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U Au S a Ace As
u au s a ace i ay C is as F'RIDAY, DECEM13ER 23RD This Holiday Season we have a gift for SHOW TIME IS 11:30PM YARA SOFIA you. The only stop in Texas for the'RuPaul' s Originally from Manati, Puerto Rico, Yara Drag Race HolieayChris1mas Show is at has been performing drag professionally for 6 years, and credits Nina Flowers for sourn BEACH. This Holiday S~cu1ar giving her the first opportunity to perform. will include an assortment of holiday favorites, Inspired by her appearance on Rupaul's including solo performances & production Drag Race, Yara has made many numbers. appearances around the country since the show aired. Yara is a unique blend of talent, beauty, charisma, and humor. AutographIMeet & Greet Party MARIAH BALENCIAGA following show. Strikingly 6' 2" tall, Mariah Paris Balen- ciaga hails from Georgia. Her beauty was a Free Cover Before 10PM with sight to behold in her appearances as a VIPText. $12 atthe door contestant in Season 3. Following her appearances on Rupaul' s Drag Race, Mariah has also starred on Rupaul's Drag Bottle ServicelTable Reservations: U. Mariah is a veteran of the ballroom email [email protected] dancing scene, and has been a hairdresser for the past 13 years. ALEXIS MATEO Alexis finished in the top 3 of the recent Rupaul's Drag Race! Alexis travels exten- sively as a representative ofRupaul's Drag Race. Alexis studied Dance & Choreogra- phy in Puerto Rico. She has won the Inter Fashion Award for Best Fashion Designer Enter to win and moved to Florida to become a an Apple iPad2 dancer/performer at Disney World. -
Feminist Media Studies “She Is Not Acting, She
This article was downloaded by: [University of California, Berkeley] On: 06 January 2014, At: 10:16 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Feminist Media Studies Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rfms20 “She Is Not Acting, She Is” Sabrina Strings & Long T. Bui Published online: 27 Aug 2013. To cite this article: Sabrina Strings & Long T. Bui , Feminist Media Studies (2013): “She Is Not Acting, She Is”, Feminist Media Studies, DOI: 10.1080/14680777.2013.829861 To link to this article: http://dx.doi.org/10.1080/14680777.2013.829861 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
UNIVERSITY of HOUSTON Commencement Spring 2014
UNIVERSITY OF HOUSTON COMMENCEMENT SPRING 2014 Message from Renu Khator, President . 3 University of Houston System Board of Regents . .4 University of Houston Deans . 5 Commencement Program for 9 a.m. Friday, May 9, Ceremony . 6 Commencement Program for 2 p.m. Friday, May 9, Ceremony . 7 Commencement Program for 7 p.m. Friday, May 9, Ceremony . 8 Commencement Program for 9 a.m. Saturday, May 10, Ceremony . 9 Commencement Program for 2 p.m. Saturday, May 10, Ceremony . 10 History of UH and UH System . 11 Commencement Traditions . 12 Ceremonial Symbols . 13 Honorary Degree . 14 Honors . 15 Spring Candidates for Graduation and Fall Graduates - Gerald D. Hines College of Architecture . 16-17 - C. T. Bauer College of Business . 18-24 - College of Education . 25-28 - Cullen College of Engineering . 29-32 - Conrad N. Hilton College of Hotel and Restaurant Management . 33-34 - College of Liberal Arts and Social Sciences . 35-47 - College of Natural Sciences and Mathematics . 48-52 - College of Technology . 53-55 - The Honors College . 56-59 Message from Starlet Agrella (BBA ’86, MBA ’89), Chair, Board of Directors, UH Alumni Association . 60 Special Thanks . 61-62 For additional information about Commencement at University of Houston, please visit www.uh.edu/commencement. 2 University of Houston Renu Khator President May 2014 Dear Graduate: Congratulations on one of the happiest, most memorable, and most important days of your life – the day of your graduation! The University of Houston is a very special place . It is the place that welcomed you, helped you grow intellectually, and encouraged you on your journey . -
Two Perfect Days in Napa! Page 14
Volume 25 • Issue 19 • No. 466 • October 11, 2012 • outwordmagazine.com Two Perfect Days In Napa! page 14 Suit Filed Over Use of Photo page 8 Nadia G Offers Tips for a Knock-Out Holiday Party page 16 New Streisand page 19 Food Beverage Nightlife! Annual Special Issue COLOR COLOR AETNA ANTHEM BLUE CROSS PRUDENTCopyright © UC Regents, DavisBUYER campus, 2011. All Rights Reserved. BEECH STREET BLUE CROSS LUMENOS BLUE SHIELD CHAMPUS TRI WEST CIGNA FIRST HEALTH COVENTRY GREAT WEST HEALTH PLAN HEALTH NET HEALTH NET ELECT & SELECT INTERPLAN MULTIPLAN PACIFICARE PACIFIC FOUNDATION FOR MEDICAL CARE UNITED HEALTH CARE WESTERN HEALTH ADVANTAGE AETNA ANTHEM BLUE CROSS PRUDENT BUYER BEECH STREET BLUE CROSS LUMENOS BLUE SHIELD CHAMPUS TRI