DOCSLIB.ORG

The Hilltop 11-2-2004

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Howard University Digital Howard @ Howard University The iH lltop: 2000 - 2010 The iH lltop Digital Archive 11-2-2004 The iH lltop 11-2-2004 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_0010 Recommended Citation Staff, Hilltop, "The iH lltop 11-2-2004" (2004). The Hilltop: 2000 - 2010. 198. https://dh.howard.edu/hilltop_0010/198 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 2000 - 2010 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. WEATHER <t Today· 1 artly Cloudy (__J!fictJl<N • Rwf•W High 70 Lo 11 56 # Wednesday: Partly Cloudy 1 COLLEGE High 60, Low 45 Thursday: Few Showers High 54 Low 44 The Student Voice of Howard University Since 1924 VOLU!\IE 88, NO. 21 TUESDAY, NOVEIVIBER 2, 2004 \V\V\V.thchilltoponlinc.con1 .. campus. A2·A5 Find out about See the official Find out ~vhy Metro.A& political but- Ho1necon1ing Th e Hi I!top gave Ute & Stvte. 81-83 tons that 1nake a Pheno1nenon Hortiecon1ing Spons. 84·15 statement ... photos ... 2004 a B-... Business & Technolouv. 18 Editorials & Perspecdves. 11 Life & Style... B 1 News ...BS Editorials... B 10 • '\ . A2 CAMPUS THE HILLTOP NOVEMBER 2, 2004 • • 'Too Hot for TV' Show Yardfest Disappoints Displays Diversity Students BY CHARREAH JACKSON BY LATRISHA GOMER Asst. Campus Editor Hilltop Staff Writer ' Homecoming's annual fashion show illustrated Despite the rain and muddy grass, thousands this year's "Too Hot for TV" theme, as a drag ofp eople gathered on the Yard to attend Yardfest queen graced the stage tossing his wig into the on Friday. The free annual concert is held on crowd, exotic reptiles and birds accessorized the Friday before the homecoming game and models, and students witnessed their daily is one of the most anticipated events of the classmates transform into couture models. year. Held Thursday evening in Cramton In 2000, Jay-Z and Ludacris per- Auditorium as in past years, the high formed. In 2001, it was DMX and Foxy demand event created the need for two Brown. In 2002, LL Cool J made an shows. Dividing the diversified fashion appearance. In 2003, the Diplomats, show into scenes like "Sex and the City" Nelly and the St. Lunatics performed and "Spring Bling," the event was enter­ their biggest hits. taining, as well as empowering in the Sophomore biology major Larry "Revolution Will not be Televised" por­ Mark, has been coming to Yardfest tion. With culturally conscious clothing since his junior year in high school. He and accompanying signs of "Buck Fush" said that he was disappointed by this and "Any Means Necessary," students year's event. were reminded of their political respon­ "There was no real headliner per­ sibilities to vote today. forming this year. They could have at "That was just beautiful. I could least represented D.C. by having a go­ never get enough," said Gynthia Azolin, go artist perform," he said. a sophomore liberal studies major, fol­ This year Trick Daddy, Mr. Cheeks lowing the end of the first show. "If I and Xzibit headlined the show. knew this type of show would happen, I Sophomore marketing major would come back every time. The show was Michele Taylor was disappointed by this very creative and whoever was the head, has year's Yardfest and said that the event was really inspired." not as good as last year. The 'head' Azolin speaks of is Danielle "The event is dead this year. The weath­ "Danie Rae" Perkins, who served as fashion er, the atmosphere, the acts. It's not becoming show coordinator, but was unavailable for com­ of a Howard University homecoming. I'm not ment at press time. excited about homecoming at all now," she said. "What the audience sees is nothing like the pro­ Yardfest coordinator Ravi Windom, said the cess in putting it together," said fashion show assistant artists who perform at Yardfest do not get paid and Lauren Johnson. "Danie See FASHION Campus A7 that the concert is a Rae has been planning ' promotional event for the See YAROFEST, Campus A7 Hamilton Takes Crowd Deltas Claim Stepping Pboto~b) Mt)I CUiian>. T1a Cood.son. and J\larltnt To Church Ha1'1hrone Title for Fourth Year BY LAUREN STEPHENS all of the Homecoming activi­ attention for the next 45 min­ BY JOI GILLIAM formed by other fraternities. The of the step team dressed as the Hilltop Staff Writer ties when I was a student... I'm utes with his wide vocal range Asst. Metro Editor performance ended with a chal­ Bison mascot stepping alongside so happy now that I have the and piano playing skills. lenge to the other performers the others as well as their own When the crowd lined up opportunity to come back now While