Rudolf Friml Collection of Musical Compositions, 1905-1968
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Of the New Show World; Ziegfeld’S Great Girl-And- DENVER
the EVEmsrq stak, Washington, d. c„ Wednesday. October 2, 1929. 7 band leader. He was returned here need to steal anything and I don’t NOONAN FACING TRIAL yesterday irom New York. think he did." CHIEF TAKES OATH Soon after Noonan’s arrival his two Sherry Tansey, a cameraman, and NEW AIR ON CHARGE OF BURGLARY sisters left a motion picture set and with Joseph Burbrldge. another motion pic- another brother, George O'Neill, visited ture employe, were Indicted with Cl YOUNG " 11 MAJ. .. ' him at jail. Noonan. 1 - . Brother of Screen Actresses Ac- Miss O'Neill stoutly defended Noonan c and said would furnish legal talent Feloniously Entering she cused of to defend him More than $5,000,000 of England’s "si‘ Home of Band Leader. “It’s all because he got in bad com- mining distress fund has been spent, MADE CABINET AIDE y pany," she said. “My brother did not $4,000,000 going for clothing and shoes. 1 By the Associated Press. I LOS ANGELES. October 2—Jack 1 Veteran Flyer Succeeds Mac- Noonan, brother of Sally O’Neill and WjIFIIETHER “straight” Mollle O’Day, screen actresses, faced r—i—¦———¦——— nmmmmmm—-m ¦ ¦ l— . preliminary hearing today on charges W piinC Assistant Sec- WORKMEN OF Cracken as i of burglarising the home of Ted Lewis, X\TIOX \T j retary for Air. WELDrFcoTj ALE has no near rival. It’s the life of every Home Maj. Clarence M. Young, director ot ( Back party where it is served. A aeronautics. Department of Commerce, | Secretary favorite with every one—- was sworn in as Assistant of Wm EXCURSION Commerce for Aeronautics, succeeding for every one knows what William P. -
THE CZECH SONGS of RUDOLF FRIML, 1901-1911 by Daniel
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Bruce Walker Musical Theater Recording Collection
Bruce Walker Musical Theater Recording Collection Bruce Walker Musical Theater Recording Collection Recordings are on vinyl unless marked otherwise marked (* = Cassette or # = Compact Disc) KEY OC - Original Cast TV - Television Soundtrack OBC - Original Broadway Cast ST - Film Soundtrack OLC - Original London Cast SC - Studio Cast RC - Revival Cast ## 2 (OC) 3 GUYS NAKED FROM THE WAIST DOWN (OC) 4 TO THE BAR 13 DAUGHTERS 20'S AND ALL THAT JAZZ, THE 40 YEARS ON (OC) 42ND STREET (OC) 70, GIRLS, 70 (OC) 81 PROOF 110 IN THE SHADE (OC) 1776 (OC) A A5678 - A MUSICAL FABLE ABSENT-MINDED DRAGON, THE ACE OF CLUBS (SEE NOEL COWARD) ACROSS AMERICA ACT, THE (OC) ADVENTURES OF BARON MUNCHHAUSEN, THE ADVENTURES OF COLORED MAN ADVENTURES OF MARCO POLO (TV) AFTER THE BALL (OLC) AIDA AIN'T MISBEHAVIN' (OC) AIN'T SUPPOSED TO DIE A NATURAL DEATH ALADD/THE DRAGON (BAG-A-TALE) Bruce Walker Musical Theater Recording Collection ALADDIN (OLC) ALADDIN (OC Wilson) ALI BABBA & THE FORTY THIEVES ALICE IN WONDERLAND (JANE POWELL) ALICE IN WONDERLAND (ANN STEPHENS) ALIVE AND WELL (EARL ROBINSON) ALLADIN AND HIS WONDERFUL LAMP ALL ABOUT LIFE ALL AMERICAN (OC) ALL FACES WEST (10") THE ALL NIGHT STRUT! ALICE THROUGH THE LOOKING GLASS (TV) ALL IN LOVE (OC) ALLEGRO (0C) THE AMAZING SPIDER-MAN AMBASSADOR AMERICAN HEROES AN AMERICAN POEM AMERICANS OR LAST TANGO IN HUAHUATENANGO .....................(SF MIME TROUPE) (See FACTWINO) AMY THE ANASTASIA AFFAIRE (CD) AND SO TO BED (SEE VIVIAN ELLIS) AND THE WORLD GOES 'ROUND (CD) AND THEN WE WROTE... (FLANDERS & SWANN) AMERICAN -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Biography: 850 Words)
