Friday, March 17, 2017 www.inverness-courier.co.uk 25 artsandentertainment What’s On North in association with www.whatson-north.co.uk Record is a snapshot of Salon talk for 50 years of Scottish folk been on my must include list). Album But nobody would quibble too much about the man who knows REVIEW: Sensus The Producer’s the band’s music inside and out Choice making his selection of personal debut novelist highlights. Mickey Bell Temple Records COMD2108 In a nice touch, he also uses Literature each track to highlight each of is a sort of WHEN the sleeve notes on this the 19 members of the Battlefield EFERENDUM fever served as both Scottish career-spanning compilation Band he has recorded with over inspiration and hindrance for writer everyman declare that the past membership the years. Kellan MacInnes when he made the of Battlefield Band reads Some of his selections, like Irish decision to set his debut novel in the – and his like a Who’s Who of Scottish comic song The Bachelor, show Rbuild up to 2014’s big vote. journey to music, there is absolutely no their age, but others, especially He will be talking to the Highland exaggeration. those adrenaline pumping Literary Salon on Tuesday about his work, becoming The list of Battlefield veterans is instrumental sets, show just how The Making of Mickey Bell. more extensive. far ahead of the curve Battlefield Published by Dingwall’s Sandstone It includes John McCusker Band were. Press, much of his book is set in the independent and Alasdair White, both of They still sound as fresh and Highlands as HIV-positive Mickey – “a mirrors whom were recruited as teenage The Battlefield Band. lively today, and guarantee to set benefits scrounger from ” with prodigies, , the late toes tapping. a serious Munro-bagging habit – literally ’s , Sylvia Barnes and daunting task. Then there are the gentler heads for the hills when trouble hits. journey such masters of the pipes as Iain Fortunately the task of picking moments like McCusker’s Leaving And for Kellan – who will also hold MacDonald, Dougie Pincock and the 19 tracks for this album, which Friday Harbor, which is a little a writing workshop before his author Kellan Tain’s Duncan MacGillivray. celebrates the Batties’ induction thing of beauty in its own right. And not forgetting multi- talk – the return of the referendum to the MacInnes into the Scottish Traditional Music This record is more than just a political agenda, is ironic. instumentalist Brian McNeill, Hall of Fame, goes to the man portrait of one band’s evolution – His book always had the referendum who found his enviable form as who knows their music best, the with the most recent incarnation as its backdrop – which caused a few a songwriter while a member of group’s long-serving producer and of Sean O’Donnell, Mike Katz, tweaks on publication. And subsequent the Batties – and the man who manager, and former member Ewen Henderson and Alasdair political upheaval from the fall-out of the was a mainstay of the band for of , Robin White maintaining those high Brexit poll and moves towards another four decades of its 48-year history, Morton. standards. independence vote have meant further Alan Reid. Any long-term listener to the This is also a decent snapshot tweaks in the edit. Even with a healthy 72-minute Batties would have their own list of Scottish over almost “I’d had some ideas for a novel and by running time, selecting tracks of tracks to include (for what it’s half a century viewed through the the end of the two weeks, I had 60,000 to represent the musical legacy worth McNeill’s lovely “bitching prism of one incredibly influential words and the bones of Mickey Bell. Kellan MacInnes’s debut novel takes inspiration from the independence referendum of what is now a Scottish folk about the road” song Snows of band. and his own experiences as a gay man living with HIV. “That was back in 2013, so I was institution would be a potentially France and Holland would have CM actually writing about a referendum that thing came up and the second Scottish Kellan said: “What is important is that hadn’t happened yet. referendum idea went live. by writing more about HIV it maybe “Fast forward – my book was accepted “So at that point we took out any date breaks down some of the stigma. by Sandstone in 2015 but would take references to the referendum and the “I worked for one of Scotland’s a year to publish. We were editing in book being set in 2014. leading HIV charities. Quite a lot of that Letters inspire interactive play May 2016 and then the whole Brexit “But now it could almost be read as a experience