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Twenty-First Century Space Propulsion Study
AD-A229 279A AL-TR-90-030 AD: FiaRFILE CPY Final Report T for tihe period 21st Century Space Propulsion Study 30 Jul 1987 to 30 Apr 1990 DTIC ELECTE D NOV 141990 October 1990 Author: Forward Unlimited Dr R.L. Forward RO.Box 2783 Malibu CA 90265-7783 F04611-87-C-0029 Approved for Public Release Distribution Is unlimited. The AL Technical Services Office has reviewed this report, and it Is releasable to the National Technical Information Service, where it will be available to the general public, including foreign nationals. Prepared for the: Astronautics Laboratory (AFSC) Air Force Space Technology Center Space Systems Division Air Force Systems Command Sf Edwards AFB CA 93523-5000 NOTICE When U. S. Government drawings, specifications, or other data are used for any purpose other than a definitely related Government procurement operatictt, the fact that the Govern- ment may have formulated, furnished, or in any way supphrd the said drawings, V specifications, or other data, is not to be regarded by implication or otherwise, or in any way licensing the holder or any other person or corporation, or conveying any rights or permission to manufacture, use or sell any patented invention that may be related thereto. FOREWORD This final report was submitted by Forward Unlimited, Malibu CA on completion of contract F04611-87-C-0029 with the Astronautics Laboratbry (AFSC), Edwards AFB CA. AL Project Manager was Dr Franklin B. Mead, Jr.. This report has been reviewed and is approved for release and distribution in accordance with the distribution statement on the cover and on the DD Form 1473. -
Airplane! by Michael Schlesinger
Airplane! By Michael Schlesinger In most people’s minds, the 1970s break neatly in two. The first half was the so- called Silver Age of Holly- wood, when a new genera- tion of directors arose and put their stamp on the mov- ies: Scorsese, Coppola, DePalma, Friedkin and oth- ers made ambitious, rule- breaking films that seemed to spell the end of the vaunted studio system (save Peter Bogdanovich, Stewardess Julie Hagerty and erstwhile pilot Robert Hays in the cockpit of the doomed who made traditional pictures ‘Airplane!’ Courtesy Library of Congress Collection. in a modern way). But a funny thing happened on the way to auteur nirvana: two “Zero Hour!” (Davison avers this was totally a coinci- other New Kids inadvertently killed the silver goose, dence.) The brass liked it yet were skeptical, but leg- and by the time the dust settled, Spielberg and Lucas endary producer Howard W. Koch “got” it and volun- were the new white-haired boys, and the studios teered to come aboard. With that reassurance and a were back in the blockbuster business for good. reasonable $3.5 million budget, Michael Eisner gave them the green light. Yet what most people forget is that big money was already being hauled in throughout the decade by an It didn’t begin smoothly. ZAZ, as they were called, exceedingly old-fashioned genre: the disaster film. wanted dramatic actors not known for comedy, who George Seaton’s good-natured “Airport” made a kill- would deliver the goofy dialogue perfectly seriously; ing in 1970, but it was considered a one-off throw- Paramount thought this was bonkers and wanted back. -
The Rise and Fall of Missiles in the Us Air Force, 1957-1967
