Read Ebook {PDF EPUB} Darkness Becomes You by M. Cid D'Angelo Monkey Scribbler's Sugah-tastic Magic Blog. "Morality is a hindrance. We limit ourselves because of our perception of social norms, of believing in fair play. The greatest magicians are those who are willing to accept the consequences of their actions. They do not believe in accidents, in randomness. They believe that they are forever at the center of their existence, in control of their fate." The Red Queen, ENCHANTRESS ON THE EDGE (M Cid D'Angelo) It was Machiavelli who illustrated well the philosophy of unreserved action without troubling oneself over consequences. He argued that the Prince should show no mercy when applying his will; that he should accept everything that he does and desire as so long as the Prince understands and accepts the consequences of his actions. In this argument, morality is abstract; it is but a quaint invention of human society. Nature is cruel, but not cruel by intention if by design. Social animals and insects rarely thrust their individual needs before the group; their instincts hardwired into their behavior for the good of the hive, pride, what-have-you. These social structures in nature become one unit, acting at the will of what that society deems necessary to survive. Human beings are individualistic social animals. We perceive ourselves with self-identity, yet, we also desire the survival tactic of being stronger en masse. The self-identity then becomes a random factor in what would be a true communistic society if everyone shared the same ideals and goals. We have those who show a great deal of altruism instead of selfish pursuits; we have humanitarians and murderers. In Dr. Joshua D. Greene 's essay, "Fruit Flies of the Moral Mind", the philosopher proposes several well-known scenarios to illustrate the moral dilemma that human beings can face from day-to-day, offering altruistic or utilitarian choices. The Crying Baby Dilemma. You have an infant in your arms while with a group of people. There are enemy soldiers nearby looking for your group. If they find you all, they will kill you. Suddenly, the infant begins crying, so you place a hand over its mouth. You then are faced with a moral problem: if you keep holding your hand over the baby's mouth, you will end up suffocating it; if you do not, the infant's cries will alert the soldiers and they will end up killing you all. What do you choose to do? Kill your baby, or face the wrath of the soldiers? The Switch Dilemma. There is a group of people near a railroad track. At that moment, a train loses control and will jump the track and kill everyone unless the far switch is activated. However, there is no time to hurry over to switch it. The only recourse is to push an unsuspecting fellow into the switch as hard as you can, throwing him into the train's path and killing him. The upside? You save the many people across the track. The downside? The man you push dies. What is the best option? The life of one for the life of others? Or is the choice of murdering the unsuspecting fellow too much for you to take on - at least if the group of people die, it was not at your hand? In my Artemus Dark novel, Dark Running , one of the hero's adversaries is a cold, calculating fellow who will stop at nothing to gain his objectives. He has no social moral compass, but he does possess the capacity for social efficiency, i.e., he does not kill or hinder anyone just for the sake of causing harm. This moral question is brought up again in my other novels, Darkness Becomes You and Enchantress on the Edge . In both we have "villains" who understand the need for social norms and morals for the group to survive, but, individualistically, they are quick to take the road of self-interest in furthering their own goals. The moral compass of a character in a story, even beyond the dilemmas of the hero/heroine, creates a vortex of inner strurggle and turmoil. Are we altogether altruistic by nature, or just a society of individuals bounded by our own self-interest? After all, we live our lives subjectively. No one travels our same road. Whether we live for others or live for ourselves, we all reach the final fate. Sunday, August 1, 2010. Noetic Science, Hermetics, and Self-Awareness. Can one dream and wish their life true? A current, popular science is gaining momentum, illuminated in mainstream popular culture by author Dan Brown 's novel, The Lost Symbol . Is it possible for one to realize their life in any scenario they wish, just by focusing one's intention and will upon it? Is it true that, as human beings, we are masters of every facet of our life? As a student of such diverse philosphies as Hermetics and Taoism, such a "science" is hardly new. However, science is mainstream; its definition is one to illuminate the esoteric and forbidden knowledge in an effort for the entirety of humanity to understand how existence works. It is sold, therefore, en masse. Whether or not this spreading of knowledge pertains or has any connection to the theory of Memetics, it is important for the individual to understand who he is and what place in existence he . exists . Most world religions, though commonly possessing certain core beliefs in accordance with the ancient Hermetic statement Know Ye Not That Ye Are Gods? also erode belief in self-empowerment and attempt to pursuade their adherents to throw faith in a deity for such a purpose. However, as Director Cassandra Vieten of the Institute of Noetic Science defines in her Huffington Post article "What is Noetic Science?", self- empowerment is no longer something that belongs in the realm of magic, eastern mysticism, or sorcery. Noetic Science promotes the human achievement of self-actualization; that, we are gods. Human beings possess the mental and spiritual capacity for abstract