IN DAMASCUS INTRODUCTION that draw on his first-hand experiences in Syria, eloquently translated by Anne-Marie McManus. The has long admired the music Out of Time and the Piano Quintet are both works of Jonathan Dove, speaking as it does with such of intense lyricism and immense charm. To our directness, warmth and humanity – and to so many. surprise, neither had been recorded, and we were naturally delighted to be the first to We were therefore delighted when discussions Piano Quintet In Damascus for Tenor and String Quartet rectify that omission. 1 I. Energetic [6.33] Text by Ali Safar, as translated by between the quartet and tenor Mark Padmore 2 II. Very spacious [9.01] Anne-Marie McManus resulted in a commission for Jonathan to produce The collaboration with Jonathan Dove on for us a new work for voice and string quartet. 3 III. Lively [5.40] 0 I. A little while ago [2.54] these three recent pieces, and with pianist q II. And what if you weep alone [1.33] The idea for the song-cycle In Damascus, sprang Charles Owen and tenor Mark Padmore, has from violinist Hannah Dawson’s suggestion that w III. Two days ago [3.49] proved among our most rewarding creative Out of Time for String Quartet the work should reflect aspects of the conflict 4 e IV. Here and now in Damascus [2.32] experiences to date, and we are all truly I. Quite fast [3.23] in Syria; not because music can offer any political r excited to be making this music available on 5 II. Slow [4.29] V. The many faces of Damascus [3.37] solution, but simply as an expression of empathy, t recording for the very first time. 6 III. Stomping [1.19] VI. Instrumental [1.51] sorrow, even outrage at those terrible events. y 7 IV. Lively [1.57] VII. Soon, we will be free [5.00] The text is taken from prose-poems by Ali Safar Sacconi Quartet 8 V. Fast [1.28] u VIII. I don’t think any nations [2.59] 9 VI. Gently moving [5.22] i IX. On all my travels, I’d take a book [2.43] o X. My heart is a black lump of coal [2.48] p XI. My country [4.18]

Total timings: [73.20]

