Didacticism Meiosis Idioms Metonymy

Total Page:16

File Type:pdf, Size:1020Kb

Didacticism Meiosis Idioms Metonymy Didacticism Idioms Charles Dickens frequently sought to educate Some of the most readers on the conditions the poor faced to raise commonly used idioms include: sympathy for those less fortunate. Such is the case in Oliver Twist: A penny for your thoughts. “So they established the rule that all poor people Add insult to injury. should have the alternative (for they would compel nobody, not they) of being starved by a gradual Back to the drawing board. process in the house, or by a quick one out of it. With this view, they contracted with the waterworks Beat around the bush. to lay on an unlimited supply of water, and with a corn-factor to supply periodically small quantities of Don’t judge a book by its cover. oatmeal, and issued three meals of thin gruel a Don’t cry over spilt milk. day, with an onion twice a week and half a roll on Sundays.” Curiosity killed the cat. Don’t put all your eggs in one basket. Feeling under the weather. It was a piece of cake. Make a long story short. See eye-to-eye. Taste of one’s own medicine. The last straw. Your guess is as good as mine. Metonymy Other stories include Aesop’s fables, which each contain a moral as to how one should behave. When people refer to celebrity life and culture as “Hollywood” or royalty as “the crown”, they are using metonymy (which is sometimes considered a specific form of synecdoche, or “the whole”). Meiosis Other examples include: Silicon Valley (the technology industry) Calling the period of violence in Northern Ireland The press (any media outlet) “The Troubles” or referring to the Civil War as “Our recent unpleasantness” are both examples of The Golden Arches (McDonald’s) meiosis. So is calling the Atlantic Ocean “the pond.” Romeo and Juliet’s Mercutio employs the most famous meiosis of all time when he announces, as he dies from a mortal wound, “I am hurt. Ay, ay, a scratch, a scratch.” Top Three Epigraphs from Literature Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten. — G.K. Chesterson (Coraline, Neil Gaimon) Lawyers, I suppose, were children once. – Charles Lamb (To Kill a Mockingbird, Harper Lee) NOTICE Persons attempting to find a motive in this narrative will be prosecuted; persons attempting to find a moral in it will be banished; persons attempting to find a plot in it will be shot. BY ORDER OF THE AUTHOR Per G.G., Chief of Ordnance. (The Adventures of Huckleberry Finn, Mark Twain) Trope Trope is a figure of speech in which the speaker or writer intends for the reader to see another meaning, other than the literal. It could be a word, a phrase, or an image used to create artistic effect. Trope is classified into several different types, including, but not limited to: allegory, irony, hyperbole, metaphor, metonymy, personification, pun, simile and synecdoche. For example, William Shakespeare opens Romeo and Juliet with the line: “Two households, both alike in dignity” suggesting the Capulets and Montagues are respectable families; however, the reader comes to understand the families are anything but noble. A trope is a writer’s device that often plays into stereotypes and presumed expectations, refusing to embody any originality of thought. An archetype is a fundamental human motif that exists in universal myth.” – Lupita Nyong’o Anaphora Hypophora Anaphora is most common in speeches and Hypophora is frequently evidenced through the literature, such as Robert Frost’s poem “Acquainted character Daisy in The Great Gatsby: with the Night”: “Why candles?” objected Daisy, frowning. She I have been one acquainted with the night. snapped them out with her fingers. “In two weeks I have walked out in rain—and back in rain. it’ll be the longest day in the year.” She looked at us I have outwalked the furthest city light. all radiantly. “Do you always watch for the longest I have looked down the saddest city lane. day of the year and then miss it? I always watch for I have passed by the watchman on his beat the longest day in the year and then miss it.” And dropped my eyes, unwilling to explain. Epiphora Imagery Stephen King is considered a master of imagery, as John F. Kennedy’s speech, “The