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Celebrity Divorces Prostitutes Are Cheaper Than Gold Diggers
CELEBRITY DIVORCES PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS Author: Doug Raynor / Artist: Jason Seiler A full color, fully illustrated, humor book with dozens of photo- graphs and caricatures of celebrities. The book is 8 ½˝ x 11˝ and hardcover. The book’s contents and its page count which will be either 256, 360, or 456 will be determined by the amount of money raised to finance the making of it via crowdfunding in a project on the Kickstarter website. Contact E-mail: [email protected] Website: golddiggersepidemic.com Facebook Page: facebook.com/pages/Gold-Diggers-Epidem- ic/1397423190506953 Twitter Page: twitter.com/golddiggersepidemic YouTube Channel: youtube.com/user/GoldDiggersEpidemic Google+ Page: plus.google.com/u/0/102592606408898586433/posts BOOK DESCRIPTION CELEBRITY DIVORCES: PROSTITUTES ARE CHEAPER THAN GOLD DIGGERS is a humor book poking fun at outrageously expensive celebrity divorces. Its premise is that celebrities who pay enormous divorce settlements to their gold digging ex-spouses would have been better off with the cheaper, CHAPTER DESCRIPTIONS no strings attached alternative of using prostitutes. In addition to the expensive divorces the book will also feature: Chapter 1: What Is A Gold Digger? Definition of the term gold digger and ways to recognize gold diggers. Casting a comical eye on the gold digging that occurs in May-December couples. Chapter 2: Prostitutes Are An Alternative! Commentaries on different aspects of prostitution including: Commentary about Charlie Sheen who enjoys a lifestyle that embraces the fact that prostitutes are cheaper •The Benefits Of Prostitution than gold diggers and is the poster boy for this philoso- •Why Does Marriage Exist? phy. -
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Cultural Studies and the Un/Popular How the Ass-Kicking Work of Steven Seagal May Wrist- Break Our Paradigms of Culture Dietmar Meinel ‘Steven Seagal. Action Film. USA 2008.’ —German TV Guide The first foreigner to run an aikido dojo in Japan, declared the reincarna- tion of a Buddhist lama, blackmailed by the mob, environmental activist, small-town sheriff, owner of a brand of energy drinks, film producer, writer, musician, and lead in his first film (cf. Vern vii), 1980s martial arts action film star Steven Segal is a fascinating but often contradictory figure. Yet, Seagal is strikingly absent from the contemporary revival of seasoned action-film heroes such as Sylvester Stallone, Arnold Schwarzenegger, Bruce Willis, Jean-Claude Van Damme, Dolph Lundgren, and Chuck Norris in The Expendables (2010), The Expendables 2 (2012), and The Expendables 3 (2014). In contrast, ‘starring’ in up to four direct-to-video releases each year over the last decade, Seagal has become a successful entrepreneur of B movies. The (very) low production values of these films, however, highlight rather than conceal his physical demise as incongruent, confusing, and Godard-style editing replaces the fast-paced martial arts action of earlier movies. While his bulky body has become a disheartening memento of his glorious past, his uncompromising commitment to spiritual enlighten- ment and environmental protection arguably elevates him above the mere ridiculousness of his films. In this essay, I will explore Seagal and his oeuvre as he moved from ac- claimed martial arts action star to bizarre media figure in order to devise a framework for un/popular culture. -
Eddie Murphy in the Cut: Race, Class, Culture, and 1980S Film Comedy
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-10-2019 Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy Gail A. McFarland Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation McFarland, Gail A., "Eddie Murphy In The Cut: Race, Class, Culture, And 1980s Film Comedy." Thesis, Georgia State University, 2019. https://scholarworks.gsu.edu/aas_theses/59 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. EDDIE MURPHY IN THE CUT: RACE, CLASS, CULTURE, AND 1980S FILM COMEDY by GAIL A. MCFARLAND Under the Direction of Lia T. Bascomb, PhD ABSTRACT Race, class, and politics in film comedy have been debated in the field of African American culture and aesthetics, with scholars and filmmakers arguing the merits of narrative space without adequately addressing the issue of subversive agency of aesthetic expression by black film comedians. With special attention to the 1980-1989 work of comedian Eddie Murphy, this study will look at the film and television work found in this moment as an incisive cut in traditional Hollywood industry and narrative practices in order to show black comedic agency through aesthetic and cinematic narrative subversion. Through close examination of the film, Beverly Hills Cop (Brest, 1984), this project works to shed new light on the cinematic and standup trickster influences of comedy, and the little recognized existence of the 1980s as a decade that defines a base period for chronicling and inspecting the black aesthetic narrative subversion of American film comedy. -
