Hbe Neutral'' Talk for Orchestra

Total Page:16

File Type:pdf, Size:1020Kb

Hbe Neutral'' Talk for Orchestra October 10, 1914 MUSICAL AMERICA 3 . HBE NEUTRAL'' TALK WITH FRITZ KREISLER AT THE FRONT FOR ORCHESTRA MEN Mrs. Kreisler Gives Readers of "Musical America" Intimate Account of Her Husband's Injury in Walter Damrosch Ask!:i Players Battle .at Lemberg-"Martial Feeling Brushed Away the Artist in Me," Says Noted Violin­ of Symphony to Avoid War ist in lntervilew at Vienna, Where He Is Being Cared for by His F amily-"The Music of Discussions Shrapnel Makes at First a Ghastly Sound," He Declares Absolute .neutrality was the keynote of the speech delivered by Walter Dam­ rosch, conductor of the Symphony So­ ciety of New York, to the eighty~ five musicians who assembled at JEolian Hall on October 5 for the first rehearsal of the season. Mr. Da:mrosch said: "As we have about thirteen national­ ities represented in this orchestra, in~ eluding all those now at war with each other in Europe, and as we shall . be to­ gether in close companionship in New York and · on tour for the next six months, it may no~ be a mistake for me to say a few words to you regarding the advisability of following our good and great President's. advice and to maintain a cOherent neutrality regard­ ing the terrible European war. I know that such an attitude may be difficult for some of us. Artists feel all things in­ tensely and many of you have ties .of love and tradition;tl loyalty which bil1d you to your mother country . But I think your life in America has taught you, as it has me, that the reaJ cause of this war is what we consider an unreason­ able race hatred which should have no place among people of to-day. · "This orchestra is abundant proof that life under the beneficent and impartial ANY conflicting reports have been institutions of a free country does away that portion of it which operated south­ with race hatred and many race prej.u­ M published in regard to the where­ west of Lemberg. Then is related the dices. During the many years that I abouts and condition of F'ritz Kreisler, manner in which the distinguished vio­ have traveled throughout this country linist was wounded in the night attack the Austrian violinist, and these have by Cossacks. On September. 11 he re­ with you and .through the many weeks caused no little anxiety among his many and even months that you and I have turned from the scene of battle to spent in closest contact on long railroad friends and admirers in America. Direct Vienna, where he is now being cared for journeys, I have never known a quarrel from Vienna the following letter to John by his family. He was given a four to arise between any members of this C. F'reund, editor of MUSICAL AMERICA, weeks' leave of absence to recover and will doubtless spend the time in Baden. orchestra because of the fact that one was received from Mrs. Kreisler on was a · Teuton and the other a Slav or Mr. Kreisler told a reporter of the a Frenchman. Life in America makes Monday morning, October 5, and con­ N eues Wiener Tageblatt the following : us realize that we are all human being:s tains the first authentic statement pub­ "As an ar tis_t one lives in one's own and that there is no inherent reason why world ; one has one's own particular ex· lished up to date: periences and emotions. But I can say one race should hate or despise the ot-her. Vienna, No. 4 Starhemberggasse, As Americans you have had the oppor- that as I hastened to the banner of my September 16, 1914. regiment I was overcome by a feeling . tunity in our orcher:tra to come into Dear Mr. F'reund : closer friendly contac1 with other Ameri­ which brushed away the artist in me. cans of different birth or racial descent I take the liberty of sending you a Scarcely had I donned my uniform when and you have realized that they, too, had f ew pictures and a clipping from the I felt myself a soldier, fi lled with the attained their place in this orchestra Vienna paper, as it may be of some in­ spirit of war. because of real ability." terest to your readers who know of Life in the Trenches Six precepts were laid down by Mr. my husband. _ He has been at the front Damrosch, and the musicians were cau­ since the beginning of August and was "The shrapnel howled. This music tioned to bear them in mind. The injured at the battle of L1emberg. In a makes at first a g-hastly sound, but one musicians were told to remember that night attack of Cossacks he was ridden accust~ms oneself to it quickly. Thus they are all