Strategy for evidenced from this excerpt from Salem’s Lot: Peace” demonstrates epiphora: “The house itself looked toward town. It was huge “The United States, as the world knows, will never and rambling and sagging, its windows haphazardly start a war. We do not want war. We do not now boarded shut, giving it that sinister look of all old expect a war.” houses that have been empty for a long time. The paint had been weathered away, giving the house a uniform gray look. Windstorms had ripped many of the shingles off, and a heavy snowfall had punched in the west corner of the main roof, giving it a thumped, hunched look. A tattered no trespassing sign was nailed to the right-hand newel post.” Malapropism Satire Malapropisms are sometimes called acyrologia, or When an author uses exaggeration, irony or humor Dogberryisms, based on a character is to criticize a person or society, satire is present. It Shakespeare’s play Much Ado About Nothing. They often points out the foolishness of a group or idea. are often funny: In Jonathan Swift’s “A Modest Proposal,” he “You shouldn’t take anything for granite (granted).” proposes that all children should be eaten to deal with London’s overcrowding situation. “He hits from both sides of the plate. He’s amphibious (ambidextrous).” In Mark Twain’s The Adventures of Huckleberry Finn, the author satirizes religious hypocrisy: Supposively/supposably (supposedly), Dan works “There weren’t anybody at the church, except nights as a waiter to make ends meet. maybe a hog or two, for there weren’t any lock on For all intensive (intents and) purposes. the door, and hogs likes a puncheon floor in summer-time because it’s cool. If you notice, most I could of/would of/should of (could have/would folks don’t go to church only when they’ve got to; have/should have) studied for the vocabulary test. but a hog is different.” but practiced the piccolo instead. Paradox A paradox is used to challenge the mind and make the reader think in a new way: You can save money by spending it. The second sentence is false. The first sentence is true. I know one thing is true: that I know nothing at all. “War is peace” – George Orwell “I must be cruel to be kind” – William Shakespeare in Hamlet Zeugma Asyndeton A figure of speech applied to multiple parts of the The concept of omitting conjunctions for effect. For sentence: example: She opened her door, and her heart, to the orphan. Read, write, learn. She killed time, and the mailman. Reduce, reuse, recycle. His boat, and his dreams, sank. He milked the situation, and the cow. She stole the show and my wallet. On the farm, I grew potatoes, and bored. Allegory Cliché Although many allegories are religious in nature A term or phrase that has been used so often, it no (i.e. The Old Man and the Sea, The Chronicles of longer holds meaning: Narnia), that is not always the case. Two other examples include: In the nick of time. In George Orwell’s Animal Farm, animalism At the speed of light. represents communism, and the Manor Farm is Lost track of time. symbolic of Russia. The plot parallels the Russian Revolution of 1917. I was frightened to death. In Plato’s Allegory of the Cave, the speaker I fell head over heels for my college boyfriend. suggests two worlds, one of education and awareness (outside the cave/the light) and one of This is the quiet before the storm. obliviousness and submission (inside the cave/the dark) .
Recommended publications
  • AJMP Vol 6-Min.Pdf
    Academic Journal of Modern Philology Polish Academy of Sciences Wroclaw– Branch Philological School of Higher Education in Wroclaw– Academic Journal of Modern Philology e-ISSN 2353-3218 ISSN 2299-7164 Vol. 6 (2017) Editor-in-chief Piotr P. Chruszczewski Honorary Editor Franciszek Grucza Volume Editors Katarzyna Buczek Aleksandra R. Knapik Wrocław 2017 ACADEMIC JOURNAL OF MODERN PHILOLOGY Editor-in-chief Piotr P. Chruszczewski Honorary Editor Franciszek Grucza Volume Editors Katarzyna Buczek, Aleksandra R. Knapik Scientific Board of the Committee for Philology of the Polish Academy of Sciences, Wrocław Branch: Piotr Cap (Łódź), Camelia M. Cmeciu (Galati, Romania), Piotr P. Chruszczewski (Wrocław), Marta Degani (Verona, Italy), Robin Dunbar (Oxford, UK), Katarzyna Dziubalska-Kołaczyk (Poznań), Francesco Ferretti (Rome, Italy), Jacek Fisiak (Poznań), James A. Fox (Stanford, USA), Stanisław Gajda (Opole), Piotr Gąsiorowski (Poznań), Franciszek Grucza (Warszawa), Philippe Hiligsmann (Louvain-la-Neuve, Belgium), Rafael Jiménez Cataño (Rome, Italy), Henryk Kardela (Lublin), Ewa Kębłowska-Ławniczak (Wrocław), Tomasz P. Krzeszowski (Warszawa), Barbara Lewandowska-Tomaszczyk (Łódź), Ryszard Lipczuk (Szczecin), Lorenzo Magnani (Pavia, Italy), Marek Paryż (Warszawa), Michał Post (Wrocław), Stanisław Prędota (Wrocław), John R. Rickford (Stanford, USA), Hans Sauer (Munich, Germany), Aleksander Szwedek (Poznań), Elżbieta Tabakowska (Kraków), Marco Tamburelli (Bangor, Wales), Kamila Turewicz (Łódź), Zdzisław Wąsik (Wrocław), Jerzy Wełna (Warszawa), Roland
    [Show full text]
  • Curiosity May Be Harmful to Cats, but How About to Unitarians? Clay Nelson © 23 February 2020
    Curiosity may be harmful to cats, but how about to Unitarians? Clay Nelson © 23 February 2020 Being a curious sort, I wondered what the origin of “curiosity killed the cat” was. The reference is from a Ben Johnson play, Every Man in his Humours, only he said, “care’ll kill a cat.” In his use of care, he meant worry will kill the cat. The play is thought to have been performed in 1598 by The Lord Chamberlain’s Men, a troupe of actors including William Shakespeare. Shakespeare was no slouch when it came to appropriating a memorable line and it crops up the following year in Much Ado About Nothing: “What, courage man! what though care killed a cat, thou hast mettle enough in thee to kill care.” The proverbial expression “curiosity killed the cat”, which is usually used when attempting to stop someone asking unwanted questions, is much more recent. The earlier form was still in use in 1898, when it was defined in Brewer’s Dictionary of Phrase and Fable: “Care killed the Cat. It is said that a cat has nine lives, but care would wear them all out.” Curiosity hasn’t received a good press over the centuries. Saint Augustine wrote in Confessions, in 397, that, in the aeons before creating heaven and earth, “[God] fashioned hell for the inquisitive.” John Clarke, in Paroemiologia, published in 1639, suggested that, “He that pryeth into every cloud may be struck with a thunderbolt.” In Don Juan, Lord Byron called curiosity “that low vice”. That bad opinion, and the fact that cats are notoriously inquisitive, led to the source of their demise being changed from “care” to “curiosity”.
    [Show full text]
  • Data Analysis Using Regression and Multilevel/Hierarchical Models
    nda and Roger Flavell combine wit and wisdom with a sharp eye for oddities... A browser’s paradise.’ THE TABLET dictionary of DICTIONARY OF PROVERBS Linda Flavell completed a first degree in modern languages and has subsequent qualifications in both secondary and primary teaching. She has worked as an English teacher both in England and overseas, and more recently as a librarian in secondary schools and as a writer. She has written three simplified readers for overseas students and co-authored, with her husband, Current English Usage for Papermac and several dictionaries of etymologies for Kyle Cathie. Roger Flavell’s Master's thesis was on the nature of idiomaticity and his doctoral research on idioms and their teaching in several European languages. On taking up a post as Lecturer in Education at the Institute of Education, University of London, he travelled very widely in pursuit of his principal interests in education and training language teachers. In more recent years, he was concerned with education and international development, and with online education. He also worked as an independent educational consultant. He died in November 2005. By the same authors Dictionary o f Idioms and their Origins Dictionary o f Word Origins Dictionary o f English down the Ages DICTIONARY OF PROVERBS and their Origins L in d a and R o g er F lavell Kyle Books This edition reprinted in 2011 by Kyle Books 23 Howland Street London W IT 4AY [email protected] www.kylebooks.com First published in Great Britain in 1993 by Kyle Cathie Limited ISBN 978-1-85626-563-8 © 1993 Linda and Roger Flavell All rights reserved.
