Bob Cobbing at the British Library
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The Quest Motif in Snyder's the Back Country
LUCI MARÍA COLLIN LA VALLÉ* ? . • THE QUEST MOTIF IN SNYDER'S THE BACK COUNTRY Dissertação apresentada ao Curso de Pós- Graduação em Letras, Área de Concentração em Literaturas de Língua Inglesa, do Setor de Ciências Humanas, Letras e Artes da Universidade Federal ' do Paraná, para a obtenção do grau de Mestre em Letras. Orientador: Profa. Dra. Sigrid Rénaux CURITIBA 1994 f. ] there are some things we have lost, and we should try perhaps to regain them, because I am not sure that in the kind of world in which we are living and with the kind of scientific thinking we are bound to follow, we can regain these things exactly as if they had never been lost; but we can try to become aware of their existence and their importance. C. Lévi-Strauss ii ACKNOWLEDGMENTS First of all, I would like to acknowledge my American friends Eleanor and Karl Wettlaufer who encouraged my research sending me several books not available here. I am extremely grateful to my sister Mareia, who patiently arranged all the print-outs from the first version to the completion of this work. Thanks are also due to CAPES, for the scholarship which facilitated the development of my studies. Finally, acknowledgment is also given to Dr. Sigrid Rénaux, for her generous commentaries and hëlpful suggestions supervising my research. iii CONTENTS ABSTRACT vi RESUMO vi i OUTLINE OF SNYDER'S LIFE viii 1 INTRODUCTION 01 1.1 Critical Review 04 1.2 Cultural Influences on Snyder's Poetry 12 1.2.1 The Counter cultural Ethos 13 1.2.2 American Writers 20 1.2.3 The Amerindian Tradi tion 33 1.2.4 Oriental Cultures 38 1.3 Conclusion 45 2 INTO THE BACK COUNTRY 56 2.1 Far West 58 2.2 Far East 73 2 .3 Kail 84 2.4 Back 96 3 THE QUEST MOTIF IN THE BACK COUNTRY 110 3.1 The Mythical Approach 110 3.1.1 Literature and Myth 110 3 .1. -
Newsletter No. 679 a Quick Trip to Ljubljana Thursday, 15Th
Newsletter No. 679 A Quick Trip to Ljubljana Thursday, 15th: A shuttle picks me up and we ride one minute up the street and parks in front of Paul & Carol Roussopoulos’s home in the Villa Seurat. A fellow comes out and gets into our small van. His name is Olivier and we drive him to a suburb in the south east of Paris. When he leaves us, we speed to CdG 1. After clearing passport and security control, I continue to the Adria Airways gate area. There I learn that the flight will be late departing. Settle down to reading that summer in paris. A woman named Anna Mortley is supposed to be flying with me to our IETM conference. But there are so many people waiting to board aircraft that it is impossible to know who it might be. Jim Haynes © Roman Sipic Then the flight is called. I sit behind a woman who is alone and ask her if she might be Anna, but she is not. Nevertheless give her an invitation to the Sunday night dinner. She thanks me and says that she would like to attend. Read today’s Le Monde and there is a special supplement about the Cannes Film Festival. There is also a front page item about the death of Robert Rauschenberg. He and I were once models together for a fashion show in Paris. Dinner is served and it’s delicious. The flight attendants could all be supermodels. Very tall attractive women. And then we are landing. It is after 23.00 hours. -
Still Not a British Subject: Race and UK Poetry
Editorial How to Cite: Parmar, S. 2020. Still Not a British Subject: Race and UK Poetry. Journal of British and Irish Innovative Poetry, 12(1): 33, pp. 1–44. DOI: https:// doi.org/10.16995/bip.3384 Published: 09 October 2020 Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and repro- duction in any medium, provided the original author and source are credited. See http://creativecommons. org/licenses/by/4.0/. Open Access: Journal of British and Irish Innovative Poetry is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. The Open Library of Humanities is an open access non-profit publisher of scholarly articles and monographs. Sandeep Parmar, ‘Still Not a British Subject: Race and UK Poetry.’ (2020) 12(1): 33 Journal of British and Irish Innovative Poetry. DOI: https://doi. org/10.16995/bip.3384 EDITORIAL Still Not a British Subject: Race and UK Poetry Sandeep Parmar University of Liverpool, UK [email protected] This article aims to create a set of critical and theoretical frameworks for reading race and contemporary UK poetry. By mapping histories of ‘innova- tive’ poetry from the twentieth century onwards against aesthetic and political questions of form, content and subjectivity, I argue that race and the racialised subject in poetry are informed by market forces as well as longstanding assumptions about authenticity and otherness. -