Americans, no matter where down -by a horse and met ·with a rather I lay m the trenches talking with our they were born; to open no discussion painful and tedious accidtmt to his leg men and waiting for the night. There as to "who started it" to realize that and a slight wound on his shoulder. That Fritz Kreisler Appearing in Concert at was moonlight. Every night the pack­ patriotism and bravery, cuiture and is almost better, but the leg will prob­ animals brought. up warm food. No Leoben, Steiermark, on August 12 for civilization are not confined to the . ably bother him for a couple of months. elaborate banquet ever tasted so well to countries of their birth; to be thankful Of course, he looks very worn, not Red Cross Before Leaving for Front. me as this simple, healthful fare! The that they are in a peaceful country, and having been out of his boots in three Below, Mr. and Mrs. Kreisler. The general atmosphere was such that the to permit themselves to be moved to pity weeks, and in all that time never un­ Picture Shows the Garb . Mrs. Kreis­ soldiers in my company played cards by instead of anger. dressing, but -sleeping only cot-naps and moonlight in the trenches. Our men under the heavens. But I hope soon to ler Wore Before Her Red Cross Cos­ wanted to go into the fight at once, and have him his usual self. But such ex­ tume Was Ready. it was difficult to restrain them. ·When periences · leave an indelible stamp on one fights with such troops, men whose "GUEST'· PERFORMANCES one's soul. If you can, try and create Pardon my troubling you, but I do want souls are filled with enthusiasm, when an atmosphere for peace with your everyone to help. one sees acts of heroism before one FOR AMERICAN SINGERS paper and all other powerf'ul papers you With very kindesf greetings in which daily, one knows no hardship. One is 'may have connections with. my husband joins me. Believe me, made younger and given new strength. May Scheider Thinks Metropolitan Although I believe Austria and Ger­ · Sincerely, "For twelve days I was continually Should Give Our Artists, Now With­ many are fighting a humane and right­ (MRS. FRITZ) HARRIET KREISLER. in my clothes, but it cau·sed me no in­ out Positions, an Opportunity ful cause, yet the loss of life everywhere With the above letter was sent the convenience. Every night I slept on the is awful. I have had many opportuni­ Neues Wiener Tageblatt of September wet grass with no cover but my coat. That the Metropolitan Opera Company ties of judging (as I have been actively 16. In it there is related Mr. Kreisler's Had I done this. as a civilian I suppose should inaugurate a series of "guest per­ employed day and night in the Red being in Ragaz in Switzerland when war I would have gotten pneumonia from it! formances" this season to enable some of Cross)· of our just and kind treatment broke out, arranging his concert tour But in the field I didn't even have a the prominent American singers who of our enemies; it is more than I can in which Paris, London and St. Peters­ cold. .All one's senses sharpen them­ say of the others, as the use of "dum­ burg were to be the principal cities selves. One sees and hears more keenly. have been obliged to sacrifice their posi­ dum" bullets and machines has been visited. ·He hastened at once to his regi­ And in the field the ordinary man is the tions abroad to appear in their own positively proven. ment. His wife, who is characterized officer's friend. by this journal as "a brave American" country is the suggestion that was made Urges Peace "So I cannot wait for my recovery this week to MUSICAL AMERICA by May (eine tapfere Amerikanerin) at once when I -shall immediately rejoin my Try and do your best to stop this gave her time to the preparing of aid regiment and meet again my comrades Scheider. Miss Scheider is a sopran-o cruel war. It is dreadful to have to for the soldiers. who, in a very short time, have become who returned recently from Germany, feel an enmity to any nation or race. Kreisler's place in the army was with very dear to me." having appeared with success at the Royal Opera in Karlsruhe. "There are a dozen or more American JULIA CLAUSSEN RETURNS he was relieved from Swedish army duty impossibility. During the singer's ab­ singers of prominence now in this coun­ through the circumstance that the gov­ sence her daughters, Sonia and Bojan, try or planning to return here who de­ Reaches Chicago After a Peaceful Sum­ ernment did not take all available mili- have been attending school in this city.
