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Miller Discography [J D Uv in Peris, Conf
D O W N BEAT February 24. 1954 February PERSPECTIVES Feather Tells Woes Of Lunch, Too? New York — Apollo Theater _________ ________________ By Ralph J- Gleason ■nd all points north! Jazz Club U.S.A. Tour Stag« show» huvr disappear«^) Is the band business coming back? Well, I don’t think any By Leonard Feather ♦------------------------------------------------ irons the Broadway scene, and one can legitimately claim to know the answer to that one, shows, (2) Gene Wright and Bobby the Apollo in Harlem is flow The but there are some indications which point to a resurgence Oslo, Norway — If you’ve1 White, Buddy DeFraneo’ii bassist about the only theater to fea | of interest in the big units. ever told yourself what a ball1 and drummer, had to work on bor ture name bands. And many New t rowed equipment because their in Yorkers will learn this when Gh To begin with, the days of the it must be to tour Europe with Lionel Hampton applies his pro single acts, the vocalists, and struments were snowbound in New a jazz unit, you ought to be; York, (3) Billie Holiday, after a motional mallet* to the problem. Miller the featured instrumentalists, are along on the “Jazz Club U.S. A.” bound, by the nature of the beast, ( long series of hassels about who Hamp goes into the Apollo jaunt, now engaged in a 28-day should accompany her, had nc time for a week starting Feb. 12, and Tradi Biography to be numbered. Most of the real tussle with customs officials in nine draws in the vocal field have priced ' to rehears« with Carl Drinkard, for that period he'll station his had a r countries. -
Digital Storytelling in Writing
DIGITAL STORYTELLING IN WRITING: A CASE STUDY OF STUDENT TEACHER ATTITUDES TOWARD TEACHING WITH TECHNOLOGY ___________________________________________________________________________ A Dissertation presented to the Faculty of the Graduate School University of Missouri ___________________________________________________________________________ In Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy ___________________________________________________________________________ By Barri L. Bumgarner Dr. Roy F. Fox, Dissertation Supervisor July 2012 The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled DIGITAL STORYTELLING IN WRITING: A CASE STUDY OF STUDENT TEACHER ATTITUDES TOWARD TEACHING WITH TECHNOLOGY Presented by Barri L. Bumgarner, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ______________________________ Dr. Roy F. Fox, Chair ______________________________ Dr. Amy Lannin ______________________________ Dr. Carol Gilles ______________________________ Dr. Laurie Kinglsey ______________________________ Dr. Jill Ostrow ______________________________ Dr. Martha Townsend DEDICATION For Mom, who inspired a deep love of learning from the first time she read the Rubaiyat of Omar Khayyam to me… For Dad, who would have been so proud. For my support network, Yos and close friends alike – happy hours were more than toasts, the much-needed laughter often the best escape in times of immeasurable stress. And for Marsha, because you believed I could…and should. ACKNOWLEDGEMENTS When I started my PhD, there were so many intangibles, so much I did not know, and a wondrous world of possibilities. My entire research was shaped in Roy Fox’s Media Literacy class, that long ago day in 2006, when I did my first digital composition as a Master’s student. I was awed, I was inspired, and his then grad assistant, Amy Lannin, challenged me to consider writing in new and different ways. -
Purches Collection a to Z List of Principal Artists and Performers
Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader) -
Perceptions of Selected Libyan English As a Foreign