the majority of On Saturday, hundreds as they asked, "Who's next?" to version of steps done by othe1 outside Cramton Auditorium and be one of the performers the songs he performed were of students, alumni and Greeks which the crowd wildly cheered. sororities. bought their tickets for this and sit in Cramton Auditorium from his upcoming album flocked to tl1e DC Armory for "The Deltas were great, they The Kappas won over the year's R&B concert, there was and listen to Anthony Hamilton, Get Lifted, Legend also gave the final and most anticipated always come hard and it was Iotas and second p1ace winners no way they could be prepared he's absolutely phenomenal... the crowd what he called," a installment of this year's home­ very entertaining," said junior Alpha Phi Alpha Fraternity, for the re-embodiment of Mary It feels good to come back, " history lesson" for those who coming performances. In the political science major Sabrena Incorporated. The Kappas per­ J. Blige and old school talents McDonald said. could not place his voice by end, the crowd felt a little deja Pringle. formance was similar to last like, Stevie Wonder and Al When the lights dimmed playing excerpts from songs he vu and a little tired as they sat Many were disappointed in year's as they performed in white Green that they were about to 45 minutes after the scheduled has appeared on, including Jay through a little over four hours the decision for the winnir.g fra­ suits and stepped with their sig­ witness. start of the concert, the hosts Z's "Encore," and Kanye West's of performances and watched ternity. nature red and white canes. This year's R&B concert for the evening Tony Richards "Never Let Me Down." He also winning performances from last Junior psychology major Other complaints with held on Friday evening, fea­ and comedian Greg Wilbourne, shocked some fans by reveal­ year's winners, Alpha Chapter, Jennifer Jenkins believes the Saturday's performance includ­ tured performances by Keyshia rc.dio personalities on WHUR's ing that he was the background Delta Sigma Theta Sorority, performance by Iota Phi Theta ed the show's length and theme. Cole, John Legend, and the Real D.C/ Morning Show, were voice on Alicia Keys' hit song Incorporated and Kappa Alpha Fraternity, Incorporated was a "Time wise and then1e wise I headliner Anthony Hamilton in greeted by the uproar of an "You Don't Know My Name." Psi Fraternity, Incorporated, lot more noteworthy than the think they could have come a lot a concert full of live music with audience anxious to get the eve­ ''John Legend was tight. .. Kappa Chi Chapter. performance by the winners. better," said Shemecca Williams, an interactive audience. ning started. His music is really good and he "It feels good to be a part "Anyone who can step with a graduatE' student studying Despite the artists' rela­ "Anytime you get a chance is a fantastic singer and I play of a legacy, I'm very excited," real machetes and not cut their English. tive newness on the scene, they to be apart of Homecoming for the piano and I know that he said Tiffany Shackelford, a brother should definitely win Apparently, time was not an have generated a large follow­ Howard, you take advantage of can play the piano really well," member of the winning soror­ over someone stepping with just issue as the show started almost ing of Howard students. that...It's really exciting to be said freshman music and com­ ity step team. The Deltas con­ canes, so I think the Iotas should 45 minutes late and ended The delayed start of the here," Wilbourne said. munications major Jeremiah tinued their legacy, as this is have won," Jenkins said. almost four hours later. show gave the audience time The first act, Keyshia Cole, Wright Hanes who was visiting their fourth straighl win at the Eric Perkins, one of the per­ Greek Pan-Hellenic organi­ to find seats, which were on a new artist on Interscope from Hampton University. homecoming step show. formers with the Iotas said, "I zations were .1ot the only per­ a first come, first serve basis, Records, performed her current When Hamilton graced the In a very dramatic per­ don't agree with the decision. form~rs. The show also includ­ and to scan the crowd to find single, "I Changed My Mind" stage shortly before 9 p.m., the formance, members of Delta The crowd told us who should ed an opening performance by familiar faces such as Camille and followed with her next sin­ audience was full of energy and Sigma Theta had a Samurai­ have won." Alpha Nu Omega that got the McDonald, former Howard stu­ gle "I Should Have Cheated." ready for his performance.
Recommended publications
  • Music Quiz Questions