Recommended publications
  • Forgotten Splendour
    FORGOTTEN SPLENDOUR A Chronology of the North Shore Music Festival 1909 to 1939 by Andrew Cottonaro Beginning in 1909 and lasting until 1939, the North Shore Music Festival of Northwestern University was a significant musical and social event in the Chicago area. For a few days each Spring, the campus hosted a diverse body of performers in a series of grand concerts. Naturally, some of that era’s most eminent singers could be heard there. Their presence certainly helped to sell tickets and their artistry helped to sustain the festival as a popular and critical success. Now, sixty years later, the festival hardly even counts as a faded memory. To date, two books (in part), offer a general outline of the festival’s history, but both lack any detailed analysis of who appeared and what was actually sung. This is the first attempt to present a chronology of the vocal offerings (quite distinct from the orchestral offerings) at the festival. Northwestern University, the official sponsor of the festival, is located in Evanston, Illinois (USA). The town is a suburb of Chicago, directly north of the city and on the banks of Lake Michigan. Because of this geographic position, Evanston and the other cities of the area are called the North Shore, hence the origin of the festival’s name. Northwestern University was incorporated in 1850 and gradually won recognition for its academic excellence. The establishment of musical studies, however, was a tangled web of many failed efforts. In a final and desperate attempt to salvage musical education, the university’s board of trustees in 1891 appointed Peter Christian Lutkin (1858-1931) to direct musical studies, a post that he held until his death.
    [Show full text]
  • The Concerts at Lewisohn Stadium, 1922-1964
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2009 Music for the (American) People: The Concerts at Lewisohn Stadium, 1922-1964 Jonathan Stern The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/2239 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] MUSIC FOR THE (AMERICAN) PEOPLE: THE CONCERTS AT LEWISOHN STADIUM, 1922-1964 by JONATHAN STERN VOLUME I A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2009 ©2009 JONATHAN STERN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the Dissertation requirement for the degree of Doctor of Philosophy. Professor Ora Frishberg Saloman Date Chair of Examining Committee Professor David Olan Date Executive Officer Professor Stephen Blum Professor John Graziano Professor Bruce Saylor Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract MUSIC FOR THE (AMERICAN) PEOPLE: THE LEWISOHN STADIUM CONCERTS, 1922-1964 by Jonathan Stern Adviser: Professor John Graziano Not long after construction began for an athletic field at City College of New York, school officials conceived the idea of that same field serving as an outdoor concert hall during the summer months. The result, Lewisohn Stadium, named after its principal benefactor, Adolph Lewisohn, and modeled much along the lines of an ancient Roman coliseum, became that and much more.
    [Show full text]
  • Ceriani the Reception of Alberto Franchetti’S Works in the United States 271 Marialuisa Pepi Franchetti Attraverso I Documenti Del Gabinetto G.P
    Alberto Franchetti. l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Alberto Franchetti. L’uomo, il compositore, l’artista il compositore, L’uomo, Franchetti. Alberto associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista associazione per il musicista FRANCHETTI ALBERTO a cura di Paolo Giorgi e Richard Erkens € 30,00 LIM Libreria Musicale Italiana Questa pubblicazione è stata realizzata dall’Associazione per il musicista Alberto Franchetti, in collaborazione con il Comune di Regio Emilia / Biblioteca Panizzi, e con il sostegno di Stefano e Ileana Franchetti. Soci benemeriti dell’Associazione per il musicista Alberto Franchetti Famiglia Ponsi Stefano e Ileana Franchetti Fondazione I Teatri – Reggio Emilia Fondazione Pietro Manodori – Reggio Emilia Hotel Posta – Reggio Emilia Redazione, grafica e layout: Ugo Giani © 2015 Libreria Musicale Italiana srl, via di Arsina 296/f, 55100 Lucca [email protected] www.lim.it Tutti i diritti sono riservati. Nessuna parte di questa pubblicazione potrà essere riprodot- ta, archiviata in sistemi di ricerca e trasmessa in qualunque forma elettronica, meccani- ca, fotocopiata, registrata o altro senza il permesso dell’editore, dell’autore e del curatore. ISBN 978-88-7096-817-0 associazione per il musicista ALBERTO FRANCHETTI Alberto Franchetti l’uomo, il compositore, l’artista Atti del convegno internazionale Reggio Emilia, 18-19 settembre 2010 a cura di Paolo Giorgi e Richard Erkens Libreria Musicale Italiana Alla memoria di Elena Franchetti (1922-2009) Sommario Presentazione, Luca Vecchi xi Premessa, Stefano Maccarini Foscolo xiii Paolo Giorgi – Richard Erkens Introduzione xv Alberto Franchetti (1860-1942) l’uomo, il compositore, l’artista Parte I Dal sinfonista all’operista internazionale Antonio Rostagno Alberto Franchetti nel contesto del sinfonismo italiano di fine Ottocento 5 Emanuele d’Angelo Alla scuola di Boito.
