28 July - 5 AUGUST Fringe and Family 28 Gorffennaf - 5 AWST Fun Day 9 Days of Free Festival • Gŵyl Rad Am 9 Ddiwrnod Programme Included

Total Page:16

File Type:pdf, Size:1020Kb

28 July - 5 AUGUST Fringe and Family 28 Gorffennaf - 5 AWST Fun Day 9 Days of Free Festival • Gŵyl Rad Am 9 Ddiwrnod Programme Included EventS PROGRAMME • RHAGLEN outh FE m ST n IV A o L M G 1 9 7 Ŵ 8 3 -2 0 1 Y Y W L TREF Y N 28 July - 5 AUGUST Fringe and Family 28 Gorffennaf - 5 AWST Fun Day 9 days of free festival • Gŵyl Rad am 9 ddiwrnod Programme Included www.monmouthfestival.co.uk outh FE m ST n IV A o Welcome to L Monmouth M G 1 9 7 Ŵ 8 3 -2 0 1 Y Y W Festival 2017 L TREF Y N Another year of organising seems to have slipped by and in 2017 we see Monmouth Festival celebrating its 35th consecutive festival. It all began when Monmouth took part in the Wales Tourist Board’s “Festival of Castles” in 1983. Since then the festival has journeyed its way through Monmouth down to Blestium Street at the bottom of town where you find us today. et again this year’s nine day programme hopes to Monmouth Festival is organised by a dedicated and bring entertainment and enjoyment to Monmouth, the enthusiastic committee of volunteers including: surrounding areas and beyond. To make sure that this Treasurer: Nick Penny continues for future years please support local shops, Y Secretary/Director: Cerys Watts on-site traders and above all, give generously to the bucket collections. Director: Mark Williamson Please note: Blestium Street, for safety purposes will be closed Health and Safety: Mike Saunders nightly between 7pm and 11pm for the duration of the festival. Performers: Steve Strefford On Family Fun Day, 30th July, it will be closed all day. Details Fringe: Ollie Jeffries are shown on the map in our centre pull-out. These are representatives from all areas but are by no means We are a glass free zone and as a requirement of our license the full story. If you would like to help in the future, either on the only plastic bottles and cans are welcome on site. Your committee or as a volunteer, please contact us via our website response last year was fantastic. Please continue your support. www.monmouthfestival.co.uk or email us at The Festival team would like to thank everyone that has [email protected] supported this year’s event, starting with all our sponsors, Above all the main aim is for you all to enjoy yourselves, so advertisers and traders. We are really pleased to announce that come along and get into the Festival spirit. EE Monmouth is sponsoring the Fringe this year. We would like to thank Monmouthshire County Council for allowing us to use the Blestium Street car park and Gwent Police for their support. Gobeithiwn eich gweld yno. See you all there. Thanks must also go to Monmouth Town Council, Total Security Concepts, Sam at the Three Horseshoes, Father David and Mel Ralph, the volunteers at St Mary’s Church, The Methodist Church, the Savoy Theatre, The Riverside, Aileen and Claire at The Shire Monmouth Festival Chair 2017 Hall and the whole team at Network Productions. • • • • • • • • • • • • • • • • • • • Pull-out Festival Calendar in the centre pages • • • • • • • • • • • • • • • • • • • KEy To this year’s programme • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • venues • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Main The Three St Mary’s The Savoy Shire Methodist UTH Fringe O M Fri Stage Horseshoes Church Theatre Hall Church Events MON nge • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Genres • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • Pop Funk Rockabilly 60’s Soul Gypsy Swing Acoustic Acoustic Choir Classical Folk Indie Rock Reggae Ska Folk Acoustic Acoustic Blues Acoustic Pop Sing-a-long Up and Pop (Welsh) coming local www.monmouthfestival.co.uk 3 friday 28 july Hundreds of wines from around the world at all prices FINGAL-ROCK 64 