Eastern Europe
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955 Nohope Diceros Bicornis
species L. carinatus is distinguished from all the The bright brick-red throat, quite Merent other species of this genus, includmg even from that of the adults, was particularly re- L. cubet~siswhich is more common in Cuba, by markable. The yellow-brown tail, whch be- a particularly strong development of a com- came caudally lighter, bore more clearly than ponent of aposematic behaviour: its tail has a do those of adults the strongly defined dark definite threat function and is then rolled up cross markmgs (a phenomenon frequent in dorsally in a ring or a spiral and is carried over juvenile lizards, probably of an aposematic the back. (L.personatus also shows th~sbe- nature). The young animal was reared in haviour in a somewhat weaker form, though isolation in a separate container. The ‘rolling’ here the tad is moved more sinuously. of the tail was seen for the first time on the (Mertens, R., 1946: Die Warn- und Druh- second day of life, which, as was to be ex- Reaktionen der Reptilien. Abh. senckenberg. pected, demonstrated that this was an in- naturfi Ges. 471). herent instinctive action. When the young The hatchmg of a Roll-tailed iguana (we animal sat at rest, clmging to a sloping branch, call it hson account of its characteristic its tail lay flat, with at most the extreme end of threat behaviour) in the East Berlin Zoo must it turned upwards. However, as soon as it went be the first to be recorded in Europe. The into motion the tail with its remarkable stria- adult animals arrived on the 9th August 1962 tion was jerhly raised and rolled up high over after a tenday journey by cea. -
Vienna Guide
April 22—24, 2015, Vienna, Austria Hotel Park Royal Palace Vienna Guide SIGHTSEEING Vienna is old, Vienna is new… and the sights are so varied: from the magnificent Baroque buildings to “golden” Art Nouveau to the latest architecture. And over 100 museums beckon… ALBERTINA The Albertina has the largest and most valuable graphical collection in the world, including works such as Dürer’s “Hare” and Klimt‘s studies of women. Its latest exhibition presents masterpieces of the Modern era, spanning from Monet to Picasso and Baselitz. As the largest Hapsburg residential palace, the Albertina dominates the southern tip of the Imperial Palace on one of the last remaining fortress walls in Vienna. ANKER CLOCK This clock (built 1911–14) was created by the painter and sculptor Franz von Matsch and is a typical Art Nouveau design. It forms a bridge between the two parts of the Anker Insurance Company building. In the course of 12 hours, 12 historical figures (or pairs of figures) move across the bridge. Every day at noon, the figures parade, each accompanied by music from its era. AUGARTEN PORCELAIN MANUFacTORY Founded in 1718, the Vienna Porcelain Manufactory is the second-oldest in Europe. Now as then, porcelain continues to be made and painted by hand. Each piece is thus unique. A tour of the manufactory in the former imperial pleasure palace at Augarten gives visitors an idea of how much love for detail goes into the making of each individual piece. The designs of Augarten have been created in cooperation with notable artists since the manufactory was established. -
EXHIBITION: the Temptations of James Ensor Works from 1888 to 1940
EXHIBITION: The temptations of James Ensor Works from 1888 to 1940 Samuel Vanhoegaerden Gallery is pleased to show at Brafa 2020 an extraordinary collection of works by James Ensor gathered for the first time James Ensor, Ballerines muées en marguerites, huile sur toile, 1936 James ENSOR, genius and founder of modern art James Ensor is one of Belgium's most important artists, belonging in the same list as Van Eyck, Rubens, Bruegel and Magritte. His works are of great rarity (he painted only around 850 works) and a large portion of them have already found a place in the world's largest museums. Ensor's importance cannot be overestimated. His name appears in all works on modern art and he was groundbreaking in his manner of painting. James Ensor paved the way for the emergence of Expressionism, Dada ism and Surrealism, among others, and even today, artists like Pierre Alechinsky and Luc Tuymans are indebted to his work. Over the years, the art market has increasingly realized just how decisive Ensor was for art history, and he is increasingly appreciated internationally. Already during his lifetime, and to this day, exhibitions of his works continue to be held in the worl d's most important museums (the latest including the MOMA, the Getty Museum and the Musée d'Orsay) and research into his work continues to expand. The market for his paintings and drawings is slowly drying up as these works find their way to museum collections, and with the few available paintings remaining family-owned. James Ensor's work is timeless and continues to amaze and delight every generation. -
View Full Itinerary