    [Show full text]
  • September 1936) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 9-1-1936 Volume 54, Number 09 (September 1936) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 54, Number 09 (September 1936)." , (1936). https://digitalcommons.gardner-webb.edu/etude/848 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE <^hCusic (JXCagazine September 1936 Price 25 Cents NEW DITSON PUBLICATIONS For Your Convenience PIANO METHODS AND STUDY BOOKS when you want to discover a song FOR PRE-SCHOOL, PRIVATE OR CLASS INSTRUCTION that truly appeals THE THE EIGHT CHORDAL JCet us send you a Free copy ROBYN HARMONY ATTACKS of either one or both of In the Publications of The John Church Co. these booklets— BOOK ONE BOOK TWO WITH ILLUSTRATIVE PIECES by There Are Works of Unusual Interest to Contains liberal by music portions of ex¬ cellent songs by such LOUISE ROBYN and HOWARD HANKS PIANO TEACHERS composers as CHAS. GILBERT SPROSS, BERNARD WAGNESS MELODY PICTURES DAILY EXERCISES MANA-ZUCCA, Songs for HigkVoic 75 cents each FINGER PLAYS OLEY SPEAKS, By JESSIE L.
    [Show full text]
  • Pittsburgh Concert Programs at Carnegie Library of Pittsburgh
    Use Command F (⌘F) or CTRL + F to search this document ORGANIZATION DATE YEAR PROGRAM VENUE LOCATION John H. Mellor 11/27/1855 1855 Soiree by the pupils of Mrs. Ernest Piano warerooMs Music of John H. Mellor DepartMent: Pittsburgh Music Archive, #41 Protestant Episcopal Church of 12/29/1856 1856 Concert of Sacred Music Lafayette Hall Music East Liberty DepartMent: Pittsburgh Music Archive, #46 St. Andrew’s Church 1858 1858 Festival Concert by choral society at St. St. Andrew’s Music Andrew’s Church Church DepartMent: Pittsburgh Music Archive, #46 Lafayette Hall 2/9/1858 1858 Soiree Musicale in Lafayette Hall Lafayette Hall Music DepartMent: Pittsburgh Music Archive, #46 2/21/1859 1859 Mlle. PiccoloMini Music DepartMent: Pittsburgh Music Archive, #46 Grand Concert 186- 1860 The Grand Vocal & InstruMental concert of unknown Music the world-faMed Vienna Lady Orchestra DepartMent: Pittsburgh Concert PrograMs, v. 4 Presbyterian Church, East 5/20/186- 1860 Concert in the Presbyterian Church, East Presbyterian Churc Music Liberty Liberty, Charles C. Mellor, conductor h, East Liberty DepartMent: Pittsburgh Music Archive, #41 St. Peter’s Church 6/18/1860 1860 Oratorios - benefit perforMance for St. Peter’s Church Music purchase of organ for St. Mark’s Church in on Grant Street DepartMent: East BirMinghaM Pittsburgh Music Archive, #46 Returned Soldier Boys 1863 1863 Three PrograMs ChathaM and Wylie Music Ministrels Ave. DepartMent: Pittsburgh Concert PrograMs, v. 1 Green FaMily Minstrels 12/11/1865 1865 Benefit PrograM AcadeMy of Music Music DepartMent: Pittsburgh Concert PrograMs, v. 1 St. John's Choir 12/30/1865 1865 Benefit PrograM BirMinghaM Town Music Hall, South Side DepartMent: Pittsburgh Concert PrograMs, v.
