Mainstage Playbill Richard Hopkins, Producing Artistic Director

This project is sponsored in part by the Department of State, Division of Cultural Affairs, the Florida Council on Arts and Culture and the State of Florida. Pictured: George Tynan Crowley and Rachel Moulton. Photo by Matthew Holler. Heisenberg by

CAST Alex Priest...... George Tynan Crowley* Georgie Burns �������������������������������������Rachel Moulton*

Directed by: Kate Alexander

Scenic Designer Costume Designer David Arsenault Jeff Cone Lighting Designer Sound Designer Rob Perry Thom Korp

Choreographer Greg London

Stage Manager: Kelli Karen* Setting: London, present day

Season Underwriters Gerri Aaron, Gaele Barthold, Ed & Judy Christian, Georgia Court, Shirley Fein, Wendy & Bob Grady, Gulf Coast Community Foundation, Robert & Bonny Israeloff, Ernie Kretzmer in loving memory of Alisa Kretzmer, Dennis and Graci McGillicuddy, Anne ARTISTH.S. Nethercott, Gail PROFILES & Skip Sack, Dorothy Waldron Show Co-Producers Jim Bruen & Jane Plitt, Sydney & Jerome Goldstein, Ruth Gorton, Lois Stulberg, Tom Wilson & Patrick Crimmings, Alan & Lois Schottenstein, and SCENE Magazine

Heisenberg was originally commissioned by the Manhattan Theatre Club, (Lynne Meadow, Artistic Director; Barry Grove, Executive Producer) and received its world premiere there on May 19, 2015.

Heisenberg is presented by special arrangement with Dramatists Play Service, Inc., New York.

The video or audio recording of this performance by any means is strictly prohibited.