MONNOW STREET, MONMOUTH NP25 3EN WINE SHIPPERS AND MERCHANTS TEL: 01600 712372 | WWW.PINOTNOIR.CO.UK Main Stage 8.00pm Main Stage 9.30pm FIRE FENCES The Delray Rockets The Delray Rockets were conceived over a conversation where Gaz Le Bass told Oz how Rock’n’Roll and Rockabilly would be great if it had a new musical burst of energy (similar to what Nitrous Oxide does to a petrol engine). After several line-up changes and going through more drummers than Spinal Tap, Fire Fences are one of Wales’ most promising and exciting young rock bands. they arrived at the line-up they have today. With a wide range of influences this band captures its audience with sheer Their inspirations come from all genres of music but obviously their foundation energy and enthusiasm. Having played in cities ranging from Los Angeles to of influence comes from early Rockabilly / Rock’n’Roll and Blues. A Delray London this band has a thirst for their music to be heard all around the world. Rockets gig is a high-energy affair with a power packed sound, playing some Forte Project 2016, a scheme that recognises and assists the development of “Old Chestnuts”, they have revamped some timely covers with several of their the best new music from Wales, chose to work with Fire Fences and the band own self-penned Originals thrown in the mix as well. are currently showing no signs of slowing. The Delray Rockets..... Once seen never forgotten!! UTH O M Fri LYNDA JONES Painting Exhibition 11am- 4pm The Kymin (see page 25) MON nge Local relationship banking Handelsbanken Newport is proud to support the Monmouth festival, a local celebration that has been an annual event for 35 years. Relationships count Handelsbanken has a different perspective from many other banks. We are Find out more driven only by our customers, designing tailored solutions to suit their demands. If you would like to meet over Because we are not target driven, we take a ‘long-term view' investing time to a cup of coffee to discuss any get to know our customers, their needs and ambitions. That’s why, for eight personal or corporate financial years running, Handelsbanken has come top in an independent satisfaction requirements you have, or how survey for UK personal and business banking customers'. we might help you with your future plans, please contact me direct: “The branch is the bank” Handelsbanken’s decentralised model is core to its success, with each branch Craig Wyer, Branch Manager operating as a small business. Here at Handelsbanken Newport, our customers Tel: 01633 413 750, or benefit from only dealing with people they know: experienced bankers who email: [email protected] understand the local market, and from swift, clear decisions made within the branch. handelsbanken.co.uk/newport Handelsbanken is the trading name of Svenska Handelsbanken AB (publ). Registered Office: Svenska Handelsbanken AB (publ), 3 Thomas More Square, London, E1W 1WY. Registered in England and Wales No. BR 000589. Incorporated in Sweden with limited liability. Registered in Sweden No. 502007-7862. Head Office in Stockholm. Authorised by the Swedish Financial Supervisory Authority (Finansinspektionen) and the Prudential Regulation Authority and subject to limited regulation by the Financial Conduct Authority and Prudential Regulation Authority. Details about the extent of our authorisation and regulation by the Prudential Regulation Authority, and regulation by the Financial Conduct Authority are available from us on request. 