Citizen Diplomat Excursion to Central Europe September 25-October 7, 2021 Implementation of this tour is contingent on the public health situation in the included countries, and the itinerary may be adjusted to accommodate public health requirements and recommendations. The final decision on whether the trip will take place will be made no later than July 15th, and we will refund 100% of trip deposits if WorldDenver decides to cancel due to local health conditions or travel restrictions. Join Karen de Bartolomé, WorldDenver’s Founding Executive Director, in exploring the heart of Central Europe, with stops in Hungary, Slovakia, and Austria for thirteen days! After flying into Budapest, travelers will cruise on the Danube River, ride a train to Bratislava, explore Vienna, experience a Slovakian winery, traverse the Slovakian countryside, and visit the mountains of Tatra National Park (sister park to Rocky Mountain NP). Along the way, you will have the chance to meet officials, learn about a millennium of history, engage in citizen diplomacy, and experience the sights, sounds, and tastes of the exceptionally rich culture of this region with fellow WorldDenver members and citizen diplomats. Itinerary at a Glance Saturday, Sept. 25 (Day 1) – Arrival in Budapest Sunday, Sept. 26 (Day 2) – Danube Bend tour Monday, Sept. 27 (Day 3) – Full-day Budapest city tour Tuesday, Sept. 28 (Day 4) – Transfer to Bratislava by train, free afternoon in Bratislava Wednesday, Sept. 29 (Day 5) – Half-day tour of Bratislava Thursday, Sept. 30 (Day 6) – Day-trip to Vienna Friday, Oct. 1 (Day 7) – Half-day wine tour outside Bratislava Saturday, Oct. -
CCS 2016 Venue Guide
ACM CCS 2016 - Venue Guide Contents Venue Overview ............................................................................................................................................ 2 Directions (to CCS 2016 Conference Venue) ................................................................................................ 3 Conference Venue................................................................................................................................................ 3 How to get to the Conference Venue ................................................................................................................... 4 Directions (airport – city center) ................................................................................................................. 8 Vienna Sightseeing Map .................................................................................................................................... 13 Welcome to Vienna! .......................................................................................................................................... 14 About Vienna ..................................................................................................................................................... 16 The Culinary Side of Vienna .............................................................................................................................. 18 Tips from a Local .............................................................................................................................................. -
ESPON-TITAN Scientific Report-Annex 2 Economic Impact
ESPON-TITAN Territorial Impacts of Natural Disasters Applied Research Final Report – Annex 2 Economic Impacts Analysis June 2021 This applied research activity is conducted within the framework of the ESPON 2020 Cooperation Programme. The ESPON EGTC is the Single Beneficiary of the ESPON 2020 Cooperation Programme. The Single Operation within the programme is implemented by the ESPON EGTC and co-financed by the European Regional Development Fund, the EU Member States, the United Kingdom and the Partner States, Iceland, Liechtenstein, Norway and Switzerland. This delivery does not necessarily reflect the opinion of the members of the ESPON 2020 Monitoring Committee. Authors Koen Rademaekers, Lisa Korteweg, Foivos Petsinaris, Louis Eklund, Trinomics (The Netherlands) Dóra Fazekas, Jon Stenning, Boglárka Molnár, Cambridge Econometrics (United Kingdom) Olga Ivanova, independent expert (the Netherlands) Acknowledgements We want to thank the interviewees and other contacts that have given us important information to complete the case studies succesfully. Advisory Group Project Support Team: Adriana May, Lombardy Region (Italy), Marcia Van Der Vlugt, Ministry of the Interior and Kingdom Relations, Spatial Development Directorate (the Netherlands) ESPON EGTC: Zintis Hermansons (Project Expert), Caroline Clause (Financial Expert) Information on ESPON and its projects can be found on www.espon.eu. The web site provides the possibility to download and examine the most recent documents produced by finalised and ongoing ESPON projects. © ESPON, 2020 Printing, reproduction or quotation is authorised provided the source is acknowledged and a copy is forwarded to the ESPON EGTC in Luxembourg. Contact: [email protected] ISBN : 978-2-919816-06-4 ESPON-TITAN Territorial Impacts of Natural Disasters Table of contents List of Figures ........................................................................................................................ -
Przewalski's Wild Horses Gallop Back to Life 14 November 2011, by Jan Marchal
