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Machiavelli: the Prince
The Prince by Niccolo Machiavelli The Project Gutenberg EBook of The Prince, by Nicolo Machiavelli This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Prince Author: Nicolo Machiavelli Translator: W. K. Marriott Release Date: February 11, 2006 [EBook #1232] Last Updated: November 5, 2012 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE PRINCE *** Produced by John Bickers, David Widger and Others THE PRINCE by Nicolo Machiavelli Translated by W. K. Marriott Nicolo Machiavelli, born at Florence on 3rd May 1469. From 1494 to 1512 held an official post at Florence which included diplomatic missions to various European courts. Imprisoned in Florence, 1512; later exiled and returned to San Casciano. Died at Florence on 22nd June 1527. CONTENTS INTRODUCTION YOUTH Aet. 1-25—1469-94 OFFICE Aet. 25-43—1494-1512 LITERATURE AND DEATH Aet. 43-58—1512-27 THE MAN AND HIS WORKS DEDICATION THE PRINCE CHAPTER I HOW MANY KINDS OF PRINCIPALITIES THERE ARE CHAPTER II CONCERNING HEREDITARY PRINCIPALITIES CHAPTER III CONCERNING MIXED PRINCIPALITIES CHAPTER IV WHY THE KINGDOM OF DARIUS, CONQUERED BY ALEXANDER CHAPTER V CONCERNING THE WAY TO GOVERN CITIES OR PRINCIPALITIES CHAPTER VI CONCERNING NEW PRINCIPALITIES WHICH ARE ACQUIRED CHAPTER VII CONCERNING NEW PRINCIPALITIES WHICH ARE ACQUIRED CHAPTER VIII CONCERNING -
THE SCARLET CONTESSA Jeanne Kalogridis
THE SCARLET CONTESSA Jeanne Kalogridis About the Author A • A Conversation with Jeanne Kalogridis Reading Group Gold Behind the Novel Selection • “Caterina: A Woman Ahead of Her Time” An Original Essay by the Author • Historical Perspective Keep on Reading • Recommended Reading • Reading Group Questions For more reading group suggestions, visit www.readinggroupgold.com. ST. MARTIN’S GRIFFIN Scarlett Contessa RGG_3.indd 1 3/29/11 12:07 PM A Conversation with Jeanne Kalogridis Could you tell us a little bit about your background, and when you decided that you wanted to lead a literary life? I was a shy, scrawny, unpopular kid with frizzy hair and thick glasses; since I had no social life, I read. I adored dark fantasy and science fiction, and I was writing my own stories as soon as I could hold a pencil. My mom and sisters were always dragging me to the mall on weekends, so while they shopped, I hung in the local bookstore. I think the defining “Caterina moment for me came when I picked up a copy of Ray presented a Bradbury’s The Illustrated Man in a Waldenbooks. special challenge His writing was so beautiful, so lyrical. I decided then that I wanted to write like that. because so little has been written Who are some of your favorite authors? about her.” Angela Carter, Margaret Atwood, and Dan Simmons (especially The Terror and Drood, both historical novels). You have already authored three historical novels about Renaissance Italy, The Borgia Bride, I, Mona Lisa, and, in part, The Devil’s Queen. -
Niccolò Machiavelli on Power*
RMM Vol. 0, Perspectives in Moral Science, ed. by M. Baurmann & B. Lahno, 2009, 335–354 http://www.rmm-journal.de/ Manfred J. Holler Niccolò Machiavelli on Power* Abstract: This paper uses the concept of power to analyze Machiavelli’s The Prince and the Dis- courses on the First Ten Books of Titus Livius. This helps to distil the elements that form the Machiavelli program that has its short-term aim in the formation of a national state of Italy. A unification of Italy under the umbrella of a princely family (such as identified with Cesare Borgia) was meant to be the first stage in an evolutionary process which, in the end, could lead to a more or less stable republican system. For the latter, the Roman Republic as described in the Discourses is Machiavelli’s model. The use of power, but al- so the minimization of cruelties, and the participation of the people, either in the form of militia to successfully fight foreign armies or to support the princely government, are major ingredients to this process. 1. Introduction The Prince has no power. This is the immediate consequence of applying We- ber’s seminal concept of power to Machiavelli’s The Prince as we will see below. Of course, this conclusion seems highly paradoxical since Niccolò Machiavelli has been praised and condemned as prophet of unconstrained power. It seems that there is more to power in Machiavelli’s writings as common understanding and superficial interpretation suggest. In this paper I scrutinize The Prince and the Discourses with the concept of power hoping to get a deeper insight in Ma- chiavelli’s political and philosophical ideas. -