After Thin Air
After Thin Air The legacy of the 1996 Mount Everest tragedy by Michael Chessler ou already know the names of the mountain and the climbers. Climbing mania like this Yhad never happened before. It started with what was supposed to be a routine guided ascent of the highest peak trod by man. The peak had first been climbed a half century before and the public knew only the names of the first two men to climb it. It came as a surprise to the nation that climbers were risking their lives and the lives of their guides while spending great sums of money to climb this peak. And then a sensational magazine article of the ascent led to a best-selling book. Soon everyone wanted to see and hear the author in person. The lectures seemed to go on forever, the media loved it and the multitude of related books became a publisher’s dream come true. Soon everybody was talking about the famed expedition. Climbers and non-climbers alike debated the ethics and propriety of guided mountaineering. The author was thrust into a posi tion as the leading authority on the subject, and everyone was moved by his book and lec tures. He became rich from royalties, and his name will be forever associated with the peak he climbed but once. He is indelibly a part of mountaineering history and literature. Oh! Did you think I was talking about Jon Krakauer, Into Thin A ir and Mount Everest? Heavens, no! I was talking about Albert Smith, The Story of Mont Blanc, and the Mont Blanc mania of the 1850s! Mountaineering, with its media extravaganzas and celebrities, triumphs and tragedies, rule makers and rule breakers, best-selling books and wannabe rebuttals, has been around since the sport was introduced on Mont Blanc by J. -
The Rebirth of Slick: Clinton, Travolta, and Recuperations of Hard-Body Nationhood in the 1990S
THE REBIRTH OF SLICK: CLINTON, TRAVOLTA, AND RECUPERATIONS OF HARD-BODY NATIONHOOD IN THE 1990S Nathan Titman A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Dr. Simon Morgan-Russell, Advisor Dr. Philip Terrie ii ABSTRACT Simon Morgan-Russell, Advisor This thesis analyzes the characters and performances of John Travolta throughout the 1990s and examines how the actor's celebrity persona comments on the shifting meanings of masculinity that emerged in a post-Reagan cultural landscape. A critical analysis of President Clinton's multiple identities⎯in terms of gender, class, and race⎯demonstrates that his popularity in the 1990s resulted from his ability to continue Reagan's "hard-body" masculine national identity while seemingly responding to its more radical aspects. The paper examines how Travolta's own complex identity contributes to the emergent "sensitive patriarch" model for American masculinity that allows contradictory attitudes and identities to coexist. Starting with his iconic turn in 1977's Saturday Night Fever, a diachronic analysis of Travolta's film career shows that his ability to convey femininity, blackness, and working-class experience alongside more normative signifiers of white middle-class masculinity explains why he failed to satisfy the "hard-body" aesthetic of the 1980s, yet reemerged as a valued Hollywood commodity after neoconservative social concerns began emphasizing family values and white male responsibility in the 1990s. A study of the roles that Travolta played in the 1990s demonstrates that he, like Clinton, represented the white male body's potential to act as the benevolent patriarchal figure in a culture increasingly cognizant of its diversity, while justifying the continued cultural dominance of white middle-class males. -
Hollywood Heavyweight Sylvester Stallone Stars in This Riveting Crime Thriller!
Hollywood heavyweight Sylvester Stallone stars in this riveting crime thriller! Defiant Screen Entertainment is proud to present BACKTRACE, starring action legend and three-time Academy Award nominee Sylvester Stallone alongside Matthew Modine (Full Metal Jacket, TVs Stranger Things) and Ryan Guzman (TVs Pretty Little Liars, TVs 9-1-1, Notorious). The film tells the story of a small-town heist that goes horribly wrong leaving only one survivor, MacDonald. But his injuries have left him with amnesia, and he can’t remember the crime or where he stashed the money. When a mysterious trio break him out of hospital, they inject him with an experimental serum to try to solve the million-dollar mystery…but a determined local Detective and a long-forgotten enemy are on their trail and MacDonald’s fractured mind may not survive the drug’s dangerous side effects. Describing his excitement on receiving the script, Director Brian A. Miller says, “The second I got the script, I was immediately attracted to it – the story has a huge action hook. For me it’s extremely exciting because it’s a whodunit, and as you pull that string, it takes you into different places where the audience has no idea where you’re going. But the big finale will blow them away!” When asked about the strength of the cast he put together Miller said, “I’m a huge Stallone fan. When I was a kid I was there for the Rocky films, the Rambo movies, Cobra, anything he did, I was always there catching it. And my dad was a huge Rocky fan. -