41193_RA_Advert_Newport.indd 1 06/04/2017 11:31:21 Saturday 29 july Hundreds of wines from around the world at all prices FINGAL-ROCK 64 MONNOW STREET, MONMOUTH NP25 3EN WINE SHIPPERS AND MERCHANTS TEL: 01600 712372 | WWW.PINOTNOIR.CO.UK Main Stage 8.00pm Main Stage 9.30pm Narrow Plains Bare Knuckle Parade Released through Dirty 38 Records ahead of a nationwide UK tour in November 2016, ‘Come Alive’ embodies the raw, honest and captivating energy that any truly great rock anthem should; the song wears its heart on its sleeve with every belted line and every screech of the guitar. Recorded live and produced by the band in an old theatre, the song is a potent taste of the bands upcoming debut album scheduled to be released in Summer, 2017. Forming in a pub during a drunken conversation between friends, the band instantly became a hit in their hometown of Bath, with their unpredictable chaotic live shows and a vast catalogue of contagious songs. Narrow Plains were nominated in 2016 UMAs and won Hard Rock Rising Early fans from the likes of Dermot O’Leary and Rhod Gilbert on Radio 2, 2015, London. Last year, they released their highly rated, debut album (7 recognised they were on to something. Support slots with the likes of James songs selected as “BBC Introducing Track of The Day”). They are Charlie Bay, The Heavy and Enter Shikari and appearances at Glastonbury Festival, Ferriday (guitar/vocals), Roger Connick (bass/back-up vocals), Stuart Connick Nass Festival and 2000 Trees Festival set them in motion to become one (drums/back-up vocals) and Edd Simpson (guitar/keys). of the most exciting bands in the South West UTH O Local Artist Exhibition & Sale 1pm- 4pm Main Hall The Priory, St Mary’s Church (see page 23) M Fri MON nge Kaleidomorphism One by Chris Gollon & JABOD 7pm, The Savoy Theatre (see page 24) NOW THAT’S WHAT I CALL A © 2017 MUSIC FESTIVAL VOL. 35 WYE MEDIA CONGRATULATIONS • 35 YEARS • HERE’S TO MANY MORE WM EQ: 01600 35 Yrs 775350 think print MONMOUTH FESTIVAL PROGRAMME think web think design www.wyemedia.co.uk PROUDLY DESIGNED & PRINTED BY WYE MEDIA A BIG THANKS TO ALL OUR CLIENTS AND EVERYONE INVOLVED FOR THEIR CONTINUED UR 35 FESTIVAL SUPPORT OF MONMOUTH MUSIC FESTIVAL MONMOUTH 5 sunday 30 july Tel 01600 712632 Cinderhill Street, Monmouth, NP25 5EZ MONMOUTH FESTIVAL MERCHANDISE Family Fun Day Timetable 10am–2pm Monnow Bridge Gatehouse open 10am–4pm Shire Hall open 10.30–11.30am Church
Recommended publications
  • Beaulieu Wood, Monmouth: an Archaeological, Historic and Topographic Survey of a Picturesque Landscape
    BEAULIEU WOOD, MONMOUTH: AN ARCHAEOLOGICAL, HISTORIC AND TOPOGRAPHIC SURVEY OF A PICTURESQUE LANDSCAPE Paratowyd gan Archaeoleg Cambria Ar gyfer Coed Cadw Prepared by Cambria Archaeology For the Woodland Trust CAMBRIA ARCHAEOLOGY RHIF YR ADRODDIAD / REPORT NO. 2006/14 Chwefror 2006 February 2006 BEAULIEU WOOD, MONMOUTH: AN ARCHAEOLOGICAL, HISTORIC AND TOPOGRAPHIC SURVEY OF A PICTURESQUE LANDSCAPE Gan / By K Murphy and N Ludlow Archaeoleg Cambria yw enw marchnata Ymddiriedolaeth Archaeolegol Dyfed Cyfyngedig. Cambria Archaeology is the marketing name of the Dyfed Archaeological Trust Limited. Paratowyd yr adroddiad yma at ddefnydd y cwsmer yn unig. Ni dderbynnir cyfrifoldeb gan Ymddiriedolaeth Archaeolegol Dyfed am ei ddefnyddio gan unrhyw berson na phersonau eraill a fydd yn ei ddarllen neu ddibynnu ar y gwybodaeth y mae’n ei gynnwys The report has been prepared for the specific use of the client. The Dyfed Archaeological Trust Ltd can accept no responsibility for its use by any other person or persons who may read it or rely on the information it contains. ARCHAEOLEG CAMBRIA CAMBRIA ARCHAEOLOGY Ymddiriedolaeth Archaeolegol Dyfed Cyf Dyfed Archaeological Trust Limited Neuadd y Sir, Stryd Caerfyrddin, Llandeilo, Sir The Shire Hall, Carmarthen Street, Llandeilo, Gaerfyrddin SA19 6AF Carmarthenshire SA19 6AF Ffon: Ymholiadau Cyffredinol 01558 823121 Tel: General Enquiries 01558 823121 Adran Rheoli Treftadaeth 01558 823131 Heritage Management Section 01558 823131 Ffacs: 01558 823133 Fax: 01558 823133 Ebost: [email protected] Email: [email protected] Gwefan: www.cambria.org.uk Website: www.cambria.org.uk Cwmni cyfyngedig (1198990) ynghyd ag elusen gofrestredig (504616) yw’r Ymddiriedolaeth. The Trust is both a Limited Company (No.