Arazzi Trivulzio
SIRBeC scheda OARL - 5q070-00206 Arazzi Trivulzio Benedetto da Milano; Bramantino (attribuito) Link risorsa: https://www.lombardiabeniculturali.it/opere-arte/schede/5q070-00206/ Scheda SIRBeC: https://www.lombardiabeniculturali.it/opere-arte/schede-complete/5q070-00206/ SIRBeC scheda OARL - 5q070-00206 CODICI Unità operativa: 5q070 Numero scheda: 206 Codice scheda: 5q070-00206 Visibilità scheda: 3 Utilizzo scheda per diffusione: 03 Tipo scheda: OA Livello ricerca: C CODICE UNIVOCO Codice regione: 03 Numero catalogo generale: 00670642 Ente schedatore: R03/ Raccolte Artistiche del Castello Sforzesco Ente competente: S27 RELAZIONI STRUTTURA COMPLESSA Codice IDK della scheda di livello superiore: 5q070-00206 RELAZIONI CON ALTRI BENI Tipo relazione: è compreso Tipo scheda: COL Codice bene: 03 Codice IDK della scheda correlata: COL-RL480-0000004 OGGETTO Gruppo oggetti: tessuti OGGETTO Definizione: arazzo Disponibiltà del bene: reale SOGGETTO Categoria generale: allegorie, simboli e concetti Pagina 2/34 SIRBeC scheda OARL - 5q070-00206 Identificazione: Mesi Titolo: Arazzi Trivulzio LOCALIZZAZIONE GEOGRAFICO-AMMINISTRATIVA LOCALIZZAZIONE GEOGRAFICO-AMMINISTRATIVA ATTUALE Stato: Italia Regione: Lombardia Provincia: MI Nome provincia: Milano Codice ISTAT comune: 015146 Comune: Milano COLLOCAZIONE SPECIFICA Tipologia: castello Denominazione: Castello Sforzesco - complesso Denominazione spazio viabilistico: Piazza Castello Denominazione struttura conservativa - livello 1: Raccolte Artistiche del Castello Sforzesco Denominazione struttura conservativa -
Cotignola in the Opinion of Leonardo and Luca Pacioli
_full_alt_author_running_head (neem stramien B2 voor dit chapter en nul 0 in hierna): 0 _full_alt_articletitle_running_head (oude _articletitle_deel, vul hierna in): Ludovico il Moro and the Dynastic Homeland as the “Ideal City” _full_article_language: en indien anders: engelse articletitle: 0 Ludovico Il Moro And The Dynastic Homeland As The “ideal City” 355 Chapter 15 Ludovico il Moro and the Dynastic Homeland as the “Ideal City”: Cotignola in the Opinion of Leonardo and Luca Pacioli Raffaella Zama The influential House of Sforza originates from Romagna in the province of Ravenna, along a strip of land at the Senio river which, in olden times, was so favorable to the growth of quince trees (mele cotogne in Italian) that the small rural settlement was named Cotignola.1 At the time the Descriptio Romandiole was written by cardinal Anglic de Grimoard of Grizac (1371) for the Papal Household of Avignon, Cotignola was registered as a “villa,” which was the gen- eral word for a scattered population classified as an ‘almost village,’ a tiny ad- ministrative settlement with no curtain wall. Nevertheless, it is unlikely that Cotignola was strictly limited to the “villa” because the Descriptio assigns a re- markable number of ‘hearths’ to it, all of 144 focularia2 i.e. tax-paying family units, a considerable number for a late fourteenth century rural location in Romagna.3 In fact, in those days this ‘almost village’ must already have had a defensive wall build by the inhabitants of Faenza and Forlì in 1276, most prob- ably not a wall with a moat but a strong enclosure made of wood, or an em- bankment.4 The castrum may have been degraded to ‘villa’ because of the dire condition it was in when Anglic’s official visited, which is quite easy to imagine in consideration of the fact that the nearby Senio river must have frequently subjected the settlement to the perils of destructive floods. -