FLAMEOUT: THE RISE AND FALL OF MISSILES IN THE U.S. AIR FORCE, 1957-1967 A Dissertation by DAVID WILLIAM BATH Submitted to the Office of Graduate and Professional Studies of Texas A&M University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Chair of Committee, Joseph G. Dawson, III Committee Members, Terry H. Anderson Olga Dror Angela Pulley Hudson James Burk Head of Department, David Vaught December 2015 Major Subject: History Copyright 2015 David William Bath ABSTRACT This dissertation documents how the U.S. national perspective toward ballistic nuclear missiles changed dramatically between 1957 and 1967 and how the actions and attitudes of this time brought about long term difficulties for the nation, the Air Force, and the missile community. In 1957, national leaders believed that ballistic missiles would replace the manned bomber and be used to win an anticipated third world war between communist and capitalist nations. Only ten years later, the United States was deep into a limited war in Vietnam and had all but proscribed the use of nuclear missiles. This dissertation uses oral histories, memoirs, service school theses, and formerly classified government documents and histories to determine how and why the nation changed its outlook on nuclear ballistic missiles so quickly. The dissertation contends that because scientists and engineers created the revolutionary weapon at the beginning of the Cold War, when the U.S. and U.S.S.R. were struggling for influence and power, many national leaders urged the military to design and build nuclear ballistic missiles before the Soviet Union could do so. -
Police, Camera, Action Leslie Nielsen As the (Relatively) Straight-Faced Detective Frank Drebin
police, camera, action Leslie Nielsen as the (relatively) straight-faced Detective Frank Drebin 76 • Rolling Stone, July-August 2011 REWIND shows that missed the middle east Police Squad! How the adventures of Detective Frank Drebin survived a network’s wrath, and spawned one of comedy’s greatest franchises BY MATT ROSS he first ‘naked gun’ film and that much would pass them by if they If anything, Police Squad! was too regularly tops polls of the best weren’t glued to the screen from start to clever for its own good. The deadpan prin- comedy movies of all time. But finish. It was one of the strangest reasons cipal cast treated audiences with the ut- while the slapstick adventures for cancelling a show ever recorded. most respect, and credited them with Tof Detective Frank Drebin and his fellow Which is not to say that they didn’t have enough intelligence to be able to tell when cops have yielded some of the most en- a point. Look away for a moment, and many a joke was being made. The show was also during moments in cinematic history, the of the best gags that Police Squad! had to not shy about poking fun at itself. Char- movie (and its admittedly less successful offer were gone in a heartbeat. Whether it acters often, and repeatedly, broke the sequels) would never have existed without was the stock footage of the Roman Colos- fourth wall. Ed Williams, who played res- the short-lived ABC series Police Squad!, seum showing behind Drebin’s car as he ident scientist Ted Olsen, would let other which gave the filmmaking trio of Jim drove through Little Italy – he’d also drive characters walk through doorways, then Abrahams, David Zucker and Jerry Zuck- stroll around the edge of the set to meet er their first chance to experiment with up with them on the other side. -
El Cine De Jim Abrahams Y De Los Hermanos Zucker En Las Comedias De Ben Stiller
Heredero del ZAZ: cineSCRUPULOS Volumen 7 el cine de Jim Abrahams y Número 2 Julio a diciembre de los hermanos Zucker en 2019 las comedias de Ben Stiller Heir of ZAZ: Jim Abrahams and 91 Zucker brothers’s cinema in Ben Stiller’s comedies Sebastián Chávez1, Sebastián Gómez2, Daniel Montoya3, Ana Paula Sánchez4, Claudia Torres5 Resumen Dos tipos de comedias nos ofrecen, por un lado, el trío integrado por Jim Abrahams, Je- rry Zucker y David Zucker y, por el otro, las películas dirigidas por Ben Stiller. Sus traba- jos han visto la luz con 20 años de diferencia y se conciben bajo perspectivas del mun- do completamente distintas. En ambos casos se parodian situaciones identificables en la realidad