Naked Lunch for Lawyers: William S. Burroughs on Capital Punishment
Batey: Naked LunchNAKED for Lawyers: LUNCH William FOR S. Burroughs LAWYERS: on Capital Punishme WILLIAM S. BURROUGHS ON CAPITAL PUNISHMENT, PORNOGRAPHY, THE DRUG TRADE, AND THE PREDATORY NATURE OF HUMAN INTERACTION t ROBERT BATEY* At eighty-two, William S. Burroughs has become a literary icon, "arguably the most influential American prose writer of the last 40 years,"' "the rebel spirit who has witch-doctored our culture and consciousness the most."2 In addition to literature, Burroughs' influence is discernible in contemporary music, art, filmmaking, and virtually any other endeavor that represents "what Newt Gingrich-a Burroughsian construct if ever there was one-likes to call the counterculture."3 Though Burroughs has produced a steady stream of books since the 1950's (including, most recently, a recollection of his dreams published in 1995 under the title My Education), Naked Lunch remains his masterpiece, a classic of twentieth century American fiction.4 Published in 1959' to t I would like to thank the students in my spring 1993 Law and Literature Seminar, to whom I assigned Naked Lunch, especially those who actually read it after I succumbed to fears of complaints and made the assignment optional. Their comments, as well as the ideas of Brian Bolton, a student in the spring 1994 seminar who chose Naked Lunch as the subject for his seminar paper, were particularly helpful in the gestation of this essay; I also benefited from the paper written on Naked Lunch by spring 1995 seminar student Christopher Dale. Gary Minda of Brooklyn Law School commented on an early draft of the essay, as did several Stetson University colleagues: John Cooper, Peter Lake, Terrill Poliman (now at Illinois), and Manuel Ramos (now at Tulane) of the College of Law, Michael Raymond of the English Department and Greg McCann of the School of Business Administration. -
Essay by Doug Jones on Bill Griffiths' Poetry
DOUG JONES “I ain’t anyone but you”: On Bill Griffths Bill Griffiths was found dead in bed, aged 59, on September 13, 2007. He had discharged himself from hospital a few days earlier after argu- ing with his doctors. I knew Griffiths from about 1997 to around 2002, a period where I was trying to write a dissertation on his poetry. I spent a lot of time with him then, corresponding and talking to him at length, always keen and pushing to get him to tell me what his poems were about. Of course, he never did. Don’ t think I ever got to know him, really. All this seems a lifetime ago. I’ m now a family physician (a general practitioner in the UK) in a coastal town in England. I’ ve taken a few days off from the COVID calamity and have some time to review the three-volume collection of his work published by Reality Street a few years ago. Volume 1 covers the early years, Volume 2 the 80s, and Volume 3 the period from his move to Seaham, County Durham in northeast England until his death. Here I should attempt do his work some justice, and give an idea, for an American readership, of its worth. Working up to this, I reread much of his poetry, works I hadn’ t properly touched in fifteen years. Going through it again after all that time, I was gobsmacked by its beauty, complexity, and how it continued to burn through a compla- cent and sequestered English poetry scene. -
Word Is Seeking Poetry, Prose, Poetics, Criticism, Reviews, and Visuals for Upcoming Issues
Word For/ Word is seeking poetry, prose, poetics, criticism, reviews, and visuals for upcoming issues. We read submissions year-round. Issue #30 is scheduled for September 2017. Please direct queries and submissions to: Word For/ Word c/o Jonathan Minton 546 Center Avenue Weston, WV 26452 Submissions should be a reasonable length (i.e., 3 to 6 poems, or prose between 50 and 2000 words) and include a biographical note and publication history (or at least a friendly introduction), plus an SASE with appropriate postage for a reply. A brief statement regarding the process, praxis or parole of the submitted work is encouraged, but not required. Please allow one to three months for a response. We will consider simultaneous submissions, but please let us know if any portion of it is accepted elsewhere. We do not consider previously published work. Email queries and submissions may be sent to: [email protected]. Email submissions should be attached as a single .doc, .rtf, .pdf or .txt file. Visuals should be attached individually as .jpg, .png, .gif, or .bmp files. Please include the word "submission" in the subject line of your email. Word For/ Word acquires exclusive first-time printing rights (online or otherwise) for all published works, which are also archived online and may be featured in special print editions of Word For/Word. All rights revert to the authors after publication in Word For/ Word; however, we ask that we be acknowledged if the work is republished elsewhere. Word For/ Word is open to all types of poetry, prose and visual art, but prefers innovative and post-avant work with an astute awareness of the materials, rhythms, trajectories and emerging forms of the contemporary. -