    [Show full text]
  • Xca for EVERYONE in the BUSINESS of MUSIC Euro Net
    XCa FOR EVERYONE IN THE BUSINESS OF MUSIC Newman rejoins Hole^ in new Universal role^^ Euro net sales lô mm Universal Music's look up Thompson resigns T^%m S m.^m 'r^ s -]3 file is at fis highest in years. "A couple be seduced # /une 28 r^Xai ail noise! ail of! ail art! ail newl [^) 1/4 million users* Now that's what I cali an audience! To advertise on the UK's most popuiar 0171 940 8626 or [email protected] dotmusic^r'the insider's guide to music U. Ht Miller Freeman n e w s f / / e DOTHUSIC COVERS GtiSTOHBURY GinaG leads légal fighl for provideMWs sister live coverage website dotmusicfrom this will withweekend's updates Glastonbury throughout Festivalthe day. glastonbury)The site (www.dotmusic.com/ from Friday will add unpaid Eurovision royallies soundclipsreviews, interviews, to its festival pictures guide. and by Paul Gorman [ Angry creditors led by Eurovision star I theRichard song's Burton originaland Bob producers,Wainwright EDEIRECRUITSEdel Records hasNEW recruited STAFF two £500,000Gina G arein unpaidhunting royalties at leastfrom \s tyof streamsThe Next from Room, Wamer who forcedto be frozen royal- joinednew staff. to handle Lynne nationalMorgan radiohas her 1996 Eurovision hit Ooh Ah... copiesiin March in 1996,the UK selling alone. 810,000It also tworeceive years payments ago when on theyan overridedid not haspromotions been appointed while Dorian product Wathen wasreached a massive number hit 12 in inEurope, the US South and £17,000agreed with last FX. week. Taube also received manager responsible for Ginâ G: claiming damages at an early sta unpaid royalties.
    [Show full text]
  • Home Life: the Meaning of Home for People Who Have Experienced Homelessness
    Home life: the meaning of home for people who have experienced homelessness By: Sarah Elizabeth Coward A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences Department of Sociological Studies September 2018 Abstract ‘Home’ is widely used to describe a positive experience of a dwelling place (shelter). It is about a positive emotional connection to a dwelling place, feeling at ‘home’ in a dwelling place, where both physiological and psychological needs can be fulfilled. This portrayal of ‘home’, however, is not always how a dwelling place is experienced. A dwelling place can be a negative environment, i.e. ‘not-home’, or there may be no emotional attachment or investment in a dwelling place at all. Both circumstances receive little attention in the literature. This research explores the realities of ‘home’ by delving into the ‘home’ lives of seventeen individuals who had experienced a range of different housing situations, including recent homelessness, moving to a (resettlement) sole tenancy and then moving on from that tenancy. Participants were asked to recall their housing histories, from their first housing memory as a child up to the time of interviewing. For each housing episode, they were asked to describe the circumstances of their life at the time, for example relationships, employment and education. They were also asked to reflect on their housing experiences. Similarities and differences of experience are explored according to gender and type of housing situation. This research tells the story of lives characterised by housing and social instability, often triggered by a significant change in social context in childhood.