    Music Quiz Questions

    Music Quiz Questions Check the box for all answers or click on each question for its answer. New! is an addition in the last month. 157. Though denied by its author as the source of his inspiration, what musical work has strong resemblance to the story of a mythical village called Germelshausen that fell under a curse and appears for only one day every century? Brigadoon by Alan Jay Lerner and music by Frederick Loewe The story involves two American tourists who stumble upon Brigadoon, a mysterious Scottish village that appears for only one day every hundred years. Tommy, one of the tourists, falls in love with Fiona, a young woman from Brigadoon. Lerner, however, denied that he had based the book on an older story and stated that he didn't learn of the existence of the Germelshausen story until after he had completed the first draft of Brigadoon. 156. In December 1971, Frank Zappa and The Mothers of Invention were playing in a concert when the casino venue they were in caught fire due to an over-zealous member of the audience firing a a flare gun into the rattan covered ceiling. This is the true origin story of what rock classic? "Smoke on the Water" by Deep Purple The resulting fire destroyed the entire casino complex, along with all the Mothers' equipment. The "smoke on the water" that became the title of the song (credited to bass guitarist Roger Glover, who related how the title occurred to him when he suddenly woke from a dream a few days later) referred to the smoke from the fire spreading over Lake Geneva from the burning casino as the members of Deep Purple watched the fire from their hotel.
  • The Moral Priorities of Rap Listeners

    The Moral Priorities of Rap Listeners

    Published: Nzinga, K.L.K., & Medin, D.L. (2018). The Moral Priorities of Rap Listeners. Journal of Cognition and Culture, 312-342. http://booKsandjournals.brillonline.com/content/journals/10.1163/15685373-12340033 The Moral Priorities of Rap Listeners Kalonji L.K. NZINGA Douglas L. MEDIN Northwestern University A Cross-cultural approach to moral psychology starts from researchers withholding judgments about universal right and wrong and instead exploring community members’ values and what they subjeCtively perCeive to be moral or immoral in their loCal Context. This study seeks to identify the moral ConCerns that are most relevant to listeners of hip- hop music. We use validated psyChologiCal surveys inCluding the Moral Foundations Questionnaire (Graham, Haidt, & Nosek 2009) to assess whiCh moral ConCerns are most central to hip-hop listeners. Results show that hip-hop listeners prioritize concerns of justiCe and authentiCity more than non-listeners and deprioritize ConCerns about respeCting authority. These results show that the ConCept of the “good person” within the hip-hop subculture is fundamentally a person that is oriented towards soCial justiCe, rebellion against the status quo, and a deep devotion to keeping it real. Results are followed by a disCussion of the role that youth subCultures have in soCializing young people to prioritize Certain virtues over others as they develop their moral identity. 1. Introduction Many AmeriCan rappers inCluding KendriCk Lamar (2010), Snoop Dogg (2015), and Busta Rhymes (2006) have delivered the following CatCh phrase in their lyriCs: “You Can take me out the hood, but you Can’t take the hood out of me.” They proClaim that there are Certain aspeCts of the “hood” lifestyle and value system that, onCe they are part of you, direCt how you perCeive the world and behave in it.
  • Window Pain Reality Bites