SACCONI QUARTET MARK PADMORE TENOR CHARLES OWEN PIANO The Sacconi Quartet, Jonathan Dove and Charles Owen. www.signumrecords.com - 3 - IN DAMASCUS in Mozart’s Figaro are replaced, in Out of of George Law, a long-standing patron of The slow movement is the emotional heart of Time, with a single, real person. Dove describes the festival. This is a more ambitious structure, the piece, starting with a serene threnody Even though Jonathan Dove is best known as Out of Time as ‘a serenade for someone I and even though the work bears an abstract that could be a distant and sunnier relation a vocal or choral composer, with operas and never met’. The piece, commissioned for the title, it does evoke the circumstances of its of the famous Adagietto from Mahler’s 5th works for children forming the backbone of Vanbrugh Quartet, by Mrs Elizabeth Allsebrook composition, which was started in May 2008, symphony. This is interrupted by a striking his output, his chamber music reveals similar in memory of her husband, Peter, is not a in Umbria, where Dove was in residence with bell like figure in the piano, and these two predilections for narrative, drama, atmosphere musical portrait, but an evocation of someone a Civitella Ranieri Fellowship. It was also discrete sound worlds eventually build to a and a sense of the personal. His breakthrough with life-enhancing energy, and an elegy for the first work of a new phase of Dove’s solemn processional. Though Dove disavows a piece, Figures in a Garden (1991), a wind his departure. There are six short movements, compositional life, when after a very hectic programme for this work, the music is visual octet based on Mozart’s Le nozze di Figaro, opening with a rushing, rustling idea that few years, culminating in his, to date, largest and atmospheric and builds to a climax of is in essence a small drama without singers, occasionally blossoms into a fragment of opera, The Adventures of Pinocchio, he took a almost cinematic intensity. The finale is a and much of his non-vocal music is inspired expressive melody. The second is, in the six-month sabbatical. Thus he states: more rumbustious, straightforward piece, by visual, literary, personal sources. Though composer’s own words, ‘a kind of nocturne in with a catchy tripping rhythm, which though Out of Time (2001) is, to date, Dove’s only which the gentle pulsings are slightly out of ‘I wanted to write music independent of regular, cunningly wrong foots the listener, ‘pure’ string quartet, he has written extensively time with each other, like sleepers in the outside sources. So this Piano Quintet has no and it sustains a summery festival mood to a for quartet, either as an accompaniment to same room’. This is followed by a brief bucolic programme or hidden story. The bells in the joyous conclusion. singers, or in his chamber operas; so in fact, dance, marked ‘stomping’. The last three second movement are not the bells of Gubbio; a chamber music aesthetic, whether ‘pure’, or movements run together, a jig that reveals a yet, in some way, I suspect that all those With In Damascus (2016) for tenor and string disguised as support for a drama, or a vocal little folk-like melody that dominates in a summer sensations have coloured this score.’ quartet we are in a very different world. piece, looms large in his considerable output. slow nostalgic conclusion; a more aggressive, Commissioned by the artists on this recording The chamber pieces on this CD are both personal, but still bucolic movement that leads, by way The first movement, marked ‘Energetic’ starts for the Sacconi Festival in Folkestone, the and with the final vocal piece, In Damascus of the little folk fragment to an elegiac finale, with a little piano figure that could be evocative quartet suggested a Syrian theme, which Dove (2016), politically engaged as well. where the folkish melody plays out to a of birdsong, and also playfully refers to the welcomed, as he had been a visitor there procession of slow moving lines, as an apotheosis. opening gesture of his first big operatic twenty years previously. In the programme Though Out of Time has no overt musical success ‘Flight’. It is a moto perpetuo, with note for the premiere, Dove wrote: connection with Mozart, it shares a similar world The Piano Quintet (2009) also celebrates a life: two points of rest, a floating theme interrupts to Figures in a Garden. Both pieces are made it was commissioned for the Spitalfields twice, and there is a striking, extended build ‘I had a purpose (I was writing music for a up of a mosaic of short movements, and have Festival, where Dove had been artistic director up from the depths of piano and cello to the play about Palmyra’s Queen Zenobia) but a relaxed and benign feel, though the characters from 2001-6, to celebrate the 80th birthday extreme top of the range of all instruments. essentially I was a tourist. Like any visitor,

- 4 - - 5 - I was thrilled to step out of the noisy yet vivid account of life in a war-torn country, A weary rising theme depicts refugees queuing Syrians in their expressions of sadness, their modern city into the magical ancient world of all the more moving for its restraint. to leave the country in the third, which is airing of grief. In nos. 9: On all my travels, I’d the walled Old City, its vibrant souk leading another variation on the opening chords. The take a book and 10: My heart is a black lump to the magnificent mosque, and a labyrinth ‘In setting these words, I have not attempted to mood brightens in the 4th song: Here and of coal, Dove takes a leaf out of Arvo Pärt’s of winding, narrow streets filled with the smell imitate Syrian music. However, there is what now in Damascus, which shows everyday life book in contrasting expressive cantilenas of unleavened bread. might be called a linguistic accommodation in proceeding, though it is dramatically shattered supported by the simplest and most my choice of scale, or mode. Several movements by the expectation of new bombs falling. The unobtrusively minimal of accompaniments. ‘In Palmyra, I was met with extraordinary are in a mode that I first discovered while following number tensely peruses the suffering The conclusion: My country, please wait a kindness everywhere. On one occasion, a writing a cantata commemorating the First faces in the crowds, and the tension is further little longer is a numbed, shattered plea little Bedouin boy noticed that I was risking World War: it has a tuning that I associate ratcheted up by an instrumental number, which for hope. One senses, in this work, Dove sunstroke wandering bare-headed among the with war, its violence and desolation. This culminates in anguish and dissonance. No. 7, striving to pare his language back to spectacular ruins: he showed me how to tie eight-note mode is similar to scales found in Soon, we will be free, is a numb and extremely the absolute minimum, to achieve the starkest a turban, then took me to have tea with his Syrian music. I did not choose it in the abstract: simple plaint in the face of annihilation, expression possible: anything else, in these family in their tent. it emerged from the harmonies I was exploring accompanied by a spare chordal accompaniment circumstances, would seem an impertinence. in the earlier work, and emerged again as I on the quartet. A lengthy fugal passage, lost, ‘Since then, I have watched helplessly as these was looking for the right musical colours to set meandering and ambiguous, preludes no. 8: © Julian Grant places of wonder have been devastated and Ali Safar’s words.’ I don’t think any nations in existence will match their inhabitants scattered and killed. I searched for a long time to find a contemporary poet The work is in eleven movements, the first whose work might gain from any music I opening with a brusque and weary series of could imagine. I felt it was important to find dissonant chords for the string quartet: these first-hand accounts of the Syrian experience contain in embryo much of the musical material – but, of course, I was always reading them that follows. Dove’s dramatic mastery is soon in translation. In an anthology called Syria in evidence with the opening lyrical recitatives, Speaks, I was astonished to read something describing children not waking but floating that looked like prose, but was full of poetry. away – only at the end do the narrator and It was Anne-Marie McManus’s fine translation the quartet vent their anger. The second song of Ali Safar’s A Black Cloud in a Leaden And what if you weep alone is an extremely simple White Sky – an eloquent, thoughtful, contained lament, with a dragging chordal accompaniment. Mark Padmore and the Sacconi Quartet, with recording engineer Andrew Mellor and producer Raphaël Mouterde.