    [Show full text]
  • Pre Deposit Participation Draft Report of Consultation March 2009
    Pre Deposit Participation Draft Report of Consultation March 2009 MONMOUTSHIRE LOCAL DEVELOPMENT PLAN PRE-DEPOSIT PARTICIPATION REPORT OF CONSULTATION CONTENTS A. Issues and Vision (1) The Issues and Visioning Workshops (2) The Consultation Exercise B. Options (1) The Consultation Exercise (2) The Options Workshops Appendices A1 Issues and Visioning Workshops – Report on Issues Exercise A2 Issues and Visioning Workshops – Report on Visioning Exercise A3 Issues and Visioning Workshops – Workshop Participants A4 Issues and Vision Report – Consultation Database B1 Options Report – Consultation Database B2 Results of Options Workshops B3 Options Workshops – Workshop Participants A. Pre-Deposit Participation – Issues and Vision. 1 A. (1) THE ISSUES AND VISIONING WORKSHOPS During June 2008 a series of workshops were held to inform the Issues/Vision/Objectives stage of the LDP preparation process. These ‘Issues and Visioning’ workshops took place as follows: 2 June, Officers Workshop at County Hall, Cwmbran. 6 June, External Stakeholders Workshop at County Hall, Cwmbran. 12 June, in association with Bryn-y-Cwm Community Forum, St. Michaels Centre, Abergavenny. 19 June, in association with Monmouth Rural Forum, Raglan School. 25 June, in association with Monmouth Partnership Forum, Bridges Community Centre, Monmouth. 2 July, Mor Hafren Area (Chepstow/Caldicot), Beaufort Hotel, Chepstow. The notes of each workshop were written up and sent to participants who had left their e-mail or home addresses. These notes have been amalgamated and are reproduced in Appendices A1 and A2. Lists of participants are given in Appendix A3. The workshops were led by an independent facilitator. The results of the workshops were used to inform an Issues and Vision Report (August 2008) that was issued for consultation.
    [Show full text]
  • Gateway Monmouth January 2014
    GATEWAY MONMOUTH JANUARY 2014 design + access statement design+access statement : introduction Gateway Monmouth Contents introduction 8.10 Archaeology Desktop Review 15.0 Final Design Proposals 1.0 Executive Summary 8.11 Land Ownership & Maintenance 15.1 Overall Plan 2.0 Purpose of Study 15.2 Long Sections 3.0 Design Team collaboration 15.3 Montage Views 9.0 Community & Stakeholder Engagement 16.0 Character policy context 10.0 Statutory Authorities 16.1 Hard Landscape 4.0 Planning Policy Context 10.1 Planning 16.2 Soft Landscape 4.1 National 10.2 Highways 16.3 The Square 4.2 Local 10.3 Environment Agency 16.4 The Riverside 10.4 CADW 16.5 Blestium Street vision 16.6 Amenity Hub Building 16.7 Street Furniture 5.0 Objectives assessing design issues 11.0 Opportunities & Constraints 16.8 Public Art Strategy 17.0 Community Safety appraisal 11.1 Opportunities 17.1 Lighting Strategy 6.0 Site Context 11.2 Constraints 17.2 Integrated Flood Defence 6.1 Regional Context 12.0 Key Design Issues & Drainage Strategy 6.2 Local Context 12.1 Allotment Access 18.0 Environmental Sustainability 7.0 Historic Context 12.2 Flood Defence 18.1 Landscape Design 7.1 Monmouth 12.3 Access to the River Edge 18.2 Building Design 7.2 Site History 12.4 Building Location 19.0 Access & Movement 8.0 Site Appraisal 12.5 Coach Drop-Off 19.1 Movement Strategy 8.1 Local Character 12.6 Blestium Street 19.2 Allotments Access & 8.2 Current Use 13.0 Conservation Response Canoe Platform 8.3 Key Views & Landmarks 19.3 Car Parking 8.4 The Riverside detailed design 19.4 Landscape Access 8.5 Access 14.0 Design Development Statement 8.6 Movement 14.1 Design Principles 8.7 Microclimate 14.2 Design Evolution appendices 8.8 Geotechnical Desktop Study 14.3 Design Options i.