Sara Davis Buechner (long biography: 850 words) Sara Davis Buechner is one of the leading concert pianists of our time. She has been praised worldwide as a musician of “intelligence, integrity and all- encompassing technical prowess” (New York Times); lauded for her “fascinating and astounding virtuosity” (Philippine Star), and her “thoughtful artistry in the full service of music” (Washington Post); and celebrated for her performances which are “never less than 100% committed and breathtaking” (Pianoforte Magazine, London). Japan’s InTune magazine says: “When it comes to clarity, flawless tempo selection, phrasing and precise control of timbre, Buechner has no superior.” In her twenties, Ms. Buechner was the winner of a bouquet of prizes at the world’s première piano competitions -- Queen Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna. She won the Gold Medal at the 1984 Gina Bachauer International Piano Competition, and was a Bronze Medalist of the 1986 Tschaikowsky International Piano Competition in Moscow. With an active repertoire of more than 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist) -- one of the largest of any concert pianist today -- she has appeared as soloist with many of the world’s prominent orchestras: New York, Philadelphia, Cleveland, Saint Louis, San Francisco, Montréal, Edmonton, Vancouver, Victoria, Honolulu, Qingdao and Tokyo; the CBC Radio Orchestra, Japan Philharmonic, City of Birmingham (U.K.) Symphony Orchestra, BBC Philharmonic, Moscow Radio Symphony, Kuopio (Finland) Philharmonic, Slovak Philharmonic and the Orquesta Sinfónica de Castilla y León (Spain). Audiences throughout North America have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center and the Hollywood Bowl; and she enjoys wide success throughout Asia where she tours annually. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
American Composers: 4-H Songs and Others Extension Service State College
South Dakota State University Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange Cooperative Extension Circulars: 1917-1950 SDSU Extension 10-1936 American Composers: 4-H Songs and Others Extension Service State College Follow this and additional works at: http://openprairie.sdstate.edu/extension_circ Recommended Citation State College, Extension Service, "American Composers: 4-H Songs and Others" (1936). Cooperative Extension Circulars: 1917-1950. Paper 359. http://openprairie.sdstate.edu/extension_circ/359 This Circular is brought to you for free and open access by the SDSU Extension at Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. It has been accepted for inclusion in Cooperative Extension Circulars: 1917-1950 by an authorized administrator of Open PRAIRIE: Open Public Research Access Institutional Repository and Information Exchange. For more information, please contact [email protected]. EXT ENS I ON Cl RCULAR 360 OCTOBER 1936 om POSERS 4-H SONGSam.(OTHERS American Composers The music numbers for the 1936-37 South Dakota music achievement program have been selected from the 1937 national 4-H music program. The songs are being grouped in historical episodes and it is hoped that at the close of the year's work the episodes may be combined in a musical and historical pageant to be used at achievement days or community festivals. Some of the songs used in programs of previous years have been re peated, but good songs like good thoughts and -
The-Dredgings-March
March, 2019 Volume 30, Issue 7, AS LIII redgingsthe Being the Voice of the Barony of Lochmere in the Kingdom of Atlantia, SCA, Inc. Inside this issue New Member Information ........................... 2 Lochmere Calendar of Events ....................... 2 Information on the Dredgings ...................... 2 Lochmere Baronial Progress ......................... 3 Attention Lochmere Officers ........................ 3 Mais où sont les neiges d'antan ................... 4 Populace Meeting Minutes .......................... 5 Baronial Reoccurring Activities....................................................... 6 Lochmere Officers Listing ............................. 8 Lochmere Baronial Champions ..................... 8 Lochmere Balance Sheet and Income Statement ..................................................................... 9 Lochmere 2019 Operational Budget ............ 