Lifestyle FRIDAY, JANUARY 27, 2017

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Lifestyle FRIDAY, JANUARY 27, 2017 French fashion designer Franck Sorbier (center) acknowledges the audience at the end of the 2017 spring/summer Haute Couture collection. Gaultier's acid color The big hair, oversize scruffy plaits, satin headscarves, strong It was all about 1980s' excess for Jean Paul Gaultier - who shoulders, pinstripes, lashings of denim and stockings in acid yellow, paid homage to that decade in which he creatively came of blue and red - were all staples of the 80s. They were given a further age. Bright acid colors, daring contrasts and vivid floral prints injection of boldness when the decor faded from light to bright blue spiced up the 57 couture looks modeled on a runway floodlit and then to warm brown. "I wanted to make it graphic - to use color with colored lighting. to make an effect ... the city is gray," Gaultier told The Associated Press. The exuberant designer is never one to be restricted by just one era or style. Brigitte Bardot-like exposed midriffs and gypsy sleeves from the 1960s mixed with the signature Breton striped blouse and corseted bustier. His biggest statement was in the dazzling, dizzy mix of stripes and bright prints that screamed "more is more." Sorbier says it with flowers The sublime artistry of couture merged with 19th-century organ- za-laid prints of flowers for French couturier Franck Sorbier's diaphanous spring-summer collection in Paris. Dancer-models emerged in large brown paper wraps for the presentation in an old theater, then dramatically tore them into pieces and threw them to the floor. Beneath, sprightly nymph-like gowns in sepia colors frothed weightlessly as the models performed fairy-like pirouettes and prowled around the space. Multiple layers - gathered and draped - bounced with movement alongside A-line bodice dresses with square floral print sections in warm, saturated hues. The original display was fitting celebration that marked 30 years since the founding of the independent couture house. It's a rarity in a celebrity-driven industry dominated by corpo- rate groups such as LVMH and Kering. Models present creations for Maison Margiela..

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The Demise and Transfiguration of Haute Couture
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LLeess FFrriiimmoouusssseess ddee CCrrééaatteeuurrss oonntt ccoolllllleeccttéé ppllluuss ddee 227700 000000 eeuurrooss ppoouurr llleess pprrooggrraammmmeess ddee lll’’’UUNNIIICCEEFF eenn ffaavveeuurr ddeess eennffaannttss dduu DDaarrffoouurr Paris, le 20 novembre 2009 - Les enchères Frimousses de Créateurs , qui se sont tenues hier à Drouot-Montaigne, sous le marteau de Maître Georges Delletrez, Président de Drouot Holding et de Maître Pierre Cornette de Saint-Cyr, en présence de nombreuses personnalités, dont Laeticia Hallyday, marraine de l’opération, Delphine Arnault-Gancia, Présidente du Comité d’honneur, Natalie Dessay qui a confectionné une poupée ou encore Alain Delon, ont permis de récolter plus de 270 000 euros. La totalité des fonds collectés ira directement soutenir les programmes de vaccination de l’UNICEF au Darfour. Pour cette 7 ème édition, l’UNICEF France a mobilisé près d’une centaine de créateurs, d’artistes et pour la première fois cette année des personnalités, qui ont mis leur imagination et leur savoir-faire au service des enfants du Darfour, en réalisant des poupées et des œuvres, toutes uniques. Parmi celles surenchéries qui ont remporté un grand succès, citons celles de Jeff Koons (26 000 euros), Damien Hirst (25 000 euros), Christian Dior (16 000 euros), Louis Vuitton (12 000 euros), Jean-Michel Othoniel (11 000 euros) ou encore celle de Cartier (10 000 euros). Pour mémoire, l’édition 2008 avait permis de collecter 219 130 euros. L’UNICEF tient à remercier chaleureusement les créateurs, les artistes et les personnalités, ayant participé à cette édition(*), ainsi que l’ensemble de ses partenaires (**) qui ont largement contribué au succès de cet événement et bien sûr ses généreux donateurs pour leur soutien.
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