thought. We create our gods; we have the power to create our own universe. This fundamental ideal follows the biblical question of the conception of Adam and Eve: why had god, after zapping the first couple into existence, cease direct creationism and allowed humans to procreate themselves? As Director Vieten defines it, Noetic Science is "A multidisciplinary field that brings objective scientific tools and techniques together with subjective inner knowing to study the full range of human experience." This notion is primarly focused upon the intention and will of any individual, or, even groups, to bring about even miraculous results in the physical universe. Collective reasoning, collective thought, collective objectives (human consciousness) are rounded out and brought into realization - no matter how challenging the objective could be. In my Artemus Dark novels (represented by the Cherry Weiner Literary Agency), the central theme is, of course, magic used as a fundamental human experience and ability. Even though Artemus Dark - sorcerer, paranormal investigator - lives in a world where will and intention is categorized as the use of "magic," the true science of self-empowerment also runs hand-in-hand with physics and modern technology. Human beings have become gods. The mythology behind this pretense is that "the gods had died, shedding their blood upon the universe and granting mortal man powers to control his fate." The entire series focuses mainly upon the magical side of Hermetics, which arguably, provides the esoteric base for Noetic Science. So, has science itself begun to embrace the ideals of ancient philosophies? As we grow and learn more about our environment, and learn more of our own capabilities as human beings, we begin to realize agnosticism. The ages-old battles between science and religion become less volatile. Even Islam and the Christianity agree that the "Kingdom of God is within you." Noetic Science now grants us at least one concept: self-empowerment is no longer a mantra for Eastern gurus or salespeople. D'Angelo Voodoo. Think of something dark. No, not just night or the color black, but something… thicker. A near sludge of darkness, like murky water showing nothing but your own distorted reflection, now imagine falling straight into that darkness. Congratulations, you just started listening to Voodoo by D’Angelo, and it is one of the darkest funk records of all time. The whole album seems to have some loose narrative about things that go down only at night. The lowest moments of the night seems to seep through the entire record with release coming in relationships and sex, elevating the experience above the mood music of Brown Sugar into something more gripping and elemental. Voodoo is an interesting album to listen to on headphones, but I personally have to encourage listening to it through speakers with a decent subwoofer. The songs don’t so much come from the speakers as much as they creep from them, slowly filling the room with atmosphere. This holds particularly true with Playa Playa, opening with what sounds like, appropriately, a Voodoo ritual of some kind. It then becomes a statement of intent and purpose. “Steal you with my two shot, control you with my drop, blaze you with my handle, and bless you with my pop” sing multi- tracked D’Angelos. Playa Playa exists to serve as a show opener; something to “turn this mutha’ out”, but the effect isn’t so much of excitement as it is seduction. Playa Playa is the set up, and Devils Pie becomes the ambush. Rebuking man for his pursuit of life’s evil pleasures while examine his own wicked pursuits, painting himself as a man conflicted over what he should do and what he is doing. The whole thing comes to a head with the incredible “Fall in line/Fall in line” bridge, transforming the song from depression to redemption. What follows is the albums only slight misstep, Left & Right. The two guest rappers, Method Man and Redman, are unnecessary and disrupt the flow of the song. It’s not a particularly bad song; it just doesn’t quite belong in the context of Voodoo’s better tracks. I’m sure there are people out there who enjoy it much more than me, but it just never worked for me. The next handful of songs rides a rollercoaster of emotional highs and lows. The valley of near suicide in The Line, the cool coffee shop soul high of Send It On and funk jam Chicken Grease, back into the lost love lament low of The Root. Then a quick jam (Spanish Joint) a smooth cover (Feel Like Makin’ Love) and then the three best songs on the album to close it out. Greatdayindamornin’ works a fantastic groove for its entirety while D’ spits about day to day living (Lord knows if there's an angle, gotta try to find it/Gotta get over, before the sun comes up/Just in case of an emergency, gotta tighten up) and also sporting one of the best chorus’s on the album. Then, after a slight jam, comes Untitled. Ok, this is the song that everyone points to as the highlight. Untitled (How Does It Feel?), the song that’s been in all the “Best of the Decade” lists, and for good reason. It is the best song on the album. It’s a 5 star stunner across the board, and it’s the moment where the album bursts free from the darkness into the bright light of sexual climax. After working a massive groove for almost 6 minuets, D’Angelo finally takes his voice and throttles it, busting through the ceiling and the walls leaving only the listener and the singer. It’s incredible to behold and what better way to follow up such a high with the calm of Africa. Its chiming melody sings one to sleep as D’Angelo spins a yarn of African heritage. It’s a beautiful way to close out a dark album. But just as it ends scattered bits of the album play in reverse, rewinding back to the beginning, and before you know it, its started again.