- 6 - - 7 - In Damascus 4 Here and now in Damascus, in spite of of joy. Soon, mankind, you will have your quet Our days: a black box, never to be opened… everything, there are white clouds laced with once more, and we promise we won’t disturb from A Black Cloud in a Leaden White Sky, or Death black; a light, cool breeze; the sounds of the you again… for a pathway to the sky has q My country, please wait a little longer. We by Stabs of Sorrow call to prayer piercing the noise of construction opened for us, and look! We’re getting ready. were only born a short time ago, and after a by Ali Safar (translated by Anne-Marie McManus) on a nearby building. short time we will leave… as published by Saqi Books in “Syria Speaks” 8 I don’t think any nations in existence will Ordinary details: I let them soak into me. The match Syrians in their expressions of sadness, And the women of the fields and the mountains 1 A little while ago in the Damascus pain in my head remains, waiting for the sound their airing of grief. and the cities and the villages are still waiting neighbourhood of Zuhur, children were drifting of the next explosion. for us… off to sleep, believing there was a truce for 9 On all my travels, I’d take a book. Usually, the holiday. But they did not return to Earth, 5 The many faces of Damascus. A man I’d leave it in the country I visited. Mothers and beloved ones… and their souls drifted higher and higher, smiling at me even though his face is tired, never coming to rest. A curse on anyone on the verge of tears. A child sells me a cheap When my friends took a trip, I’d give them who celebrates today… piece of chocolate, his face dreaming of a book ... new days ... faces, faces, some of them tinged with 2 And what if you weep alone at the end of pain, others smeared with hope. My problem now isn’t the books that we the night ... Will the children find their way give to the people who leave us, hoping they’ll home in the morning, laughing, abundant as This Damascus of so many faces can close return, but the books that go with the people the rain? her eyes for a little while. She’s worn out and who can never return ... haggard – but she’s not yet dead ... 3 Two days ago we were standing where Every person who leaves us is a book, a book in the long line of Syrians trying to leave the The faces of Damascus are just like her… himself. And it won’t be long before we return ... country waited ... Nothing happened, except As we once were, a nation without books. that we saw a nation where the sun had 7 Soon, we will be free. We will be free burned out. Over time, no light remained for of our faces and our souls – or our faces 0 My heart is a black lump of coal. its residents except the spark of their eyes, and our souls will be free of us. And the happy which were fading ... Like tears… world won’t have to listen to our clamour My heart is a full stop on a page. In it, the students anymore, we who have ruined the peace of of life will write letters of hope. this little patch of Earth and angered a sea