WEST CIGNA FIRST HEALTH COVENTRY GREAT WEST HEALTH PLAN HEALTH NET HEALTH NET ELECT & SELECT INTERPLAN MULTIPLAN PACIFICARE PACIFIC FOUNDATION FOR MEDICAL CARE UNITED HEALTH CARE WESTERN HEALTH ADVANTAGE AETNA ANTHEM WHAT DO YOU SEE? We see patients from most major health plans. You see access to world-class health care. UC Davis Health System accepts most major health plans, including the ones above. To select your personal UC Davis doctor, make sure your health insurance plan includes UC Davis Medical Group. Next, choose us as your preferred medical group. You’ll be welcomed by an entire team of expert doctors, nurses and specialists who recognize what makes you one-of-a-kind. We’ll even help match you to a primary care doctor in any of our 16 convenient locations throughout the area. To see the full story and more, visit YouSeeTheFuture.UCDavis.edu. -
The History and Representation of Drag in Popular Culture; How We Got to Rupaul
MASARYK UNIVERSITY FACULTY OF ARTS The History and Representation of Drag in Popular Culture; How We Got to RuPaul Bachelor's thesis MICHAELA SEVEROVÄ Supervisor: Jeffrey Alan Vanderziel, B.A. Department of English and American Studies English Language and Literature Brno 2021 MUNI ARTS THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Bibliographic record Author: Michaela Severovä Faculty of Arts Masaryk University Title of Thesis: The History and Representation of Drag in Popular Culture; How We Got to RuPaul Degree Program: English Language and Literature Supervisor: Jeffrey Alan Vanderziel, B.A. Year: 2021 Number of Pages: 72 Keywords: drag queens, RuPauVs Drag Race, drag, LGBTQ+, representation, queer culture, sexuality 2 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Abstract This bachelor thesis deals with drag and its representation in popular culture, focus• ing on RuPaul's Drag Race. It analyses the representation of drag by explaining some basic terms and the study of the history of drag. It then analyses the evolution of the representation of drag queens in movies and shows. The main focus of this thesis is the American TV show RuPaul's Drag Race and how it changed the portrayal of drag and the LGBTQ+ community in popular culture. The thesis questions if the show is as progressive and diverse as it proclaims to be and if it shows the authentic image of drag culture. 3 THE HISTORY AND REPRESENTATION OF DRAG IN POPULAR CULTURE; HOW WE GOT TO RUPAUL Declaration I hereby declare that this thesis with title The History and Representation of Drag in Popular Culture; How We Got to RuPaul I submit for assessment is entirely my own work and has not been taken from the work of others save to the extent that such work has been cited and acknowledged within the text of my thesis. -
“It's Not Personal, It's Drag”: the Sassy Politics of Rupaul's Drag Race
Felipe González Silva 2078621G MLitt Film and Television Studies Dissertation – September 2015 “It’s Not Personal, It’s Drag”: The Sassy Politics of RuPaul’s Drag Race Supervised by Professor Karen Lury University of Glasgow Word count: 14,840 Beneficiario COLFUTURO 2014 Abstract After the success of reality competition shows such as Project Runway and America’s Next Top Model in the United States, RuPaul’s Drag Race reached the small screen to be the first TV programme of its kind to feature drag queens. Through textual analysis and theories of queer and feminist studies, this thesis joins the fundamental debates about drag and its role in society. With these debates as a starting point, this thesis is dedicated to determining the position of Drag Race within the tension between gay politics and queer politics that lies in the programme’s construction of what drag is supposed to be. By focusing on the relation of masculinity and femininity in drag, and on the role of sleaziness in drag, this thesis argues that RuPaul’s Drag Race refuses to be located unequivocally as a project of either gay or queer politics. This reading does not only propose an innovative take on the programme but it also manages to further problematise the distinction between the two “kinds” of politics. Key words: RuPaul’s Drag Race, drag, gay politics, queer politics, femininity, masculinity, sleaziness, gender, race ii Acknowledgements I would like to show gratitude to my supervisor, Professor Karen Lury. Her impressive knowledge and sensibility about television and academia in general, along with her commitment to my project, helped me develop this dissertation successfully. -
Calling All the Queens! Visibilidades De Gênero No Programa De TV Rupaul’S Drag Race1