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace PERCEPTIONS OF SELECTED LIBYAN ENGLISH AS A FOREIGN LANGUAGE TEACHERS REGARDING TEACHING OF ENGLISH IN LIBYA A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri–Columbia In Partial Fulfillment of the Requirement for the Degree Doctorate of Philosophy By YOUSSIF ZAGHWANI OMAR Dr. Amy A. Lannin, Dissertation Supervisor Dr. Roy F. Fox, Dissertation Co-Supervisor December 2014 The undersigned, appointed by the dean of Graduate School, have examined the dissertation entitled PERCEPTIONS OF SELECTED LIBYAN TEACHERS OF ENGLISH AS A FOREIGN LANGUAGE REGARDING TEACHING OF ENGLISH IN LIBYA Presented by YOUSSIF ZAGHWANI OMAR, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ______________________________________ Dr. Amy Lannin, Chair _____________________________________ Dr. Roy Fox, Co-Chair ______________________________________ Dr. Carol Gilles ______________________________________ Dr. Matthew Gordon DEDICATION To my main reason of being in this world, my dear MOM and my late DAD . To my partner in life, my beloved WIFE . To my vision to the future, my KIDS . To the soul of my late nephew, MOHAMED . To my great adviser, Dr. AMY LANNIN . To my helpful co-adviser, Dr. ROY FOX . To my committee, Dr. MATTHEW GORDON and Dr. CAROL GILLES . To the dean of College of Education, Dr. JOHN LANNIN . To my family in Libya . To my close friends in the United States, DAVID, LANCE, DENNIS . To my colleagues in English Education Department. I humbly dedicate this work. -
General Meeting 2018
GENERAL MEETING 2018 January 2018: TONY HORTON – THE REAL GLENN MILLER STORY Once again we enjoyed a session with Tony, this time on a perennial favourite, the Big Band leader, Glenn Miller. Tony dispelled some of the myths about Glenn that were put into the 1954 hit film “The Glenn Miller Story”, starring James Stewart and June Allyson. The film was principally about the courtship and marriage of Glenn and Helen Miller. The facts we heard were that Miller was born in Iowa in 1904, the son of a railway worker father and farmer mother. He earned pocket money from milking cows and firstly spent some on a mandolin, before giving it up for a trombone. He formed a small band from class mates and at university ended up going on gigs, rather than attending to his studies and exams. Whilst a very good trombone player, he was not outstanding, but his forte was making musical arrangements and was in demand for this particular skill. Joining Ben Pollacks Band, which included other musicians who went on to make their mark in the music industry, Miller eventually moved to New York, where, driven by his wife Helen, he formed a jazz band, without any success. Miller played as a jobbing trombonist for several bands before teaming up with the British Dance Band leader, Ray Noble. Because of the Union restrictions on entertainers in America and Britain, Noble was not permitted to take his own musicians, so engaged Miller to recruit musicians for him. However, there was a big difference between the two men as Miller preferred jazz music and his arrangements were in that genre, whereas Noble was a ballad man, so this difference led to a parting of the ways. -
Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954
Capitol Albums, 501 to 600 and Series Labels Romantic Sketches for Orchestra Capitol H-501 Georges Tzipine Released May, 1954. A Man and his Music Capitol L-502 Skitch Henderson Released May, 1954. Unreleased/unknown Capitol 503 Ray Anthony Plays for Dancing Capitol EAP-1-504 Ray Anthony Released June, 1954. Unreleased/unknown Capitol 505 I Get So Lonely Capitol EAP-1-506 The Four Knights Released June, 1954. Dixieland Capitol EAP-1-507 Pee Wee Hunt Released May, 1954. Stan Kenton Plays the Compositions of Pete Rugolo Capitol EAP-1-508 Stan Kenton Released June, 1954. Music, Martinis, and Memories Capitol EAP 1 through 4-509 = W-509 Jackie Gleason Released August, 1954. Later pressed as two double-EP’s, EBF-1-509 and EBF-2-509. Later pressed as two ten-inch LP’s, H1-509 and H2-509. Young at Heart Capitol EAP-1-510 Frank Sinatra Released March, 1954. And Awaaay We Go! Capitol H-511 Jackie Gleason Released May, 1954. No Reservations Capitol H-512 Frances Faye Released July, 1954. Barrelhouse, Boogie and the Blues Capitol H-513 Ella Mae Morse Released 1954. Nat King Cole 10th Anniversary Album Capitol W-514 Nat King Cole Released May, 1954. White label with purple print. Although Jackie Gleason’s Music, Martinis, and Memories has a lower catalog number, this LP was the first album in the W- series. At the time this was an experimental and novel idea. The records contained sixteen songs – twice what one found on a ten-inch LP. However, the album cost less than two ten- inch albums, making it more economical to buy the W- series album in the larger size. -