- 8 - - 9 - SACCONI QUARTET Festival outreach programme and the CAVATINA and Cara Berridge plays a Nicolaus Gagliano Chamber Music Trust. cello from 1781. Ben, Hannah & Cara have all Ben Hancox violin been generously loaned these instruments by Hannah Dawson violin The Quartet’s recording of Beethoven Op. 132 the Royal Society of Musicians, a charity which Robin Ashwell viola and Mendelssohn Op. 13, the first commercial helps musicians in need, for which they are Cara Berridge cello pairing of these closely related works, was extremely grateful. Robin is indebted to Ellen recently released on Sacconi Records, and Solomon for the use of his viola. Performing with style and commitment, the received a 5-star review in Classical Music. The www.sacconi.com Sacconi Quartet is known throughout the world previous release, a disc of Czech quartets, was for its creativity and integrity of interpretation. received with widespread critical acclaim and is MARK PADMORE Formed in 2001, its four founder members regularly broadcast on BBC Radio 3 and Classic continue to demonstrate a shared passion for FM. The Quartet’s debut recording of Haydn’s Mark Padmore was born in , grew up string quartet repertoire, infectiously reaching opus 54 quartets was praised in the press and in Canterbury and studied at King’s College, out to audiences with their energy and enthusiasm. including Pekka Kuusisto, Freddy Kempf, both their Ravel and Haydn CDs were featured in Cambridge. He has established an international The Quartet enjoy a highly successful international Melvyn Tan, Simon Crawford-Phillips, Vladimir The Full Works programme on Classic FM. They career in opera, concert and recital and career, performing regularly throughout Europe, Ashkenazy, Guy Johnston, Alasdair Beatson, Tom have also recorded for Signum, NMC and Champs his performances in Bach’s Passions have at London’s major venues, in recordings and Poster, Matthew Rose, Bellowhead’s Jon Boden Hill Records, and their 2006 Naxos recording of gained particular notice throughout the world. on radio broadcasts. The Sacconi is Quartet in and actor Timothy West. Finzi’s song cycle By Footpath and Stile with The acclaimed staged St Matthew Passion Association at the and baritone Roderick Williams was well received in with the and Sir Simon Associate Artist at the Bristol Old Vic. The Quartet’s Sacconi Chamber Music Festival all the national broadsheets and BBC Music Magazine. Rattle was awarded the BBC Music Magazine in Folkestone is an established event in the 2013 DVD Award. Comwqposers who have The Quartet has given over twenty world premières cultural calendar and is expanding year on year The name Sacconi Quartet comes from the written for him include , Harrison and British premières, including works by with challenging programming and exciting outstanding twentieth-century Italian luthier and Birtwistle, Jonathan Dove, Thomas Larcher, Jonathan Dove, György Kurtág, Graham Fitkin, collaborations. Firm believers in the importance restorer Simone Sacconi, whose book The Secrets Nico Muhly, Alec Roth, Mark-Anthony Turnage, Paul Patterson, John McCabe, Simon Rowland- of bringing chamber music to the next generation, of Stradivari is considered an indispensable , and Hans Zender. Jones, John Metcalf and Robin Holloway, and the Sacconi Quartet dedicates much passion, reference for violin makers. Ben Hancox plays a they performed as the solo string quartet on time and energy to education work. They regularly 1932 Sacconi violin and Robin Ashwell a 1934 As well as regular appearances at many of Paul McCartney’s hit song Come Home. The Quartet lead workshops and give school and family Sacconi viola, both made in New York. Hannah the world’s leading opera houses, he appears has been joined on stage by countless musicians concerts as part of the Sacconi Chamber Music Dawson plays a 1927 Sacconi violin made in Rome, with the Munich Radio, Berlin, Vienna, New York,