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XVII Congresso de Ciências da Comunicação na Região Nordeste – Natal/RN – 02 a 05/07/2015 Calling All The Queens! Visibilidades de gênero no programa de TV RuPaul’s Drag Race1 Joseylson Fagner dos SANTOS2 Universidade do Estado do Rio Grande do Norte (UERN), Mossoró, RN Resumo: O presente artigo se propõe a discutir a visibilidade de indivíduos e identidades drag queen a partir da veiculação de RuPaul’s Drag Race, programa de televisão transmitido em canal por assinatura no território norte-americano. O texto faz parte de um estudo preliminar a respeito das aproximações culturais entre a cena estadunidense e a brasileira, pela qual circulam referências sobre personagens e experiências drag queen. Para tanto, faz uma análise qualitativa de duas temporadas (2013 e 2014) do programa e suas principais articulações sobre as questões de gênero e identidade sexual que fundamentam a posterior análise e discussão de outros experimentos no Brasil. A reflexão iniciada aqui é pautada pela reflexão sobre como as referências apresentadas no programa permitem articular elementos como a visibilidade social dessas personagens na cena LGBT, e a articulação de questões de gênero e das sexualidades na difusão em meios de comunicação de massa. Palavras-chave: drag queen; papéis de gênero; comunicação de massa; televisão; RuPaul’s Drag Race. INTRODUÇÃO Who do you think you are? I'm telling the truth now We're all born naked And the rest is drag — RuPaul Presença irreverente e icônica na cena LGBT norte-americana desde a metade dos anos 1980, a figura andrógina de RuPaul Andre Charles – que posteriormente ficou conhecida apenas por RuPaul – tornou-se um fenômeno de mídia após surgir como drag queen3 nos meios de comunicação de massa dos Estados Unidos como ator, cantor e diretor numa variedade de filmes, programas de rádio e de TV, propagandas, eventos sociais e casas noturnas, além dos videoclipes musicais para promover álbuns gravados como cantora. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Reading RuPaul's Drag Race: Queer Memory, Camp Capitalism, and RuPaul's Drag Empire Permalink https://escholarship.org/uc/item/0245q9h9 Author Schottmiller, Carl Publication Date 2017 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. -
The Fiercest Queens in the History of "Rupaul's Drag Race" Return to Battle It out on Logo's New Series "Rupaul's All Stars Drag Race"
The Fiercest Queens in the History of "RuPaul's Drag Race" Return to Battle it Out on Logo's New Series "RuPaul's All Stars Drag Race" Pandora Boxx, Tammie Brown, Nina Flowers, Jujubee, Mimi Imfurst, Manila Luzon, Alexis Mateo, Chad Michaels, Raven, Latrice Royale, Shannel and Yara Sofia Vie to Secure a Spot in the "Drag Race Hall of Fame" and $100K Celebrity Guest Judges Include: Rosie Perez, Ross Matthews, Rachel Hunter, Vickie Lawrence, Busy Phillips, Rachel Dratch, Janice Dickinson, Wendy McClendon-Covey, Elvira, Beth Ditto and Cheri Oteri "RuPaul's All Stars Drag Race" Premieres Monday, October 22 at 9:00 PM ET/PT Followed by the Season Premiere of "Untucked: All Stars" at 10:00 PM ET/PT NEW YORK, Aug. 9, 2012 /PRNewswire/ -- They come armed with stilettos, feathers and sequins, prepared for a battle where one false move—or eyelash—could spell doom. They are the best-of-the-best, the top queens from "RuPaul's Drag Race" Seasons 1-4, and they're ready to lip-synch for their lives to determine which All-Star will walk away with $100K and a spot in the "Drag Race Hall of Fame." Join RuPaul as he welcomes back the most celebrated queens of the past for Logo's new series "RuPaul's All Stars Drag Race" -- the wildest, most jaw-dropping, and outrageous Drag Race yet. Comprised of six, one-hour episodes, "RuPaul's All Stars Drag Race" premieres Monday, October 22 at 9 PM ET/PT on Logo with a special "Rupersized" episode containing 10 bonus minutes. -
UNIVERSITY of CALIFORNIA Los Angeles Reading Rupaul's Drag Race
UNIVERSITY OF CALIFORNIA Los Angeles Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Carl Douglas Schottmiller 2017 © Copyright by Carl Douglas Schottmiller 2017 ABSTRACT OF THE DISSERTATION Reading RuPaul’s Drag Race: Queer Memory, Camp Capitalism, and RuPaul’s Drag Empire by Carl Douglas Schottmiller Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2017 Professor David H Gere, Chair This dissertation undertakes an interdisciplinary study of the competitive reality television show RuPaul’s Drag Race, drawing upon approaches and perspectives from LGBT Studies, Media Studies, Gender Studies, Cultural Studies, and Performance Studies. Hosted by veteran drag performer RuPaul, Drag Race features drag queen entertainers vying for the title of “America’s Next Drag Superstar.” Since premiering in 2009, the show has become a queer cultural phenomenon that successfully commodifies and markets Camp and drag performance to