* Denotes member Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. ARTIST PROFILES GEORGE TYNAN CROWLEY (Alex Priest) has an MFA in Directing from the Yale School of Drama. He has helmed his own plays, including the premieres of Irish, Most Happy, and the indie feature Cleopatra Backstage. As an actor, he has played at Lincoln Center’s Mitzi Newhouse, Here Arts Center, American Place Theatre, The Wilma Theatre, Stratford’s American Shakespeare Theatre, DC’s Studio Theatre, and with much gratitude, again and again, at Florida Studio Theatre in Gross Indecency, Proof, Two Jews Walk Into a War, Freud’s Last Session, Ten Unknowns, and most recently, Outside Mullingar. www.georgetynancrowley.com RACHEL MOULTON (Georgie) is absolutely thrilled and honored to be back in Sarasota for her sixth production with FST. You may have seen her earlier this spring as the Pilot in George Brant’s one-woman show Grounded directed by Kate Alexander as part of FST’s Stage III series. Also at FST: Alabama Story, The God of Isaac, The Columnist (regional premiere) and Jericho (National New Play Network’s Rolling World Premiere). Off Broadway/New York:In a Tilted Place (IRT), Sex Tips For Straight Women from a Gay Man (777 Theatre), Philip Goes Forth (The Mint) and as Zelda Fitzgerald in This Side of Paradise (St.Clements). Regional: The Book Club Play (Virginia Stage Co.), One Slight Hitch (Florida Rep.), Black Comedy and RENT (Pioneer Theatre Company), My Fair Lady (JW Engeman Theatre), Midsummer (Pennsylvania Shakespeare Festival), Finding Nemo: The Musical (WDW). Several commercials, most notably as the spokesperson for Office Depot. Training: Interlochen Arts Academy and Syracuse University, B.F.A. www.rachelmoulton.com KATE ALEXANDER (Director) is the Associate Director At-Large of FST and the Founder of the FST Theatre School with its acting method of training. Ms. Alexander has directed numerous productions and premieres on the FST stages including The Absolute Brightness of Leonard Pelkey; brownsville song: (b-side for tray); Clever Little Lies; Alabama Story; Outside Mullingar; Over the River and Through the Woods; Chapatti; Dancing Lessons; Becoming Dr. Ruth; Freud’s Last Session; Thurgood; South Beach Babylon; The Columnist; Talley’s Folly; Jericho; Next Fall; The Savannah Disputation; Ghost- Writer; Two Jews Walk into a War...; I Love You, You’re Perfect, Now Change; Sylvia; Shotgun; The Miamians; Brooklyn Boy; The Exonerated; Wit; Proof; Lobby Hero; and Ten Unknowns. Ms. Alexander has also been a resident actress for over 25 years. Some of her leading roles were in the plays: Edward Albee’s The Goat; Filumena; Master Class; Edward Albee’s Three Tall Women, The Occupant , The Play About the Baby; Golda’s Balcony; and Taking Shakespeare. Ms. Alexander is the recipient of numerous acting, directing, and public service awards, including FAER, She Knows Where She’s Going Award (Girls, Inc.), The Woman of Light Award, National Council of Jewish Women, The Woman of Power Award, the Sarasota County Arts Leadership Award, Education Award, Sarasota Manatee Jewish Federation, and most recently, The Unity Award. Ms. Alexander leads the FST Forums Series and developed the Blue Butterfly Theatre Program, a program for teens suffering from grief through loss. She created the Art of The Gesture program at Ringling College of Animation and is the co-author of The Animated Short, with Karen Sullivan, now in its 2nd edition. ARTIST PROFILES KELLI KAREN (Stage Manager) has been an Costume Design in 1984, he has been a draper at integral member of Florida Studio Theatre. Kelli the Alliance Theatre in Atlanta (12 yrs), a draper began at FST as a dance teacher in the education at the Seattle Opera (5 yrs) and Costume Shop department in 1993. In addition to her classes Manager at Portland Center Stage (12 yrs). Most at FST, Kelli has created and taught outreach recently, he managed the costume shop at the programs at Care Pointes in Swaziland, South Alliance Theatre. While in residence, he designed Africa, The Pines of Sarasota, Girls Inc., The Boys for both Portland Center Stage and the Alliance and Girls Club, and has taught playwriting at Theatre. During these years, he designed costumes numerous local elementary schools as well as in for 60+ productions at regional theaters across the country. our sister city of Dunfermline, Scotland. Stage management credits: Off-Broadway: The New THOMAS KORP (Sound Designer) a former Victory Theater (). Selected Regional Credits: FST intern, is excited to be entering his second Pasadena Playhouse (Fly), Crossroads Theatre season as staff. Sound design credits include (Fly), Theatre Smithsonian (Fly), Once; Burt & Me; The Absolute Brightness of FST Credits: Clever Little Lies; Inspired Lunacy; Fly; Leonard Pelkey; The Columnist; Talley’s Folley; A Taking Shakespeare; Pump Boys and Dinettes; Chorus Line; Spamalot; and The West Side Waltz. Daddy Long Legs; Monty Python’s Spamalot; Mixing Credits: Next to Normal; Das Barbecu; Smokey Joe’s Café; The