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Writing for Strategic Communication Industries Writing for Strategic Communication Industries
Writing for Strategic Communication Industries Writing for Strategic Communication Industries Jasmine Roberts The Ohio State University Columbus, Ohio Writing for Strategic Communication Industries by Jasmine Roberts is licensed under a Creative Commons Attribution 4.0 International License, except where otherwise noted. Contents About the Author vii cc-by Acknowledgments viii I. Chapter 1: Defining Strategic Communication 1. What is strategic communication? 2 2. Five tenets of strategic communication 3 3. Skills needed in the strategic communication profession 6 4. Jobs in strategic communication 8 5. References 9 II. Chapter 2: Media Writing--Conventions, Culture, and Style 6. The role of media in American society 11 7. Media culture and work environment 12 8. The role of writing in strategic communication 14 9. Media writing skills and characteristics 15 10. References 18 III. Chapter 3: Strategic Communication Ethics 11. Ethics case study 20 12. Code of ethics 22 13. Defamation 23 14. Conflict of interest 25 15. Plagiarism 26 16. Lack of transparency 27 17. Misleading advertisements 28 18. Corporate social responsibility 29 19. References 30 IV. Chapter 4: News Value 20. News value and the strategic communication professional 32 21. News value types (Part 1) 33 22. News value types (Part 2) 35 23. References 36 iv V. Chapter 5: News Writing Basics 24. News story objective 38 25. Types of news stories 39 26. Inverted pyramid style 41 27. Summary lead 42 28. Body of the article 44 29. Attribution 45 30. Headlines 47 31. References 49 VI. Chapter 6: Feature Writing 32. The purpose of feature writing 51 33. -
Defamation, Anti-SLAPP Legislation, and the Blogosphere: New Solutions for an Old Problem
Duquesne Law Review Volume 44 Number 4 Article 2 2006 Defamation, Anti-SLAPP Legislation, and the Blogosphere: New Solutions for an Old Problem Sean P. Trende Follow this and additional works at: https://dsc.duq.edu/dlr Part of the Law Commons Recommended Citation Sean P. Trende, Defamation, Anti-SLAPP Legislation, and the Blogosphere: New Solutions for an Old Problem, 44 Duq. L. Rev. 607 (2006). Available at: https://dsc.duq.edu/dlr/vol44/iss4/2 This Article is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Duquesne Law Review by an authorized editor of Duquesne Scholarship Collection. Defamation, Anti-SLAPP Legislation, and the Blogosphere: New Solutions for an Old Problem Sean P. Trende' The Constitution specifically selected the press, which in- cludes not only newspapers, books, and magazines, but also humble leaflets and circulars, to play an important role in the discussion of public affairs. ~ Justice Hugo Black! See even if I lose the cases. [sic] I'm still going to win be- cause I'm [going to force them] to spend at least $50,000.00 each in legal fees. Either way. [sic] I win. - Anthony DiMeo3 The story of the Internet is one of decentralization and democra- tization. The internet was born as a centralized, government- sponsored experiment. Over time, the governmental model gave way to domination by large commercial entities, as companies such as America Online, Inc., and CompuServe, Inc., created and hosted forums for people to gather online. Small-scale operations existed, but they were generally reserved for persons with techni- cal backgrounds, who had the time and resources to acquire the knowledge needed to speak the language of the internet: Hyper- Text Markup Language ("HTML"). -
Print Hardcover Best Sellers