    [Show full text]
  • CHRIS GOLLON – Man in the Long Black Coat
    CHRIS GOLLON – Man In The Long Black Coat th Until 28 October 2017 IAP Fine Art, 15, Church St, Monmouth NP25 3BX www.iapfineart.com [email protected] 01600 772005 (Pictured: ‘Gimme Some Wine (after Eleanor McEvoy’s song) 36” x 48” (91 x 122cm) acrylic on canvas 2017. IAP Fine Art has a new exhibition of paintings by Chris Gollon (1953 – 2017), many taking their inspiration from songs by Bob Dylan, Neil Young and latterly Eleanor McEvoy. David Tregunna, IAP’s Director: “Following Chris’s unexpected death at only 64 in April, by curating this exhibition we want to celebrate his love of music, to show where it lead him intellectually and artistically; and to share his fascination with artistic ‘boundary crossing’”. The latter began when Thurston Moore of Sonic Youth made a unique 60-second tape each for Chris, Yoko Ono, David Bowie and Gavin Turk, asking them to respond with a work of art inspired by it to be exhibited in ‘ROOT’ at the Chisenhale Gallery, London in 1998. Gollon was interviewed about this recently for a new biography of Thurston Moore, ‘We Sing A New Language’ by Nick Soulsby (Omnibus, 2017). Indeed, Gollon’s ability to ‘paint a new language’ that reflects life as it really is made him unique. A friend of The Skids, he enjoyed the company of musicians, and one of his early museum acquisitions came when the Huddersfield Art Gallery acquired his large painting ‘Einstein & The Jealous Monk (after Bob Dylan’s Desolation Row)’ for its permanent collection to hang with Francis Bacon’s ‘Magdalene (II)’ and Sir Jacob Epstein’s ‘Einstein’.
    [Show full text]
  • Soul Top 1000
    UUR 1: 14 april 9 uur JAAP 1000 Isley Brothers It’s Your Thing 999 Jacksons Enjoy Yourself 998 Eric Benet & Faith Evans Georgy Porgy 997 Delfonics Ready Or Not Here I Come 996 Janet Jackson What Have Your Done For Me Lately 995 Michelle David & The Gospel Sessions Love 994 Temptations Ain’t Too Proud To Beg 993 Alain Clark Blow Me Away 992 Patti Labelle & Michael McDonald On My Own 991 King Floyd Groove Me 990 Bill Withers Soul Shadows UUR 2: 14 april 10 uur NON-STOP 989 Michael Kiwanuka & Tom Misch Money 988 Gloria Jones Tainted Love 987 Toni Braxton He Wasn’t Man Enough 986 John Legend & The Roots Our Generation 985 Sister Sledge All American Girls 984 Jamiroquai Alright 983 Carl Carlton She’s A Bad Mama Jama 982 Sharon Jones & The Dap-Kings Better Things 981 Anita Baker You’re My Everything 980 Jon Batiste I Need You 979 Kool & The Gang Let’s Go Dancing 978 Lizz Wright My Heart 977 Bran van 3000 Astounded 976 Johnnie Taylor What About My Love UUR 3: 14 april 11 uur NON-STOP 975 Des’ree You Gotta Be 974 Craig David Fill Me In 973 Linda Lyndell What A Man 972 Giovanca How Does It Feel 971 Alexander O’ Neal Criticize 970 Marcus King Band Homesick 969 Joss Stone Don’t Cha Wanna Ride 1 968 Candi Staton He Called Me Baby 967 Jamiroquai Seven Days In Sunny June 966 D’Angelo Sugar Daddy 965 Bill Withers In The Name Of Love 964 Michael Kiwanuka One More Night 963 India Arie Can I Walk With You UUR 4: 14 april 12 uur NON-STOP 962 Anthony Hamilton Woo 961 Etta James Tell Mama 960 Erykah Badu Apple Tree 959 Stevie Wonder My Cherie Amour 958 DJ Shadow This Time (I’m Gonna Try It My Way) 957 Alicia Keys A Woman’s Worth 956 Billy Ocean Nights (Feel Like Gettin' Down) 955 Aretha Franklin One Step Ahead 954 Will Smith Men In Black 953 Ray Charles Hallelujah I Love Her So 952 John Legend This Time 951 Blu Cantrell Hit' m Up Style 950 Johnny Pate Shaft In Africa 949 Mary J.
