The Sublime Network; Painterly Passage and Materiality in the Post Internet Era
The Sublime Network; Painterly Passage and Materiality in the Post Internet Era A dissertation submitted in partial fulfillment of the requirements for the Doctor of Philosophy. Saffron Regina Newey Master of Fine Art (Research), Monash University, 2012 Bachelor of Fine Art (Painting, Honours), RMIT, 1995 School of Art College of Design and Social Context RMIT University July, 2019 I Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the project is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. I acknowledge the support I have received for my research through the provision of an Australian Government Research Training Program Scholarship and the Australian Postgraduate Award Saffron Newey 20/07/2019 II Acknowledgements I would like to acknowledge the people of the Kulin Nations upon whose unceded lands we are meeting. I respectfully acknowledge their Elders, past, present and emerging. Acknowledgment and gratitude must be made to the following people for their support, guidance and patience during this project. Dr Robin Kingston, Associate Professor Peter Ellis, Professor Jeremy Diggle, Jennifer Cabraja, Michael Ebbels, Mila Ebbels, Barry Newey, Regina Newey, Melanie Young, Kim Armitage and Jan Manton. Thank you Saffron Newey III Table of contents Abstract 1 The Picturesque Project 2 The Cloud Project 9 Introduction 16 Part 1 Practice-led research On Style 21 A New Romantic 22 Early Investigations and supporting artworks 23 Devices 26 Part 2 Methodology 28 Picturesque 30 The Cloud 43 Chapter 1.
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