jack R. Wentworth Robert R. Greig Rita O’Neill J. William and Joan Whitaker Frank and Athena Hrisomalos

Dean Wil ed C. Bain Circle Patrons $500 - $999 Robert Agranoff and Susan Klein Stephen A. Ehrlich Ed Mongoven and Judy Schroeder James and Ruth Allen James and Jacqueline Faris Vera M. O’Lessker James and Susan Alling Eugene J. Farkas James and Carol Orr Margaret K. Bachman Richard S. Forkner Leonard Phillips and Mary Olimpia F. Barbera Edward and Mary Anne Fox Wennerstrom A. James Barnes Norman and Sharon Funk Fred A. Place Richard E. Bishop Howard and Virginia Gest David and Virginia Rogers Leland and Helen Butler Robert and Ann Harman John and Lorna Seward John and Cathleen Cameron Diane S. Humphrey Anthony and Jan Shipps Edward S. Clark Keith and Doris Johnson Sheldon Stryker Fred and Suzanne Dahling Gerald and Shirley Kurlander George and Viola Taliaferro Lee and Eleanore Dodge Robert and Sara LeBien Henry and Celicia Upper Sterling and Melinda Doster Jerry and Phyllis McCullough Galen Wood Mary P. Doyle William and Diana Miller John and Linda Zimmermann Frank Eberle and Cathy Cooper Michael Molenda and Janet Stavropoulos