World Goes Round; Tango: The Underpants; The World Goes ‘Round; The Buenos Aires; We Will Rock You; Sound engineer Columnist; Smokey Joe’s Café; Perfect Wedding; with Royal Caribbean Cruise Lines 2014 – 2016. Jericho; Next Fall; Next to Normal; Cowgirls; Ghost-Writer; Shear Madness; I Love You, You’re ROB PERRY (Lighting Designer) Florida Studio Perfect, Now Change; The 39 Steps; Beehive: The Theatre: Alabama Story, Over the River and 60s Musical; Ruined; The 25th Annual Putnam Through the Woods, Inspired Lunacy, Freud’s Last County Spelling Bee; Edward Albee’s Occupant; Session, World Goes’ Round, The Best Of Enemies, Talley’s Folly, The Last Romance, Two Jews Walk Motown Cabaret. into a War, Race, Brassy Broads, The Wanderers, DAVID L. ARSENAULT (Scenic Designer) and Shotgun. Robert has also designed Off- FST: Debut. Recent NYC: Peer Gynt (Classic Broadway, in addition to the , Stage Company), A Better Place (The Duke). , LaJolla Playhouse, Hartford Stage, International: English Theatre Berlin, Germany. and the McCarter. MFA: Yale School of Drama. Regional: Kennedy Center, Bay Street Theatre, BFA: UNC School of the Arts. He is a member of Kitchen Theatre Company, Geva Theatre, Hangar United Scenic Artists. Theatre, Northern Stage, Weston Playhouse, Dorset Theatre Festival, Gulfshore Playhouse, Urban Arias, Bucks County Playhouse, and others. Broadway (Associate): The Color Purple (also London and National Tour), King Charles III, Constellations, Disaster!, Les Liaisons Dangereuses. www.DavidArsenaultDesign.com JEFF CONE (Costume Designer) Since receiving his MFA in EXECUTIVE STAFF RICHARD HOPKINS Mr. Hopkins is the REBECCA HOPKINS Mrs. Hopkins serves as Managing Producing Artistic Director of Florida Studio Director for Florida Studio Theatre, and as Theatre. Mr. Hopkins has fostered the such, is the Chief Operations Officer. Mrs. development of FST’s Mainstage and Cabaret Hopkins is responsible for the oversight of productions. His many directing Mainstage FST’s Administration, including the Business credits include: Inspired Lunacy, The Best of Office, Development, Marketing, Box Office, Enemies, Next to Normal, Race, Ruined, The 25th Front of House, Restaurant, budgeting, and Annual Putnam County Spelling Bee, Boleros maintaining the overall quality of FST’s for the Disenchanted, Permanent Collection, internal management. Nationally, Mrs. and Metamorphoses, among numerous other Hopkins is President of the National New Play plays. Mr. Hopkins led the development of FST’s Network and serves on the Board of Directors Cabaret productions of Piano Men, The Prima for the League of Resident Theatres and the Donnettes, Too Darn Hot, and By Gershwin. Theatre Communications Group. She has been Mr. Hopkins also serves as the Chief Executive actively involved in development of FST’s Officer of Florida Studio Theatre. This includes Cabaret productions since her arrival in 1998. overseeing the creation and implementation This season she is the lead developer on Blue of all FST programming, including Mainstage, Suede Shoes and on the development team Cabaret, Stage III, New Play Development, for Mack the Knife and Shakespeare’s Greatest Education, and Touring. Since his arrival at FST Hits. Previously, she was the lead developer on in 1980, Mr. Hopkins has guided the theatre Gypsies, Tramps, and Thieves; Older Than Dirt; from a small touring company to a nationally Yesterday; American Pie; and Poems, Prayers, recognized regional theatre which impacts and Promises, and co-developer of Piano over 200,000 adults and children annually. He Men. She has been the head writer on all five created the New Play Development Program, Laughing Matters shows. Some of her favorite the Cabaret Series, FST’s award winning WRITE shows she helped develop include: The Prima A PLAY Program, and he has directed the Donnettes; That’s Life; The Wanderers; My One design and renovation of all FST’s theatres. Mr. and Only Gershwin; Hot and Cole; Shakespeare’s Hopkins is the recipient of numerous awards Greatest Hits; The British Invasion; The Flip Side; including the Arts Leadership Award from the and Outlaws and Angels. In addition, she is the Sarasota Arts Council, the Richard G. Fallon founder and producer of FST Improv and the Award for Artistic Excellence from the Florida Sarasota Improv Festival. In 2012, the Arts & Professional Theatres Association, and the 2012 Cultural Alliance awarded Mrs. Hopkins the Cultural Champion Award from the Arts and Cultural Champion Award in recognition of her Cultural Alliance of Sarasota County. In 2016, many years of accomplishment and growth Mr. Hopkins was awarded the Luminaire Award with Florida Studio Theatre. In 2016, Mrs. honoring excellence in creativity, philanthropy, Hopkins was awarded the Luminaire Award advocacy, and all elements that are keys to honoring excellence in creativity, philanthropy, future growth of the arts in Sarasota. advocacy, and all elements that are keys to future growth of the arts in Sarasota. ABOUT THE PLAYWRIGHT