10 Lochmere Financial Policy ............................ 11 New Member Information If you are new to the Barony of Official SCA Homepage: Lochmere, these websites should be http://www.sca.org of interest to you: The Acorn, Atlantia’s Official News- Barony of Lochmere Homepage: letter: http:// http:// www.acorn.atlantia.sca.org www.lochmere.atlantia.sca.org Information on the Dredgings Atlantia Event Calendar: http:// The Dredgings is a publication of the Barony of Lochmere Facebook www.acorn.atlantia.sca.org/ Barony of Lochmere of the Society of Group: https://www.facebook.com/ calendar.htm Creative Anachronism, Inc. The Dredgings is a free publication and is groups/LochmereSCA/ available electronically. You may You can also contact the Barony request a copy from the Barony of Kingdom of Atlantia Homepage: Chatelain: chate- Lochmere Chronicler at http://www.atlantia.sca.org [email protected] [email protected]. This newsletter is not a corporate publication of the Society of Creative Anachronism, Inc., and does not delineate SCA policies. © 2019, Lochmere Business Meetings will take place at 7:15 pm at the Society of Creative Anachronism, Inc. -
Czech Music in Nebraska
Czech Music in Nebraska Ceska Hudba v Nebrasce OUR COVER PICTURE The Pavlik Band of Verdigre, Nebraska, was organized in 1878 by the five Pavlik brothers: Matej, John, Albert, Charles and Vaclav. Mr. Vaclav Tomek also played in the band. (Photo courtesy of Edward S. Pavlik, Verdigre, Neraska). Editor Vladimir Kucera Co-editor DeLores Kucera Copyright 1980 by Vladimir Kucera DeLores Kucera Published 1980 Bohemians (Czechs) as a whole are extremely fond of dramatic performances. One of their sayings is “The stage is the school of life.” A very large percentage are good musicians, so that wherever even a small group lives, they are sure to have a very good band. Ruzena Rosicka They love their native music, with its pronounced and unusual rhythm especially when played by their somewhat martial bands. A Guide to the Cornhusker State Czechs—A Nation of Musicians An importantCzechoslovakian folklore is music. Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events. The most popular of the musical instruments were bagpipes, usually with violin, clarinet and cembalo accompaniment. Typical for pastoral soloist music were different types of fifes and horns, the latter often monstrous contraptions, several feet long. Traditional folk music has been at present superseded by modern forms, but old rural musical instruments and popular tunes have been revived in amateur groups of folklore music or during folklore festivals. ZLATE CESKE VZPOMINKY GOLDEN CZECH MEMORIES There is an old proverb which says that every Czech is born, not with a silver spoon in his mouth, but with a violin under his pillow. -
Sara Davis Buechner
Sara Davis Buechner Pianist Sara Davis Buechner is one of the leading keyboard artists of our time. She has been praised on four continents for her “intelligence, integrity and all-encompassing technical prowess”(New York Times), “fascinating and astounding virtuosity”(Philippine Star), and “thoughtful artistry in the full service of music”(Washington Post).“Buechner has no superior” says Japan’s InTunemagazine. Winner of a bouquet of prizes at the world’s great piano competitions -- Reine Elisabeth of Belgium, Leeds, Salzburg, Sydney and Vienna -- she established her early career with the Gold Medal of the 1984 Gina Bachauer International Piano Competition, and a Bronze Medal in the 1986 Tschaikowsky International Piano Competition in Moscow. Now residing in Canada, Ms. Buechner enjoys a vibrant international performance and recording career. With an active repertoire of over 100 piano concertos ranging from A (Albeníz) to Z (Zimbalist), she has appeared as soloist with the world’s prominent orchestras: New York, Philadelphia, Cleveland, Saint Louis, San Francisco, Montréal, Vancouver, Victoria; the CBC Radio Orchestra, Japan Philharmonic, City of