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“From the Cracks in the Sidewalks of NYC”: The
“From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 by Elizabeth Healy Matassa B.A. in Italian and French Studies, May 2003, University of Delaware M.A. in Geography, May 2006, Louisiana State University A Dissertation submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy January 31, 2014 Dissertation directed by Suleiman Osman Associate Professor of American Studies The Columbian College of Arts and Sciences of the George Washington University certifies that Elizabeth Healy Matassa has passed the Final Examination for the degree of Doctor of Philosophy as of August 21, 2013. This is the final and approved form of the dissertation. “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 Elizabeth Healy Matassa Dissertation Research Committee: Suleiman Osman, Associate Professor of American Studies, Dissertation Director Elaine Peña, Associate Professor of American Studies, Committee Member Elizabeth Chacko, Associate Professor of Geography and International Affairs, Committee Member ii ©Copyright 2013 by Elizabeth Healy Matassa All rights reserved iii Dedication The author wishes to dedicate this dissertation to the five boroughs. From Woodlawn to the Rockaways: this one’s for you. iv Abstract of Dissertation “From the Cracks in the Sidewalks of N.Y.C.”: The Embodied Production of Urban Decline, Survival, and Renewal in New York’s Fiscal-Crisis-Era Streets, 1977-1983 This dissertation argues that New York City’s 1970s fiscal crisis was not only an economic crisis, but was also a spatial and embodied one. -
Songs by Artist
Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S. -
By the Rivers of Babylon
Salvaging Exile Why did Christ heal the sick and suffering if he didn’t consider such external conditions important? Why is the kingdom of God equated with the deaf hear, the blind see? . And where do we get the incredible presumption to spiritualize these things that Christ saw and did very concretely? We must end this audacious, sanctimonious spiritualization of the gospel. Take it as it is, or hate it honestly! –Dietrich Bonhoeffer1 Exile, as we often hear it in the church, refers to a “spiritual” experience, our sense of being “strangers in a strange land” but not strangers in a strange actually land. In this book, I argue the theological language of exile is inescapably bound up with the fleshy language of being an exile. Theologically, exile is flesh it and is spirit. Exile, indeed, may signify a disruptive paradigm shift, or a felt anxiety, or the modern sense of “homelessness,” the idea that, as George Steiner puts it, we are “monads haunted by communion.”2 While not denying the power of those understandings, when exile comes to signify such broad and diffuse notions of experience, it can happen that we lose sight of the actual exile. Exile may refer to more than the exile of the body, but we must always remember that it will never be less than the exile of the body: the body deported, the body put into shackles, the body bruised, the body profiled, the body tortured, the body crucified. This book takes the body, the flesh experience of exile, seriously, which is to say, this book takes it theologically. -
F472aab6-Ca7c-43D1-Bb92-38Be9e2b83da.Pdf