- 10 - - 11 - international career performing a wide ranging JONATHAN DOVE repertoire to outstanding critical acclaim. Jonathan Dove is the most performed living He has appeared at London’s Barbican and opera composer in the UK. His twenty-five Queen Elizabeth Hall and regularly gives recitals works in this genre come in all shapes and at the and Kings Place. sizes and form the backbone to his considerable Internationally, he has performed at the Lincoln oeuvre. Much of his other music is palpably Center and Carnegie Hall in New York, the narrative and dramatic in conception, and Brahms Saal in Vienna’s Musikverein, the Paris covers a great range of subject matter, from Musée d’Orsay, and the Moscow Conservatoire. contemporary to legendary, fairy-tale to His chamber music partners include Julian sexual politics, catering to all audiences Rachlin, Chloe Hanslip, , Mark from children to adult. His two full-scale operas, © Sim Canetty-Clarke © Marco Borgrevve Padmore and as well as the Flight (Glyndebourne 1998) and The Adventures London Philharmonic, London Symphony and the Vertavo, Takacs, Sacconi and Elias Quartets. Philharmonia, Royal Scottish National and of Pinocchio (Opera North 2007) have been Royal Concertgebouw Orchestras. His recording of He also enjoys a highly successful piano duo London Philharmonic orchestras. produced in America, Europe and Australia; Schubert’s Winterreise with Paul Lewis won the partnership with Katya Apekisheva. Together but writing for the community, and children Gramophone Magazine Vocal Solo Award in 2010. they are Co Artistic Directors of the London Charles’ solo recordings comprise discs of is an important priority. As Artistic Director Piano Festival. piano music by J.S. Bach –The Six Keyboard of the Spitalfields Festival from 2001-6, he Mark was voted 2016 Vocalist of the Year by Partitas - Janácek, Poulenc and the complete highlighted in the programming the diverse Musical America and was awarded an Honorary Charles studied in London at the Yehudi Nocturnes and Barcarolles by Fauré. Chamber Menuhin School and the Royal College of Music immigrant populations residing in East Doctorate by Kent University in 2014. Mark is music discs include the cello sonatas of London; and a children’s opera, The Hackney Artistic Director of the St. Endellion Summer with Irina Zaritskaya and Imogen Cooper. His Brahms, Rachmaninov and Chopin with Natalie numerous awards include the Silver Medal at Chronicles, was designed for local schools Music Festival in Cornwall. Clein and the Stravinsky Piano Ballets with to perform. His community cantata, On the Scottish International Piano Competition Katya Apekisheva. (1995) and the 1997 Parkhouse Award with Spital Fields, won the RPS Education award CHARLES OWEN violinist Katharine Gowers. Charles Owen is a Professor of piano at the in 2006; and he won the Ivor Novello Guildhall School in London and has been appointed Award in 2008 for his services to classical Described by Gramophone magazine as “one A regular guest at festivals such as Aldeburgh, the first Steinway & Sons UK Ambassador. music. In 2015 his community opera The of the finest British pianists of his generation”, Bath, Cheltenham, Leicester and Perth in Monster in the Maze, a co-commission by the Charles Owen has enjoyed an extensive Australia, he has also performed with the www.charlesowen.net Berlin Philharmonic, the LSO and the Aix en

- 12 - - 13 - in North London, and wrote a plethora of (2001), premiered in 2006 by Ian Bousfield include Eloquence of Place (1994), Silent theatre scores for it, the National Theatre and and the London Symphony Orchestra under (1999), Hunting the Stray Sentence (2000) and the Royal Shakespeare Company. Michael Tilson-Thomas, Work in Progress City Child (2012). (2005), a large scale piece for piano and Other associations include Musica nel Chiostro, orchestra, accompanying a film of the Out of Time Batignano (L’augellino belverde 1994, Racconti Commissioned for the Vanbrugh String Quartet by the Summer Music Society construction site from which the Sage Arts of Dorset and Mrs Elizabeth Allesbrook in Memory of Peter Allesbrook. First di speranza e desiderio 2001-6); and two Centre, Gateshead, emerged and was premiered performance on 29th September 2001, Minterne, Dorset television operas for Channel 4: When She Died at the opening of the building, Hojoki – Piano Quintet (Death of a Princess), which achieved record An Account of My Hut (2006) for counter-tenor Commissioned by Spitalfields Festival and funded by George Law in celebration ratings when aired in 2002 because of its of his 80th birthday. First performance on 11th June 2009 by the Schubert and orchestra, and two later pieces which Ensemble, at Spitalfields Festival controversial subject matter, and Man on the show a more political predilection: A Portrait Moon (2006). The Enchanted Pig (2006), a In Damascus of Aung San Suu Kyi (2012) and Gaia Theory Commissioned for the Sacconi Quartet and Mark Padmore by the Friends Christmas opera for the Young Vic, received (2014). Other recent works include Catching of the Sacconi Quartet, the Michael Cuddigan Trust and the Vernon Ellis an initial run of 81 performances – unheard of Foundation. Premiered at the Sacconi Chamber Music Festival in