    [Show full text]
  • Creativecommission
    CreativeCommission What is Creative Commission? Who has used it? Do you have examples of success? How does it work? How much do I pay? Is it a competition? Do I have to commission? Can anyone join? How many creatives do you have? What is Creative Commission? A freelance jobs portal for the music industry to discover new creatives for future projects • Launched in Summer 2014 ‘CC fills a definite skills requirement gap for a $4million of project briefs posted commissioner requiring creative specialisms’ • Creative department, Warner Music UK • Global creative community in +1000 cities Used by +1500 music execs worldwide ‘A fantastic resource for all labels and managers • looking to access quality creatives’ Wildlife Entertainment, Arctic Monkeys management MUSIC VIDEOS VIDEO CONTENT Video LIVE SESSIONS ALBUM ARTWORK BRANDING & LOGOS Design MERCHANDISE PORTRAITS REPORTAGE Photo LIVE PHOTOS WEBSITES SOCIAL MEDIA Digital E-COMMERCE Art by Jack Crossing How can music rights-holders make their money go further while feeding an increasing demand from fans for more visual content? Creative Commission thinks it has the solution. How we can help you We’re here to help make commissioning projects a little easier and more affordable. 1. Find new creative people to work with 2. More options for free for your next project 3. Specific skill sets which you don’t have in-house 4. Calling 911 - it’s an emergency! How to post your first brief Email Brian, Nick or Matt so we can help • Register you with an account ‘A simple, easy to use way to find high quality,
    [Show full text]
  • Draft Report Skeleton
    LOCAL DEMOCRACY AND BOUNDARY COMMISSION FOR WALES Review of Community Arrangements in the County of Monmouthshire Report and Recommendations VOLUME 2 January 2019 © LDBCW copyright 2019 You may re-use this information (excluding logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit http://www.nationalarchives.gov.uk/doc/open-government- licence or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the ycop right holders concerned. Any enquiries regarding this publication should be sent to the Commission at [email protected] This document is also available from our website at www.ldbc.gov.wales LOCAL DEMOCRACY AND BOUNDARY COMMISSION FOR WALES REVIEW OF COMMUNITY ARRANGEMENTS IN THE COUNTY OF MONMOUTHSHIRE REPORT AND RECOMMENDATIONS Contents Page Volume 1 Chapter 1 Introduction 1 Chapter 2 Monmouthshire County Council’s proposals 2 Chapter 3 The Commission’s Consideration 4 Chapter 4 Procedure 4 Chapter 5 Proposals 5 Abergavenny 6 Caerwent 38 Caldicot 60 Chepstow 92 Crucorney 124 Devauden 136 Goetre Fawr 148 Grosmont 162 Gwehelog Fawr 170 Llanarth 176 Llanbadoc 192 Llanelly 196 Volume 2 Chapter 5 Proposals (continued) 1 Llanfoist Fawr 2 Llangattock Vibon Avel 12 Llangwm 13 Llangybi 14 Llanhennock 18 Llanover 20 Llantilio Crossenny 26 Llantilio Pertholey 28 Llantrisant Fawr 44 Magor with Undy 48 Mathern 66 Mitchel Troy 74 Monmouth 82 Portskewett 100 Raglan 108 Rogiet 116
    [Show full text]
  • July Gorffennaf
    EventS PROGRAMME RHAGLEN July Monmouth CarNival and 22-30 Gorffennaf Fringe Events Programme 9 days of free festival • Gŵyl Rad am 9 ddiwrnod Included www.monmouthfestival.co.uk STONE & MORE — Since — SUMMER MANDARIN STONE SALE JUNE JULY now on Order online at: mandarinstone.com or visit your local showroom: Unit , Wonastow Industrial Estate East, Monmouth, NP JB Excludes Classic and Discontinued lines. Cannot be used in conjunction with any other o er. 2 STONE & MORE — Since — WELCOME TO MONMOUTH FESTIVAL 2016 What started as a seed of an idea by a group of Monmouth friends is still going strong 35 years later. In 2016 the annual Monmouth Festival, one of the largest free festivals in Europe, is taking place a week earlier than SUMMER normal so that it doesn’t clash with the National Eisteddfod. rganised totally by a committee of volunteers, plans This is a free festival and to ensure that it continues, we rely for this year’s event started in September 2015 on our audience to support local shops, on-site traders and culminating in a full programme of entertainment above all, to give generously to the bucket collections. Oto hopefully cover all tastes. Last year the festival We are always ready to welcome new members to our festival became a glass free zone and your response to our request family. If you would like to help the festival in the future, either was fantastic. Please can we ask for your support again. on the committee or as a volunteer, please contact us via our A requirement of our licence is that only plastic bottles and website www.monmouthfestival.co.uk or email us at cans are welcome.
