An Archive That Embraces The

Home , Alessandro Blasetti, Liliana Cavani

An archive that embraces the art of the greatest directors in flm history, through 20,000 slides, 10,000 photographic prints and as many contacts, 9.000 negatives, thousands of flms and videos, manuscripts, books and items, memorabilia, hundreds of hours of audio recordings with the voi- ces of the main artists of the last 4 decades of the 20th Century.

The Grand Cinema seen through its greatest protagonists! With pictures on the sets of...

...flm by: 8 e ½ Accattone La caduta degli dei Alain Resnais Comfort of Strangers Alessandro Blasetti Comizi d’amore Andrej Tarkowski Cosa sono le nuvole Così come sei Ettore Scola Così fan tutte Federico Fellini Decameron Franco Zeffrelli Die Falschung (L’Inganno) Liliana Cavani Edipo re Ginger e Fred Luchino Visconti Gli ultimi Luigi Comencini Gruppo di famiglia in un interno Luigi Magni Il Fiore delle Mille e una notte Il Gattopardo Marco Ferreri Il mondo nuovo Massimo Troisi Il Vangelo secondo Matteo Paul Schrader In nome del Papa re Pier Paolo Pasolini Io, io, io e... gli altri La carne e il diavolo Sergio Citti La chiave Tina Modotti La città delle donne Tinto Brass La Dolce Vita Tobe Hooper La guerra è fnita La pelle Volker Schlondorff La ricotta Bernardo Bertolucci La storia di Piera Lina Wertmuller La terra trema Lifeforce (Space vampires) Andrej Wajda L’innocente Ludwig Mamma Roma Medea Miranda ...and many others! Morte a Venezia Nostalghia Orestiade africana Otello Paprika Per grazia ricevuta Porcile Racconti Canterbury Rincomincio da tre Rocco e i suoi fratelli Salò o le 120 giornate di Sodoma Senso Storia di Piera Storie scellerate Teorema La terra vista dalla luna The Tiger’s Coat Uccellacci e uccellini With VOICE recordings of

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AGOSTI, Silvano ECO, Umberto ALTMAN, Robert EISENSTEIN, Sergei Michailovic ANDERSSON, Bibi EISNER, Lotte H. ANGHELOPULOS, Thodoros ANNAUD, Jean-Jacques - F - ANTONIONI, Michelangelo ARNHEIM, Rudolf FASSBINDER, Rainer Werner ASSAYAS, Oliver FLAHERTY, David FLEISCHMANN, Peter - B - FLEMING, Robert FORD, Harrison BELLOCCHIO, Marco FOREMAN, Carl BERGMAN, Ingrid FOX, Edward BERLUSCONI, Silvio FRANJU, Georges BERTOLUCCI, Bernardo FRANK, Peter BETTI, Laura FRANK, Robert BJORKMAN, Stig BOGDANOVICH, Peter - G - BRAKHAGE, Stan BRANDO, Marlon GERSHWIN, George BRASS, Tinto GISH, Lilian BROOKS, Louise GODARD, Jean-Luc BROOKS, Peter GREENAWAY, Peter BUNUEL, Louis GRENIER, Cynthia GREER, Germaine - C - GOTTI, Armand GRENIER, Cynthia CAINE, Michael GUINNES, Sir Alec CARDINALE, Claudia CASSAVETES, Jhon - H - CASTELLARI, Enzo CAVANI, Liliana HARTLEY, Hal CITTI, Sergio HERZOG, Werner CLAIR, René HIGHSMITH, Patricia CONNERY, Sean HUPPERT, Isabelle HUSTON, Jhon - D - - I - DALI’, Salvador DAMIANI, Damiano IVENS, Joris DASSIN, Jules DAVOLI, Ninetto - J - DELLI COLLI, Tonino DEPARDIEU, Gerard JANKSO, Miklos DEREN, Maya JARMAN, Derek DIETRICH, Marlen JOSEPHSON, Erland DMYTRYK,Edward DOMINGO, Placido DREYER, Carl Theodore - K - R -