© Andrew Palmer Fire, a 60th birthday tribute to pianist Folkestone on 20th May 2016 for an opera – let alone a contemporary one. Melvyn Tan, and cantatas For An Unknown Provence festival was premiered by Sir Simon He is also a prolific and popular choral Recorded at All Saints’ Church, East Finchley, London, UK Soldier, to commemorate the centenary of Out of Time and Piano Quintet recorded from 23rd to 24th June 2016 Rattle in all three countries, and has since composer. There are a series of works based World War 1, and A Brief History of Creation (2016). In Damascus recorded from 14th to 15th July 2016 received further productions in France and Taiwan on his beloved Mozart (Figures in a Garden Producer and Editor – Raphaël Mouterde and a British Composer Award. Recording Engineers – Mike Hatch (June 2016) & Andrew Mellor (July 2016) (1991), An Airmail Letter from Mozart (1993), ALI SAFAR The Magic Flute Dances (1999), and there is Cover Image – Alamy Design and Artwork – Woven Design www.wovendesign.co.uk Hailing from a family of architects, Dove was a nod to Beethoven in his 2015 work for violin Ali Safar is a Syrian writer, poet, critic and playing the organ in his local church at the and piano, Ludwig Games. Material by J.S P 2017 The copyright in this sound recording is owned by Signum Records Ltd filmmaker who is executive producer of Radio © 2017 The copyright in this CD booklet, notes and design is owned by Signum Records Ltd age of twelve, and read Music at Cambridge, Bach is tellingly diffracted in the Köthener Sout Raya, a Syrian radio station currently studying composition with Robin Holloway. Messe, written for the Akademie fur Alte Musik, Any unauthorised broadcasting, public performance, copying or re-recording of Signum Compact based in Istanbul. His autobiographical prose Discs constitutes an infringement of copyright and will render the infringer liable to an action Graduating from the music staff at Glyndebourne, Berlin, which is one of a series of works for by law. Licences for public performances or broadcasting may be obtained from Phonographic poem A Black Cloud in a Leaden White Sky Performance Ltd. All rights reserved. No part of this booklet may be reproduced, stored in a retrieval he first gained prominence reducing a series period instruments, such as The Middleham was published in Syria Speaks (2014), an system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior permission from Signum Records Ltd. of operas, including The Magic Flute, The Ring Jewel (2003), written for an ensemble that anthology of work from Syrian writers and of the Nibelung, and The Cunning Little Vixen includes harpsichord and theorbo and the opera SignumClassics, Signum Records Ltd., Suite 14, 21 Wadsworth Road, Perivale, artists that won an English PEN award. Middx UB6 7JD, UK. +44 (0) 20 8997 4000 E-mail: [email protected] for City of Birmingham Touring Opera, then L’altra Euridice (2001). Notable orchestral Collections of his poetry published in Arabic www.signumrecords.com became music advisor at the Almeida Theatre works include a trombone concerto, Stargazer - 14 - - 15 - ALSO AVAILABLE on signumclassics

Jonathan Dove: There Was a Child Jonathan Dove: For an Unknown Soldier City Of Birmingham Symphony Orchestra London Mozart Players CBSO Chorus Melvyn Tan, Nicky Spence Joan Rodgers, Toby Spence Nicholas Celobury conductor Simon Halsey conductor SIGCD452 SIGCD285

“... joyous, vibrant, passionate ... There Was a Child is a major “As always with Dove, the vocal writing is finely gauged ... Anyone addition to the choral repertoire.” Financial Times coming to these poems for the first time will be left in little doubt as to their emotional acuity…this disc [is] more than just a memento of a major occasion” Gramophone

Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000

- 20 -