pero cada uno lo hace usando el humor dentro de su propio lenguaje y estilo. Los primeros han establecido un culto gracias a una comedia ligada con lo absurdo, pero Ben Stiller usa la sátira para construir el mundo en el que sus historias cobran vida. Abstract Two types of comedy movies offers, on one hand, Jim Abrahams, Jerry Zucker and David Zucker and, on the other, Ben Stiller’s films. His works are 20 years apart and conceived under completely different perspectives of the world. In both cases they Citar como: parody identifiable situations in reality but each one does so using humor within their Chávez, S., Gómez, S., own language and style. The former have established a cult because comedy is linked Montoya, D., Sánchez, to absurd, but Ben Stiller uses satire to build the world in which his stories come alive. -
Mimi WI NR Form
NPS Form 10-900 OMB No. 10024-0018 (January 1992) United States Department of Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900A). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property historic name Minuteman ICBM Launch Control Facility Delta-01 and Launch Facility Delta-09, Ellsworth Air Force Base other names/site number Minuteman Missile National Historic Site (MIMI) 2. Location street & number Minuteman Missile National Historic Site (MIMI), Delta-01: W side Jackson CR CS23A, approx. .5 mi. N of I-90, Exit 127 city or town Cottonwood Vicinity X state South Dakota code SD county Jackson code 071 zip code 57775 (see continuation sheet) 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
Best Movies in Every Genre
Best Movies in Every Genre WTOP Film Critic Jason Fraley Action 25. The Fast and the Furious (2001) - Rob Cohen 24. Drive (2011) - Nichols Winding Refn 23. Predator (1987) - John McTiernan 22. First Blood (1982) - Ted Kotcheff 21. Armageddon (1998) - Michael Bay 20. The Avengers (2012) - Joss Whedon 19. Spider-Man (2002) – Sam Raimi 18. Batman (1989) - Tim Burton 17. Enter the Dragon (1973) - Robert Clouse 16. Crouching Tiger, Hidden Dragon (2000) – Ang Lee 15. Inception (2010) - Christopher Nolan 14. Lethal Weapon (1987) – Richard Donner 13. Yojimbo (1961) - Akira Kurosawa 12. Superman (1978) - Richard Donner 11. Wonder Woman (2017) - Patty Jenkins 10. Black Panther (2018) - Ryan Coogler 9. Mad Max (1979-2014) - George Miller 8. Top Gun (1986) - Tony Scott 7. Mission: Impossible (1996) - Brian DePalma 6. The Bourne Trilogy (2002-2007) - Paul Greengrass 5. Goldfinger (1964) - Guy Hamilton 4. The Terminator (1984-1991) - James Cameron 3. The Dark Knight (2008) - Christopher Nolan 2. The Matrix (1999) - The Wachowskis 1. Die Hard (1988) - John McTiernan Adventure 25. The Goonies (1985) - Richard Donner 24. Gunga Din (1939) - George Stevens 23. Road to Morocco (1942) - David Butler 22. The Poseidon Adventure (1972) - Ronald Neame 21. Fitzcarraldo (1982) - Werner Herzog 20. Cast Away (2000) - Robert Zemeckis 19. Life of Pi (2012) - Ang Lee 18. The Revenant (2015) - Alejandro G. Inarritu 17. Aguirre, Wrath of God (1972) - Werner Herzog 16. Mutiny on the Bounty (1935) - Frank Lloyd 15. Pirates of the Caribbean (2003) - Gore Verbinski 14. The Adventures of Robin Hood (1938) - Michael Curtiz 13. The African Queen (1951) - John Huston 12. To Have and Have Not (1944) - Howard Hawks 11. -
This Is the American Film Institute's List of 500 Movies Nominated for the Top 100 Funniest American Movies
