Complete List of Contents Volume 1 Maya Angelou, 1 Victor Hernández Cruz, 224 Countée Cullen, 234 James Baldwin, 16 Toni Cade Bambara, 40 Samuel R. Delany, 248 Amiri Baraka, 55 Toi Derricotte, 269 Arna Wendell Bontemps, Owen Dodson, 277 77 Frederick Douglass, 286 Edward Kamau Brathwaite, Rita Dove, 295 90 W. E. B. Du Bois, 308 Gwendolyn Brooks, 108 Paul Laurence Dunbar, 318 Sterling A. Brown, 124 Ed Bullins, 135 Cornelius Eady, 341 Octavia E. Butler, 154 Lonne Elder III, 350 Ralph Ellison, 360 Bebe Moore Campbell, 168 Barbara Chase-Riboud, 177 Jessie Redmon Fauset, 385 Charles Waddell Chesnutt, Charles Fuller, 394 186 Alice Childress, 206 Ernest J. Gaines, 406 Lucille Clifton, 215 Henry Louis Gates, Jr., 432 Volume 2 Nikki Giovanni, 443 Zora Neale Hurston, 560 Alex Haley, 460 Charles Johnson, 582 Virginia Hamilton, 469 June Jordan, 603 Lorraine Hansberry, 477 Michael S. Harper, 493 William Melvin Kelley, 613 Robert Hayden, 506 Adrienne Kennedy, 622 Chester Himes, 521 Jamaica Kincaid, 634 Langston Hughes, 539 Martin Luther King, Jr., 652 xv Notable African American Writers Etheridge Knight, 661 Paule Marshall, 776 Yusef Komunyakaa, 672 Toni Morrison, 792 Walter Dean Myers, 812 Nella Larsen, 682 Audre Lorde, 692 Gloria Naylor, 821 Claude McKay, 707 Gordon Parks, Sr., 835 Reginald McKnight, 722 Suzan-Lori Parks, 844 Terry McMillan, 730 Ann Petry, 854 James Alan McPherson, 740 Haki R. Madhubuti, 750 Dudley Randall, 870 Clarence Major, 768 Ishmael Reed, 884 Volume 3 Sonia Sanchez, 901 African American Long Ntozake Shange, 915 Fiction, 1169 African American Poetry, Jean Toomer, 929 1188 African American Short Alice Walker, 952 Fiction, 1210 Joseph A. Walker, 980 Booker T. Washington, 988 Appendixes Cornel West, 997 More African American Phillis Wheatley, 1006 Writers, 1241 John Edgar Wideman, 1025 Bibliography, 1266 John A. Williams, 1049 Electronic Resources, August Wilson, 1059 1294 Jay Wright, 1072 Chronological List of Richard Wright, 1090 Authors, 1303 Frank Yerby, 1112 Indexes Al Young, 1125 Genre Index, 1307 Personages Index, 1309 Essays Title Index, 1315 African American Drama, Subject Index, 1328 1151 xvi.

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Ishmael Reed Interviewed
Boxing on Paper: Ishmael Reed Interviewed by Don Starnes [email protected] http://www.donstarnes.com/dp/ Don Starnes is an award winning Director and Director of Photography with thirty years of experience shooting in amazing places with fascinating people. He has photographed a dozen features, innumerable documentaries, commercials, web series, TV shows, music and corporate videos. His work has been featured on National Geographic, Discovery Channel, Comedy Central, HBO, MTV, VH1, Speed Channel, Nerdist, and many theatrical and festival screens. Ishmael Reed [in the white shirt] in New Orleans, Louisiana, September 2016 (photo by Tennessee Reed). 284 Africology: The Journal of Pan African Studies, vol.10. no.1, March 2017 Editor’s note: Here author (novelist, essayist, poet, songwriter, editor), social activist, publisher and professor emeritus Ishmael Reed were interviewed by filmmaker Don Starnes during the 2014 University of California at Merced Black Arts Movement conference as part of an ongoing film project documenting powerful leaders of the Black Arts and Black Power Movements. Since 2014, Reed’s interview was expanded to take into account the presidency of Donald Trump. The title of this interview was supplied by this publication. Ishmael Reed (b. 1938) is the winner of the prestigious MacArthur Fellowship (genius award), the renowned L.A. Times Robert Kirsch Lifetime Achievement Award, the Lila Wallace-Reader's Digest Award, a Guggenheim Fellowship, and a Rosenthal Family Foundation Award from the National Institute for Arts and Letters. He has been nominated for a Pulitzer and finalist for two National Book Awards and is Professor Emeritus at the University of California at Berkeley (a thirty-five year presence); he has also taught at Harvard, Yale and Dartmouth.
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Paule Marshall Short Stories
2170 / /'''tll Ii MAIt~"AI.I, III I ".\ ) 1(,<) 7 .... which shaded it were leveled years ago to make way for a city housing proj by Jamaican poet Edward Braithwaite "a Iruly third world nov<'I," for it <,xplore, 11)(' ect--a stark, graceless warren for the poor. So that now whenever I revisit hidden complexities of Ihe relatiollship hl'lwt'C'1l tite sllPposedly un,lerd('yelopcd that old section of Brooklyn and see these new and ugly forms, I feel nothing. world and the deYdopcd worlds. I might as well be in a strange city. Marshall's first two novels as well as her slories of til<' 19()Os were ahead of their time in that they clearly focused on the variety of black ('om.mlllit ie5, and on black But it is another matter with the people of my past, the faces that in their women, at a time when black cultural nationalism fostered a monolithic view of blacks darkness were myriad reflections of mine. Whenever I encounter them at as urhan African American and male. Although her novels received fine reviews, the funeral or wake, the wedding or christening-those ceremonies by which Marshall did not become well known. While she received many awards, induding a the past reaffirms its hold-my guard drops and memories banished to the Guggenheim fellowship and a National Endowment for the Arts fellowship, she had rear of the mind rush forward to rout the present. I almost become the child difficulty making a living as a writer. During the 1970s she taught creativp writing at again-anxious and angry, disgracefully diffident.
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