    Window Pain Reality Bites

    Anri I wnidrl have» ontten au/av with it. if it weren’t for that meddlna ... igns of Age: Representing the day I will look like the women depicted, Older Body” and “Forgotten saggy breasts and all. W indow Pain Dreams: Art After Eighty” are the What’s important, though, is that these Debi Finestone previews 1SIue Window two latest exhibits down at the Santa Barbara exhibits bring the issue of aging into the Contemporary Arts Forum. Both exhibits open. They confront your fears and miscon­ ou’ve just been in­ share a common purpose in persuading the ceptions of getting old bv having them stare vited to a swanky view er to you right in the Manhattan dinner Y face as a big simply think party, hosted by Theatre and redefine black-and- UCSB. Thispartyis thepre- Reality Bites those general­ white photo­ mise of the group’s upcom- , ized notions graph. These ing production of Craig Lu­ that we all have images are cas’ “Blue Window.” of getting old powerful — the But that’s only the surface and looking layer of the play, explains older body sur- old. rounds you Director Tom Whitaker, These two once you step “It’s really about all the char­ bodies of work inside the gal­ acters taking some kind of depict older lery. Its redun­ step forward in their lives, people in non- dancy brings and about how even though Conventional acceptance, and we feel alone, we are all con­ scenarios as soon the older nected.” By doing this, the well as everyday body does not play explores the themes of life.
  • Supply Chain Management of Rations in Indian Army

    Supply Chain Management of Rations in Indian Army

    47 SUPPLY CHAIN MANAGEMENT OF RATIONS IN INDIAN ARMY MINISTRY OF DEFENCE PUBLIC ACCOUNTS COMMITTEE 2011-2012 FORTY-SEVENTH REPORT FIFTEENTH LOK SABHA LOK SABHA SECRETARIAT NEW DELHI FORTY-SEVENTH REPORT PUBLIC ACCOUNTS COMMITTEE (2011-2012) (FIFTEENTH LOK SABHA) SUPPLY CHAIN MANAGEMENT OF RATIONS IN INDIAN ARMY MINISTRY OF DEFENCE Presented to Lok Sabha on 28 December, 2011 Laid in Rajya Sabha on 28 December, 2011 LOK SABHA SECRETARIAT NEW DELHI December, 2011/Pausa, 1933 (Saka) PAC NO. 1956 Price: ` 70.00 ©2011 BY LOK SABHA SECRETARIAT Published under Rule 382 of the Rules of Procedure and Conduct of Business in Lok Sabha (Fourteenth Edition) and Printed by the General Manager, Government of India Press, Minto Road, New Delhi-110 002. CONTENTS PAGE COMPOSITION OF THE PUBLIC ACCOUNTS COMMITTEE (2011-12) ...................... (iii) COMPOSITION OF THE PUBLIC ACCOUNTS COMMITTEE (2010-11) ...................... (V) INTRODUCTION ................................................................................................ (vii) REPORT PART I I. Introductory .......................................................................................... 1 II. Audit Review ....................................................................................... 2 III. Dry Rations (a) Provisioning of Dry Rations ...................................................... 3 (b) Opening Stock Balances Adopted at different levels for Demand Projections Differed Substantially ................................ 9 (c) Procurement of Dry Rations ......................................................
  • The Life & Rhymes of Jay-Z, an Historical Biography

    The Life & Rhymes of Jay-Z, an Historical Biography

    ABSTRACT Title of Dissertation: THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 Omékongo Dibinga, Doctor of Philosophy, 2015 Dissertation directed by: Dr. Barbara Finkelstein, Professor Emerita, University of Maryland College of Education. Department of Teaching and Learning, Policy and Leadership. The purpose of this dissertation is to explore the life and ideas of Jay-Z. It is an effort to illuminate the ways in which he managed the vicissitudes of life as they were inscribed in the political, economic cultural, social contexts and message systems of the worlds which he inhabited: the social ideas of class struggle, the fact of black youth disempowerment, educational disenfranchisement, entrepreneurial possibility, and the struggle of families to buffer their children from the horrors of life on the streets. Jay-Z was born into a society in flux in 1969. By the time Jay-Z reached his 20s, he saw the art form he came to love at the age of 9—hip hop— become a vehicle for upward mobility and the acquisition of great wealth through the sale of multiplatinum albums, massive record deal signings, and the omnipresence of hip-hop culture on radio and television. In short, Jay-Z lived at a time where, if he could survive his turbulent environment, he could take advantage of new terrains of possibility. This dissertation seeks to shed light on the life and development of Jay-Z during a time of great challenge and change in America and beyond. THE LIFE & RHYMES OF JAY-Z, AN HISTORICAL BIOGRAPHY: 1969-2004 An historical biography: 1969-2004 by Omékongo Dibinga Dissertation submitted to the Faculty of the Graduate School of the University of Maryland, College Park, in partial fulfillment of the requirements for the degree of Doctor of Philosophy 2015 Advisory Committee: Professor Barbara Finkelstein, Chair Professor Steve Klees Professor Robert Croninger Professor Derrick Alridge Professor Hoda Mahmoudi © Copyright by Omékongo Dibinga 2015 Acknowledgments I would first like to thank God for making life possible and bringing me to this point in my life.
  • Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration

    Sonic Jihadâ•Flmuslim Hip Hop in the Age of Mass Incarceration

    FIU Law Review Volume 11 Number 1 Article 15 Fall 2015 Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt Follow this and additional works at: https://ecollections.law.fiu.edu/lawreview Part of the Other Law Commons Online ISSN: 2643-7759 Recommended Citation SpearIt, Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration, 11 FIU L. Rev. 201 (2015). DOI: https://dx.doi.org/10.25148/lawrev.11.1.15 This Article is brought to you for free and open access by eCollections. It has been accepted for inclusion in FIU Law Review by an authorized editor of eCollections. For more information, please contact [email protected]. 37792-fiu_11-1 Sheet No. 104 Side A 04/28/2016 10:11:02 12 - SPEARIT_FINAL_4.25.DOCX (DO NOT DELETE) 4/25/16 9:00 PM Sonic Jihad—Muslim Hip Hop in the Age of Mass Incarceration SpearIt* I. PROLOGUE Sidelines of chairs neatly divide the center field and a large stage stands erect. At its center, there is a stately podium flanked by disciplined men wearing the militaristic suits of the Fruit of Islam, a visible security squad. This is Ford Field, usually known for housing the Detroit Lions football team, but on this occasion it plays host to a different gathering and sentiment. The seats are mostly full, both on the floor and in the stands, but if you look closely, you’ll find that this audience isn’t the standard sporting fare: the men are in smart suits, the women dress equally so, in long white dresses, gloves, and headscarves.
  • Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies

    Williams, Justin A. (2010) Musical Borrowing in Hip-Hop Music: Theoretical Frameworks and Case Studies

    Williams, Justin A. (2010) Musical borrowing in hip-hop music: theoretical frameworks and case studies. PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/11081/1/JustinWilliams_PhDfinal.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] MUSICAL BORROWING IN HIP-HOP MUSIC: THEORETICAL FRAMEWORKS AND CASE STUDIES Justin A.
  • Students Protest Uniforms

    Students Protest Uniforms

    SteinmetzVolume 82, Number 2, October-November 2016 Star www.steinmetzstar.com Students protest uniforms By Ethan Miranda and Agape Alfaro his year, Steinmetz dropped a bomb with the new uniform policy that re- Tquires khaki pants and the green polo. It did not go well with students. Plain and simple, the students despise it and wish to be able to wear whatever they choose to wear. When 690 freshmen, sophomores, juniors and seniors were asked their preference in a Star survey distributed in October, only four percent said they liked the uniform. Photo by Vinnie Rivera Vinnie by Photo Students began protesting the new policy Jessy MartinezMeeting by photos during the first weeks of school, gathering sig- Isaiah Roman speaks at the Sept. 14 LSC meeting about students showing school spirit by wearing shirts other than the polo. He also spoke at the natures on a petition and speaking at the Local October and November LSC meetings. Ethan Miranda addresses students who took part in the Nov. 7 uniform boycott, organized on Facebook. School Council (LSC) meeting on Sept. 14. As the weeks went on, they continued voic- “We didn’t get our way,” sophomore An- ing their concerns directly to Principal Stephen gelique Ortiz said. “We settled for less.” Ngo and again at the October LSC meeting. “The no-uniform protest really failed us,” Finally, on Nov. 7 they organized a one-day sophomore Keyla Garcia said. “It just shows boycott, in which more than 100 students that the school doesn’t care for what we have to came to school out of uniform.
  • John Legend and Salamishah Tillet in Conversation on the Artist's Duty