Copyright © 2011 February 20, 2011 by The New York Times THE NEW YORK TIMES BOOK REVIEW Print Hardcover Best Sellers THIS LAST WEEKS THIS WEEK WEEK FICTION ON LIST WEEK FICTION EXTENDED 1 TICK TOCK, by James Patterson and Michael Ledwidge. (Little, 2 CALL ME IRRESISTIBLE, by Susan Elizabeth Phillips. (William 1 Brown, $27.99.) The New York detective Michael Bennett enlists 17 Morrow/HarperCollins) the help of a former colleague to solve a rash of horrifying crimes that are throwing the city into chaos. 18 FALL OF GIANTS, by Ken Follett. (Dutton) 2 THE GIRL WHO KICKED THE HORNET’S NEST, by Stieg Larsson. 37 2 (Knopf, $27.95.) The third volume of the Millennium trilogy, about a LEFT NEGLECTED, by Lisa Genova. (Gallery) Swedish hacker and a journalist. 19 5 THE HELP, by Kathryn Stockett. (Amy Einhorn/Putnam, $24.95.) A 97 TOWERS OF MIDNIGHT, by Robert Jordan and Brandon 3 young white woman and two black maids in 1960s Mississippi. 20 Sanderson. (Tor) * 3 THE INNER CIRCLE, by Brad Meltzer. (Grand Central, $26.99.) 4 RISING TIDES, by Taylor Anderson. (Roc) 4 An archivist discovers a book that once belonged to George 21 Washington and conceals a deadly secret. IN FIRE FORGED, by David Weber. (Baen) 7 DEAD OR ALIVE, by Tom Clancy with Grant Blackwood. (Putnam, 9 22 5 $28.95.) Familiar Clancy characters appear as an intelligence group tracks a vicious terrorist called the Emir. 23 A SHORE THING, by Nicole “Snooki” Polizzi. (Gallery) FATAL ERROR, by J. A. Jance. (Touchstone/Simon & Schuster, 1 6 $25.99.) After the murder of a cyber-sociopath, Ali Reynolds is THREE SECONDS, by Anders Roslund and Borge Hellstrom. -
PLACES to GO, PEOPLE to SEE THURSDAY, DECEMBER 11 FRIDAY, DECEMBER 12 SATURDAY, DECEMBER 13 the Regulars
Ver su s Entertainment & Culture at Vanderbilt DECEMBER 10—DECEMBER 16, 2008 VOL. 46, NO. 27 Looking for cooler people than your high school friends to spend New Year’s Eve with? Look no further than page 4! Our gift-guiding guy gives great giving … ideas. Get in the spirit on page 6. These English boys have been jamming on the piano and Bill Burr is funny. rocking our lives for a few years So are our Christmas haikus. now — and now they’ve got Please turn the page now? “Perfect Symmetry.” PLACES TO GO, PEOPLE TO SEE THURSDAY, DECEMBER 11 FRIDAY, DECEMBER 12 SATURDAY, DECEMBER 13 The Regulars Jim Rooney’s Irregulars — Station Inn Ra Ra Riot with Princeton and So Many Dynamos Nashville Bluegrass Band — Station Inn THE RUTLEDGE The Station Inn’s weekly offering features Jim Rooney’s Irregulars — Exit/In This cleverly named group has garnered two Grammy awards and 410 Fourth Ave. S. 37201 Syracuse, N.Y. natives Ra Ra Riot have toured extensively both in with all the fi ddles, banjos and Dobros you can handle. Take it from two Entertainer of the Year awards from the International Bluegrass 782-6858 us, you won’t regret letting the bluegrass of Nashville wash over the United States and abroad. Their debut LP, The Rhumb Line, was Music Association and has performed with Lyle Lovett and Mary you. ($10, 9 p.m.) released in August of this year and quickly cracked the Billboard Chapin Carpenter. ($10, 9 p.m.) 200. ($10, 9 p.m.) MERCY LOUNGE/CANNERY BALLROOM The 17th Floor — Exit/In Young Jeezy — The Wildhorse Saloon 1 Cannery Row 37203 The 17th Floor has been touring the Midwest and college scenes for Disturbed — Sommet Center Jay Jenkins, or Young Jeezy as he is known in the hip-hop 251-3020 years, and they even had a stints with TLC, M.C. -
Tucker Max and Zach Obront
THE BEST WAY TO WRITE AND PUBLISH YOUR NON-FICTION BOOK TUCKER MAX AND ZACH OBRONT COPYRIGHT © 2019 TUCKER MAX AND ZACH OBRONT All rights reserved. THE SCRIBE METHOD The Best Way to Write and Publish Your Non-Fiction Book ISBN 978-1-5445-1406-2 Hardcover 978-1-5445-1405-5 Ebook 978-1-5445-1407-9 Audiobook CONTENTS INTRODUCTION: WHY WRITE A BOOK?............................................................. 9 PART 1: PREPARE TO WRITE YOUR BOOK 1.1: THE PROPER EXPECTATIONS FOR WRITING YOUR BOOK .................................. 19 1.2: THE SIX FEARS YOU (COULD) FACE WRITING YOUR BOOK ................................25 1.3: HOW TO BEAT YOUR FEARS (AND FINISH YOUR BOOK) ................................... 47 PART 2: POSITION YOUR BOOK 2.1: WHAT IS BOOK POSITIONING (AND WHY DOES IT MATTER)? .............................. 