KANTOR, Tadeusz RAMATI, Leone KINSKY, Nastassia RANDALL, Tony KLUGE, Alexander RAY, Satyajit KNIGHT, Shirley REED, Stanley KONCALOWSKIJ, Andrey REITZ, Edgar KRISTEL, Sylvia RENOIR, Jean KRONICK, Bill RESNAIS, Alain RICHTER, Hans - L - RIEFENSTAHL, Leni ROBBE-GRILLET, Alain LANG, Fritz ROCHA, Glauber LAUGHTON, Charles ROSI, Francesco LEACOCK, Richard ROSSELLINI, Roberto LEAN, David ROUCH, Jean LOSEY, Joseph LOVELACE, Linda - S - LO VERSO, Enrico LUCAS, George SCHLOENDORFF, Volker LUMET, Sidney SCHNEIDER, Maria SCHWARZENEGGER, Arnold - M - SCHYGULLA, Hanna SEBERG, Jean MAAZEL, Lorin SHIMURA, Takashi MAKAVEJEV, Dusan SHINDO, Kaneto MALLE, Louis SIGNORET, Simone MASELLI, Francesco SOLANAS, Fernando MASTROIANNI, Marcello SONTAG, Susan MC LAREN, Norman STEIGER, Rod MEKAS, Jonas STERNBERG, Josef Von MELVILLE, Jean-Pierre SZABO’, Istvàn MIFUNE, Toshiro MORAVIA, Alberto - T - MORRISEY, Paul MURRAY, Don TARKOWSKIJ, Andrey TATI, Jacques - N - THULIN, Ingrid

NALDINI, Nico - U - NORRIS, Chuck NORTH, Alex USTINOV, Peter

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OLIVER, Susan WAJDA, Andrej OLMI, Ermanno OUSMANE, Sembene WALLACH, Eli WENDERS, Wim - P - WERTMULLER, Lina

PANNELLA, Marco - Z - PASOLINI, Pier Paolo POITIER, Sidney ZADORA, Pia PREMINGER, Otto ZANUSSI, Krzysztof ZEFFIRELLI, Franco ZINNEMANN, Fred SALO’ o IL POTERE secondo Pier Paolo PASOLINI years workingasaphotographeronseveralflmsets,Pasoliniaskherto photography, whichledhersoontophotographyforcinema. After some As shewas21,movedtoItalywheredevelopedherpassionfor Deborah ImogenBeerwasborninEnglandonthe23rdofMay1946. Deborah Beer THE AUTHORS University inParis.Hehasbeenthemoderatorforpress conferences the UniversityofRhodeIslandandStanford(USA), atthe American and moreflms).Hewasprofessorofcinematographictechniquesat in Venice 1968,Ciao,Federico!abouttheshootingof“FelliniSatyricon” broadcast bythemainEuropeanstations(Protestaperché?,SilverLion Isskusstvo Kino,IlMessagero)andhemadeseveralflmsaboutcinema, New York Herald Tribune, NeueZuercherZeitung,Frankfurter Allgemeine, and reviewsworldwide(i.e.the Times, The Guardian,the Australian, The After hemovedtoRomein1962,contributedover100newspapers twice asthepresidentof American FederationofFilmSociety(AFFS). the USclassicalflmsfromflmlibrariesinEurope.Hehasbeenappointed based flmclub THE GROUP FORFILMSTUDY, thefrstflmclubtotakein broadcast by13stations(“TheFilm Art”) for10yearsanddirectedtheNY review “CINEMAGES”,hehaspresentedaradioshowonweeklybases raised intheUS.InNew York, hehassupervisedthecinematographic and Sound Archive inKarlsruhe,Germany),wasbornGermanyand Gideon Bachmann(alreadydirectorofthe ASK, Acustographic Voice Gideon Bachmann September 1994. Deborah BeerdiedafteralongdiseaseinLondonhospitalonthe8thof Delta Force”andmoreflmsdirectedbythedirectorsmentionedabove… used foradvertisingseveralflms,i.e.“1900”,“Otello”,“Nostalghia”,“The Tarkovskij, Tony Richmond,StigBjorkman,andherpictureshavebeen Bertolucci, Vincente Minnelli,the Taviani brothers,MarcoFerreri, Andrej Mike Newell,LinaWermuller, PeterBogdanovic,Vittorio deSica,Bernardo She alsoworkedinthesamepositionforFedericoFellini,LilianaCavani, accompany researcharticles. have laterbeenboughtbythemostprestigiousinternationalreviewsto bin byBeer, impulsiveandperfectionistinherwork,picturesthatwould likes toremindhowoftenhesavedpicturesfrombeingthrownawayinthe of herpicturesandshowedthemtoflmstarsinthosedays.Bachmann cherish themost.ShegotmarriedtoGideonBachmann,whocollectedall witness, inaprivateway, Deborah´s charmtowardspeopledoingwhatthey Her snapshotsarenotjustprofessionalormerepromotionwork:they her interestincinemaandearlierpassionforpeopletheportrait. By takingpicturesofdirectorsatwork,DeborahBeerbringstogetherboth of Sodom”–astheonlyoffcialphotographer. follow himonthesetsofhislastflms–amongwhich“Salòor120days Pordenone. European setsisnowavailable inthePhotograph Archive ofCinemazeroin Vox Humanacollectsthedirectors”.Hisrich catalogueofpicturestakenon not beenabletoexpressyetintheirworks.Filmlibraries collectthework, Speaking withthem,youcangraspthethingsabout them thattheyhave the cameraismoreinterestingthanmasterpiece he orshemade. and notnecessarilyabouttheirflms,because“often the personbehind important directors’ voicesintheflmindustryspeaking aboutthemselves, Collection “Vox Humana”inKarlsruhe,Germany, arepositoryofthemost Locarno, Mannheim,BerlinandCannes.Nowadayshe isthedirectorof in almostalloftheEuropeanand American flmfestivals,i.e.Venice, – 14 THE ARCHIVES