Przewalski's wild horses gallop back to life 14 November 2011, by Jan Marchal 1969. Four Przewalski horses graze in the western Mongolian reserve of Khomiin Tal. The Prague Zoo says it will transport more rare wild horses to Mongolia next year as Characterised by thick necks, large heads and stocky part of its efforts to reintroduce the endangered species barrels, Przewalski's horses weigh between 250-350 to its native habitat. kilograms, are about 1.2-1.3 metres tall at withers and two metres long. Their galloping stocky, sandy-brown silhouettes inspired dreamy pre-historic cave paintings. More than one-third of some 1,800 Przewalski horses living all over the world today, including Now, an ancient species known as Przewalski's 1,600 in captivity, are related to horses bred at the wild horse has narrowly avoided extinction thanks Prague zoo. to zoos worldwide and is cautiously being re- introduced to its homeland on the vast Mongolian Characterised by thick necks, large heads and steppe. stocky barrels, Przewalski's horses weigh between 250-350 kilograms (551-771 pounds), are about In charge of keeping the world genealogy book for 1.2-1.3 metres (3.9-4.3 feet) tall at withers and two this rare species, the Prague zoo has played a key metres long. role in this historic homecoming. To kick up the dust on the land of their ancestors, "Three mares and one stallion have been the horses spend about 30 hours inside special acclimatising in the Mongolian province of Khomiin containers aboard a Czech army plane and then a Tal since June," said zoo director Miroslav Bobek. -
NY Nod to Bare Breasts
WORLD lllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll ntnews.com.au NY nod to bare breasts NEW YORK: As the summer bare her breasts in public sun shines in New York, as often as possible, said many city dwellers will police were not playing by head to Central Park to soak the rules. up some vitamin D. And if She claims to have been police see topless female arrested dozens of times. sunbathers, they have been She said she had been hand- reminded to let them be. cuffed, detained for hours In February, the New before being released and re- York Police Department ceived summonses for ‘‘in- Members of the Red Cross in boats make their way along a flooded street in the centre of Passau in Southern Germany (NYPD) issued a memo to decent exposure’’. officers, and multiple The colourful artist — a PUB: reminders since: a 1992 platinum blonde with a fake court decision states that dark moustache — filed a Torrential deluge causes chaos in Europe women can bare their harassment complaint last NT NEWS breasts without penalty. month in a federal court in PRAGUE: Thousands have and Germany following tor- ‘‘It’s a terrifying feeling to The heavy rainfall has ‘‘Members of the service New York against the city been forced from their rential rains. experience this all over triggered nightmarish mem- are directed not to issue and the NYPD. homes and at least nine peo- The flooding caused chaos again,’’ Petr Velensky, the ories of the 2002 floods that summonses, or take other Her complaint stated she ple have been killed as at Prague Zoo where about zoo’s reptile specialist, said, killed dozens in the region, enforcement action, against was once ‘‘detained in the floodwaters deluged swathes 1000 animals were moved to recalling how many animals including 17 in the Czech Re- male or female individuals psychiatric hospital against of Europe, including the his- higher ground after the drowned in a 2002 flood. -
Brancusi Journey – a Revival of a Paradoxical Modern European Tradition
Horizons for sustainability „Constantin Brâncuşi” University of Târgu-Jiu, Issue /2020 BRANCUSI JOURNEY – A REVIVAL OF A PARADOXICAL MODERN EUROPEAN TRADITION Lavinia TOMESCU1 ABSTRACT. THIS ARTICLE PRESENTS A POSSIBLE EUROPEAN CULTURAL ROUTE AND THE TOURIST CIRCUIT ON BRÂNCUȘI'S TRACKS IN PARIS. CONSTANTIN BRANCUSI REPRESENTS THE COMMON CATALYST, THE FORCE VECTOR FOR THE ENTIRE ROMANIAN SPIRITUALITY, THE EXPONENT OF THE ROMANIAN CULTURE BASED ON THE TRADITIONAL AUTHENTIC. ROMANIANS EVERYWHERE FIND THEIR IDENTITY IN THE WORK OF THE SYMBOL OF THE TRADITIONAL ROMANIAN SPIRITUALITY, CONSTANTIN BRANCUSI, AS A BINDER OF THE RECONNECTION TO THE ORIGINS OF THE TRADITIONAL ROMANIAN CULTURE. CULTURAL ITINERARIES ARE CONSIDERED AN ELEMENT OF INNOVATION IN WHICH THEY SHOULD SUPPORT THE PROMOTION OF THE EUROPEAN IDENTITY AND THE COMMON HERITAGE. CULTURAL ROUTES ARE ITINERARIES THAT GATHER TOGETHER IMPORTANT ELEMENTS OF HERITAGE, WHICH STAND AS TESTIMONY AND ILLUSTRATE SPECIFIC PERIODS AND EVENTS OF EUROPEAN HISTORY. THEY ARE CHARACTERIZED BY MOBILITY AND ALSO IMPLY AN INTANGIBLE AND SPATIAL DYNAMIC THAT THE CULTURAL LANDSCAPE DOES NOT POSSESS, WHICH IS MORE STATIC AND LIMITED IN NATURE. BRÂNCUȘI ROUTE IS THE ITINERARY THAT HE TRAVELED ON FOOT FROM HOBIȚA FROM GORJ TO PARIS. KEYWORDS: ITINERARY, SCULPTOR, BRÂNCUȘI, TOURIST CIRCUIT, CULTURAL ROUTE. INTRODUCTION The European Cultural Route Constantin Brâncuşi - The road to artistic metamorphosis can be a true bridge between Eastern Europe and Western Europe. This route is deeply rooted in the traditions and common European cultural heritage, uniting places with a deep spiritual significance. The greatest sculptor of the 20th century, Constantin Brâncuşi, a central figure in the modern artistic movement is considered the parent of modern sculpture. -