SIMON STEPHENS is an award-winning playwright whose work includes The Curious Incident of the Dog in the Night-Time (National Theatre, 2012; Apollo Theatre, 2013; Gielgud, 2014 – present; Barrymore Theatre in Broadway, 2015); Bluebird (Royal Court, 1998); Herons (Royal Court, 2001); Port (Manchester Royal Exchange, 2002 - Pearson Award for Best New Play); Christmas (, 2004); Country Music (Royal Court, 2004); On the Shore of the Wide World (Manchester Royal Exchange/National Theatre, 2005 - Olivier Award for Best New Play); Motortown (Royal Court, 2006); Harper Regan (National Theatre, 2008); Sea Wall (Bush Theatre/Traverse Theatre, 2008-2009); Pornography (Deutsches Schauspielhaus, Hanover, 2007, Edinburgh Festival/Birmingham Rep, 2008 and Tricycle Theatre, 2009); Punk Rock (Lyric Hammersmith/Manchester Royal Exchange, 2009); The Trial of Ubu (Schauspielhaus, Essen/Toneelgroep Amsterdam, 2010); A Thousand Stars Explode in the Sky written in collaboration with David Eldridge and Robert Holman (Lyric Hammersmith, 2010); Marine Parade, a play with songs composed by Mark Eitzel (Brighton Festival, 2010); T5 (Traverse Theatre, 2010); Wastwater (, 2011) and an adaptation of Jon Fosse’s I Am the Wind (Young Vic Theatre, 2011). His adaption of Mark Haddon’s novel, The Curious Incident of the Dog in the Night-Time, won the Oliver and Tony Awards for Best New Play. The Trial of Ubu made its UK premiere at the Hampstead Theatre in January 2012 and his play Three Kingdoms, which had a run at the NO99 Theatre in Estonia and the Munich PlayChamber, Germany, opened at the Lyric Theatre, Hammersmith in 2012. Simon is currently under commission to the National Theatre, Manchester Royal Exchange, and the Young Vic. TV credits include an adaptation of Pornography for Coming Up (Channel 4, 2009) and “Dive” (Granada/BBC, 2009). FST FORUMS