OZ 35 Richard Neville Editor
University of Wollongong Research Online OZ magazine, London Historical & Cultural Collections 5-1971 OZ 35 Richard Neville Editor Follow this and additional works at: http://ro.uow.edu.au/ozlondon Recommended Citation Neville, Richard, (1971), OZ 35, OZ Publications Ink Limited, London, 48p. http://ro.uow.edu.au/ozlondon/35 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] OZ 35 Description This issue appears with the help o f Jim Anderson, Pat Bell, Stanislav Demidjuk, Felix Dennis, Simon Kentish, Debbie Knight, Stephen Litster, Brian McCracken, Mike Murphy, Richard Neville, John O’Neil, Chris Rowley, George Snow, David Wills. Thanks for artwork, photographs and valuable help to Eddie Belchamber, Andy Dudzinski, Rod Beddatl, Rip-Off rP ess, David Nutter, Mike Weller, Dan Pearce, Colin Thomas, Charles Shaar Murray, Sue Miles and those innumerable people who write us letters, which we are unable to print and sometimes forget to reply to. Contents: Special Pig issue cover by Ed Belchamber. Stop Press: OZ Obscenity Trial June 22nd Old Bailey. ‘The onC tortions of Modern Cricket’ A commentary on the current state of the game – Suck, sexuality and politics by Jim Haynes + graphics. ‘The onC tinuing Story of Lee Heater’ by Jim Anderson + graphics. How Howie Made it in the Real World 3p cartoon by Gore. Full page Keef Hartley Band ad. ‘The Bob Sleigh Case’ by Stanislav Demidjuk – freak injustice. ‘Act Like a Lady’ – gay advice from Gay Dealer + graphics by Rod Beddall. Chart: ‘The eM dical Effects of Mind-Altering Substances’ – based on charts by Sidney Cohen MD and Joel Fort MD. -
James S. Jaffe Rare Books Llc
JAMES S. JAFFE RARE BOOKS LLC OCCASIONAL LIST: DECEMBER 2019 P. O. Box 930 Deep River, CT 06417 Tel: 212-988-8042 Email: [email protected] Website: www.jamesjaffe.com Member Antiquarian Booksellers Association of America / International League of Antiquarian Booksellers All items are offered subject to prior sale. Libraries will be billed to suit their budgets. Digital images are available upon request. 1. AGEE, James. The Morning Watch. 8vo, original printed wrappers. Roma: Botteghe Oscure VI, 1950. First (separate) edition of Agee’s autobiographical first novel, printed for private circulation in its entirety. One of an unrecorded number of offprints from Marguerite Caetani’s distinguished literary journal Botteghe Oscure. Presentation copy, inscribed on the front free endpaper: “to Bob Edwards / with warm good wishes / Jim Agee”. The novel was not published until 1951 when Houghton Mifflin brought it out in the United States. A story of adolescent crisis, based on Agee’s experience at the small Episcopal preparatory school in the mountains of Tennessee called St. Andrew’s, one of whose teachers, Father Flye, became Agee’s life-long friend. Wrappers dust-soiled, small area of discoloration on front free-endpaper, otherwise a very good copy, without the glassine dust jacket. Books inscribed by Agee are rare. $2,500.00 2. [ART] BUTLER, Eugenia, et al. The Book of Lies Project. Volumes I, II & III. Quartos, three original portfolios of 81 works of art, (created out of incised & collaged lead, oil paint on vellum, original pencil drawings, a photograph on platinum paper, polaroid photographs, cyanotypes, ashes of love letters, hand- embroidery, and holograph and mechanically reproduced images and texts), with interleaved translucent sheets noting the artist, loose as issued, inserted in a paper chemise and cardboard folder, or in an individual folder and laid into a clamshell box, accompanied by a spiral bound commentary volume in original printed wrappers printed by Carolee Campbell of the Ninja Press. -
Tomberg Rare Books Corrected Proof