NR TITEL ARTIEST 1 Hotel California Eagles 2 Bohemian Rhapsody Queen 3 Dancing Queen Abba 4 Stayin' Alive Bee Gees 5 You're The First, The Last, My Everything Barry White 6 Child In Time Deep Purple 7 Paradise By The Dashboard Light Meat Loaf 8 Go Your Own Way Fleetwood Mac 9 Stairway To Heaven Led Zeppelin 10 Sultans Of Swing Dire Straits 11 Piano Man Billy Joel 12 Heroes David Bowie 13 Roxanne Police 14 Let It Be Beatles 15 Music John Miles 16 I Will Survive Gloria Gaynor 17 Born To Run Bruce Springsteen 18 Nutbush City Limits Ike & Tina Turner 19 No Woman No Cry Bob Marley & The Wailers 20 We Will Rock You Queen 21 Baker Street Gerry Rafferty 22 Angie Rolling Stones 23 Whole Lotta Rosie AC/DC 24 I Was Made For Loving You Kiss 25 Another Brick In The Wall Pink Floyd 26 Radar Love Golden Earring 27 You're The One That I Want John Travolta & Olivia Newton-John 28 Wuthering Heights Kate Bush 29 Born To Be Alive Patrick Hernandez 30 Imagine John Lennon 31 Your Song Elton John 32 Denis Blondie 33 Mr. Blue Sky Electric Light Orchestra 34 Lola Kinks 35 Don't Stop Me Now Queen 36 Dreadlock Holiday 10CC 37 Meisjes Raymond Van Het Groenewoud 38 That's The Way I Like It KC & The Sunshine Band 39 Love Hurts Nazareth 40 Black Betty Ram Jam 41 Down Down Status Quo 42 Riders On The Storm Doors 43 Paranoid Black Sabbath 44 Highway To Hell AC/DC 45 Y.M.C.A. -
Scenes from the Old Testament Daniel in Babylon 24 January 2016 Christopher Rowland
Scenes from the Old Testament Daniel in Babylon 24 January 2016 Christopher Rowland Daniel 1: 1–20 1 Corinthians 1: 20 – 2: 5 Rembrandt Harmenszoon van Rijn (1606–69), Belshazzar’s Feast (c. 1638), National Gallery, London1 Throughout its history the Book of Daniel has been a happy hunting ground for those who would construct a map of the future of the world, but it is less these visions about the finitude of world empires and more the narrative context, which is my particular concern this evening. The stories tell of educated young men suddenly being transported from life in their home city, Jerusalem, to the strange, opulent, world of the court of the king of Babylon, and finding themselves at odds with the surrounding culture. Throughout the Bible, from the stories of the Exile to Babylon through to the dramatic vision of Babylon seated on the many-headed beast in the Book of Revelation, Babylon has represented being confronted by another set of values, cultural and political dislocation, and the necessity of negotiating a way of existing in that situation. It is the kind of disorientation with which a subaltern people has to learn to come to terms, as they find a way of coping and surviving, assuming, that is, that they do not accommodate themselves completely to their oppressors’ culture. Life in ‘Babylon’ was not easy. It is evoked in the opening verses of Psalm 137, an experience with which many have resonated down the ages: By the rivers of Babylon there we sat down and there we wept when we remembered Zion. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Dschinghis Khan HISTORY MIT RS V04 MIT BILDERN