The Enigma of Love by Lydia Baxter In Simon Stephens’ Heisenberg, and reasoning. This is why people Georgie Burns kisses Alex Priest on stammer, trip, and get flustered the back of the neck—an unorthodox when they are around a person way to show that you are interested to which they are attracted. Their in or attracted to someone. brains are literally tripping them up!

What drives Georgie to do this? Is It also turns out that lust and it lust? Attraction? Or something attraction are closely connected, else entirely? Love is one of life’s yet distinct, entities. When a person most perplexing phenomena, is attracted to someone, lots of but scientists and psychologists dopamine—the chemical that have started to glean what drives causes people to feel energized and attraction and romantic love. exhilarated—is released in their Recent studies have shown brain. Ever heard of the “honeymoon that brain—not physical or phase” of a relationship? The emotional—chemistry plays a high levels of dopamine being significant role in relationships. released in the couple’s brains are partially responsible for that. According to scientists at , romantic love can be Although there are multiple placed into one of three categories: scientific and psychological causes lust, attraction, and attachment. for attraction, it is generally believed When a person experiences any that attraction remains highly of these, chemicals are released individualized. The personality that can increase their libido and physical traits of someone or silence the area of the brain might be attractive to one person responsible for logical behavior yet undesirable to another. FST FORUMS

Pictured: George Tynan Crowley and Rachel Moulton. Original photo by Matthew Holler.

