Roy D. Fox Bridge According to Hicks: Civility Returning to the Game
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Hall of Fame Takes Five
Friday, July 24, 2009 Volume 81, Number 1 Daily Bulletin Washington, DC 81st Summer North American Bridge Championships Editors: Brent Manley and Paul Linxwiler Hall of Fame takes five Hall of Fame inductee Mark Lair, center, with Mike Passell, left, and Eddie Wold. Sportsman of the Year Peter Boyd with longtime (right) Aileen Osofsky and her son, Alan. partner Steve Robinson. If standing ovations could be converted to masterpoints, three of the five inductees at the Defenders out in top GNT flight Bridge Hall of Fame dinner on Thursday evening The District 14 team captained by Bob sixth, Bill Kent, is from Iowa. would be instant contenders for the Barry Crane Top Balderson, holding a 1-IMP lead against the They knocked out the District 9 squad 500. defending champions with 16 deals to play, won captained by Warren Spector (David Berkowitz, Time after time, members of the audience were the fourth quarter 50-9 to advance to the round of Larry Cohen, Mike Becker, Jeff Meckstroth and on their feet, applauding a sterling new class for the eight in the Grand National Teams Championship Eric Rodwell). The team was seeking a third ACBL Hall of Fame. Enjoying the accolades were: Flight. straight win in the event. • Mark Lair, many-time North American champion Five of the six team members are from All four flights of the GNT – including Flights and one of ACBL’s top players. Minnesota – Bob and Cynthia Balderson, Peggy A, B and C – will play the round of eight today. • Aileen Osofsky, ACBL Goodwill chair for nearly Kaplan, Carol Miner and Paul Meerschaert. -
Skill Preferred, but Luck Is More Than Welcome Strul Takes Slim Lead In
Saturay, December 1, 2007 Volume 80, Number 9 Daily Bulletin 80th Fall North American Bridge Championships Editors: Brent Manley and Paul Linxwiler Skill preferred, but luck Strul takes slim is more than welcome lead in Reisinger Many years ago, Allan Falk was playing in the Vanderbilt The team captained by Aubrey Strul, winners of the Mitchell Board-a-Match Knockout Teams. At one point early in the event, Falk and Teams earlier in the tournament, hold a narrow lead going into today’s semifinal his teammates found themselves pitted against a squad that sessions of the Reisinger Board-a-Match Teams. included some of the continent’s best players. Strul, a Floridian, is playing with Michael Becker, Larry Cohen, David Falk remembers the occasion so well because the Berkowitz, Chip Martel and Lew Stansby. heavily favored team bid five slams that rated to make After two qualifying sessions, they were one board clear of the Russian- better than two-thirds of the time – and each went down on a Polish foursome of Andrew Gromov – Aleksander Dubinin and Cezary Balicki – foul trump split, and each was a loss for the stars. Falk and Adam Zmudzinski. company surprised even themselves by advancing in the The field will be reduced to 14 teams for the two final sessions on Sunday. Vanderbilt. It doesn’t take much analytical skill to conclude that the major factor in the win by Falk’s team was good, old-fashioned luck. They were in the right place at Austrians leading the right time. Falk does note, by the way, that his team was good enough to win two more matches after their big upset. -
Digital Storytelling in Writing
DIGITAL STORYTELLING IN WRITING: A CASE STUDY OF STUDENT TEACHER ATTITUDES TOWARD TEACHING WITH TECHNOLOGY ___________________________________________________________________________ A Dissertation presented to the Faculty of the Graduate School University of Missouri ___________________________________________________________________________ In Partial Fulfillment of the Requirements of the Degree Doctor of Philosophy ___________________________________________________________________________ By Barri L. Bumgarner Dr. Roy F. Fox, Dissertation Supervisor July 2012 The undersigned, appointed by the Dean of the Graduate School, have examined the dissertation