Sustainers $300 - $499 S. Christian and Mary Albright Dell C. Harmsen Delano and Luzetta Newkirk Rodger and Diana Alexander Steven L. Hendricks Leonard and Louise Newman Marian Bates Ernest Hite and Joan Pauls Martin Newman and Shirley Mark and Ann Bear Lawrence and Celeste Hurst Clements Newman Shirley Bell Anna L. Jerger Roger and Ruth Newton Paul W. Borg Donald and Margaret Jones Harold and Denise Ogren Del and Carolyn Brinkman Howard and Linda Klug Donald Orr and Caryl Th ompson Jack and Pamela Burks George and Cathy Korinek John and Lislott Richardson Gerald and Elizabeth Calkins Ronald and Carolyn Kovener Albert and Kathleen Ruesink James and Carol Campbell William and Mary Kroll L. David Sabbagh and Linda Simon Sarah Clevenger Michael Larsen and Richard C. Schutte Bruce Corner and Gaye Gronlund Ayelet Lindenstrauss Karen Shaw James B. Culver John and Julia Lawson R. H. Small and E. Jane Hewitt Linda Degh-Vazsonyi Harlan Lewis and Doris Wittenburg Hugh and Cynthia St. Leger John and Beth Drewes Howard and Carolyn Lickerman Margaret Strong Harvey and Phyllis Feigenbaum P. A. Mack Lewis H. Strouse J. Robert and Betty Fields Perry J. Maull Paula W. Sunderman Anne T. Fraker John and Geraldine Miller Kenneth and Marcia VanderLinden Kenneth R. Gros Louis Herbert and Judy Miller Charles and Jane Watkins Robert and Martha Gutmann Dawn E. Morley Steven and Judith Young Ralph Hamon and Sandra Kirby Donors $100 - $299 David and Melanie Alpers James R. Hasler Harriet S. Pfi ster Ethan and Sandra Alyea Lenore S. Hatfi eld Ronald and Frona Powell Janette Amboise-Chaumont Brett and Colleen Herrick Maryrose L. Pratter John and Teresa Ayres James and Sandra Hertling Earl and Dorothy Prout Richard and Adrienne Baach David and Rachel Hertz Richard Pugh and Elizabeth Baker Mark J. Baker John D. Hobson Th omas and Bonnie Reilly William and Honey Baldwin Cynthia R. Hogan Carl Rexroad and Carol Pierce David and Judith Barnett Rona Hokanson Joseph M. Rezits Robert and Patricia Bayer Richard and Lois Holl Myfanwy Richards David and Ingrid Beery Norman and Judy Holy Joe and Sandra Ridenour Eva D. Bernhardt-Kabisch Donna Hornibrook Betty Rieger Michael and Vonora Bishop Ruth D. Houdeshel Roger and Tiiu Robison Donald P. Bogard Jeff rey and Lesa Huber Catherine D. Rockwood Ellen R. Boruff Llewellyn and Sally Humphreys John H. Rogers Dirk Bowman and Melanie Hart Roger and Carol Isaacs Allan and Barbara Ross Herbert and Juanita Brantley Hideo and Setsuko Ito John and Mary Rucker Keith and Maggie Brown Donald and Wendy Jensen Jerard and Nancy Ruff Alexander and Virginia Buchwald Marley Jesseph Edward and Janet Ryan Richard and Mary Burke Martin D. Joachim Arthur and Norma Schenck Derek and Marilyn Burleson Lora D. Johnson Lynn L. Schenck Barbara J. Byrum Ted Jones and Marcia Busch-Jones* Deborah Besore-Schilling Barbara Carlson Burton and Eleanor Jones Fred and Jane Schlegel Carrol Cecil and Virginia Long-Cecil Gwen J. Kaag Robert and Alice