there was working for clients “It was an absolute joy,” she contributions, and anybody book about a second referendum! of the charities and that fed into the book Theatre explained. “It’s a bit scary when can take part by going to www. “Mickey Bell is a sort of Scottish as well.” you put yourself out there in a letterstomyself.org.uk everyman – and his journey to becoming Some of the characters bear a passing A SIT-down session that took place venue, hoping that people will “The most important thing is more independent mirrors Scotland’s resemblance to people in the public last week will provide inspiration engage in what you’re doing, but to be completely honest with journey. eye – and appearing as themselves are for a new interactive play that everyone was great and really yourself,” she said. “But it can also just be read as a boy Hollywood’s Bette Davis and mountain explores people’s most important happy to stop and talk and I met a “We would rather you write meets boy romance as well. Or just a kind writer Alex Reddie. Catch up with relationship – with themselves. really wide range of people. a really honest letter and then of adventure story.” Kellan said: “But other than those all the arts and Letters to Myself, which comes “I don’t think people know decide that you don’t want to send In the book, Mickey is a gay man living, appearing as themselves, it’s just bits of to Eden Court in Inverness on straight away what they’re going to it in than have the worry about like Kellan, with HIV – so did it take different people and different experiences entertainment Wednesday, uses real letters and write about but we often talk about that prevent them from writing the courage to reveal that? put together. news at contributions from the public to general advice or the idea of letter letter altogether. “I’ve always been open about my HIV “At the end of the day it’s fiction. And tell a story of people trying to find writing. “It’s about making time to have status. My family and friends all know and it’s all made up.” themselves. “I met a lovely woman who told a conversation with yourself and n to an extent I sort of addressed that in my Kellan addresses the Highland www. And at the Mobile Living Room me she’d recently been back in enjoying that.” first non-fiction book Caleb’s List,” said Literary Salon at the Glen Mhor Hotel, whatson- session last Wednesday playwright touch with people she’d met when n Letters to Myself is at Eden Kellan. Inverness on Tuesday from 6.30pm and producer Becci Sharrock she evacuated aged four or five, Court’s OneTouch Theatre on That book was subtitled “Climbing The (writers’ workshop) and 7.30pm for the north.co.uk sat down with Invernessians to and now, decades later, they were Wednesday from 8pm. To book Scottish Mountains Visible from Arthur’s author’s talk. The Making Of Mickey help them tell their stories in writing letters to each other.” tickets, go to www.eden-court. Seat” and was nominated for 2013’s Bell (Sandstone £8.99) is available now. preparation for next week’s show. The play is still looking for co.uk The cover of Kellan’s debut novel. Saltire Society First Scottish Book Award. More: www.sandstonepress.com Powerful new tracks ‘a delight’ Inverness-born Kathryn’s upright front of her piano, contrasted with Live music piano and tiny three-legged stool. her knowing humour revealed in Business as usual for the duo, in between-song chat. REVIEW: Kathryn Joseph other words. Referring to the f*** words that Inverness Cathedral Hall But the set offered a good chance pop up in her lyrics, Kathryn  to catch up on how the music has grinned: “This is the first night there been evolving with the promise of haven’t been children – I’ve been WITH its DIY feel and half-time tea, new songs and a second album on having to try to muffle my ‘f***s’” crisps and juice, Monday’s Inverness its way. And earlier Kathryn told the crowd gig staged by the Get In project’s The drama and sinister, how much she had been enjoying Kathryn young promoters contrasted with spellbinding power of the songs the tour, her very individual humour Joseph’s new the brilliance of Kathryn Joseph and from her debut album, Bones echoing the dark heart of the music, tracks are as support acts. you have thrown me and blood I as she told the audience: “I’m “powerful and The basketball hoop high above have spilled, has only grown more already unhinged with love which is dark” as their the musicians added a touch of the intense. a bit disturbing but nice!” award-winning predecessors. surreal to a night that slam-dunked From The Bird, on to