Pietas Austriaca? the Imperial Legacy in Interwar and Postwar Austria
religions Article Pietas Austriaca? The Imperial Legacy in Interwar and Postwar Austria Dieter A. Binder ID Chair of Cultural Studies, Andrássy University, Pollack Mihály tér 3, 1088 Budapest, Hungary; [email protected] Received: 7 July 2017; Accepted: 21 August 2017; Published: 29 August 2017 Abstract: This paper aims to outline the specific Habsburg character of Austrian Catholicism through a study of Pietas Austriaca, the supposed Habsburg tradition of Catholic piety, and its role in the First and Second Austrian Republics. It analyzes the narrative of Austrian history presented by the Heldendenkmal, or Heroes’ Monument, which was erected in Vienna in 1934. Further, it argues that Pietas Austriaca was linked in the postwar period to a notion of Heimat (Home, Homeland) and served the needs of Austrian political Catholicism, which was seeking to recruit former National Socialists. Keywords: Habsburg; Austria; empire; Catholicism; Pietas Austriaca; Christian Social Party; Austrian People’s Party; Heimat; Heldendenkmal Political Catholicism utilised its commitment to the concept of Pietas Austriaca to define its political position towards both Social Democratic Austro-Marxism and National Socialism. After 1945, the Roman Catholic Church served as a vehicle for the denazification of former National Socialists. By creating the “Heimat”, it endeavoured to establish a common front against Social Democracy in order to implement a masked bourgeois bloc. Ultimately, this would to some extent explain the rise of the Austrian Freedom Party from 1986 on. “The Pietas Austriaca, i.e., Austrian piety—referring here to Austria as Casa d’Austria, i.e., the House of Austria, and not as a geopolitical entity—was propagated in the Baroque era as the most fundamental virtue of the Habsburg dynasty. -
O Du Mein Österreich: Patriotic Music and Multinational Identity in The
O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 ABSTRACT O du mein Österreich: Patriotic Music and Multinational Identity in the Austro-Hungarian Empire by Jason Stephen Heilman Department of Music Duke University Date: _______________________ Approved: ______________________________ Bryan R. Gilliam, Supervisor ______________________________ Scott Lindroth ______________________________ James Rolleston ______________________________ Malachi Hacohen An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the Graduate School of Duke University 2009 Copyright by Jason Stephen Heilman 2009 Abstract As a multinational state with a population that spoke eleven different languages, the Austro-Hungarian Empire was considered an anachronism during the age of heightened nationalism leading up to the First World War. This situation has made the search for a single Austro-Hungarian identity so difficult that many historians have declared it impossible. Yet the Dual Monarchy possessed one potentially unifying cultural aspect that has long been critically neglected: the extensive repertoire of marches and patriotic music performed by the military bands of the Imperial and Royal Austro- Hungarian Army. This Militärmusik actively blended idioms representing the various nationalist musics from around the empire in an attempt to reflect and even celebrate its multinational makeup. -
“Travels Along the Danube” (Prague, Vienna, Bratislava & Budapest) Private Small Group
“Travels along the Danube” (Prague, Vienna, Bratislava & Budapest) Private small group September 25th- October 5th 2020 (10 days) Price per person based on double occupancy $3211 (single supplement $402 add’l) Optional additional night in Budapest $120pp Deposit required: $500 per person September 26: Prague for 3 nights Meet & greet private transfer from airport to hotel Double or twin rooms river or city view, breakfast & taxes included at Hotel Charles Bridge Palace**** Porterage included Centrally located in Prague 1, Charles Bridge Palace is just 150 m from the famous Charles Bridge and a 10-minute walk to the Old Town Square. The hotel serves a rich buffet breakfast. Elegantly decorated rooms are air-conditioned and come with a minibar, flat-screen TV with satellite channels and a marble tiled bathroom. Rooms overlook the Vltava River, Prague castle or hotel’s secluded courtyard. Wi-Fi is available throughout the Charles Bridge Palace and is free of charge. The hotel can organise rental cars, laundry services, tours and provides a concierge service. Other attractions close by are the Wenceslas Square, 1 km away, the National Theatre, 1 tram stop away, and the Old Jewish Cemetery which is 400 m away. The Staroměstská Metro Station and a variety of restaurants and bars can be reached in a 5-minute walk. https://www.charlesbridgepalace.com/ Welcome dinner at Plzenska restaurant Plzenska Restaurant in Prague is situated inside one of Europe's finest Art Nouveau buildings, the stunning Municipal House. Plzenska Restaurant, named after the famous Czech beer Pilsner Urquell, presents classic Czech cuisine in a typical beer hall atmosphere.