Schloss Milford and Margaret Christenson Berkley Kalin Richard C. Searles Marjorie L. Clayton Martin and Linda Kaplan Richard Shiff rin and Judith Charles and Helen Coghlan Patricia C. Kellar Mahy-Shiff rin Steven and Karin Coopersmith Janet Kelsay J. Robert Shine Lynn and Ute Coyne Marilyn J. Kelsey Richard and Denise Shockley John R. Cutter Th omas and Mary Kendrick Michael A. Simkowitz Mark and Holly Dame John and Julianne King Ruth Skernick Jefrey and Pamela Davidson Karl and Lynda Koehler Catherine A. Smith Janice M. Dawson Ernest and Dawn Koenig David Smith and Marie Libal-Smith Julia DeHon Peter Koenig and Mary Jamison Janet S. Smith Aldo and Deborah Della Ragione Maryann Kopelov Ethel C. Smith Th eodore R. Deppe Shirley Krutilla Fredric and Roberta Somach Gayl and Beverly Doster Yvonne Y. Lai Stephen T. Sparks Jon and Sarah Dunn James* and Katherine Lazerwitz Janos and Rae Starker Peter and Pearl Ekstrom Edoardo A. Lebano Malcolm and Ellen Stern David R. Elliott Phillip and Linda Leckey Blount and Anna Stewart Joe and Gloria Emerson Susanne J. Leggett Robert and Virginia Stockton Michael and Cheryl Engber Louis and Myrna Lemberger Bruce and Shannon Storm Marianne Y. Felton Leslie and Kathleen Lenkowsky Ellen Strommen George and Jo Fielding Jon and Susan Lewis Linda Strommen Linda Figen Mitzi A. Lewison William and Gayle Stuebe Charles R. Forker Peter and Carol Lorenzen Lynette A. Svensson Don and Sandra Freund Terry Loucks Saundra B. Taylor Bernardino and Caterina Ghetti Alvin and Susan Lyons Charlotte H. Templin Robin and Katherine Gilbert-O’Neil Andrew and Jane Mallor Charles E. Th ompson Jeff rey and Toby Gill William and Eleanor Mallory William and Elizabeth Th omson Michael and Patricia Gleeson James L. McLay Samuel Troxal and Donovan Walling James and Constance Glen Th eodore and Bessie Megremis Jeff rey S. Tunis Vincent M. Golik Stephen and Sandra Moberly Charles J. Van Tassel Robert Goulet and Barbara Wolf Alfred and Carol Moellering Wayne and Jane Vincent Donald Gray and Susan Gubar John and Patricia Mulholland Sharon P. Wagner John J. Greenman Frank T. Nagler Martha F. Wailes Jerry and Linda Gregory Lee and Ardith Nehrt George Walker and Carolyn Samuel and Phyllis Guskin Gloria G. Noone Lipson-Walker Th omas and Susan Hacker Douglas and Roma North Ewing and Kay Werlein Hendrik and Jacobina Haitjema Edward and Soili Ochsner G. Cleveland and Frances Wilhoit Richard Ham and Allison Stites Wesley and Patricia Oglesby Robert and Patricia Williams Stanley and Hilary Hamilton Joan C. Olcott James and Ruth Witten Robert and Julie Hammel Marcus R. Oliphant Th omas and Sara Wood Andrew Hanson and Patricia Foster Robert and Mary Orben Robert and Judy Woodley Kenneth and Janet Harker Dan F. Osen Virginia A. Woodward R. Victor Harnack Elayne Ostrower Th omas and Maria Zoss Pierrette Harris Harlan and Joanna Peithman Mimi Zweig Robert and Emily Harrison James and Helen Pellerite * Deceased Corporations and Foundations