Birmingham (U.K.) Symphony Orchestra, BBC Philharmonic, Kuopio (Finland) Philharmonic, Slovak Philharmonic and the Orquesta Sinfónica de Castilla y León (Spain). Audiences throughout the world have applauded Ms. Buechner’s recitals in venues such as Carnegie Hall, Lincoln Center, Kennedy Center, the Hollywood Bowl, Prague’s Dvorák Hall and Kyoto’s Alti Hall; and she enjoys a special following throughout Asia where she tours annually. Ms. Buechner’s numerous recordings have received prominent critical appraisal. The New York Times greeted her Koch International CD of piano music by Rudolf Friml as a “revelation,” and devoted the front page of its Sunday Arts & Leisure section to her world première recording of the Bach-Busoni “Goldberg” Variations. -
Rudolph Friml
AMICA International Automatic Musical Instrument Collectors' Association Honor Roll (Charles) Rudolf Friml ( 1879 -- 1972 ) Pianist, composer; born in Prague, Austria-Hungary (now the Czech Republic). He studied under Dvorák at the Prague Conservatory and as a pianist and composer he settled in the U.S.A. in 1906 (becoming a citizen in 1925). His completion of The Firefly (1912) for Victor Herbert initiated his long series of highly successful Broadway operettas (1912--34) containing such standards as "Indian Love Song" from Rose Marie (1924), "Some Day" from The Vagabond King (1925), and "The Donkey Serenade" from the film version of The Firefly (1937). He also contributed to the Ziegfeld Follies (1921--25). After settling in Hollywood (1934) he scored numerous films, and at age 92 he became an original member of the Songwriter's Hall of Fame. Composer Rudolf Friml, above, with his wife, Kay Ling, at the piano in their Richmond District home in 1967. Right, a postal employee cancels Mrs. Frimi's own version of a stamp to commemorate 100-year anniversary of her late famed husband ================== Music man: His time has come again S.F. Sunday Examiner & Chronicle, Dec 9 1979 By Lynn Ludlow Examiner Staff Writer Kay Ling Friml, who wanted to mail some letters, paused for a moment to predict a change in America's musical tastes. "I think people are ready," she said, "to listen to some songs with music." Rudolf Friml, who lived here during the melancholy years when operettas gave way to what he called "crooning and drums," would have been 100 years old Friday. -
READ: City of Nets (Chapter 1) the Third
Spring, 2005 GRC 311: Austria in Hollywood: Immigrants in the Movie Machine Syllabus Week 1: January 18, 20 TU Introduction to the Course: 1. logistics, texts, films, requirements 2. Hollywood Immigrants and the Problem of Cultural Transfer: Why Austria? RECOMMENDED BACKGROUND: An Empire of Their Own, Chapters 1- 5 (on studio heads) TH Forced into Exile: Hollywood and the Second World War READ: City of Nets (Chapter 1) An Empire of Their Own, Part 2 (Chapters 6, 7 - studio lifestyles) German Hollywood: http://www.germanhollywood.com/ Austrians in Hollywood: http://www.germanhollywood.com/cinebook-AiH.html CLASS DISCUSSION: What does it mean to migrate for a person working in a cultural field? What kinds of identity politics can you engage in? PART I: Politics and Stereotyping: World War II and Hollywood Week 2: January 25, 27 TU How Immigration Lead to Politics: The WW II Backlash READ: City of Nets, Chapter 2-6 (on the politics of refugees, their political situations, and the culture they generated) Schnauber, Hollywood Haven (passim; recommended) CLASS DISCUSSION: How a culture of immigration generated the most American of stereotypes TH Austrian Film Stereotypes: Before and After WW II The Great Waltz (Bio-Pic of Johann Strauss, II, the "Waltz King") The Emperor Waltz ("an American in Vienna") The Sound of Music (Austrians and Germans: packaging Nazis) READ: "Where are they now?: The Sound of Music" http://www.theatrehistory.com/american/musical010.html http://www.germanhollywood.com/som_main.html CLASS DISCUSSION: What representations