    John Legend and Salamishah Tillet in Conversation on the Artist's Duty

    Apollo Theater Presents John Legend and Salamishah Tillet in Conversation On the Artist’s Duty Wednesday, September 23 at 7pm On Apollo’s Digital Stage “An artist’s duty, as far as I’m concerned, is to reflect the times. I think that is true of painters, sculptors, poets, musicians. As far as I’m concerned, it’s their choice, but I CHOOSE to reflect the times and situations in which I find myself.” – Nina Simone Harlem, NY – September 8, 2020 – On September 23 at 7:00pm ET, the Apollo Theater presents In Conversation: John Legend and Salamishah Tillet. The event will be presented free of charge on the Apollo Digital Stage at www.ApolloTheater.org. Inspired by their mutual role model Nina Simone and her thoughts on the artist’s duty to reflect contemporary issues, Legend and Tillet will discuss art and social justice, the roots of Legend’s activism and what he believes the responsibilities of artists are at this critical moment in American history. For over 86 years, the Apollo has served as an incubator for social and civic advocacy in Harlem, and the Black community at-large. This conversation extends the non-profit Theater’s commitment to using its internationally renowned stage to amplify Black voices and stimulate timely conversations on race and social justice. To RSVP for the program, visit this link. Multiplatinum recording artist, composer, activist, and philanthropist John Legend has been an outspoken champion of civil and human rights. Throughout his life, Legend has been deeply committed to philanthropic efforts, launching several organizations, including the Show Me Campaign, an organization that works to break the cycle of poverty through education.
  • Winner Hot New Releases

    Winner Hot New Releases

    41111. •••• WINNER LASHMAKERS CROSSOVERS EARPICKS BREAKOUTS WILDCAR AYLOR DAYNE Arista JODY WATLEY MCA FY CANNIBALS ICE-T WB TOM PETTY KIX Atlantic TECHNOTRONIC SBK IRS/MCA T CHAPMAN Elektra See Page 10 KEVIN PAIGE Chrys GREAT WHITE Capitol LOU GRAMM Atlantic NEIL YOUNG Reprise SOUL II SOUL Virgin JOE COCKER Capitol JIVE BUNNY Atco BIZ MARKIE WB RHC PEPPERS EMI HOT NEW RELEASES ROBIN BECK THE CURE MADONNA R PALMER R STONES TORA TORA WHITESNAKE Save Up All Your... Lullaby Oh Father Bad Case Of... Rock And A... Guilty Fool For You... Merc 872710-7 Elektra 7-69249 WB/Sire 7-22723 Island 3045-2 Col 38-73057 A&M TS1456 Geffen 4-22715 PHIL COLLINS D FOR PEARLS P PARTY TOM PETTY STAGE DOLLS WARWICK/OSB WILL & BUSH Another Day In... Gimme Your:.. Over And Over Free Fallin' SWIM Love Take Good... Blow Me Up Atlantic 7-88774 Epic 34T-69036 Atlantic 7-88799 MCA 53748 Chrys 23421 Arista 9901 SBK 4JM07306 QUEEN Scandal Capitol 44457 MUS 1 CAL "rre:meeke 4bç(me --.fflmourmue'' Tracy Chapman The Georgia Satellites \e‘iter,\ \cA >t(crî,47 Faster Pussycat The Cure HARDBALL. s 3---cri,49-&---, ) "4 '------ %tor Motley Crüe The Sugarcubes Linda Ronstadt Elektra Entertainment The Home Téam. On Elektra Cassettes, Compact Discs and Records. C1989 Elektro Entertoinment, a Division of Warner Communications Inc.,111* • "Already huge after one week! BIG PHONES!" -DON O'NEAL, MD, VeCKZ CHARLOTTE KUBE add BREAKING AT: WIOQ add KYNO deb 33 KMEL KTFM add WCKZ deb 38 KKMG KNMQ add KBOS deb 38 KSMB FLASHMAKER! WJAD add WCGQ deb 40 WHHY MANAGEMENT.
  • Dj Drama Mixtape Mp3 Download