This is the American Film Institute's list of 500 movies nominated for the top 100 Funniest American Movies. 1. 10 (1979) 2. 1941 (1979) 3. 48HRS. (1982) 4. 9 TO 5 (1980) 5. A CHRISTMAS STORY (1983) 6. A CONNECTICUT YANKEE (1931) 7. A DAY AT THE RACES (1937) 8. A FISH CALLED WANDA (1988) 9. A FLORIDA ENCHANTMENT (1914) 10. A FOREIGN AFFAIR (1948) 11. A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1966) 12. A GIRL IN EVERY PORT (1928) 13. A GIRL'S FOLLY (1917) 14. A NIGHT AT THE OPERA (1935) 15. A SHOT IN THE DARK (1964) 16. A THOUSAND CLOWNS (1965) 17. A WEDDING (1978) 18. ABBOTT AND COSTELLO MEET FRANKENSTEIN (1948) 19. ABOUT LAST NIGHT... (1986) 20. ACE VENTURA, PET DETECTIVE (1994) 21. ADAM'S RIB (1949) 22. ADDAMS FAMILY VALUES (1993) 23. AFTER HOURS (1985) 24. AIRPLANE! (1980) 25. ALADDIN (1992) 26. ALL OF ME (1984) 27. AMERICAN GRAFFITI (1973) 28. AN AMERICAN WEREWOLF IN LONDON (1981) 29. ANIMAL CRACKERS (1930) 30. ANNIE HALL (1977) 31. ARSENIC AND OLD LACE (1944) 32. ARTHUR (1981) 33. AS GOOD AS IT GETS (1997) 34. AUNTIE MAME (1958) 35. AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997) 36. AVANTI! (1972) 37. BABE (1995) 38. BACHELOR MOTHER (1939) 39. BACK TO SCHOOL (1986) 40. BACK TO THE FUTURE (1985) 41. BALL OF FIRE (1941) 42. BANANAS (1971) 43. BAREFOOT IN THE PARK (1967) 44. BEACH BLANKET BINGO (1965) 45. BEAT THE DEVIL (1954) 46. BEDTIME FOR BONZO (1951) 47. BEETLEJUICE (1988) 48. BEING THERE (1979) AFI is a trademark of the American Film Institute. -
Project-Air-Force-1996.Pdf
Photographs on p. 28 courtesy of the U.S. Air Force, Lockheed, and McDonnell-Douglas. Most of the staff photographs were taken by J.R. “Goldy” Goldstein, associate director and vice president of The RAND Corporation in the 1950’s and 1960’s. CONTENTS 5 A Partnership of Trust 47 Analytic Methods 11 Out of the Box 53 Systems Training Program 17 Space 57 Defense Economics 23 Strategy for the Nuclear Era 61 Manpower 29 Theater Air Operations 65 Logistics 33 Computing 71 Acquisition Policy 39 International Studies 75 The Post–Cold War World 43 Arms Control 79 The New Challenge A PARTNERSHIP OF TRUST The 50th anniversary of Project AIR FORCE gives mark, it is worth pondering the environment that made Tus a unique opportunity to reflect on past achieve- such creative work possible. What is it about the RAND ments and the legacy they provide for the future. partnership with the Air Force that fostered productive The essays in this volume offer a montage of per- innovation and continued relevance over so many years? sonal perspectives on that legacy. While they do Part of the answer lies in the revolutionary concept not present a comprehensive history, they help us that was the basis for Project RAND. The founders— grasp the significance of our first 50 years. General of the Army H. H. “Hap” Arnold; MIT’s Edward Readers of these essays may be struck by the sheer Bowles; Donald Douglas, Arthur Raymond, and Franklin number of creative leaps taken by individuals working at Collbohm from Douglas Aircraft Company; and others— Project RAND (1946–1976) and at Project AIR FORCE conceived of RAND as a way of retaining for the Air Force (1976–present). -
Abraham Lincoln in the Twenty-First Century
Universität Duisburg-Essen Fakultät für Geisteswissenschaften Institut für Anglophone Studien POPULAR MEDIA MEMORY: ABRAHAM LINCOLN IN THE TWENTY-FIRST CENTURY Inaugural-Dissertation zur Erlangung des akademischen Grades Doktor der Philosophie (Dr. phil.) der Fakultät für Geisteswissenschaften der Universität Duisburg-Essen vorgelegt von JÖRN BENZINGER geboren in Mülheim an der Ruhr wohnhaft in Essen im Mai 2016 Gutachter: Prof. Dr. Josef Raab und Prof. Dr. Barbara Buchenau, Fakultät für Geisteswissenschaften, Institut für Anglophone Studien, Universität Duisburg-Essen Tag der mündlichen Prüfung: 28. März 2017 ii TABLE OF CONTENTS ACKNOWLEDGEMENTS ................................................................................................. iii LIST OF FIGURES .............................................................................................................. iv LIST OF TABLES ............................................................................................................... iv 1. INTRODUCTION ............................................................................................................ 1 1.1. On the Cultural Significance of Abraham Lincoln ............................................. 2 1.2. State of Research ................................................................................................ 6 1.1.1 Lincoln’s Lifetime ......................................................................................... 7 1.1.2 On Lincoln’s Afterlife ................................................................................ -