entitled DIGITAL STORYTELLING IN WRITING: A CASE STUDY OF STUDENT TEACHER ATTITUDES TOWARD TEACHING WITH TECHNOLOGY Presented by Barri L. Bumgarner, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ______________________________ Dr. Roy F. Fox, Chair ______________________________ Dr. Amy Lannin ______________________________ Dr. Carol Gilles ______________________________ Dr. Laurie Kinglsey ______________________________ Dr. Jill Ostrow ______________________________ Dr. Martha Townsend DEDICATION For Mom, who inspired a deep love of learning from the first time she read the Rubaiyat of Omar Khayyam to me… For Dad, who would have been so proud. For my support network, Yos and close friends alike – happy hours were more than toasts, the much-needed laughter often the best escape in times of immeasurable stress. And for Marsha, because you believed I could…and should. ACKNOWLEDGEMENTS When I started my PhD, there were so many intangibles, so much I did not know, and a wondrous world of possibilities. My entire research was shaped in Roy Fox’s Media Literacy class, that long ago day in 2006, when I did my first digital composition as a Master’s student. I was awed, I was inspired, and his then grad assistant, Amy Lannin, challenged me to consider writing in new and different ways. -
Purches Collection a to Z List of Principal Artists and Performers
Purches Collection A to Z List of Principal Artists and Performers Organization of this list: The principal performer is listed surname first in bold type with role/s in (parentheses); after the forward slash / any associated performers, or groups are listed; for groups using a pseudonym the 'real name’ / identity of group is shown in [square brackets] ; the original Cutter number (assigned to most performers who were primarily featured on the recordings) is listed on the far right hand side. A Aaronson, Irving (Bandleader) - A111 Abrams, Irwin (Bandleader) - A161 Adler, Larry (Harmonica) - A236 Adrian, Lou (Orchestra) / Eddy Howard (Vocal) Adrian's Ramblers (Danceband) / Adrian Rollini (Bandleader) Alamo, Tony (Vocal) / Sammy Kaye (Bandleader) Alberts, Al (Vocal) / The Four Aces (Vocal) Alexander, Archie (Bandleader) / George Barclay (Vocal) Les Allen (Vocal) Alexander, Jeff (Chorus, Choir)/ Bing Crosby (Vocal), Frank Sinatra (Vocal) Alfredo (Bandleader) - A391 Allen, Bob (Vocal) / Hai Kemp (Bandleader) Allen, Fred (Vocal)/ Bing Crosby (Vocal) Allen, Gracie (Comedienne)/ George Bums (Comedian) Allen, Henry 'Red' (Bandleader) - A425 Allen, Les (Vocal) - A427 Allen, Rosalie (Vocal) / Elton Brett (Vocal) Allen, Terry (Vocal) / Red Norvo (Bandleader) Alley, Ben (Vocal) All Star Band - A4412 All Star Orchestra - A4415 All Star Stompers - A4418 Alper, Rose (Vocal) / Joe Loss (Bandleader) Alston, Ovie (Vocal) / Claude Hopkins (Bandleader) Ambassador Trio, The (Vocal) / Gus Arnheim (Bandleader) Ambassadors, The (Danceband) - A491 Ambrose (Bandleader) -
Schedule Welcome to the Summer NAOBC
Wednesday, July 14 Welcome to the Summer NAOBC We are pleased that you have joined us for the ACBL’s fourth North American Online Bridge Championships. These contests have been popular and greatly enjoyed by those who played in them. Like last time, we are offering three flights of both knockout and pair events. We have also expanded to include additional pairs events, also with three flights, lasting two days and three days. We hope that our members will continue to find these tournaments a source of education and fun. Please check out the online Daily Bulletins for updates on the events, tips on how to upload your convention card and use other features of BBO, and guidance from the ACBL National Recorder on rules for ethical play online. We invite you to give us your feedback on your experience so that we can make these events even more successful in the future. Please play nice, play fair and have fun. Joseph Jones Executive Director Schedule Premier KO Two-Day Pairs Grand National Teams See full schedule at acbl.org/naobc. All flights All flights All flights Wednesday, July 