AFI PREVIEW Is Published by the American of the Dynamics of Relationships—Stars Police Go in Search of the Killer—But the Film Institute

Total Page:16

File Type:pdf, Size:1020Kb

AFI PREVIEW Is Published by the American of the Dynamics of Relationships—Stars Police Go in Search of the Killer—But the Film Institute CONTENTS KOREAN FILM FESTIVAL DC 2007 2 Korean Films May 26 through June 28 3 50 Years of Janus Films ome of the most creative film- Museum of Natural History and the sible by support from the Korea Smaking in the world today hap- National Museum of Women in the Foundation, the Korean Film 6 The Duke: John Wayne Centennial pens in Korea. DC’s third Korean Arts. Council, and the US-Korea Business Film Festival will take place during Organized by Tom Vick, film pro- Council. 8 China Film Festival an area-wide celebration of Korean grammer for the Smithsonian’s All films are in Korean with English 10 Rediscover Northern Ireland art and culture in May and June, Freer and Sackler Galleries, and subtitles. For complete program with screenings at AFI Silver, the Hyunjun Min of the University of information, please visit 12 The Best of Buster Keaton Freer Gallery of Art, the National Maryland, the festival is made pos- www.asia.si.edu/KoreanFilm2007. 13 Shakespeare Cinema SA-KWA erous gangsters he works for. Chock full 14 Special Engagements Saturday, May 26, 6:00; Monday, May 30, 7:00 of great characters and exciting action scenes, this movie delivers the goods. What is AFI Silver, HOW DO I JOIN? By turns heart- DIR/SCR Ha Yu. South Korea, 2006, breaking and 15 Repertory Calendar—Full schedule at color, 141 min. In Korean with English humorous, subtitles. NOT RATED www.AFI.com/Silver Kang Ki- 16 SilverDocs, June 12-17 kwan’s debut film features a MURDER, TAKE ONE powerhouse [BAKSU-CHILTAE DEONAR] THE PRESIDENT’S LAST BANG performance by LOOK FOR THE Tuesday, June 19, 9:30; Thursday, June 21, 9:20 the phenome- Park’s repressive regime. Im Sang- member passes accepted for A giddy mix of comedy, suspense, action designated screenings. To find out nally gifted soo’s film is bold, thrilling, and full of and drama, this film from director Jang how to become a member of AFI, actress Moon pitch-black humor. DIR/SCR Im see page 14. So-ri. This sub- Jin is a murder mystery with a twist. Sang-soo; PROD Chul Shin. South tle drama of SA-KWA When a beautiful executive is found Korea, 2005, color, 102 min. NOT shifting moods—with acute observation murdered in a luxury hotel room, the RATED The AFI PREVIEW is published by the American of the dynamics of relationships—stars police go in search of the killer—but the Film Institute. Moon as a woman who, after being crime, it turns out, is much more than it Editorial Offices dumped by her fiancé, marries another seems. Not only that, their investigation A BITTERSWEET LIFE American Film Institute man but wonders if she’s made the right is being broadcast on a reality television Silver Theatre and Cultural Center [DALKOMHAN INSAENG] choice. DIR/SCR Yi-kwan Kang; show. DIR/SCR Jin Jang. South 8633 Colesville Road Tuesday, June 26, 9:20; Thursday, June 28, 9:25 PROD Yong-bae Choi. South Korea, Korea, 2005, color, 115 min. NOT Silver Spring, MD 20910 RATED Sleek and stylish, this gangland saga For address changes and subscription services, 2005, color, 118 min. In Korean with from director Kim Ji-woon delivers the contact: English subtitles. NOT RATED shootouts, vengeance and betrayal, but American Film Institute THE PRESIDENT’S LAST BANG it also brings more depth to the screen 2021 N. Western Ave. A DIRTY CARNIVAL [BIYEOLHAN [GEUDDAE GEUSARAMDEUL] than the average crime flick. This story Los Angeles, CA 90027 of an assassin who discovers his con- Attn: Membership GEORI] Wednesday, June 20, 9:30; Friday, June 22, science just a bit too late is a prime 9:30 Saturday, June 9, 9:30; Sunday, June 10, 8:15 example of Korean action movies at On the cover: THE SEVENTH SEAL, photo courtesy A recreation of the events surrounding of Photofest A true gangland epic, Yoo Ha’s sprawl- their best. DIR/SCR Kim Ji-woon; the 1979 assassination of Korean presi- Editor: Caroline Small ing film charts the dangerous trajectory PROD Yo-jin Lee and Jeong-wan dent Park Chung-hee, this biting, bitter Production Coordinator: Marie Figueredo of a tough-but-honest young hoodlum Oh. South Korea, 2005, color, 120 Design: Anna Joyce, Post-Newsweek Media, Inc. who has to balance his devotion to fami- political satire pulls no punches in its min. NOT RATED Information is correct at press time. Films and ly and friends with his