THE INVISIBLE THEATRE John Amos
PRESS RELEASE Contact: Cathy Johnson or Susan Claassen 1400 N. First Ave, Tucson, AZ. 85719 Administration – (520) 884-0672 Box Office – (520) 882-9721 [email protected] www.invisibletheatre.com FOR RELEASE ON OR AFTER DECEMBER 26, 2011 THE INVISIBLE THEATRE Presents Written by and Starring John Amos Directed and Designed by John Harris, Jr. Made possible in part through the generous support of Dr. Vivian Cox, David Hendricks and Dee-Dee Samet WHERE: The Berger Performing Arts Center 1200 W. Speedway Blvd. Tucson, AZ 85745 WHEN: January 14, 2012 at 8:00 pm and January 15, 2012 at 3:00 pm TICKETS: Ticket Price: $42 To charge tickets by phone, call (520) 882-9721 To purchase tickets on-line, go to www.invisibletheatre.com and click on the OvationTix logo Discounts available for groups of ten or more RUNNING TIME : 2 hours with an intermission Tucson, Arizona (December 26, 2011); You know him from his Emmy Award nominated performance as the heroic adult Kunta Kinte in the ground breaking mini-series Roots , or as James Evans, the indestructible father from the hit television sitcom Good Times . You were delighted by his hilarious performance opposite Eddie Murphy in the box office blockbuster Coming to America . You have enjoyed him on the Emmy Award-winning drama The West Wing , the CBS series The District, Fresh Prince of Bel-Air and House . Whether he was performing with Sylvester Stallone in Lock Up or co-starring with Bruce Willis in Die Hard II , John Amos has always delivered outstanding performances. He now presents yet another astonishing character portrayal in his own extraordinary creation, John Amos’ HALLEY’S COMET where he takes the audience on a whirlwind adventure back in time, beginning at the turn of the century when the world was full of dreams and promises of wonderful things to come. -
Spring COLLEGES & UNIVERSITIES RELEASES
2020 NEW Spring COLLEGES & UNIVERSITIES RELEASES © 2019 CTMG, Inc. All Rights Reserved. © Focus Features LLC. © 2019 Disney Enterprises Inc. © Lions Gate Entertainment, Inc. © 2019 Paramount Pictures © 2019 WBEI TM & © DC Comics COLLEGES & Spring2020 UNIVERSITIES Create an Movie ExperienceExceptional Access the latest planning and promotional resources for your event at swank.com. • Customer Tips for Generate Movie Event Success BUZZ Suggested Effectively getting the word out is key to your program’s success. Students Resources: are routinely bombarded with advertisements and event opportunities, so it’s important to think outside the box with your promotions. Movies • that deploy unconventional methods of promotion are not only the most Customizable Schedules SWANK ACCOUNT popular, but also the most memorable. EXECUTIVE Free Promo Toolkit: • Social Media Tips EVENT AND To make things easier, we put PROMO GUIDE together a free, customizable promotional toolkit you can STICKERS download on our website under • Pre-Show Slides INSPIRE the “Promotions Resources” tab. SCHEDULES U It features: Whether you have a 4, 6, 8, 12 or 16 FALL 2019 Movies title schedule, just click on the one you LOCATION & SCREENING DETAILS Movie Name Movie Name Time Time need and start filling it out! Date Date d. e v r e s e r s . t c h n g i I r , l t n Al . t n nme E i . a t os r er t B n r E e n e r t a a G W Remember to download each template, s 9 n 1 o 0 i 2 L © save as, and open in Adobe Acrobat! © Movie Name Movie Name STICKERS Time Time Date Date d. -
Questionnaire an Actor: Eddie Murphy
Questionnaire An actor: Eddie Murphy The film actor Eddie Murphy was born on April 3 rd 1961 in Brooklyn, New York City. His father Charles was a policeman in the NYC public transport system and his mother Lilian was a telephone operator. When Eddie was 3, his parents divorced and, 6 years later, Lillan married a factory worker called Vernon Lynch. The family moved to Roosevelt, Long Island, a predominantly black suburb 20 miles from New York. Even as a small child Eddie was an excellent mimic. "My mother says I never talked in my own voice - always cartoon characters." Because of his natural ability to amuse people he soon became the most popular kid at Roosevelt High School. When he was only 15 he worked as a disc jockey at a local youth club and discovered that audiences loved his style of humour too. Just a few months after leaving school, in 1979, he found a regular job as a comedian in a New York night club called "The Comic Strip". His reputation grew and he was invited to appear on the popular television comedy show "Saturday Night Live", which is shown across the whole country. However it was his first film, a thriller with Nick Nolte called "48 Hours" in 1982, which really made him famous. "Beverly Hills Cop", his most successful comedy films, was made 2 years later. Everybody thinks that the role of Axel Foley in this film was created for Eddie Murphy but, in fact, he was not the first choice. Mickey Rourke, Sylvester Stallone and even Jack Nicholson were considered for the part before him. -