14 Swiss qualifying Thursday, July 15 Round of 16 Friday, July 16 Quarterfinals Saturday, July 17 Qualifying sessions Semifinals Sunday, July 18 Final sessions Finals Monday, July 19 Opening Round Tuesday, July 20 Round of 32 IMP Pairs Wednesday, July 21 Round of 16 Qualifying sessions Three-Day Pairs Thursday, July 22 Quarterfinals Final sessions All flights Friday, July 23 Semifinals Two-Day Pairs Qualifying sessions Saturday, July 24 Finals Qualifying sessions Semifinal sessions Sunday, July 25 Final sessions Final sessions About the Grand National Teams, Championship and Flight A The Grand National Teams is a North American Morehead was a member of the National Laws contest with all 25 ACBL districts participating. -
Perceptions of Selected Libyan English As a Foreign
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace PERCEPTIONS OF SELECTED LIBYAN ENGLISH AS A FOREIGN LANGUAGE TEACHERS REGARDING TEACHING OF ENGLISH IN LIBYA A Dissertation Presented to the Faculty of the Graduate School at the University of Missouri–Columbia In Partial Fulfillment of the Requirement for the Degree Doctorate of Philosophy By YOUSSIF ZAGHWANI OMAR Dr. Amy A. Lannin, Dissertation Supervisor Dr. Roy F. Fox, Dissertation Co-Supervisor December 2014 The undersigned, appointed by the dean of Graduate School, have examined the dissertation entitled PERCEPTIONS OF SELECTED LIBYAN TEACHERS OF ENGLISH AS A FOREIGN LANGUAGE REGARDING TEACHING OF ENGLISH IN LIBYA Presented by YOUSSIF ZAGHWANI OMAR, a candidate for the degree of Doctor of Philosophy, and hereby certify that, in their opinion, it is worthy of acceptance. ______________________________________ Dr. Amy Lannin, Chair _____________________________________ Dr. Roy Fox, Co-Chair ______________________________________ Dr. Carol Gilles ______________________________________ Dr. Matthew Gordon DEDICATION To my main reason of being in this world, my dear MOM and my late DAD . To my partner in life, my beloved WIFE . To my vision to the future, my KIDS . To the soul of my late nephew, MOHAMED . To my great adviser, Dr. AMY LANNIN . To my helpful co-adviser, Dr. ROY FOX . To my committee, Dr. MATTHEW GORDON and Dr. CAROL GILLES . To the dean of College of Education, Dr. JOHN LANNIN . To my family in Libya . To my close friends in the United States, DAVID, LANCE, DENNIS . To my colleagues in English Education Department. I humbly dedicate this work. -
100 Years: a Century of Song 1930S
100 Years: A Century of Song 1930s Page 42 | 100 Years: A Century of song 1930 A Little of What You Fancy Don’t Be Cruel Here Comes Emily Brown / (Does You Good) to a Vegetabuel Cheer Up and Smile Marie Lloyd Lesley Sarony Jack Payne A Mother’s Lament Don’t Dilly Dally on Here we are again!? Various the Way (My Old Man) Fred Wheeler Marie Lloyd After Your Kiss / I’d Like Hey Diddle Diddle to Find the Guy That Don’t Have Any More, Harry Champion Wrote the Stein Song Missus Moore I am Yours Jack Payne Lily Morris Bert Lown Orchestra Alexander’s Ragtime Band Down at the Old I Lift Up My Finger Irving Berlin Bull and Bush Lesley Sarony Florrie Ford Amy / Oh! What a Silly I’m In The Market For You Place to Kiss a Girl Everybody knows me Van Phillips Jack Hylton in my old brown hat Harry Champion I’m Learning a Lot From Another Little Drink You / Singing a Song George Robey Exactly Like You / to the Stars Blue Is the Night Any Old Iron Roy Fox Jack Payne Harry Champion I’m Twenty-one today Fancy You Falling for Me / Jack Pleasants Beside the Seaside, Body and Soul Beside the Sea Jack Hylton I’m William the Conqueror Mark Sheridan Harry Champion Forty-Seven Ginger- Beware of Love / Headed Sailors If You were the Only Give Me Back My Heart Lesley Sarony Girl in the World Jack Payne George Robey Georgia On My Mind Body & Soul Hoagy Carmichael It’s a Long Way Paul Whiteman to Tipperary Get Happy Florrie Ford Boiled Beef and Carrots Nat Shilkret Harry Champion Jack o’ Lanterns / Great Day / Without a Song Wind in the Willows Broadway Baby Dolls -
SABF Newsletter