Tex Beneke Music Made Famous by Glenn Miller [Silver Jubilee Album] Mp3, Flac, Wma
Tex Beneke Music Made Famous By Glenn Miller [Silver Jubilee Album] mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Pop Album: Music Made Famous By Glenn Miller [Silver Jubilee Album] Country: Canada Released: 1962 Style: Big Band MP3 version RAR size: 1261 mb FLAC version RAR size: 1715 mb WMA version RAR size: 1185 mb Rating: 4.9 Votes: 318 Other Formats: DTS MMF ADX RA VOC MP4 AUD Tracklist A1 Tuxedo Junction 3:22 A2 Along The Santa Fe Trail 2:20 A3 I've Got A Gal In Kalamazoo 2:40 A4 Sunrise Serenade 3:36 A5 Elmer's Tune 3:19 A6 Sun Valley Jump 2:47 B1 St. Louis Blues March 3:58 B2 Blue Champagne 1:55 B3 Ida Sweet As Apple Cider 2:07 B4 Sweet Eloise 3:2 B5 Rhapsody In Blue 2:51 B6 Don't Sit Under The Apple Tree 2:10 Companies, etc. Recorded At – Sahara Hotel & Casino, Las Vegas Copyright (c) – Warner Bros. Records Inc. Manufactured By – The Compo Company Ltd. Distributed By – The Compo Company Ltd. Credits Liner Notes – Peter J. Levinson Notes Recorded Live At The Hotel Sahara, Las Vegas, Nevada (p) 1962 Barcode and Other Identifiers Matrix / Runout (Side A (Stamped)): R 8699 Matrix / Runout (Side B (Stamped)): R 8700 Other versions Category Artist Title (Format) Label Category Country Year Tex Beneke, Ray Eberle, Tex Beneke, Ray The Modernaires, Paula Warner Eberle, The Kelly - Music Made Famous W 1468 Bros. W 1468 US 1962 Modernaires, By Glenn Miller [Silver Records Paula Kelly Jubilee Album] (LP, Album, Mono, Promo) Ray Eberle, Tex Beneke, Ray Eberle, Tex The Modernaires - Music Valiant VS 125 Beneke, The VS 125 UK 1970 Made Famous by Glenn Records Modernaires Miller (LP, Album) Tex Beneke, Ray Eberle, Tex Beneke, Ray The Modernaires, Paula Warner Eberle, The WS 1468 Kelly - Music Made Famous Bros. -
ACT I the 1940S, a Time When All America Was Listening and Dancing to the Same Kind of Music! St
ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 1 ITM_017_playbill program.qxp_ITM_017_playbill program 23/12/2015 3:28 pm Page 2 ACT I The 1940s, a time when all America was listening and dancing to the same kind of music! St. Louis Blues March (Handy, arr. Gray) Yes, Indeed (Oliver) Well All Right (Faye, Kapp, Raye) In the Mood (Garland) Big Band Medley Swinging On A Star (Van Heusen, Burke) Jeepers Creepers (Warren, Mercer) That Old Feeling (Fain, Brown) Taking a Chance On Love (Duke, Latouche, Fetter) Ain’t We Got Fun (Egan, Kahn, Whiting) Elmer’s Tune (Albrecht, Gallop, Jurgens) Chattanooga Choo Choo (Warren, Gordon) Well, Git It! (Oliver) I’m Getting Sentimental Over You (Bassman) Moonlight Serenade (Miller, Parish) Dream (Mercer) I Can’t Get Started (Duke, I. Gershwin) Begin the Beguine (Porter) Serenade In Blue (Warren, Gordon) Hey! Ba Ba Re Bop (Hamner, Hampton) Skylark/Mood Indigo (Carmichael, Mercer) (Bigard, Mills, Ellington) Say That We’re Sweethearts Again (Brent) Tuxedo Junction (Dash, Feyne, Hawkins, Johnson) ACT II This was the time when music moved the nation’s spirit! It Don’t Mean A Thing (Ellington, Mills) The Sisters and Brothers Medley Over There (Cohan) La Vie En Rose (Piaf, Guigliemi, Eng. Lyrics David) The Last Time I Saw Paris (Kern, Hammerstein II) All the Things You Are (Kern, Hammerstein II) What Do You Do In the Infantry? (Loesser) Boogie Woogie Bugle Boy (Prince, Raye) He’s 1A In The Army, A1 In My Heart (Evans) This Is Worth Fighting For (DeLange, Stepf) Bugle Call Rag (Meyers, -
Glenn Millers Back!