television audiences at heretofore unprecedented levels. Over its nine seasons, the show has provided more than 100 drag queen artists with a platform to showcase their talents, and the Drag Race franchise has expanded to include multiple television series and interactive live events. The RuPaul’s Drag Race phenomenon provides researchers with invaluable opportunities not only to consider the function of drag in the 21st Century, but also to explore the cultural and economic ramifications of this reality television franchise. ii While most scholars analyze RuPaul’s Drag Race primarily through content analysis of the aired television episodes, this dissertation combines content analysis with ethnography in order to connect the television show to tangible practices among fans and effects within drag communities. -
Realness Over Reality: Analyzing Gender Binary Deconstruction in Rupaul's Drag Race
Bowling Green State University ScholarWorks@BGSU Ray Browne Conference on Cultural and Critical Studies 2018: Borders and Borderlands Apr 7th, 3:00 PM - 3:50 PM Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Jonah Wilson Bowling Green State University, [email protected] Follow this and additional works at: https://scholarworks.bgsu.edu/rbc Part of the Lesbian, Gay, Bisexual, and Transgender Studies Commons, Other Feminist, Gender, and Sexuality Studies Commons, and the Other Film and Media Studies Commons Wilson, Jonah, "Realness Over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race" (2018). Ray Browne Conference on Cultural and Critical Studies. 6. https://scholarworks.bgsu.edu/rbc/2018conference/011/6 This Event is brought to you for free and open access by the Conferences and Events at ScholarWorks@BGSU. It has been accepted for inclusion in Ray Browne Conference on Cultural and Critical Studies by an authorized administrator of ScholarWorks@BGSU. Wilson 1 Jo Wilson Ray Browne Popular Culture Conference, Spring 2018 Realness over Reality: Analyzing Gender Binary Deconstruction in RuPaul’s Drag Race Following the 2008 elections: twenty-nine out of fifty U.S. states legalized same-sex marriage (Liu), Stu Rasmussen, the first openly transgender mayor was elected in the country (Wong), and then-President Barack Obama appointed the first openly transgender woman to a cabinet position (Riley). After talking to producers beginning in 1998, RuPaul Charles premiered his namesake reality show, RuPaul’s Drag Race (RPDR) in 2009 (Daems 14). The show, with the potential to break down barriers of gender expression and sexuality, has had a fair share of controversies—particularly surrounding transphobia and misogyny. -
Interview with Cee-Cee Larouge Chicago-Based Drag Performer and Fashion Designer
Interview with Cee-Cee LaRouge Chicago-based drag performer and fashion designer Interview conducted and written by A.J. Smuskiewicz for publication in the CAAN Intersections newsletter - http://caanmidwest.org/index.html Cee-Cee LaRouge describes herself on her Facebook page as a “self-made drag queen.” The Chicago-native, of Puerto Rican ancestry, began performing in drag at Maneuvers bar in Joliet in 1999. She was crowned Miss Gay Joliet 2009. Since that first pageant victory, she has competed in numerous additional pageants and has won many titles, including the following: Miss Illinois USofA at Large 2011 Miss Tri-States North America International at Large 2011 Miss Wisconsin North America International at Large 2012 Miss North America International at Large 2013 Miss Five Nightclub Plus 2013 Miss Elite of Elegance 2013 Miss Chicago Continental 2013 Miss Midwest United States 2016 Cee-Cee performs regularly in drag shows at venues throughout the Midwest, primarily in “Dining with the Divas” at Hamburger Mary’s in Oak Park and Milwaukee, as well as at Berlin, Hydrate, Progress, and Atmosphere in Chicago; Club Krave in Blue Island; Club Diesel in Peoria; The Office in Rockford; Traz in Carbondale; several nightclubs in Wisconsin; and many other regional night spots. She has also performed in shows in Las Vegas. In addition to pursuing her drag career, Cee-Cee has founded her own fashion business in Blue Island called LaRouge Designs, featuring her unique, customized showgirl-style designs of dresses, gowns, body suits, and other clothing. She also has merchandise for sale at teespring.com, such as t-shirts, tote bags, and coffee mugs baring her likeness, and she is very active on social media, including Facebook and Twitter: https://www.facebook.com/CeeCeeLaRouge/ https://www.facebook.com/DesignsByLaRouge/ https://twitter.com/cc_larouge AJS: I met you and Twila [one of Cee Cee’s “drag children”] at Maneuvers a couple times several years ago, including at the 2010 New Year’s Eve party.