PROMOTING the GAME of BRIDGE in SOUTH AFRICA THE BRIDGE Edition 13 Publisher: The S A B F December 2020 www.sabf.co.za Special Year-End Edition Ed.: Stephen Rosenberg [email protected] FROM THE PRESIDENT This year has been a very hard and sad year for our community. Many of us have lost family or friends, not always as a result of COVID-19, and our hearts go out to them and their families. And still this accursed plague hangs over us. But there is light at the end of the tunnel. With the announcement of the development of successful vaccines and their distribution in Europe and America over the coming James Grant months we will surely see a reduction in and eventually the eradication of this pandemic. The next few months are going to be the most trying for us, because we are letting our guard down not only as individuals but as a society. We have grown tired of the sanctions imposed on us and are now taking more risks. We are travelling more, we are visiting friends and families. Fewer people are wearing masks in public places, social distancing is no longer the norm, and we have convinced ourselves that perhaps after all we are immune to this infection. We only have to follow what is now happening in Europe to see the folly in this outlook. Personally, I would like to think that COVID-19 has forced us re-evaluate what is really important in our lives and those around us and that when we finally emerge from this trauma that has paralysed us as individuals and as a nation we will do so as a society kinder and less selfish than before, if only for a little time. -
Hall of Fame Inducts Five Players
Friday, July 19, 2019 Volume 91, Number 1 Daily Bulletin 91st North American Bridge Championships [email protected] | Editors: Paul Linxwiler, Chip Dombrowski, Sue Munday Henneberger wins Hall of Fame inducts five players At last night’s induction ceremony for the Robot IndividualMartin Henneberger ACBL Hall of Fame, five players became members of Coquitlam BC won the of the Hall’s Class of 2019. Peter Boyd, Bart Summer NABC Robot Bramley and Judi Radin were chosen directly by Individual with a score the Hall of Fame electors for the Open category, of 68.62%. Henneberger while Patty Tucker received the Blackwood Award had been in second place for her contributions to the game, and the late after the first two days by Michael Seamon received the von Zedtwitz Award about 4 percentage points in recognition of his bridge accomplishments. behind Fred Pollack, but Additionally, Curtis Cheek received the Sidney H. Henneberger’s day three score of 67.52% put him Lazard Jr. Sportsmanship Award. over when Pollack could muster only 55.75%. The event was emceed by David Berkowitz. Pollack of Laval QC finished second with 67.31%. The ceremony began with Marc Jacobus Sheng Li of New York presenting Cheek for the sportsmanship honor. won Flight B with 64.52%, “I met Curtis 30 years ago. He’s a great just 0.06% ahead of Day opponent and a great person. He always introduced 2019 Hall of Fame Open inductees: Bart 2 leader John Mayne of himself at the table, and he always smiled, but Bramley, Judi Radin and Peter Boyd. -
Philip De László in the Great War by Giles Macdonogh
Philip de László in the Great War By Giles MacDonogh Hungarian-born Philip de László (1869-1937) was a truly international artist who travelled widely in Europe and America and painted many of those who were the major political players in the First World War. He moved from Vienna to London in 1907 with his wife Lucy, née Guinness, and family, and quickly established his reputation there, counting the royal family, aristocracy and members of government amongst his many patrons. This essay examines de László’s situation as a naturalised alien and an artist in the context of the spy furore in Britain during the First World War. Philip Alexius de László in his Vienna studio 1903 Self-portrait with his wife Lucy and their son Henry painted while under house arrest at Ladbroke Gardens Nursing Home 1918 I The Great War was not only the ‘first’ war designated as global, it was the first to have roused an ubiquitous spy