October 2020
October 2020 3:45 PM ET/12:45 PM PT 3:30 PM ET/12:30 PM PT 8:55 AM ET/5:55 AM PT 2:45 PM CT/1:45 PM MT 2:30 PM CT/1:30 PM MT 7:55 AM CT/6:55 AM MT Dance Flick Cyborg The Trailer Show 5:10 PM ET/2:10 PM PT 5:00 PM ET/2:00 PM PT 9:15 AM ET/6:15 AM PT 4:10 PM CT/3:10 PM MT 4:00 PM CT/3:00 PM MT 8:15 AM CT/7:15 AM MT 6 Bullets Disturbing Behavior Hour of the Gun 7:10 PM ET/4:10 PM PT 6:30 PM ET/3:30 PM PT 11:00 AM ET/8:00 AM PT 6:10 PM CT/5:10 PM MT 5:30 PM CT/4:30 PM MT 10:00 AM CT/9:00 AM MT Smokin’ Aces Smokin’ Aces 2: Assassin’s Ball The Naked Gun: From the Files of THURSDAY, OCTOBER 1 9:00 PM ET/6:00 PM PT 8:00 PM ET/5:00 PM PT Police Squad! 12:40 AM ET/9:40 PM PT 8:00 PM CT/7:00 PM MT 7:00 PM CT/6:00 PM MT 11:40 PM CT/10:40 PM MT 12:30 PM ET/9:30 AM PT 11:30 AM CT/10:30 AM MT Necessary Roughness Spaceballs The Naked Gun: From the Files of 10:45 PM ET/7:45 PM PT Police Squad! F/X 2:30 AM ET/11:30 PM PT 9:45 PM CT/8:45 PM MT 1:30 AM CT/12:30 AM MT 9:30 PM ET/6:30 PM PT 2:20 PM ET/11:20 AM PT Grease 2 8:30 PM CT/7:30 PM MT 1:20 PM CT/12:20 PM MT Stripes Naked Gun 33 1/3: The Final Insult Naked Gun 33 1/3: The Final Insult 4:20 AM ET/1:20 AM PT 3:20 AM CT/2:20 AM MT FRIDAY, OCTOBER 2 11:00 PM ET/8:00 PM PT 3:50 PM ET/12:50 PM PT 10:00 PM CT/9:00 PM MT 2:50 PM CT/1:50 PM MT Larger Than Life 12:45 AM ET/9:45 PM PT 11:45 PM CT/10:45 PM MT The Naked Gun: From the Files of Pathology 6:00 AM ET/3:00 AM PT Spaceballs Police Squad! 5:00 AM CT/4:00 AM MT 5:30 PM ET/2:30 PM PT 4:30 PM CT/3:30 PM MT The Nevadan 2:30 AM ET/11:30 PM PT 1:30 AM CT/12:30 -
Kentucky Fried Theater, a Zany Group of Friends Who Provided Comic Relief in the Midst of the UW’S Tumultuous Antiwar Years
DISPATCHES Teaching the Teachers A new program seeks to expand access to in-demand languages. Like the 1957 launch cational system, and of Sputnik, the Soviet JEFF MILLER teaching across dif- space satellite that ferent cultures. UW- sparked renewed Madison faculty will emphasis on math and lead the courses, and science, the terrorist participants will experi- attacks of September ence class simulations, 11, 2001, have become complete videotape a wake-up call for analyses, and post and American educators. share their ideas with Responding to a need other students on discus- for greater understand- sion boards. Any fluent ing of world cultures, speaker of a less com- schools are ramping up monly taught language curricula in languages will be eligible to enroll. such as Arabic. Magnan says native “It’s really an speakers represent a key awakening of the defi- resource in helping meet cit in our culture,” says the booming demand for Antonia Schleicher, instruction in languages $363,500 a UW professor of Afri- such as Arabic, and the Money raised to benefit the can languages and lit- goal of the program is new UW Children’s Hospital erature and executive to help them succeed in by auctioning off forty-four director of the National passing along those skills decorated cows, which were Council of Less Com- to American students. prominently installed around monly Taught Lan- “A lot of these Madison as part of the guages (NCLCTL). “You [instructors] just came CowParade Wisconsin need language ... to from these countries,” exhibit during 2006. be able to understand she says. “They don’t the thinking of people.