catalog one tomberg rare books CATALOG ONE: Rare Books, Mimeograph Magazines, Art & Ephemera PLEASE DIRECT ORDERS TO: tomberg rare books 56 North Ridge Road Old Greenwich, CT 06870 (203) 223-5412 Email: [email protected] Website: www.tombergrarebooks.com TERMS: All items are offered subject to prior sale. Please email or call to reserve. Returns will be accepted for any reason with notification and within 14 days of receipt. Payment is expected with order and may be made by check, money order, credit cards or Paypal. Institutions may be billed according to their needs. Reciprocal courtesies to the trade. ALL BOOKS are first edition (meaning first printing) hardcovers in original dust jackets; exceptions noted. All items are guaranteed as described and in very good or better condition unless stated otherwise. Autograph and manuscript material is guaranteed and may be returned at any time if proven not to be authentic. DOMESTIC SHIPPING is by USPS Priority Mail at the rate of $9.50 for the first item and $3 for each additional item. Medial mail can be requested and billed. INTERNATIONAL SHIPPING will vary depending upon destination and weight. Above: Item 4 Left: Item 19 Cover: Item 19, detail 1. [Artists’ Books]. RJS & KRYSS, T.L. DIALOGUE IN PALE BLUE Cleveland: Broken Press, 1969. First edition. One of 200 copies, each unique and assembled by hand. Consists entirely of pasted in, cut and folded blue paper constructions. Oblong, small quarto. Stiff wrappers with stamped labels. Light sunning to wrappers, one corner crease. Very good. rjs and tl kryss were planning on a mimeo collaboration but the mimeograph broke, leaving them with only paper. -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
Because the Trent Book Shop Is in Nottingham Hannah Neate
Because The Trent Book Shop is in Nottingham Hannah Neate In 1972 Stuart Mills, co-founder of the Tarasque Press, made the following comment in the catalogue for the exhibition ‘Metaphor and Motif’ held at Nottingham’s Midland Group Gallery: This exhibition, in its own way, sets the balance straight. If it is seen, if the catalogue is read widely enough then it should be clear that something surprisingly consistent has been going on in Nottingham for the past few years. This chapter is an attempt to explain some of the activities to which Mills was alluding. It is a story of an overlooked literary and artistic life in Nottingham from 1964 to 1972 which centred on the Trent Book Shop. This was a brief but significant period when avant-garde bookselling and the British Poetry Revival came to the East Midlands. The Trent Book Shop In his memoir of life in Nottingham in the sixties Ray Gosling describes how: There were books and magazines that you could only buy in special places, lots of little magazines from Greenwich Village, New York City, and all over the English-speaking world. Stuart and Martin who drank in Yate’s Wine Lodge and listened to the trio with us were teachers. They went part-time and opened an avant-garde bookshop, the first of its kind in our town to sell these free-thinking books.1 The shop to which Gosling refers to is the Trent Book Shop, opened in 1964 by Stuart Mills and Martin Parnell on Pavilion Road, in the West Bridgford area of Nottingham. -
Lee Harwood the INDEPENDENT, 5TH VERSION., Aug 14Odt
' Poet and climber, Lee Harwood is a pivotal figure in what’s still termed the British Poetry Revival. He published widely since 1963, gaining awards and readers here and in America. His name evokes pioneering publishers of the last half-century. His translations of poet Tristan Tzara were published in diverse editions. Harwood enjoyed a wide acquaintance among the poets of California, New York and England. His poetry was hailed by writers as diverse as Peter Ackroyd, Anne Stevenson, Edward Dorn and Paul Auster . Lee Harwood was born months before World War II in Leicester. An only child to parents Wilfred and Grace, he lived in Chertsey. He survived a German air raid, his bedroom window blown in across his bed one night as he slept. His grandmother Pansy helped raise him from the next street while his young maths teacher father served in the war and on to 1947 in Africa. She and Grace's father inspired in Lee a passion for stories. Delicate, gentle, candid and attentive - Lee called his poetry stories. Iain Sinclair described him as 'full-lipped, fine-featured : clear (blue) eyes set on a horizon we can't bring into focus. Harwood's work, from whatever era, is youthful and optimistic: open.' Lee met Jenny Goodgame, in the English class above him at Queen Mary College, London in 1958. They married in 1961. They published single issues of Night Scene, Night Train, Soho and Horde. Lee’s first home was Brick Lane in Aldgate East, then Stepney where their son Blake was born. He wrote 'Cable Street', a prose collage of location and anti fascist testimonial.