duty to the treach- attack on corruption and cronyism in schedule subject to change. Check www.AFI.com/Silver for updates. Mark Your Calendars. It’s Back! May 8-11 AFI Silver thanks the Hong Kong The 7th Annual 48 Hour Film Project 7:00 & 9:30 Economic & Trade Office for A competition for do-it-yourself filmmakers;you’re given a genre, a prop, a character and a line of dialogue - the rest is up to you. Purchase tickets early, as all shows are expected to sponsoring the INFERNAL Best of May 24 SELL OUT. Advance tickets are available at www.AFI.com/Silver. NEVER A SERVICE FEE 7:00 & 9:30 AFFAIRS series, March 9-15, 2007. For more information about the project, visit www.48hourfilm.com 2 n TICKETS & FULL SCHEDULE at WWW.AFI.COM/SILVER 50 YEARS OF JANUS FILMS May 12 through July 5 he classic distribution T company Janus Films brought to America many of the greatest t s e f o t o h P movies ever made by the f o y s e t r u now legendary directors o c who defined the art of THE LADY VANISHES cinema, including Jean al espionage ring and imminent danger. DIR Alfred Hitch- Renoir, Ingmar Bergman, cock; SCR Sidney Gilliat and Frank Launder, based on the book by Ethel Lina White. UK, 1938, b&w, 97 min. NOT Francois Truffaut and RATED Akira Kurosawa. One half-century later, the #34 on AFI’s 100 Years…100 Passions t name Janus Films is syn- s e f o t o h P f BEAUTY AND THE BEAST [LA BELLE ET LA BÊTE] onymous with the o y s e t r u Saturday, May 19, 2:30; Sunday, May 20, 9:30; Tuesday, May 22, 9:50 o groundbreaking foreign c THE EARRINGS OF MADAME DE… language films it champi- Rife with symbolism, allegory, and surreal- ism, this is not Disney’s version of the fairy oned. This retrospective "[A] romantic masterpiece!" tale, but instead Jean Cocteau’s masterpiece, celebrating the 50th – DAVE KEHR, THE NEW YORK TIMES conceived as a respite for weary post-war anniversary of Janus France. When the father of delicate beauty Films premiered as a THE EARRINGS OF MADAME DE… Josette Day is sentenced to death for picking a rose from beastly Jean Marais’s garden, she t s e Saturday, May 12, 7:00; Sunday, May 13, 1:00 & 5:00; Monday, May 14, 7:00 f o sidebar presentation at t o offers to go in his stead. Inevitably the beast h P & 9:10; Tuesday, May 15, 7:00 & 9:10; Thursday, May 17, 9:30 f o y last year’s New York s falls in love and proposes marriage, but she e t r u o In turn-of-the-century Paris, Madame de… (we never learn her c refuses out of love for a handsome but Film Festival and will tour name) sells her earrings—a wedding present from her husband the loathsome prince, also played by Marais. BEAUTY AND THE BEAST North America through- General—to erase a gambling debt. The jeweler betrays her and [La Belle et la Bête] DIR/SCR Jean Cocteau; SCR Jean- sells them back to the General, who gives them to his mistress, but out 2007. All films Marie Leprince de Beaumont. France/Luxembourg, 1946, b&w, she gambles them away too. When Madame de’s true love the shown are stunning new 93 min. In French with English subtitles. NOT RATED Baron (the great Vittorio de Sica) presents the earrings to her, the 35mm prints. Look for jewels take on deeper meaning as the web of deception unravels. Part II of this one-of-a- DIR/SCR Max Ophuls; SCR Marcel Achard, based on the SUMMER WITH MONIKA [SOMMAREN MED novel by Louise de Vilmorin. France/Italy, 1953, b&w, 105 min. kind series at AFI Silver MONIKA] this summer. In French with English subtitles. NOT RATED Friday, May 25, 6:30; Saturday, May 26, 1:00; Tuesday, May 29, 6:00; Thursday, May 31, 9:30; Saturday, June 23, 1:45 AFI member passes will THE LADY VANISHES Ingmar Bergman’s moving story of two young lovers (Lars Ekborg and 18-year-old Harriet Andersson,) who spend a sum- be accepted at all Friday, May 18, 7:00; Saturday, May 19, 9:30; Wednesday, May 23, 7:00 mer idyll together, only to see it wither in the light of real- screenings in the 50 The greatest of Alfred Hitchcock’s British films: not just the tem- world responsibilities. Handled with sensitivity, the film’s Years of Janus Films plate for his later Hollywood films in its deft blend of suspenseful frank depiction of sexuality made it an international sensation. Series. mystery and wry comedy, but a hugely influential film for all moviemaking. Brits Michael Redgrave and Margaret Lockwood Years—even decades—ahead of its time, MONIKA has been become embroiled in a mystery aboard a transcontinental train cited as an influence by filmmakers from Jean-Luc Godard to after Lockwood witnesses the strange disappearance of fellow Martin Scorsese and Woody Allen.
Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Les Meilleurs Films De 24 Images De 2005
    Document generated on 09/28/2021 7:05 a.m. 24 images Les meilleurs films de 24 images de 2005 Jean Pierre Lefebvre Number 126, March–April 2006 URI: https://id.erudit.org/iderudit/8904ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this document (2006). Les meilleurs films de 24 images de 2005. 24 images, (126), 48–49. Tous droits réservés © 24/30 I/S, 2006 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Pouvaient être retenus les longs métrages présentés au Québec pour la première fois en de 2005, que ce soit à l'occasion d'une présentation lors d'un festival, d'une rétrospective ou d'une sortie en salles. Veuillez noter qu'une exception a été faite pour Sarabandqui 2005 avait bénéficié d'une unique projection en 2004 avant sa sortie en salles en 2005. La neuvaîne de Bernard Émond Plus tranquille et assuré que lent et austère, La neuvaine s'inscrit parfaitement dans le cinéma de la déflation qui a tant marqué les oeuvres de 2005 : récit flottant fait de microcellules de densité, rythme languide créant une nouvelle pulsion, images occupées uniquement à dire vrai, proposition de mise en scène aussi élégante que modeste.
    [Show full text]
  • The Magic Christian on Talking Pictures TV Directed by Joseph Mcgrath in 1969
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 6th April 2020 FREESAT 306 | VIRGIN 445 The Magic Christian on Talking Pictures TV Directed by Joseph McGrath in 1969. Stars: Peter Sellers and Ringo Starr, with appearances by Raquel Welch, John Cleese, Graham Chapman, Spike Milligan, Christopher Lee, Richard Attenborough and Roman Polanski. Sir Guy Grand is the richest man in the world, and when he stumbles across a young orphan in the park he decides to adopt him and travel around the world spending cash. It’s not long before the two of them discover on their happy-go-lucky madcap escapades that money does, in fact, buy anything you want. Airs on Saturday 11th April at 9pm Monday 6th April 08:55am Wednesday 8th April 3:45pm Thunder Rock (1942) Heart of a Child (1958) Supernatural drama directed by Roy Drama, directed by Clive Donner. Boulting. Stars: Michael Redgrave, Stars: Jean Anderson, Barbara Mullen and James Mason. Donald Pleasence, Richard Williams. One of the Boulting Brothers’ finest, A young boy is forced to sell the a writer disillusioned by the threat of family dog to pay for food. Will his fascism becomes a lighthouse keeper. canine friend find him when he is trapped in a snowstorm? Monday 6th April 10pm The Family Way (1966) Wednesday 8th April 6:20pm Drama. Directors: Rebecca (1940) Roy and John Boulting. Mystery, directed by Alfred Hitchcock Stars: Hayley Mills, Hywel Bennett and starring Laurence Olivier, John Mills and Marjorie Rhodes. Joan Fontaine and George Sanders.