Leonardo Da Vinci and the Persistence of Myth Emily Hanson
Washington University in St. Louis Washington University Open Scholarship All Theses and Dissertations (ETDs) 1-1-2012 Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth Emily Hanson Follow this and additional works at: https://openscholarship.wustl.edu/etd Recommended Citation Hanson, Emily, "Inventing the Sculptor: Leonardo da Vinci and the Persistence of Myth" (2012). All Theses and Dissertations (ETDs). 765. https://openscholarship.wustl.edu/etd/765 This Thesis is brought to you for free and open access by Washington University Open Scholarship. It has been accepted for inclusion in All Theses and Dissertations (ETDs) by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY Department of Art History & Archaeology INVENTING THE SCULPTOR LEONARDO DA VINCI AND THE PERSISTENCE OF MYTH by Emily Jean Hanson A thesis presented to the Graduate School of Arts and Sciences of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2012 Saint Louis, Missouri ACKNOWLEDGEMENTS I wouldn’t be here without the help and encouragement of all the following people. Many thanks to all my friends: art historians, artists, and otherwise, near and far, who have sustained me over countless meals, phone calls, and cappuccini. My sincere gratitude extends to Dr. Wallace for his wise words of guidance, careful attention to my work, and impressive example. I would like to thank Campobello for being a wonderful mentor and friend, and for letting me persuade her to drive the nearly ten hours to Syracuse for my first conference, which convinced me that this is the best job in the world. -
On the Identity of Some Musicians at the Brescian Court of Pandolfo III Malatesta *
On the Identity of Some Musicians At The Brescian Court of Pandolfo III Malatesta * By Allan Atlas Although the Brescian court of Pandolfo III Malatesta was relatively short-lived and generally plagued by political difficulties, and though Bres cia at the beginning of the 15th century was as short on an artistic heritage of the first rank as the Malatesta were on the resources to foster such a tradi tion, the signoria over which Pandolfo III presided in that Lombard city from 1404 to 1421 enjoyed a surprisingly distinguished cultural life, especially in the field of music.' Himself a man of letters who commanded Latin, French, and Proven<;al, Pandolfo took a first-hand interest in the literary life of his court, collecting a respectable library, supporting a small but important group ofBrescian writ ers-among them Jacopo Malvezzi, Giovanni da Borgo San Donnino, and perhaps Bartolomeo Baiguera-and writing Latin verses of his own, accom plishments that earned for him the praise of the soldier-poet Ludovico Can tello (his secretary) and the well-known humanist Francesco Filelfo.' In the visual arts, Pandolfo's Brescia always enjoyed the talents ofa number oflocal artists, especially Bartolino Testorino,3 while the period 1414-1419 wit nessed the presence at the court of Gentile da Fabriano, whom Pandolfo commissioned to execute a fresco in a chapel of the Broletto, the 13th-century palace in which Pandolfo lived and in which Sigismondo Pandolfo was born inJune 1417'- Despite these achievements, it was through his support of music that Pan dolfo played perhaps his most significant role as a patron of the arts. -
Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne Marvin B