    [Show full text]
  • Prominent Women Performers in Voice, Piano and Violin, Born Since 1840
    PROMINENT WOMEN PERFORMERS IN VOICE, PIANO AND VIOLIN, BORN SINCE 1840 BY ELIZABETH ADELLE McCLURE THESIS FOR THE DEGREE OF BACHELOR OF MUSIC IN MUSIC SCHOOL OF MUSIC UNIVERSITY OF ILLINOIS 1918 Digitized by the Internet Archive in 2013 http://archive.org/details/prominentwomenpeOOmccl UNIVERSITY OF ILLINOIS J}ine_^5 THIS IS TO CERTIFY THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Elizabeth Adelle McClure ENTITLED P?.P.in.ine.n^.. Jp.?^e.A...Pe^^ .yiQl.in.,....BQrA...S.lng.a..aMQ.. IS APPROVED BY ME AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF Bs^Q]^elQX...Q.t..MMQXG.. Approved HEAD OF DEPARTMENT OF....SC:hool.. of ..Musio. 408271 UlUC " INTRODUCTION Women have had a certain handicap in nnieical matters, but they have furnished the great body of amateurs, without which, the profeseional artistic world would have had a sorry time. In former ages women were confined to the duties of the household. They managed their domestic duties well, regardless of the fact, that there were no women's clubs to assist them. Their educational outlook was narrow, and the fact that they were confined to their homes, gave them opportunities to study the arts, that the men of the time did not possess. Later women's opportunities enlarged and today they are thoroughly "emancipated." They attend the same colleges as their brothers, engage in the same occupations and enter the same pro- fessions. Women are given an equal chance of representation on programs as men and axe welcomed as performers, "Woman has been called the Queen of the home." However, since the arts and sciences have been open to women, they are no longer satisfied with this.
    [Show full text]
  • Volume 33, Number 10 (October 1915) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 10-1-1915 Volume 33, Number 10 (October 1915) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 33, Number 10 (October 1915)." , (1915). https://digitalcommons.gardner-webb.edu/etude/618 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. THE ETUDE 693 THE EMERSON AUTOMATIC PLAYER PIANO Edited by James Francis Cooke not used is returned'to u's but or are to be made at least once a or July. ON SALE ) organ07his inciua d ^i™ li W £nd use~ ^ USED WORKS IN MU SENT ON EXAMINATION TO F PIANO COLLECTIONS human of Player” Piano^ "eWeSt’ m°St a“istic and accomplished :“pla“nrth‘eV keys6 ‘ “Meehan"cal touch has disappeared. It reproduces the interpreta parricular musk! “ ‘X themselves P^ed that and S'16 °f unique deIights is the ability to regulate the illustration, XSringermisar)/«-an?‘ AS Sh°Wn in mnt. With •w SstSBf ”” “ »• “EMPTY, BY Painted by Edward V.