fever which placed whole sections of immigrant communities under suspicion of working for the enemy.1 Britain was not unique. In Berlin, those opening days of August were marked by lawless demonstrations against foreigners: the British Embassy was attacked, diplomats were struck, British subjects were locked up in the fortress in Spandau and a great ‘spy excitement’ resulted in rumours about poisoning wells and lakes.2 Germany had a tenth the number of aliens as Britain where most Germans, Austrians, Hungarians and Turks were modest shopkeepers or tradesmen. The grandees attached to embassies left along with the more prominent Germans and Austrians, although many of those indicted for spying for the Axis Powers were Americans of German descent. -
NJA British Jazz Timeline with Pics(Rev3) 11.06.19
British Jazz Timeline Pre-1900 – In the beginning The music to become known as ‘jazz’ is generally thought to have been conceived in America during the second half of the nineteenth century by African-Americans who combined their work songs, melodies, spirituals and rhythms with European music and instruments – a process that accelerated after the abolition of slavery in 1865. Black entertainment was already a reality, however, before this evolution had taken place and in 1873 the Fisk Jubilee Singers, an Afro- American a cappella ensemble, came to the UK on a fundraising tour during which they were asked to sing for Queen Victoria. The Fisk Singers were followed into Britain by a wide variety of Afro-American presentations such as minstrel shows and full-scale revues, a pattern that continued into the early twentieth century. [The Fisk Jubilee Singers c1890s © Fisk University] 1900s – The ragtime era Ragtime, a new style of syncopated popular music, was published as sheet music from the late 1890s for dance and theatre orchestras in the USA, and the availability of printed music for the piano (as well as player-piano rolls) encouraged American – and later British – enthusiasts to explore the style for themselves. Early rags like Charles Johnson’s ‘Dill Pickles’ and George Botsford’s ‘Black and White Rag’ were widely performed by parlour-pianists. Ragtime became a principal musical force in American and British popular culture (notably after the publication of Irving Berlin’s popular song ‘Alexander’s Ragtime Band’ in 1911 and the show Hullo, Ragtime! staged at the London Hippodrome the following year) and it was a central influence on the development of jazz. -
Edward Brian “Tubby” Hayes (30 Januar 1935 - 8 Juni 1973) Tenor Sax Spiller (Også Flute, Soprano Sax Og Vibes), Komponist Og Big Band Arranger
Edward Brian “Tubby” Hayes (30 januar 1935 - 8 juni 1973) Tenor sax spiller (også flute, soprano sax og vibes), komponist og big band arranger. Født i London. Far var BBC orkester violinist. Tubby var lidt af et vidunderbarn, spillede klaver som 10-årige og startede med tenor sax som 11-årig. Hans professionelle karriere begyndte da han var 16 år i Kenny Baker Sextet. Han spillede senere i big bands under Ambrose, Terry Brown, Tito Burns, Roy Fox, Vic Lewis og Jack Parnell. Startede egen octet i 1955. Fra 1957 til 1959 var han co-leder med Ronnie Scott af The Jazz Couriers qvintet. Bagefter, gendannede han sin egen qvartet og var på turnee i Tyskland med Kurt Edelhagen. Første besøg i America fandt sted i 1961, med koncerter i The Half Note og han indspillet “Tubbs in N.Y”. Tilbage til USA igen i 1962, indspillede “Return Visit”. Tilbage endnu en gang i 1964 med koncerter i The Half Note og Boston Jazz Workshop og sidste gang i 1965, hvor han spillede i The Manne Hole i Los Angeles I London, samlede Hayes et big band og fik arbejde i film, fjernsyn og radio, med egen TV-serie 1961-62 og 1963. Han overtog tenor pladsen for Paul Gonsalves med meget kort varsel i februar 1964 under Ellington's koncert i Royal Festival Hall. Hayes var med i flere film bla. All Night Long (1961) med Charles Mingus og Dave Brubeck, og Chaplin film A King in New York (1957), The Beauty Jungle (1964) and Dr. Terror's House of Horrors (1965).