Journal of the Arkansas Academy of Science Volume 6 Article 21 1953 Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne Marvin B. Becker University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/jaas Part of the European History Commons Recommended Citation Becker, Marvin B. (1953) "Decline of the Florentine Republic from the Invasion of Henry VII to the Dictatorship of Walter of Brienne," Journal of the Arkansas Academy of Science: Vol. 6 , Article 21. Available at: http://scholarworks.uark.edu/jaas/vol6/iss1/21 This article is available for use under the Creative Commons license: Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0). Users are able to read, download, copy, print, distribute, search, link to the full texts of these articles, or use them for any other lawful purpose, without asking prior permission from the publisher or the author. This Article is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Journal of the Arkansas Academy of Science by an authorized editor of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Journal of the Arkansas Academy of Science, Vol. 6 [1953], Art. 21 THE DECLINE OF THE FLORENTINE REPUBLIC FROM THE INVASION OF HENRY VII TO THE DICTATORSHIP OF WALTER OF BRIENNE MARVIN BECKER University of Arkansas From the time of the invasion of Henry VII to the establishment of the dictatorship of Walter of Brienne (1311 to 1342), there was a significant change in the Florentine pattern of political organization. -
Bartolomeo Colleoni 1 Bartolomeo Colleoni
Bartolomeo Colleoni 1 Bartolomeo Colleoni Bartolomeo Colleoni (1400 – 2 November 1475) was an Italian condottiero. Life Colleoni was born at Solza, in the countryside of Bergamo (Lombardy), where he prepared his magnificent mortuary chapel, the Cappella Colleoni, in a shrine that he seized when it was refused him by the local confraternity, the Consiglio della Misericordia. The family was a noble one, exiled with the rest of the Guelphs by the Visconti. Bartolomeo's father Paolo seized the castle of Trezzo by wile and held it by force, until he was assassinated by his cousins, probably acting on The famous equestrian statue of Bartolomeo Colleoni by order of Filippo Maria Visconti, duke of Milan. Verrocchio in Venice The young Colleoni trained at first in the retinue of Filippo d'Arcello, the new master of Piacenza. Then he entered the service of various condottieri, beginning with Braccio da Montone, who was skirmishing in Apulia, profiting from the struggles between Alfonso of Aragon and Louis of Anjou during the weak sovereignty of Queen Joan II by taking Alfonso's cause, and then of Carmagnola. After the latter was put to death at Venice (1432), Colleoni passed to direct service of the Venetian republic, entering on the major phase of his career. Although Gianfrancesco Gonzaga was nominally commander-in-chief, Colleoni was in fact the true leader of the army. He recaptured many towns and districts for Venice from the Milanese, and when Gonzaga went over to the enemy, Colleoni continued to serve the Venetians under Erasmo da Narni (known as Gattamelata) and Francesco Sforza, winning battles at Brescia, Verona, and on the lake of Garda. -
The Sonzogno Affair (1875) and the Print Networks in Liberal Italy1
Making News: the Sonzogno Affair (1875) and the Print Networks in Liberal Italy1 Silvia Valisa “non sappiamo, se un giorno la storia e la cronaca ricorderanno il fatto della morte di Raffaele Sonzogno, e di chi lo uccise.”2 On September 20, 1870, Milanese patriot Raffaele Sonzogno walked through the Breccia di Porta Pia into Rome. That day, the troops of the Kingdom of Italy had succeeded in breaching the walls of the city, and Italy at last recovered its long-dreamed-of capital. According to Risorgimento lore, as he walked on the rubble Sonzogno was not holding a rifle, or a flag, like the other patriots: he was carrying rather a small printing workshop.3 With it, the following day he proceeded to publish La capitale, the first Rome-based national newspaper. “Of medium height [...] and shortsighted,” as author Roberto Mazzucco describes him in a historical novel inspired by his fate, Raffaele was an outspoken voice of the Italian democrats and one of the heirs to the Sonzogno printing dynasty.4 It is the irony of Raffaele’s destiny that, although he died many years before his influential brother Edoardo, who developed the most important publishing trust in nineteenth–century Italy, we know so much more about Raffaele’s private and public life than we will ever know about Edoardo. This is because only five years after the foundation of La capitale, on the evening of Saturday February 6, 1875, Raffaele Sonzogno was attacked and murdered at the headquarters of his newspaper, located in Via Cesarini 77. The homicide, first investigated as a random act then as a crime related to matters of adultery, soon turned out to be also professionally motivated, and related to Sonzogno’s public friendships, enmities, and to some of the most important political debates of its time. -