Heisenberg on the Rise by Lydia Baxter

For the past two years, Heisenberg’s each performance space. He wanted success has skyrocketed. it to feel like the characters are Commissioned by Manhattan “under a microscope,” as if “we [the Theatre Club, the play enjoyed audience] are sort of on top of them.” a sold-out run at the company’s Off-Broadway performance space This past October, the play in 2015. The next year Heisenberg was finally produced in the transferred to Broadway, bringing playwright’s native country of the play’s original director and cast England with a jazzy new title: with it. Critics found it“quirky, lovely, Heisenberg: The Uncertainty funny, and powerful” and “one of Principle. Two giants of British [2016’s] best” productions. From acting—Anne-Marie Duff and there, the production moved to Los Kenneth Cranham—play Georgie Angeles, where it spent this past Burns and Alex Priest, respectively. summer at . This London production was directed by Marianne Elliot, who It is unique for a play to be was also responsible for directing remounted multiple times across Simon Stephens’ famed theatrical the country and maintain its adaptation of The Curious Incident original cast and creative team. of the Dog in the Night-Time. Director Mark Brokaw tried to create the feeling of intimacy, which was vital to the play’s first production, in SEASON UNDERWRITERS

GERRI AARON To me, FST is a great theater so fortunate to have such a professional and creative experience in the respect that I’ve seen venue with so many facets. It is a cultural plays in New York City and then seen the beacon in our community, and with your very same plays here; they are just as good support, the future of FST will be bright. if not better. Richard Hopkins is amazing; he GEORGIA COURT I love great theatre and continues to select plays that both confirm FST delivers that. FST is among the best and challenge one’s beliefs. FST is a Sarasota theatre companies I have seen, but it is more treasure that keeps getting better. than a theatre company. It is an organization GAELE BARTHOLD FST is family and an that recognizes it is part of the greater integral part of my life. Its community community - and it reaches out to that contributions are myriad and a model of community in positive, productive ways. theatrical excellence. Quality and diverse Having FST so accessible adds to the joy of stage productions at affordable prices are living in the fabulous arts community that but one component of FST’s offerings. Other is Sarasota. contributions include extensive contact with SHIRLEY FEIN My support of FST was local schools to foster student creativity and immediate. I felt a comfortable intimacy theatre appreciation, structured and wide- and a grandeur regarding their intellectually ranging educational programs for adults stimulating and entertaining performances. and children, community forums and other I salute FST for having exceptional community outreach programs, and a strong management, a friendly and caring staff, commitment to new play development and and performers extraordinaire! It is my excellence in the arts. FST is a gem which sincere pleasure to be a sponsor of the 2017- well warrants our widespread financial and 18 Winter Mainstage Season, full of new and artistic support. exciting productions for us all to enjoy. See ED & JUDY CHRISTIAN For business travel, you there! we experience many towns in the US. I WENDY & BOB GRADY We were so always ask the question: What’s important impressed when we first visited FST, that we about your community? In Sarasota, the immediately wanted to become involved. overwhelming answer is “it’s the arts,” Whenever you come across a system as followed with “We have a great theatre unique as FST’s, where the key to getting art company with Florida Studio Theatre”. We are into the hearts of so many has been found SEASON UNDERWRITERS -- in a comfortable and easily accessible way FST’s mission in being even more accessible -- you know you’ve spotted a winner. We are to the public. proud to be season underwriters and hope ERNIE KRETZMER IN LOVING MEMORY OF that others will join us in supporting FST’s ALISA KRETZMER I would describe FST as important work. uncommonly, intimate theater that is well- GULF COAST COMMUNITY FOUNDATION articulated and succinct. FST is important Together with our donors, Gulf Coast to me because it is the perfect window to Community Foundation transforms take in the American contemporary theatre our region through bold and proactive scene. A favorite play was Golda’s Balcony; philanthropy. Gulf Coast is a public charity superbly acted. I continue to support FST’s that was created in 1995 through the sale five stages of engaging theatre. of the Venice Hospital. Since then, we have DENNIS AND GRACI MCGILLICUDDY FST become the philanthropic home of more is important to us because we believe so than 650 families who have established strongly in the transformative power of charitable funds here, and we have invested the arts. For close to 30 years now, we have over $260 million in grants in the areas been so fortunate to experience first-hand of health and human services, civic and how that transformative power works its economic development, education, arts and magic in the hands of an organization that culture, and the environment. Learn more at is not only experienced and dedicated, but GulfCoastCF.org. so highly skilled in their craft. The values of ROBERT & BONNY ISRAELOFF Our favorite the theater and its leadership, as reflected FST story happened while attending a in its mission and as manifested in its work, performance for the first time, many years whether it be on the mainstage, in the ago and saying, “This is theatre! Do they have cabaret, in its education and community a season subscription?!” FST is thought- outreach programs: these are values that provoking, Broadway worthy theatre. We we so strongly believe in. As a consequence, believe FST is important because it enriches it is a privilege for us to be a part of, and our community; it helps make Sarasota supportive of this great theatre. what it is. This is why we have proudly ANNE H.S. NETHERCOTT When asked to contributed to past expansions; especially define giving, Anne said: “My mother used the new Gompertz Theatre complex, to aid to say the best way to find you is to lose SEASON UNDERWRITERS yourself, by focusing on the needs of others thought-provoking plays to Sarasota. We’re rather than on oneself.” So giving has always delighted to support FST in this mission. been an