    [Show full text]
  • Download File
    PORTLAND SEASON OF GRAND OPERA 1913 BY THE CHICAGO GRAND OPERA COMPANY ORPHEUM THEATRE FORMERLY HEILIG'S THEATRE 7th and Taylor Streets SEASON OF GRAND OPERA March 31 to April 2, 1913 Presented by CHICAGO GRAND OPERA COMPANY ANDREAS DIPPEL, General Manager BERNHARD ULRICH CLEOFONTE CAMPANINI Business Manager General Musical Director ORPHEUM THEATRE Formerly Heilig's Theatre 7th and Taylor Streets PORTLAND LOIS STEERS, WYNN COMAN COLUMBIA BUILDING Local Management CHICAGO GRAND OPERA COMPANY OFFICERS HAROLD F. MCCOEMICK President *OTTO H. KAHN . Vice-Presidents CHARLES G. DAWES CHARLES L. HUTCHINSON Treasurer F. H. CHANDLER Secretary EXECUTIVE COMMITTEE PHILIP M. LYDIG Chairman JOHN C. SHAFFER Vice-Chairman R. T. CRANE, JR. HAROLD F. MCCORMICK *PAUL D. CRAVATH LA VERNE W. NO YES CHARLES G. DAWES MAX PAM *OTTO H. KAHN JOHN G. SHEDD *CLARENCE H. MACKAY *HARRY PAYNE WHITNEY BOARD OF DIRECTORS FREDERICK BODE HAROLD F. MCCORMICK H. M. BYLLESBY JOHN J. MITCHELL R. T. CRANE, JR. IRA N. MORRIS *PAUL D. CRAVATH LA VERNE W. NOYES CHARLES G. DAWES MAX PAM *GEORGE J. GOULD GEORGE F. PORTER FREDERICK T. HASKELL JULIUS ROSENWALD CHARLES L. HUTCHINSON JOHN C. SHAFFER *OTTO H. KAHN JOHN G. SHEDD ALVIN W. KHECH CHARLES A. STEVENS PHILIP M. LYDIG F. D. STOUT *CLARENCE H. MACKAY *HARRY PAYNE WHITNEY ADMINISTRATION ANDREAS DIPPEL General Manager CLEOFONTE C AMPANINI General Musical Director BERNHARD ULRICH Business Manager * The gentlemen whose named are marked with the asterisk are also Members of the Board of Directors of the Metropolitan Opera Company of New York. Prospectus Miss Lois Steers and Wynn Coman announce the first annual visit of the Chicago Grand Opera Company, under the general management of Andreas Dippel.
    [Show full text]
  • The Project Gutenberg Ebook of Great Singers on the Art of Singing, by James Francis Cooke
    The Project Gutenberg eBook of Great Singers on the Art of Singing, by James Francis Cooke. 17/11/12 10:39 The Project Gutenberg EBook of Great Singers on the Art of Singing, by James Francis Cooke This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Great Singers on the Art of Singing Educational Conferences with Foremost Artists Author: James Francis Cooke Release Date: August 6, 2010 [EBook #33358] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK GREAT SINGERS ON THE ART OF SINGING *** Produced by Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net http://www.gutenberg.org/files/33358/33358-h/33358-h.htm Page 1 sur 165 The Project Gutenberg eBook of Great Singers on the Art of Singing, by James Francis Cooke. 17/11/12 10:39 http://www.gutenberg.org/files/33358/33358-h/33358-h.htm Page 2 sur 165 The Project Gutenberg eBook of Great Singers on the Art of Singing, by James Francis Cooke. 17/11/12 10:39 GREAT SINGERS ON THE ART of SINGING EDUCATIONAL CONFERENCES WITH FOREMOST ARTISTS BY JAMES FRANCIS COOKE A SERIES OF PERSONAL STUDY TALKS WITH http://www.gutenberg.org/files/33358/33358-h/33358-h.htm Page 3 sur 165 The Project Gutenberg eBook of Great Singers on the Art of Singing, by James Francis Cooke.