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH
Celebriamo Leonardo 500 WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH EVENT OFFICIAL INTRODUCTION 2019 - ITALY ORGANIZED BY THE PARTNER: PROMOTED BY: Lomonen Group SE WORLD DIGITAL FOUNDATION (Member of “Discovery Kepler “) (A Scientific Foundation for the International Organisation) HQ. Adress: Corso Principe Oddone nr.18 - 10121 TORINO (ITALY) General Secretary Contacts + 39 334 2177239 Press Office: + 39 333 4509653 - E-mail: [email protected] CELEBRIAMO LEONARDO 500 (WE CELEBRATE LEONARDO DA VINCI 500 YEARS AFTER HIS DEATH) 1519-2019 THE NATIONAL INSTITUTIONAL EVENT FOR 500 YEARS CELEBRATIONS FROM THE ITALIAN GENIUS LEONARDO DA VINCI’S DEATH “Once you have tasted flight, you will forever walk the earth with your eyes turned skyward, for there you have been, and there you will always long to return” Leonardo Da Vinci (The Atlantic Code ) _________________________________________________________________________________________ 29 NOVEMBER – 1st DECEMBER 2019 ROYAL CASTLE OF MONCALIERI TURIN - ITALY Castello di Moncalieri (Torino) ( ITALIA) THE EVENT’S LOCATION PROFILE The castle of Moncalieri is a Palace in the town of Moncalieri in the province of Turin (Italian Piedmont region). Along with other Royal residences of the Savoy dynasty in 1997, the year inscribed in the UNESCO world Cultural Heritage site by UNESCO. The first building on this site was a fortress built on a hill approximately 1,100 th year on the orders of Tom Zavoiskogo. The main task of the fortress was controlling the southern approach to Turin. In the mid-17th century Yolanda of Valois, wife of Duke Amadeus IX, turned the building into a charming country residence. By the architect Carlo di Castellamonte, the fortress was expanded considerably, and the interiors redesigned by local artists. -
'Living Like a King? the Entourage of Odet De Foix, Vicomte De Lautrec
2015 II ‘Living Like a King? The Entourage of Odet de Foix, Vicomte de Lautrec, Governor of Milan’, Philippa Woodcock, University of Warwick, Department of History, Article: Living Like a King Living Like a King? The Entourage of Odet de Foix, Vicomte de Lautrec, Governor of Milan Philippa Woodcock Abstract: In the early sixteenth century, the de Foix family were both kin and intimate councillors to the Valois kings, Louis XII and François I. With a powerbase in Guyenne, the de Foix tried to use their connections at court to profit from the French conquest of Milan, between 1499 and 1522. This paper will explore the career of one prominent family member, Odet de Foix, vicomte de Lautrec (1483-1528). Lautrec was a Marshal of France, who served in Italy as a soldier and governor. He was key to the royal entourage, amongst François I’s intimates at the Field of the Cloth of Gold. His sister, Françoise, was also the king’s mistress. The paper will examine Lautrec’s entourage from two aspects. Firstly, it presents how Lautrec established his entourage from his experience in Navarre and Italy and as a mem- ber of the royal retinue. It establishes the importance of familial and regional ties, but also demonstrates the important role played by men of talent. Secondly, it explores Lautrec’s relationship to his entourage once he became governor of Milan. Were ties of blood, ca- reer or positions of Italian prestige the most important aspects for a governor when he chose his intimates? Were compromises made with Italian traditions and elites to sustain his rule? Did he learn from the experience and failures of previous governors? This article contributes to a gap in scholarship for the later period of French Milan from 1515 to 1522.