The band grew out of a conviction by manager Willard Alexander, based Glenn Millers Back! on the reception to The Glenn Miller Story movie and the RCA limited edi tion Miller albums, that a Miller-styled With Ray McKinley At Helm, band had a valid spot in the current music scene. He got m touch with Mis. Miller and suggested another try at The Band Finds Biz Is Great launching a Miller band. She agreed, after aflKming that the band would be led by McKinley. Ray By Dom Cerulli Brown Jug than for any number in the took over the book and started out to book,” he grinned. “Now tnat tune THERE’S A Glenn Miller band back fill the chairs. was never really one of Glenn's big “Personnel is the biggest problem a m the ballrooms again. records, at least not as big as In the At the helm is drummer Ray Mc bandleader has to face today,” McKin Kinley, who tirst met Miller when they Mood or Chattanooga Chou Choo. But ley said. “Lenny Hambro was invalua it was a big part of the movie. played together from time to time ih ble when we were recruiting. He’s the “We play it sometimes two, three band’s manager, too, and believe me, the old Ben Pollack band and who times a night.” worked together in the Miller army air our books always match up. I don’t McKINlEY SAID other most-re think he gets much time to sleep, force band up to the time of Glenn’s quested tunes in the Miller book in disappearance over the English Channel though.” cluded In the Mood, String of Pearls, in December, 1944. -
The Strutter VOLUME 22 NUMBER 4 Traditional Jazz in the Philadelphia Tri-State Area December 2011
“Best of South Jersey” 2008 - 2011! The Strutter VOLUME 22 NUMBER 4 Traditional Jazz in the Philadelphia Tri-State Area December 2011 OUR NEXT CONCERTS TRI-STATE JAZZ SOCIETY Roberts Duo... the musical intuition between the Presents two is truly miraculous!" and Renée Silberman reviews a London/Ontario concert as "a spine THE ORTNER-ROBERTS DUO tingling fusion of Klezmer and Creole magic." German-born clarinetist Susanne Ortner and American jazz pianist Tom Roberts met in Pittsburgh while performing in 2006 and formed the Ortner-Roberts Duo in 2007, melding the two supposedly unrelated musical and cultural influences of Harlem Stride Piano and Klezmer to form a whole new style they affectionately call "Yiddish/Creole Fusion." The Roberts have thoroughly immersed themselves in the music of the '20s, '30s, and '40s as well and painstakingly recreate the music of Benny Goodman, Jelly Roll Morton, Artie Shaw, and Sidney Bechet among others, evoking "the thicksweet air of New Orleans or the glamour of a shimmering dancehall... in Chicago or New York City." See them in concert at www.youtube.com/watch?v=ee23Y8k5- Susanne Ortner-Roberts, clarinet YY&feature=related. Tom Roberts, piano CONCERT ADMISSION Sunday, December 11, 2011 $20 ADMISSION $10 FIRST TIME ATTENDEES & MEMBERS 2:00 p.m. – 5:00 p.m. HIGH SCHOOL/COLLEGE STUDENTS WITH ID AND CHILDREN WITH PAYING ADULT Saint Matthew Lutheran Church ADMITTED FREE Pay At the Door - No Advance Sales 318 Chester Avenue Moorestown, NJ 08057 In This Issue… Directions on Page 7 Looking Ahead .............. Page 2 Pittsburgh-based Susanne Ortner-Roberts and Tom American Rag .............. -