61 REFERENCE: HOW PEOPLE REALLY JUDGE A BOOK .............................................65 REFERENCE: HOW MUCH OF YOUR STORY SHOULD BE IN YOUR BOOK? ..................... 73 2.2: FIGURE OUT YOUR BOOK OBJECTIVES ...................................................... 81 REFERENCE: DON’T WRITE A BOOK IF YOU HAVE THESE FOUR UNREALISTIC EXPECTATIONS .. 87 REFERENCE: HOW WRITING A BOOK CAN BUILD YOUR BRAND ...............................103 REFERENCE: HOW TO MAKE MONEY WITH YOUR BOOK ....................................... 117 2.3: FIGURE OUT YOUR AUDIENCE ...............................................................135 2.4: FIGURE OUT YOUR BOOK IDEA ..............................................................157 REFERENCE: -
How Tucker Max Turned a Funny Email Into a Blockbuster Writing Career & Overcame Toxic Behavior to Build a Successful Start-Up ABOUT TODD HERMAN
How Tucker Max Turned A Funny Email Into A Blockbuster Writing Career & Overcame Toxic Behavior To Build A Successful Start-up ABOUT TODD HERMAN Personally I am: Professionally I: z A husband to a beautiful, smart and z Created the 90 Day Year. A program for z financially sharp woman, who really wants business owners who are frustrated with a third baby (unfortunately we haven’t their level of performance and want to learn mastered two), the art & science of execution, z A father to two little girls, whom aren’t z Failed at several businesses. (One of those very good sleepers, giggle a lot and are I lost my entire life savings.) But, I also won obsessed with ‘horsey’s’ and merry-go- at enough to turn them into seven and eight rounds, figure ventures, z A daily letter writer. I’ve written over 3600 z Worked all over the world. 82 countries personal letters to people. (5 a week since total, I was 23), z Coached thousands upon thousands of z A farmboy from Schuler, Alberta, Canada. athletes on developing their mental game, z A New Yorker, living in Chelsea. z Advised & Mentored hundreds of business owners on high performance and personal leadership. z Built a software company. z And, I’m not done yet... Want to go from HAVING great ideas, to consistently EXECUTING on great ideas? Entrepreneurs struggle with the chasm that separates starting something and finishing it. Let me show you the system for achieving massive growth in your business, without the overwhelm and stress. -
Gender, Sex, and Power in the Postfeminist Romantic Comedy
GENDER, SEX, AND POWER IN THE POSTFEMINIST ROMANTIC COMEDY Chloe Sarah Angyal A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy The University of New South Wales School of the Arts and Media Faculty of Arts and Social Sciences June 2014 ORIGINALITY STATEMENT 2 TABLE OF CONTENTS Originality statement 1 Contents 2 Abstract 4 Dedication and acknowledgments 5 Preface 7 Introduction 10 Postfeminism: a conceptual framework 10 Postfeminism as contested terrain 11 Alternatives to postfeminism: neo-feminism 15 Selecting a conceptual framework for this thesis 18 Postfeminism and neoliberalism 24 Postfeminism and irony 33 Locating the postfeminist cycle on postfeminist popular culture 36 Interdisciplinary approach 43 Analytical approach: on the exclusion of reception studies 45 Research questions 48 Chapter outlines 49 Chapter 1: Literature review 51 Defining romantic comedy: generic boundaries, subplots, and cycles 51 Extant analyses of romantic comedies 67 Conclusion Chapter 2: Methodology 69 Implementing multiple research methods 70 Representative sample selection 72 Representative sample of Hollywood romantic comedies, 2005-2011 77 Narrative textual analysis 77 Case study 80 Conclusion 90 Chapter 3: The postfeminist cycle in generic context 91 The screwball cycle 91 The neo-traditional cycle 104 Case Study 1: The Ugly Truth 112 Plot summary 112 The Ugly Truth in generic context 113 The Ugly Truth in extra-cinematic context 124 The Ugly Truth as postfeminist narrative 129 Conclusion 137 Case Study 2: Forgetting