    [Show full text]
  • 65728D BMC Newsletter.Indd
    B IRMINGHAM M USIC CLUB A CENTENNIAL RETROSPECTIVE 1905-2006 A CENTENNIAL RETROSPECTIVE 1905-2006 B IRMINGHAM M USIC CLUB i BIRMINGHAM MUSIC CLUB: A CENTENNIAL RETROSPECTIVE 1905-2006 contents Th e Beginning ....................................................................................................................................1 Wonderful Results from the Tiniest Beginnings ...........................................................................2 Leading Force for Cultural Endeavors and Music Scholarships...................................................3 Support Groups: Th e Junior Board and Guild ..............................................................................4 Governance and Administration ......................................................................................................5 Musical Notes from the Past ............................................................................................................6 Birmingham Music Club Concert Series – 1908-2007 ..............................................................13 Appendix ....................................................................................................................................22-26 Charter Members, Music Study Circle 1906 BMC Past Presidents 1905-2006 BMC Guild Founding Members 1988 BMC Guild Past Presidents 2005-06 BMC Junior Board Past Presidents 1961-2001 Centennial Committee 2005-06 Th is synopsis of the Birmingham Music Club’s Editor: Janis T. Zeanah (BMC) history was compiled from the club’s Managing
    [Show full text]
  • ARSC Journal
    HISTORICAL REISSUES A "collectors' series" of historical recordings, wherever it is issued and under whatever auspices, is in effect an extension of the record club concept. Generally speaking record collectors are not misers. Even those whose chief interest is in labels know that a record was made to sound, and most of us like to share our treasures. This is a case where you can eat your cake and have it. The Rubini label thus takes us into some of the great British collections, which is to say some of the finest in the world. Checking the source credits against the labels and jackets it is not too difficult to guess that the code letters SJG and GV stand for Syd J. Gray and the joint collection of George Stuart and Vi vi an Liff. Other compilers are represented in the CC ("Collectors' Choice") series. If the overall quality of these transfers is un­ usually good considering the rarity of the originals, one may safely give credit to these collectors, first in their selection of choice materials in the best copies to be found, then in maintaining a high standard of copying. Of course there is some unevenness. The list has been growing for several years and some lessons have obviously been learned. Pitching old records involves a certain amount of guesswork; for the most part I think the correct answers have been found. Where they are definitely wrong - notably in the Chaliapin program - I believe the dubbing was done early in the game. Certain of the repro­ ductions emerge with a hum and in the batch of 18 releases sent to me there were a couple of stylus jumps.
    [Show full text]
  • 17.7. Lps, Scores, Books, Catalogues. 193-204
    AUTOGRAPHED VOCAL & INST. LPs All LPs are 12” and in just about 1-2 condition and jackets in just about 1-2 or cons. 2 (minor lt. mks. or lightest wear) unless otherwise described. "Few lt. rubs" indicate superficial marks, usually related to early mono issues which were not originally issued with internal sleeves. All sets should include all original printed materials. All autographs (signatures) here and elsewhere in this catalogue are guaranteed to be genuine. If you have any specific questions, please don’t hesitate to ask (as soon as is possible). Note that each LP is autographed on the cover by one or more of the artists. If there are artists whose signatures aren’t clear to me, I’ve mentioned them in the description as “other(s)”. ORATORIOS, MASSES, OTHER RELIGIOUS WORKS 4045. EASTER ORATORIO (Bach). Single Stereo Columbia MS 6539. JUDITH RASKIN [s], MAUREEN FORESTER [c], RICHARD LEWIS [t], HERBERT BEATTIE [b]. Eugene Ormandy dir. Philadelphia Orch. Temple Univ. Choir dir. Rob’t E. Page. Signed by Raskin and Beattie. $7.00 4081. REQUIEM (Duruflé). Single Stereo/Quad Columbia 34547. KIRI TE KAWANA [s], SIEGMUND NIMSGERN [b]. Andrew Davis dir. New Phil. Orch. and Ambrosian Singers. Signed by Te Kawana [full signature], Nimsgern, Davis. $8.00. 4039. STABAT MATER (Rossini). Single Electrola D80 607. PILAR LORENGAR [s], BETTY ALLEN [c], JOSEF TRAXEL [t], JOSEF GREINDL [bs], Karl Forster dir. Berlin Symp. Lightest cover scuffs. Signed by Lorengar and Allen. $7.00. 4055. TE DEUM; PSALM 149, Op. 79; HYMNUS, Op. 30 (Dvorák). GABRIELA BEŇAČKOVA [s], JAROSLAV SOUČEK [b].
    [Show full text]