    [Show full text]
  • MONMOUTH TOWN COUNCIL Shire Hall Agincourt Square NP25 3DY Tel: 01600 715662 Email: [email protected]
    MONMOUTH TOWN COUNCIL Shire Hall Agincourt Square NP25 3DY Tel: 01600 715662 Email: [email protected] www.monmouth.gov.uk DRAFT Minutes of the Extraordinary Full Council Meeting held on Monday 25th January 2021 at 6.00pm held via BT Telephone Conference Call Present: Cllr C Blair Cllr E Bryn Cllr T Christopher (Deputy Mayor) Cllr A Dewhurst Cllr M Feakins (Mayor) Cllr J Gunter Cllr R Jupp Cllr J Lucas Cllr R Roden (arrived late) Cllr R Smith Cllr J Treharne (arrived late) Cllr S White D. McNeill (Locum Clerk) Mike Moran, MCC 2 members of the press and public 159. To receive apologies for absence. Apologies for absence were received and accepted from Cllr K Jackson-Graham and Cllr A Legg. An apology was received from Cllr K Breeze. 160. To receive declarations of interest in items on the agenda. Cllr Christopher declared a personal interest in item no. 170. 161. Public Participation To receive questions from members of the public for a maximum of 10 minutes. (During this time of remote meetings any members of public who wish to speak/ask a question must email their request in by the Friday prior to the meeting) There had been no requests from members of the public to speak at this meeting. 162. Minutes for Approval To approve Full Council Minutes for the remote meeting held on 04/01/2021. With one minor amendment to remove the word ‘chair’ from the councillor attendance list, it was resolved to approve the Full Council Minutes for the remote meeting held on 04/01/2021 as a correct record.
    [Show full text]
  • T Hls Is a Maritime Eounty, Bounded on Tle South-East by the River
    • • THlS is a maritime eounty, bounded on tLe south-east by the river Severn, on the south by the Bristol Channel, on tlw west by the counties of Glamorgan and Brecknock (in South Wales), on the north by part of the latter county and Herefordshire, and on the east by Gloucestershire, from which it is separated by the river \Vye. Its greatest length, from north to south, is thirty miles; its breadth, from east to west, twenty-six square miles; and its cil'cumferenco about one hnndred and ten miles, comprising an area of -±96 miles, or 317,4,10 statute acres. In size it ranks as tho thir~y­ sixth English county. NaME AND EaRLY HISTORY. By the Saxons this county was denomimated Tf/entsel and TVentdand; but by the Britons it was cttllod Gwent, from an ancient city of thrrt name. The modern ape.t.ation is taken from 1\Ionmo'Ith, the county town, which Leland derives from its situation between the river Monnow (or l\llmnow) and the \Vye; Ua'ntlen also says it was originally ca11ed Jllon_qwy (Mwny). 'l'he ancient inllabitants of this and tlle neigltbonri1•g county of Hereford W• re the Silu1·es ; and the early history of 1Ionmouthshire partahs of the events which took place iu tlle former county, and Jf those which occurred in Iluntin;;donshire. The Romans occnpieJ the country of the SiluTes, as a con­ quered province, from their complete establishment in the reign of Vesp1.sian to the period of their final depwture from Britain, when the colossal empire of Rome was tottering to its centre.
    [Show full text]