Archivio Cinemazero Images – Bachmann Collection Cinemazero was founded in 1978 as a cultural association. In Septem- ber 1982, it contributed to the creation of Pordenone Silent Film festival (Le Giornate del Cinema Muto di Pordenone), which gradually became one of the most important international events dedicated to the begin- nings of the flm industry (one of the most important festival in the world according to Variety). Cinemazero has developed and keeps developing infuential projects worldwide, from photo exhibitions to various research meetings, including an up-to-date publishing activity. Since 1979, Cinemazero has been fervently active with organizing photo exhibitions, whose material, long time collected and of international relevance, is today stored in the Archivio Cinemazero Images. In the 90’s, the already rich collection of pictures was broadened by the purchasing of Deborah Beer and Gideon Bachmann’s collection. Cine- mazero’s exhibitions document and recall the history of cinema industry. Besides Deborah Beer (Pasolini, Fellini, Cavani, Scola, Zeffrelli) and Gideon Bachmann’s, it also organizes many more shows, such as the exhibit about Tina Modotti, photographer and Edward Weston’s partner, with snapshots ranging from the Californian period through the Mexi- can period until the European one. The Archive Cinemazero also has available pictures by Pierluigi Praturlon, printed by the original negatives on the set of La dolce Vita by Federico Fellini; by Angelo Pennoni on the set of Accattone by Pasolini, pictures by Elio Ciol on the set of Gli ultimi by Vito Pandolf and father David Maria Turoldo, and by Fulvia Farassi- no, a sensitive flm photographer who portrayed Sergio Leone, Reiner Fassbinder and other key fgures of the cinema industry worldwide. The exhibition on Fellini and his masterpiece 8½, which commemorates its 50th anniversary this year, features a rich catalogue and pictures by Bachmann, which made it possible to retrace the history of one of the most applauded flm by the director from Rimini. The material of our archive contributed to the making of documentaries such as Mario Sesti’s L’ultima sequenza (The last sequence) about Federico Fellini and Giuseppe Bertolucci’s Pasolini prossimo nostro (Pasolini, our neighbor) about Pasolini’s last flm Salò or the 120 days of Sodom, both documentaries presented at Cannes and Venice Film Festivals. Cinemazero’s materials have been displayed and are displayed in Italy (Turin, Milan, Padua, Reggio Emilia, Rome, Florence, Rimini and several more cities) and abroad (Madrid, Helsinki, Amesterdam, Klagenfurt, Sidney, Cologne, Melbourne, London, Cannes, Vienna, Buenos Aires, Barcelona, Berlin, Paris, Toronto, Graz, Budapest, Ljubljana and so on). The Collection Bachmann includes festival companion volumes, cinema dictionaries, flm catalogues and yearbooks, volumes on the cinema history and on the national productions, Italian and international maga- zines, some of them dating back to the beginning of the 20th century, besides various screenplays and scripts and dossiers, composed of press highlights and archive documents. The Collection boasts of many frst editions, with original dedications and autographs. The Collection also encompasses a big amount of photographic documents made by Bachmann, and by the flm photographer Deborah Beer,

SALO’ o IL POTERE secondo Pier Paolo PASOLINI SALO’ o IL POTERE secondo Pier Paolo his partner, besides a collection of prints concerning the international flm industry and a rich section of audio recordings about the main directors and actors of the second half of the 20th century. Finally, the Collection include the reels of Bachmann’s “Ciao Federico!” with unpublished material, a documentary dedicated to the great director Federico Fellini, in addition to several hours of unpublished shooting with Pasolini on the set of Salò.

– 15 – SALO’ o IL POTERE secondo Pier Paolo PASOLINI Piazza dellaMotta Coordinatore Cinemazero Riccardo Costantini CONTATTI All rightreserved©ZeroImages. www.cinemazero.it fax: +390434522603 phone: +390434520404 [email protected] 33170 Pordenone,Italy a projectby Cinemazero) (tutti gliaccordivannostipulaticon [email protected] Gideon Bachmann