important family value, which in DOROTHY WALDRON I support FST for childhood was reinforced by the community its diversity of programming: Mainstage, experience of surviving the Depression. Cabaret, Improv, WRITE A PLAY children’s Anne is proud to be a supporter of FST. program, summer camp, adult education GAIL & SKIP SACK Florida Studio Theatre classes, and the VIP program for special brings world class acting and phenomenal, needs children. It is truly a wonderful community asset. CO-PRODUCERS JIM BRUEN & JANE PLITT FST continues to produce theatre that inspires, entertains, and makes us think. We are delighted to help our community enjoy the richness of FST productions, starting with youth and WRITE A PLAY and concluding with these provocative plays. SYDNEY & JEROME GOLDSTEIN FST is important to us because we have always enjoyed the theatre and it provides good, thought-provoking plays. Its productions are unique to our community. Our favorite show was Master Class in 1998 with Kate Alexander. We generally like the dramas, which makes us think and touches our emotions. FST has many facets, all of them worthwhile. It is our pleasure to support these efforts! RUTH GORTON FST is truly a great regional theatre that professionally produces the work of the playwright, including children through its WRITE A PLAY program. It is a joy to see school children try their hands at playwriting and then to see their plays produced on the FST stage. It is equally exciting to see plays produced by contemporary artists and it is a thrill for me to sponsor these productions. ALAN & LOIS SCHOTTENSTEIN We are proud to support FST, and are lucky to have such great theater in Sarasota. FST reaches out to the community and provides wonderful affordable productions at the Broadway level. TOM WILSON & PATRICK CRIMMINGS Sarasota’s vibrant arts scene was a big factor in choosing to retire here. Prominent in that scene is FST and its five stages, offering a wide variety of theatre experiences at very affordable prices. And, the children’s WRITE A PLAYand FST COMPANY BOARD OF TRUSTEES COMMUNITY RESOURCE GROUP President...... Dennis McGillicuddy Jan Coleman Vice-President...... Richard Hopkins Secretary/Treasurer...... Jennifer Michell Larry Coleman Trustee...... Gaele Barthold Shirley Fein Trustee...... Carol Poteat Buchanan Maddy Freshwater Trustee...... Georgia Court Carol Gilbert Trustee...... Patricia Courtois Sy Goldblatt Trustee...... Jeff Hotchkiss Jim Goldman Trustee...... Barbara Lupoff Sandy Goldman Trustee...... Jennifer Michell­ Trustee...... Chief Judge Charles E. Williams­ Robert Grady Wendy Grady EXECUTIVE STAFF Robert Israeloff Producing Artistic Director...... Richard Hopkins Bonny Israeloff Managing Director...... Rebecca Hopkins AUDIENCE ENRICHMENT GROUP ARTISTIC STAFF Director of Artistic Operations...... Greg London Hon. Larry L. Eger Associate Director At-Large...... Kate Alexander Trevor Harvey Casting/Hiring Coordinator...... James Ashford The Jewish Federationof Sarasota-Manatee Resident Pianist...... Jim Prosser Associate Artist...... Jason Cannon Gilbert King Associate Artist...... Catherine Randazzo Michele D. Redwine Director of Improvisation...... Will Luera Dr. Eddy Regnier Assistant to the Artistic Director...... Doris Iemolo PRODUCTION STAFF OUTSIDE ASSISTANCE Production Manager...... Bruce Price House Counsel...... John Patterson Mainstage Stage Manager...... Roy Johns Facility Custodian...... Carlos De Oliveira Mainstage Stage Manager...... Kelli Karen ...... Confidence Cleaning Company Stage III Stage Manager...... Jynelly Rosario Technical Director...... Mike Schwent Caretaker...... Doctor Nik Costume Shop Manager...... Adrienne Webber Scene Shop Foreman...... Daniel Emerson INTERN PROGRAM Sound Supervisor...... Thom Korp Acting Apprentice...... Brooke Benson Props/Paint Supervisor...... Kristine Kreutzer Acting Apprentice...... Erin Bradford ADMINISTRATIVE STAFF Acting Apprentice...... Carey Blackburn IT Manager...... Lee Schlosser Acting Apprentice...... Randy Boyd Business Manager...... Carmen Gonzalez Acting Apprentice...... Davion Brown Business Office Associate...... David Wallace Acting Apprentice...... Jon DeVries Business Office Associate...... Bart Dolce Acting Apprentice...... Eileen Doan Asst. to the Managing Dir...... Phyllis Silverman Acting Apprentice...... Michael Fraser Facilities Manager...... Joseph Goepfrich Acting Apprentice...... Ryan Friedman Facilities Technician...... Mark Quackenbush General Manager...... Jill Zakrzewski Acting Apprentice...... Kihresha Redmond Events Coord/Asst. Box Office Manager...... Matthew Quick Acting Apprentice...... Brianna Roche Company Manager...... Luke Johnson Acting Apprentice...... J Vance Marketing Director...... Becca Jennings Artistic/Co. Mgmt Intern...... Katie Noyes Public Relations Associate...... Nicole Clayton Company Management Intern...... Dianna Burgos Marketing Associate...... Alexandria Hill Development Intern...... Amanda Moths Digital Marketing Associate...... Emily Blazek Directing Intern...... Meg Gilbert Director of Indiv. Giving...... Melody Mora-Shihadeh Development Associate...... Samus Haddad Education & Outreach Intern...... Maclain Hardin Box Office Manager...... Kelsey Wehde Literary/Playwriting Intern...... Alexander Hehr Asst. Box Office Manager...... Gigi Delpero Literary Intern...... Mary Donofrio Asst. Box Office Manager...... Katelyn McKelley Literary Intern...... Lydia Baxter Asst. Box Office Manager...... Noah Scheibmeir Literary Intern...... Jordan Orlando Restaurant Manager...... Tom Curry Literary Intern...... Melanie Slusar Restaurant Manager...... Karen Kraster Prod./Carpentry Intern...... Marco Acosta Restaurant Manager...... Josh Rodoski Prod./Costume Intern...... Shaye Hurst Asst. Restaurant Manager...... Kristy Plum Receptionist/ Volunteer Coord...... Joan O’Dowd Prod./Lighting Intern...... Bryce Benson Prod./Sound Intern...... Jonathan Baker EDUCATION & TOURS Production Management Intern...... Kristina Ramos Director of Children’s Theatre...... Caroline Kaiser Stage Management Intern...... Kelsey Peavyhouse Director of Education...... Christine Hopkins Education Administrator...... Pamela Smith Stage Management Intern...... Sarah Levett Teaching Artist/YPF Coordinator...... Adam Ratner Stage Management Intern...... Tanner Lias Education Group Sales Assoc...... Hannah Bagnall Stage Management Intern...... Elliott Karliner Teaching Artist...... Denee Lortz 941.366.9000 1241 North Palm Avenue • Downtown Sarasota, FL 34236 www.floridastudiotheatre.org • [email protected]