DIE GESCHICHTE DER POPGRUPPE DSCHINGHIS KHAN Mit Ihren Hits wie Dschinghis Khan – Moskau – Hadschi Halef Omar – Rocking Son of Dschinghis Khan – Pistolero - Mexiko und vielen, vielen mehr eroberte die deutschsprachige Popgruppe Dschinghis Khan als THE CONQUEROR IN MUSIC bis heute die Welt. Alles begann 1979. Der Komponist und Produzent, Ralph Siegel, und der Textdichter, Dr. Bernd Meinunger , schrieben das Lied DSCHINGHIS KHAN, mit welchem die gleichnamige Gruppe DSCHINGHIS KHAN zum Vorentscheid des Deutschen Beitrags für den EUROVISION SONG CONTES T – EIN LIED FÜR ISRAEL – am 17. März 1979 in der Rudi – Sedlma yer in München antratt. Dschinghis Khan, das waren die Künstler Wolfgang Heichel, Steve Bender, Edina Pop, Henriette Strobel, Leslie Mandoki und der talentierte Tänzer Louis Potgieter. Innerhalb von nur 6 Wochen, also unter immensem Zeitdruck und mit hohem finanziellem Aufwand, wurden im Siegel Studio die Plattenproduktion der ersten Single – Dschinghis Khan und Sahara – produziert. Vom angesagten Kostümdesigner , Marc Manó, die exot ischen Kostüme geschneidert; von der international arbeitenden Visagisten, Heidi Moser , die markanten Make ups gestaltet; vom Choreographie-Profi für Fernsehshows , Hannes Winkler, wurde die tänzerische Bühnenshow entwickelt und die Künstler von Dschinghis Khan waren je den Tag im Studio und probten, probten und probten, solange, bis die Bühnenshow perfekt war. Dann kam der große Tag. Am 17. März 1979 war in der Rudi-Sedlmayr-Halle in München die Premiere. Die Popgruppe Dschinghis Khan nahm mit ihrem gleichnamigen Titel „ Dschinghis Khan“ an der Deutschen Vorentscheidung zum EUROVISION SONG CONTEST – EIN LIED FÜR ISRAEL - teil. Drei Minuten hatte Dschinghis Khan Zeit , dem deutschen Fernsehpublikum und den Juroren zu zeigen, das s sie den besten Beitrag präsentieren würden. -
Sweet at Top of the Pops
1-4-71: Presenter: Tony Blackburn (Wiped) THE SWEET – Funny Funny ELVIS PRESLEY – There Goes My Everything (video) JIMMY RUFFIN – Let’s Say Goodbye Tomorrow CLODAGH RODGERS – Jack In The Box (video) FAME & PRICE TOGETHER – Rosetta CCS – Walkin’ (video) (danced to by Pan’s People) THE FANTASTICS – Something Old, Something New (crowd dancing) (and charts) YES – Yours Is No Disgrace T-REX – Hot Love ® HOT CHOCOLATE – You Could Have Been A Lady (crowd dancing) (and credits) ........................................................................................................................................................ THIS EDITION OF TOTP IS NO LONGER IN THE BBC ARCHIVE, HOWEVER THE DAY BEFORE THE BAND RECORDED A SHOW FOR TOPPOP AT BELLEVIEW STUDIOS IN AMSTERDAM, WEARING THE SAME STAGE OUTFITS THAT THEY HAD EARLIER WORN ON “LIFT OFF”, AND THAT THEY WOULD WEAR THE FOLLOWING DAY ON TOTP. THIS IS THE EARLIEST PICTURE I HAVE OF A TV APPEARANCE. 8-4-71: Presenter: Jimmy Savile (Wiped) THE SWEET – Funny Funny ANDY WILLIAMS – (Where Do I Begin) Love Story (video) RAY STEVENS – Bridget The Midget DAVE & ANSIL COLLINS – Double Barrel (video) PENTANGLE – Light Flight JOHN LENNON & THE PLASTIC ONO BAND – Power To The People (crowd dancing) (and charts) SEALS & CROFT – Ridin’ Thumb YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Everything's All Right YVONNE ELLIMAN, MURRAY HEAD & THE TRINIDAD SINGERS – Superstar T-REX – Hot Love ® DIANA ROSS – Remember Me (crowd dancing) (and credits) ......................................................................................................................................................... -
DEUTSCHE KARAOKE LIEDER 2Raumwohnung 36 Grad DUI-7001