The Blood – The almost psychic connection the showcasing of talents – all very with its keening mantra “Your baby’s between Kathryn and Marcus was individual and not afraid to go their here” – we got The Outtakes, The echoed in his choice of perfect own way. Why What, Baby, and The Bone with musical accompaniment for each In her set, Kathryn told the Kathryn Joseph. its gripping crescendo. song – from a -bowed cymbal audience that at an earlier gig on the Then it was on to the almost screaming softly in The Bone, to Est 2012 tour, a mirrorball had unexpectedly forget a lost love “because this is cooing, child’s voice Kathryn broke brushes or felt-headed drumsticks creaked into life in the venue, what I do now”. out for The Crow, heart of the set The applied as appropriate to the drums HIGHLAND & MORAY continuing to spin through the Chloe Rodgers and Nicky Murray’s Mouth, the Good and straight into and cymbals, or a big bassy surge of music. set reminded of the kind of beauty the Weary. electronica to throb under Kathryn’s “So just imagine that,” she that can come out of raw, unfussy Throughout, Kathryn gently piano melodies. grinned, casting the spell so you arrangements, whether they are sets rocked on her stool, the voice going The singer revealed she’d end the heard it too. of tunes on guitar and fiddle, such as from little girl to devastated whisper, set with new songs – one being the The night in Inverness Cathedral the one featuring Chloe’s favourite big raw surge to cracked-voiced now-popular The Mountain whose Hall was sprinkled with that kind of bulldog – Bree And Me – or voice, sorceress. lyrics suggest a Scandi-drama plot of eerie magic. fiddle and piano as we got in Winter And the range of moods Kathryn their own. Jacob Reid from Forres conjured More showcasing Nicky’s husky, can create in her performance is as And the good news is, the new an orchestra of strings out of his sometimes John Martynesque vocal. wide as ever – the tools are still an songs – unnamed or introduced by guitar by looping many different After a break, Kathryn and unflinching glare, impish smiles, Kathryn as with the rest of the set effects – playing it with a fiddle percussion-meister and producer flirtatious gazes and, at times, a – are as powerful and dark as their bow, strumming, finger-picking and Marcus Mackay walked onto look of devastated sorrow – all of Scottish album of the year-winning ghosting harmonics. the familiar set they create for which raked across Monday’s rapt predecessors. Twenty minutes in, he added a gigs, candles (safe, artificial ones audience. They were a tantalising taster Join us at Eden Court poet friend’s barely-heard words there), a thick rug under Marcus’s The intensity of the experience enhanced by that creaking about seasons passing, trying to drumkit with electronic gadgets and as she sat side on to the crowd in mirrorball. MC Theatre, Inverness

‘Gripping’ Faslane 27th May heads to chapel 10am - 4pm SCOTLAND’S uneasy relationship with its nuclear arsenal – and the base that hosts it – is to be FREE ENTRY explored in a new one-woman play. REGION1 The award-winning Faslane – written, directed, and performed by Jenna Watt – will come to Eden Court on Monday as part of a tour of Scotland, England and Sweden. The show focuses on Jenna’s connections with the military base – drawing on the experiences wonderful exhibitors of family who worked there and friends who Up to 50 protested outside its gates – and will attempt to 5DAYS to sample and buy from delve into the personal struggle of taking a stance on such a divisive issue. Debuting at the 2016 Festival Fringe, Our fantastic the play scooped a coveted Scotsman Fringe First “Chef’s Live Theatre” award. It has also won praise from critics, with the Scotsman calling it “exceptional… fascinating, 100sOF WHISKY returns with a tasty line up and completely gripping”, while the Edinburgh INSPIRED Festivals Magazine hailed Watt’s “intelligent EVENTS creativity” and said her performance kept the audience “gripped”. In association with Faslane – also known as Her Majesty’s Naval Base Clyde – is situated 40 miles outside Glasgow, and is home to the UK’s nuclear missile programme Trident. Highland and Moray Food and Drink Festival Brought to you by SPP. PuBlISHErS oF n Faslane comes to the chapel at Eden Court on Monday, March 20 at 7.30pm. To book tickets, 27 April - 1 May 2017 Strathspey & Badenoch The which cost £12 per seat, go to www.eden-court. HERALD HuntlyThe Express Banffshire Herald co.uk or call the Eden Court box office on 01463 www.spiritofspeyside.com #dram17 234 234.