    [Show full text]
  • Eminem the Complete Guide
    Eminem The Complete Guide PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Wed, 01 Feb 2012 13:41:34 UTC Contents Articles Overview 1 Eminem 1 Eminem discography 28 Eminem production discography 57 List of awards and nominations received by Eminem 70 Studio albums 87 Infinite 87 The Slim Shady LP 89 The Marshall Mathers LP 94 The Eminem Show 107 Encore 118 Relapse 127 Recovery 145 Compilation albums 162 Music from and Inspired by the Motion Picture 8 Mile 162 Curtain Call: The Hits 167 Eminem Presents: The Re-Up 174 Miscellaneous releases 180 The Slim Shady EP 180 Straight from the Lab 182 The Singles 184 Hell: The Sequel 188 Singles 197 "Just Don't Give a Fuck" 197 "My Name Is" 199 "Guilty Conscience" 203 "Nuttin' to Do" 207 "The Real Slim Shady" 209 "The Way I Am" 217 "Stan" 221 "Without Me" 228 "Cleanin' Out My Closet" 234 "Lose Yourself" 239 "Superman" 248 "Sing for the Moment" 250 "Business" 253 "Just Lose It" 256 "Encore" 261 "Like Toy Soldiers" 264 "Mockingbird" 268 "Ass Like That" 271 "When I'm Gone" 273 "Shake That" 277 "You Don't Know" 280 "Crack a Bottle" 283 "We Made You" 288 "3 a.m." 293 "Old Time's Sake" 297 "Beautiful" 299 "Hell Breaks Loose" 304 "Elevator" 306 "Not Afraid" 308 "Love the Way You Lie" 324 "No Love" 348 "Fast Lane" 356 "Lighters" 361 Collaborative songs 371 "Dead Wrong" 371 "Forgot About Dre" 373 "Renegade" 376 "One Day at a Time (Em's Version)" 377 "Welcome 2 Detroit" 379 "Smack That" 381 "Touchdown" 386 "Forever" 388 "Drop the World"
    [Show full text]
  • The Portia Project: the Heiress of Belmont on Stage and Screen
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 2011 The Portia Project: The Heiress of Belmont on Stage and Screen Ann Mccauley Basso University of South Florida, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Theatre History Commons Scholar Commons Citation Basso, Ann Mccauley, "The Portia Project: The Heiress of Belmont on Stage and Screen" (2011). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/3000 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. The Portia Project: The Heiress of Belmont on Stage and Screen by Ann McCauley Basso A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Sara Munson Deats, Ph.D. David Bevington, Ph.D. Denis Calandra, Ph.D. Robert Logan, Ph.D. Date of Approval March 4, 2011 Keywords: Merchant of Venice, Shakespeare, Performance, Theater History, Seana McKenna, Kelsey Brookfield, Marni Penning, Lily Rabe Copyright © 2011, Ann McCauley Basso Dedication To Giulio and Valentina, the two brightest stars in my universe. Acknowledgements I am profoundly grateful to Sara Deats, the most insightful, helpful, and utterly delightful director any dissertation writer could ever hope for. You have been my professor, my mentor, my supporter, and my friend, and you have enriched my life in countless ways.
    [Show full text]
  • Curiosity / Reading List
    CURIOSITY Below are excerpts from the syllabus. Students are provided with a number of different exercises that enable them to pay attention to things that they are not usually paying attention to. For example, they keep a record of their impressions involving a different sense every day for 5 days. They research the ideal creative organization or they suggest what that organization might be. They wander the campus in teams looking at all the buildings; studying architecture and the subjects taught in the different buildings. They then suggest what buildings and subjects might be combined to create a new course. They also use the founder of Soka schools, Daisaku Ikeda’s anti nuclear weapons proposal as a backdrop for developing strategies to get rid of nuclear weapons in the world. They use Edward Debono’s thinking hat technique to come up with solutions. Students are required to read a book from the list at the end of the syllabus, summarize it and write a POV re how the book relates to developing advertising strategy. At the end of the term, students work in teams to present something that they were incredibly curious about. They learn that that is what they will do for a brand if they are a strategist in an ad agency. Students leave the class far more inquisitive than when they started and they learn that curiosity is the basis of great planning. CURIOSITY FOR STRATEGISTS Required book; “The PRACTICAL POCKET GUIDE TO ACCOUNT PLANNING” By Chris Kocek Curiosity is common to human beings of all ages; from infancy to old age, and is easy to observe in many other animal species as well.
    [Show full text]