DEUTSCHE KARAOKE LIEDER 2Raumwohnung 36 Grad DUI-7001 Adel Tawil Ist Da Jemand DUI-7137 Amigos 110 Karat DUI-7166 Andrea Berg Das Gefuhl DUI-7111 Andrea Berg Davon Geht Mein Herz Nicht Unter DUI-7196 Andrea Berg Du Bist Das Feuer DUI-7116 Andrea Berg Du Hast Mich 1000 Mal Belogen DUI-7004 Andrea Berg Feuervogel DUI-7138 Andrea Berg Himmel Auf Erden DUI-7112 Andrea Berg In Dieser Nacht DUI-7003 Andrea Berg Lass Mich In Flammen Stehen DUI-7117 Andrea Berg Lust Auf Pures Leben DUI-7118 Andrea Berg Mosaik DUI-7197 Andrea Berg Wenn Du Jetzt Gehst, Nimm Auch Deine Liebe Mit DUI-7002 Andreas Gabalier I Sing A Liad Für Di DUI-7054 Andreas MarWn Du Bist Alles (Maria Maria) DUI-7139 Anna-Maria Zimmermann Du Hast Mir So Den Kopf Verdreht DUI-7119 Anna-Maria Zimmermann Scheiß Egal DUI-7167 Anstandslos & Durchgeknallt Egal DUI-7168 Beatrice Egli Fliegen DUI-7120 Beatrice Egli Keiner Küsst Mich (So Wie Du) DUI-7175 Beatrice Egli Mein Ein Und Alles DUI-7176 Beatrice Egli Was Geht Ab DUI-7177 Bill Ramsey Ohne Krimi Geht Die Mimi Nie Ins Bea DUI-7063 Cassandra Steen & Adel Tawil Stadt DUI-7055 Charly Brunner Wahre Liebe DUI-7178 Chris Roberts Du Kannst Nicht Immer 17 Sein DUI-7005 Chris Roberts Ich Bin Verliebt In Die Liebe DUI-7134 ChrisWan Anders Einsamkeit Had Viele Namen DUI-7006 ChrisWna Sturmer Engel Fliegen Einsam DUI-7007 ChrisWna Stürmer Mama Ana Ahabak DUI-7008 Cindy & Bert Immer Wieder Sonntags DUI-7136 Claudia Jung Mein Herz Lässt Dich Nie Allein DUI-7009 Conny & Peter Alexander Verliebt Verlobt Verheiratet DUI-7010 Conny Francis Schöner Fremder -
Various Funky Disco Mp3, Flac, Wma
Various Funky Disco mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Funky Disco Country: Australia Style: Disco MP3 version RAR size: 1804 mb FLAC version RAR size: 1783 mb WMA version RAR size: 1315 mb Rating: 4.4 Votes: 471 Other Formats: MP2 VOX VOC MP4 APE ADX DXD Tracklist A1 –Wild Cherry Play That Funky Music A2 –Rose Royce Car Wash A3 –Tina Charles I Love To Love A4 –KC & The Sunshine Band Shake Your Booty A5 –Silver Convention I Like It A6 –Roberta Kelly Trouble Maker A7 –Andrea True Connection More More More A8 –B.T. Express Energy To Burn A9 –Manhattans Kiss And Say Goodbye A10 –Labelle Get You Somebody New B1 –Silver Convention Get Up And Boogie B2 –The Ritchie Family Best Disco In Town B3 –Donna Summer Love To Love You Baby B4 –Walter Murphy 5th Of Beethoven B5 –Giorgio* Knights In White Satin B6 –Gladys Knight & The Pips* I Feel A Song B7 –R & J Stone We Do It B8 –Disco Tex & His Sex-O-Lettes Get Dancin' B9 –Romano Wulf, Silver Convention Save The Last Dance For Me B10 –Barry White Let The Music Play Barcode and Other Identifiers Matrix / Runout (Side 1 - printed):): A MX179135-B NA498-1 Barcode (Side 2 - printed):): A MX179136-B NA498-2 Related Music albums to Funky Disco by Various Silver Convention - Thank You Silver Convention - Discotheque Volume 2 Silver Convention - Silver Convention Promotion Disc - Extracts From Silver Convention Discotheque Volumes I & II Silver Convention - No, No, Joe / Play Me Like A Yo-Yo Silver Convention - The Best Of Silver Convention Various - Absolument Disco Vol. -
Verbotsliste Zum Members´ Favourite 2012 (MF 2012)