    Dj Drama Mixtape Mp3 Download

    1 / 2 Dj Drama Mixtape Mp3 Download ... into the possibility of developing advertising- supported music download services. ... prior to the Daytona 500. continued on »p8 No More Drama Will mixtape bust hurt hip-hop? ... Highway Companion Auto makers embrace MP3 Barsuk Backed Something ... DJ Drama's Bust Leaves Future Of The high-profile police raid.. Download Latest Dj Drama 2021 Songs, Albums & Mixtapes From The Stables Of The Best Dj Drama Download Website ZAMUSIC.. MP3 downloads (160/320). Lossless ... SoundClick fee (single/album). 15% ... 0%. Upload limits. Number of tracks. Unlimited. Unlimited. Unlimited. MP3 file.. Dec 14, 2020 — Bad Boy Mixtape Vol.4- DJ S S(1996)-mf- : Free Download. Free Romantic Music MP3 Download Instrumental - Pixabay. Lil Wayne DJ Drama .... On this special episode, Mr. Thanksgiving DJ Drama leader of the Gangsta Grillz movement breaks down how he changed the mixtape game! He's dropped .. Apr 16, 2021 — DJ Drama, Jacquees – ”QueMix 4′ MP3 DOWNLOAD. DJ Drama, Jacquees – ”QueMix 4′: DJ Drama join forces tithe music sensation .... Download The Dedication Lil Wayne MP3 · Lil Wayne:Dedication 2 (Full Mixtape)... · Lil Wayne - Dedication [Dedication]... · Dedicate... · Lil Wayne Feat. DJ Drama - .... Dj Drama Songs Download- Listen to Dj Drama songs MP3 free online. Play Dj Drama hit new songs and download Dj Drama MP3 songs and music album ... best blogs for downloading music, The Best of Music For Content Creators and ... SMASH THE CLUB | DJ Blog, Music Blog, EDM Blog, Trap Blog, DJ Mp3 Pool, Remixes, Edits, ... Dec 18, 2020 · blog Mix Blog Studio: The Good Kind of Drama.. Juelz Santana.
  • Business Its Legal, Ethical, and Global Environment 10Th Edition

    Business Its Legal, Ethical, and Global Environment 10Th Edition

    BUSINESS ITS LEGAL, ETHICAL, AND GLOBAL ENVIRONMENT 10TH EDITION Author: Jennings Number of Pages: --- Published Date: --- Publisher: --- Publication Country: --- Language: --- ISBN: 9781285428260 DOWNLOAD: BUSINESS ITS LEGAL, ETHICAL, AND GLOBAL ENVIRONMENT 10TH EDITION Toward a holistical perception of the content of business ethics. Highly Influenced. View 13 excerpts, cites background. The unfashionable Drucker: ethical and quality chic. Legal and Ethical Implications of Website Accessibility. The ethical breaches were: divulging information, violating rules and condoning unethical actions. There is no definitive answer as yet. We only know that the National Marine Band did not play during her performance, that a tape was played, and that those in charge of the event felt a live performance was too risky because the singer had not had the opportunity to rehearse with the band prior to her performance. So, why so much concern about lip-syncing? The law can provide us with the answer. A live performance carries the implied promise of actual singing. When Britney Spears, who is well known for lip-syncing during live performances, performed in Australia, the lip-syncing was so obvious that fans walked out and demanded refunds. The promoter complied and issued refunds. If a singer has released CDs or songs for sales that represent that the voice is his or her own, and the voice is not that of the singer, then the same misrepresentation issues and damages apply. The lip-sync debacle that resulted in the most extensive litigation came upon the discovery that the GrammyAward-winning duo, Milli Vanilli Rob Pilatus and Fab Morvan , had never performed any of their songs.