Films and Videos on Tibet
FILMS AND VIDEOS ON TIBET Last updated: 15 July 2012 This list is maintained by A. Tom Grunfeld ( [email protected] ). It was begun many years ago (in the early 1990s?) by Sonam Dargyay and others have contributed since. I welcome - and encourage - any contributions of ideas, suggestions for changes, corrections and, of course, additions. All the information I have available to me is on this list so please do not ask if I have any additional information because I don't. I have seen only a few of the films on this list and, therefore, cannot vouch for everything that is said about them. Whenever possible I have listed the source of the information. I will update this list as I receive additional information so checking it periodically would be prudent. This list has no copyright; I gladly share it with whomever wants to use it. I would appreciate, however, an acknowledgment when the list, or any part, of it is used. The following represents a resource list of films and videos on Tibet. For more information about acquiring these films, contact the distributors directly. Office of Tibet, 241 E. 32nd Street, New York, NY 10016 (212-213-5010) Wisdom Films (Wisdom Publications no longer sells these films. If anyone knows the address of the company that now sells these films, or how to get in touch with them, I would appreciate it if you could let me know. Many, but not all, of their films are sold by Meridian Trust.) Meridian Trust, 330 Harrow Road, London W9 2HP (01-289-5443)http://www.meridian-trust/.org Mystic Fire Videos, P.O. -
'Geri-Action' Film
Narratives of cultural and professional redundancy: Ageing action stardom and the ‘geri-action’ film Glen Donnar (RMIT University) Abstract Focusing on The Expendables films, I identify the importance of discourses of professional and cultural redundancy in ‘geri-action’, an emergent subgenre of Hollywood action film that has revitalised the careers of ageing action stars such as Sylvester Stallone and Arnold Schwarzenegger. These redundancies, which hold long-standing significance in 1980s action film, are compounded in geri- action by advanced age and diminished physical capacity. In geri-action, the spectacle of once idealised, muscled bodies is concealed and displaced onto oversized guns, fetishised vehicles and younger action bodies. However much geri-action resists 1980s action stars’ use-by dates, it ultimately admits physical and generic exhaustion. Keywords: geri-action, Hollywood action films, ageing stars, Expendables The Rise of ‘Geri-action’ The release of a third Expendables film in 2014 extended the twilight of ageing 1980s action idols in the so-called ‘geri-action’ subgenre, that is, action films predominantly showcasing male stars ranging in age from their mid-50s into their 70s. The Expendables series (Stallone 2010; West 2012; Hughes 2014) features a motley team of elite mercenaries, led by Barney Ross (Stallone), recurrently motivated to take revenge on the all-star action villain after a local woman or beloved colleague is killed, injured or captured. The third film in the series adds such ageing action film luminaries as Mel Gibson, Wesley Snipes and Harrison Ford (replacing Bruce Willis, who left the series after a conflict with Stallone) to the already extensive aged cast led by Sylvester Stallone, Arnold Schwarzenegger and Chuck Norris. -
Himalayan Ice Shrivels in Global Warming: Exhibit
July 16, 2010 Himalayan ice shrivels in global warming: exhibit By Sebastian Smith NEW YORK, Friday 16 July 2010 (AFP) - When British climbing legend George Mallory took his iconic 1921 photo of Mount Everest's north face, the mighty, river-shaped glacier snaking under his feet seemed eternal. Decades of pollution and global warming later, modern mountaineer David Breashears has reshot the picture at the same spot -- and proved an alarming reality. Instead of the powerful, white, S-shaped sweep of ice witnessed by Mallory before he died on his conquest of Everest, the Main Rongbuk Glacier today is shrunken and withered. The frozen waves of ice pinnacles -- many of them the size of office buildings -- are still there. But they are far fewer, lower and confined to a narrow line. Comparing precisely matched photographs, Breashears determined that the Rongbuk had dropped some 320 feet (97 meters) in depth. "The melt rate in this region of central and eastern Himalaya is extreme and is devastating," Breashears said Wednesday at New York's Asia Society, which is hosting the exhibition July 13 to August 15. Amid bad-tempered political debates over the causes and reality of global warming, Breashears speaks literally from the ground. He went in the footsteps of three great early mountaineer-photographers: Mallory, Canadian-born mapping pioneer Edward Wheeler, and Italy's Vittorio Sella, whose work spanned the 19th and 20th centuries. The result is then-and-now sets from Tibet, Nepal and near K2 in Pakistan showing seven glaciers in retreat -- not only much diminished, but in one case having dissolved into a lake.