Verbotsliste zum Members´ Favourite 2012 (MF 2012) Interpret Titel Wettbewerb MF = Members´ Favourite (ab 01) OGAEVC = OGAE Video Contest OGAESC = OGAE Song Contest SCC = Second Chance Contest MSC = Member Song Contest (bis 00) auch nicht erlaubt: alle ESC-Final-Lieder von 1956 - 2012 auch nicht erlaubt: alle ESC-Semifinal-Lieder von 2004 - 2012 auch nicht erlaubt: alle ESC- Vorentscheidungs-Titel 2012 2 Eivissa Viva la fiesta MF 02 2Raumwohnung 2 von Millionen von Sternen MF 05 2raumwohnung Besser geht's nicht OGAEVC 07 3Js De stroom SCC 11 4 Elements Kludu labojums MF 04 4´33" Ave Maria Laudata SCC 02 7 Up Daj, spusti se SCC 99 A1 Don´t wanna lose you again SCC 10 Aalto, Saara Blessed with love SCC 11 Aardvarks Disguised by the night MSC 97 ABBA oder Abba As good as new MF 05 ABBA oder Abba Dream world MSC 95 ABBA oder Abba No hay a quien culpar MSC 99 ABBA oder Abba One of us MSC 99 ABBA oder Abba Put on your white sombrero MSC 00 ABBA oder Abba S.O.S. MSC 00 ABBA oder Abba Slipping through my fingers MF 11 Abel Ademloos MF 05 Abel Onderweg MF 02 Abel, Morten The Birmingham Ho OGAEVC 04 Abi 93 Lauf, Siggi, lauf MSC 95 Abrahamsen, Jannicke Rocket ride MF 08 Abreu, Anna Perdone-me MF 09 Academia Operación Triunfo Mi música es tu voz MF 02 Acapella Army of the Lord MSC 00 Ace of Base Black Sea MF 11 Adam Yachad na'amod SCC 91 Adams, Oleta Get here MSC 98 Adele Set fire to the rain MF 11 Adele Someone like you OGAESC 11 Adini, Dana & Salomon, Daniel Rabot hadrachim MF 08 Adler, Ines Ich war so lange nicht verliebt MF 11 Adomaitis, Linas Floating to you SCC 11 Adoro Horizont MF 11 Adrian, Benedicte & Ingrid oder Björnov Kanskje i morgen OGAESC 00 After Dark (Åh) När ni tar saken i egna händer MF 07 Agnes Release me MF 10 Aguilar, Feddy Anak MSC 98 Aharoni, Chen Or SCC 11 Aika Stay SCC 02 Aikakone Alla vaahterapuun OGAESC 96 Ainbrusk Singers Lassie OGAESC 91 Ainhoa Mi razón de vivir SCC 03 Air & Hardy, Françoise oder Francoise Jeanne MSC 99 Airport Impressions Freedom OGAESC 11 Åkerström, C.-S. -
Formato IBERMARC Para Registros Bibliográficos (Tomo
FORMATO IBERMARC PARA REGISTROS BIBLIOGRÁFICOS SEXTA EDICIÓN TOMO II BIBLIOTECA NACIONAL MADRID, 2001 Formato IBERMARC para registros bibliográficos. — 6ª ed. — Madrid : Biblioteca Nacional, 2001- 2v.;31cm Puesta al día mediante hojas sueltas actualizables D.L. M 6719-2002. — ISBN 84-88699-50-6. — NIPO 180-01-014-8 1. Catalogación bibliográfica-Proceso de datos-Normas. 2. IBERMARC- Formatos. I. Biblioteca Nacional (España) 025.31 IBERMARC (083.7) Edita: Biblioteca Nacional Ministerio de Educación, Cultura y Deporte ã Ministerio de Educación, Cultura y Deporte NIPO: 180-01-014-8 ISBN: 84-88699-50-6 (Obra completa) ISBN: 84-88699-55-7 (Tomo II) Depósito Legal: M. 6.719-2002 Imprime: Sociedad Anónima de Fotocomposición. Talisio, 9. 28027 Madrid Campos de encabezamiento CAMPOS DE ENCABEZAMIENTO - SECCIONES DE INFORMACIÓN GENERAL X00 Nombres de persona-Información general X10 Nombres de entidad-Información general X11 Nombres de congreso-Información general X30 Título uniforme-Información general DEFINICIÓN Y ALCANCE DEL CAMPO Las secciones X00, X10, X11 y X30 contienen información general sobre el uso de los elementos de datos específicos de los campos 1XX (Encabezamientos principales), 6XX (Campos de encabezamiento de materia), 700/730 (Encabeza- mientos secundarios) y 8XX (Encabezamientos secundarios de serie). En IBERMARC, las definiciones de los subcampos van en las secciones de informa- ción general correspondientes (p. ej. los campos X10) lográndose con ello una mayor coherencia dentro del conjunto, a la vez que se facilita una ayuda de carác- ter mnemotécnico. Este procedimiento queda perfectamente reflejado en el caso de los campos de nombres, títulos uniformes y términos que se utilizan como en- cabezamientos en puntos de acceso.