Argonaut Club Bloomington Th rift Shop Redbud Hills Avery & Greig, LLP Five Star Quality Care, Inc. Smithville Telephone Company, Inc. Big Red Liquors, Inc.

Companies Providing Matching Gi s

Eli Lilly & Company Goodrich Foundation OneAmerica Financial Partners, Inc. Global Impact IBM International Foundation

Planned Gi s We are grateful to those individuals who have expressed their interest in ensuring scholarship support for tomorrow’s students today, by making a planned gift through a testamentary gift in their estate planning by a will or trust, charitable gift annuity, or retirement plan. We are pleased to acknowledge those individuals who have provided gift documentation.

David* and Ruth Albright Esther Ritz Collyer* James and Helen Pellerite Margaret K. Bachman Douglas and Virginia Jewell Judith E. Simic Marvin Carmack* Jeanette Calkins Marchant, in memory Anita Hursh Cast of Velma and Emerson Calkins

Memorials and Honorariums Each year, we receive gifts in honor or in memory of individuals whose leadership and good works have enriched the lives of so many. We are pleased to recognize those special individuals and the donors whose gifts they have inspired. Ruth Albright, in memory of Richard Ham and Allison Stites, Richard Pugh and Elizabeth Baker, David Albright in memory of Frieda Myers and in memory of Josef Gingold Th e Argonaut Club, in honor of in honor of Jo Ellen Ham Amy Rafk in, in honor of David H. Robert E. Williams Stephen and Jo Ellen Ham, Jacobs’ 60th birthday Avery & Greig, LLP, in honor of in memory of Jeanne Forkner Redbud Hills, in honor of Leonard David H. Jacobs’ 60th birthday and Frieda Myers and Louise Newman Bill and Anita Cast, in memory of Ruth Houdeshel, in memory of Carl Rexroad and Carol Pierce, Esther Collyer Harry Houdeshel in memory of George Van Arsdale Jennifer Cast and ElizabethFranklin, Peter Jacobi, in memory of Murray and Sue Robinson, in memory in honor of Anita Cast David Albright of David Albright Janice Dawson, in honor of Ross Jennings, in memory of Debi Besore-Schilling, in honor David H. Jacobs’ 60th birthday Esther Collyer of Sylvia McNair Regina Dean, in honor of Timothy Kittleson and Michael Robert and Alice Schloss, in honor David H. Jacobs’ 60th birthday Donaldson, in honor of of the marriage of Chih-Yi Chen Aldo and Deborah Della Ragione, David H. Jacobs’ 60th birthday and Glen Kwok in honor of David H. Jacobs’ Darby McCarty, in memory of Joseph and Michelle Smuckler, 60th birthday David Albright in honor of Leonard and Susie Dewey, in memory of Michael Molenda and Janet Stavropoulos, Louise Newman’s anniversary Robert Dewey in memory of David Albright Henry and Celicia Upper, in memory Stephen Ehrlich, in honor of Vera O’Lessker, in memory of Esther of David Albright John and Beth Drewes Collyer and Eleanor Phillippe Ewing and Kay Werlein, in honor Richard and Susan Ferguson, Rita O’Neill, in honor of David H. of Charles Webb in memory of Esther Collyer Jacobs’ 60th birthday Galen Wood, in honor of David H. Richard Forkner, in memory of Kent and Suzann Owen, in memory of Jacobs’ 60th birthday Frieda Myers Esther Collyer Sally Worrell, in memory of Jeff rey and Toby Gill, in memory Harlan and Joanna Peithman, Esther Collyer of Alan Bell in memory of Kenda Webb and Brian and Susan Yeley, in memory of James and Constance Glen, in in honor of Charles Webb David Albright memory of Kenda Webb John Pence, in honor of David H. Steven and Judith Young, in honor Paul and Joyce Grant, in honor of Jacobs’ 60th birthday of Richard Saucedo Stephen and Jo Ellen Ham Wayne Peterson, in honor of * Deceased Robert Greig, in honor of David H. Anita Cast Jacobs’ 60th birthday IU Opera Theater Production Staff General Manager ...... Dean Gwyn Richards Executive Director of Production Timothy Stebbins Director of Coaching and Music Administration ...... Kevin Murphy Executive Administrator of Instrumental Ensembles . . . . Thomas Wieligman Coordinating Coach ...... Kimberly Carballo Coach/Accompanists ...... Mark Phelps, Brian Eads Stage Manager ...... Trevor Regars Assistant Stage Manager ...... Nicholas Rainey Technical Director ...... Alissia Lauer Director of Paint and Props Mark F. Smith Lead Costume Specialist ...... Dana Tzvetkova Costume Specialists Soraya Noorzad, Magdalena Tortoriello Wigs and Makeup Designer ...... Christy Clark Head of Lighting ...... Patrick Mero House Electrician Fritz Busch Stage Carpenters ...... Ken D’Eliso, Andrew Hastings Administrative Production Assistant ...... Sarah Slover Director of Recording Arts ...... Konrad Strauss Sound Designer Douglas McKinnie Audio Technician Fallon Stillman Audio Engineer Kyle Zucker Director of Marketing and Publicity ...... Alain Barker Box Office and House Manager Tridib Pal Publicity/Media Relations Specialist ...... Linda Cajigas Director of Design ...... Neil Robinson Director of Digital Design ...... Patrick Eddy Social Media Specialist ...... Brooke Feldman Program Editor Jonathan Shull Auditions and Casting Coordinator Maria L. Levy

Assistant Technical Director ...... Nicholaus Miller Assistant Stage Carpenter Zac Goodwin Assistant Electrician Skylar Delk Assistant Properties Master ...... Gwen Law Assistant First Hand ...... Swallow Leach Assistant First Hand ...... Wendy Langdon Assistant First Hand ...... Noriko Zulkowski Assistant First Hand ...... Sarah Akemon

pring Ballet

S Fall Ballet Fall ept. 28, 29 New World New World Old World Old World March 22, 23 Bournonville Suite Temperaments The Four Symphony Western Sweet Fields Eight Easy Pieces Eight More Appalachian Spring The Nutcracker 2 30 | Dec. 1, Nov. Light and Light Shade S music.indiana.edu/operaballet BALLET

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s ept. 14, 15, 15, 22 21, ept. 14, Cinderella Giuseppe Verdi April 5, 6, 12, 13 Akhnaten Philip Glass 2 22, 23 | March 1, Feb. new production Falstaff Xerxes Xerxes Handel George Frideric 9 2, 8, 1, Feb. new production new production Cendrillon ( Jules Massenet 8, Nov. 11 9, 10, The Merry The Merry Widow Lehár Franz 19, 20, Oct. 18, 21 Don Giovanni A. Mozart W. S et (812) 855-7433 (812) music.indiana.edu/boxoffice Tick Musical Arts Center Box Office 11:30-5:30 Monday - Friday, See it all OPERA