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002E]
THE JERRY GRAY STORY – 1947 [Updated Jun 15, 2018 – Version JG.002e] January 26, 1947 [Sunday]: Jerry Gray arranged tunes made famous by Glenn Miller for New York City-based “Here’s To Ya” broadcast over the CBS radio network, January 26, 1947, 2:30 – 3:00 pm local time, performed by the Phil Davis Orchestra [including Trigger Alpert and Bernie Privin] and the Hires Hands vocal group [including Bill Conway]. Sponsored by Hires Root Beer. Moonlight Serenade – arranged by Jerry Gray Don’t Sit Under The Apple Tree – arranged by Jerry Gray Moonlight Cocktail – arranged by Jerry Gray A String Of Pearls – arranged by Jerry Gray Serenade In Blue – arranged by Jerry Gray In The Mood – arranged by Jerry Gray Chattanooga Choo Choo – arranged by Jerry Gray _______________ Harrisburg Telegraph [Harrisburg, Pennsylvania], Jan 18, 1947, Page 19: NEW SUNDAY MUSICAL SHOW HEARD ON WHP ‘Here’s To Ya’ Opens Jan. 26; Stars Louise Carlyle, Phil Hanna, Phil Davis “Here’s To Ya,” sparkling half-hour of popular and familiar music, featuring Contralto Louise Carlyle, Baritone-Emcee Phil Hanna, Phil Davis’ orchestra, and the Hires Hands singing group, starts on the Columbia network and WHP Sunday, January 26, 2:30-3 p.m. “Here’s To Ya” will be the first of a series of new shows to be added to the WHP schedule during the first few weeks of 1947 daytime schedule. Time and all information on the new programs will be announced in the near future on this page. Louise Carlyle, feminine star of “Here’s To Ya,” got her first big break several years ago as vocalist with her brother Russ’ orchestra. -
Long and Successful Musical Career Credited to Seger Ellis
•XVut H am pshire VOL. 30. Issue 44. ' Z 413 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, APRJL 30, 1940. PRICE, THREE CENTS Prom Committee Chairmen Senior Canes The Senior canes are at The College State Symphony Makes Shop and may be purchased at the usual price. Let’s have every Senior carrying a cane and make this tradi tion a success. Fifth Appearance Here Richard Johnson, Chairman, Orchestra Organized as Cane Committee. University Doctor Government Project; Ends Service Here Earl V. Clay, Conductor ’Cats Barely Edge The Federal Symphony Orchestra Oberlander Accepts Post of the Works Projects Administration Maine Nine 2-0 in with Insurance Company; for New Hampshire will make'its fifth appearance at the university on Wed Opening Ball Game Former Dartmouth Star nesday, May 1 at 8 P.M., in Murkland Wild Pitch and Squeeze Dr. Andrew J. Oberlander, Univer auditorium. sity physician, will become an assist Organized in 1936, the Federal Bunt Account for Scores; ant medical director of the National Symphony Orchestra was one of the Hersey Glitters a I Bat Life Insurance company of Montpelier, first government - sponsored music Pitching a first class brand of ball Vermont, on July 1. The appointment, units to be developed in the state. It throughout, Buck Jordan shut out the of Dr. Oberlander will make three has participated in several hundred Maine nine, 2-0, here Saturday after doctors connected with home office of performances and is recognized as the noon in the opening game of the 1940 the company. finest group of its kind ever to be season.