    [Show full text]
  • Look at Life on Talking Pictures TV Talking Pictures TV Are Delighted to Bring to the ‘Small Screen’ the ‘Big Screen’ Production: “Look at Life”
    Talking Pictures TV www.talkingpicturestv.co.uk Highlights for week beginning SKY 328 | FREEVIEW 81 Mon 3rd May 2021 FREESAT 306 | VIRGIN 445 Look at Life on Talking Pictures TV Talking Pictures TV are delighted to bring to the ‘small screen’ the ‘big screen’ production: “Look at Life”. All shot on 35mm, this iconic Rank production, made from the late 50s through to the early 60s, was a mainstay at all rank cinemas. Enjoy the cars, fashions, transport, and much more when you “Look at Life” again on Talking Pictures TV. The films will be airing throughout May. Monday 3rd May 12:10pm Tuesday 4th May 6:30pm Bank Holiday (1938) The Net (1953) Drama. Director: Carol Reed. Thriller. Director: Anthony Asquith. Stars: John Lodge, Margaret Lockwood, Stars: James Donald, Phyllis Calvert, Hugh Williams, Rene Ray, Wally Patch, Robert Beatty, Herbert Lom. A scientist Kathleen Harrison, Wilfrid Lawson and in a supersonic flight project risks his life. Felix Aylmer. A group of people encounter strange situations when they Wednesday 5th May 8:45am visit a resort to spend the weekend. The Sky-Bike (1967) Director: Charles Frend. Stars: Monday 3rd May 3pm Liam Redmond, William Lucas, Ian Ellis, Pollyanna (2002) Ellen McIntosh, Spencer Shires, Drama. Director: Sarah Harding. Della Rands, John Howard, Bill Shine, Stars: Amanda Burton, Georgina Terry David Lodge and Guy Standeven. and Kenneth Cranham. Adaptation of Young Tom builds a flying machine. the classic tale. Young orphan Pollyanna goes to stay with Aunt Polly, bringing Wednesday 5th May 12:20pm mirth and mayhem to her new home.
    [Show full text]
  • The Films of Raoul Walsh, Part 1
    Contents Screen Valentines: Great Movie Romances Screen Valentines: Great Movie Romances .......... 2 February 7–March 20 Vivien Leigh 100th ......................................... 4 30th Anniversary! 60th Anniversary! Burt Lancaster, Part 1 ...................................... 5 In time for Valentine's Day, and continuing into March, 70mm Print! JOURNEY TO ITALY [Viaggio In Italia] Play Ball! Hollywood and the AFI Silver offers a selection of great movie romances from STARMAN Fri, Feb 21, 7:15; Sat, Feb 22, 1:00; Wed, Feb 26, 9:15 across the decades, from 1930s screwball comedy to Fri, Mar 7, 9:45; Wed, Mar 12, 9:15 British couple Ingrid Bergman and George Sanders see their American Pastime ........................................... 8 the quirky rom-coms of today. This year’s lineup is bigger Jeff Bridges earned a Best Actor Oscar nomination for his portrayal of an Courtesy of RKO Pictures strained marriage come undone on a trip to Naples to dispose Action! The Films of Raoul Walsh, Part 1 .......... 10 than ever, including a trio of screwball comedies from alien from outer space who adopts the human form of Karen Allen’s recently of Sanders’ deceased uncle’s estate. But after threatening each Courtesy of Hollywood Pictures the magical movie year of 1939, celebrating their 75th Raoul Peck Retrospective ............................... 12 deceased husband in this beguiling, romantic sci-fi from genre innovator John other with divorce and separating for most of the trip, the two anniversaries this year. Carpenter. His starship shot down by U.S. air defenses over Wisconsin, are surprised to find their union rekindled and their spirits moved Festival of New Spanish Cinema ....................
    [Show full text]
  • Berkeley Art Museum·Pacific Film Archive W in Ter 20 19
    WINTER 2019–20 WINTER BERKELEY ART MUSEUM · PACIFIC FILM ARCHIVE UNIVERSITY OF CALIFORNIA PROGRAM GUIDE ROSIE LEE TOMPKINS RON NAGLE EDIE FAKE TAISO YOSHITOSHI GEOGRAPHIES OF CALIFORNIA AGNÈS VARDA FEDERICO FELLINI DAVID LYNCH ABBAS KIAROSTAMI J. HOBERMAN ROMANIAN CINEMA DOCUMENTARY VOICES OUT OF THE VAULT 1 / 2 / 3 / 4 / 5 / 6 CALENDAR DEC 11/WED 22/SUN 10/FRI 7:00 Full: Strange Connections P. 4 1:00 Christ Stopped at Eboli P. 21 6:30 Blue Velvet LYNCH P. 26 1/SUN 7:00 The King of Comedy 7:00 Full: Howl & Beat P. 4 Introduction & book signing by 25/WED 2:00 Guided Tour: Strange P. 5 J. Hoberman AFTERIMAGE P. 17 BAMPFA Closed 11/SAT 4:30 Five Dedicated to Ozu Lands of Promise and Peril: 11:30, 1:00 Great Cosmic Eyes Introduction by Donna Geographies of California opens P. 11 26/THU GALLERY + STUDIO P. 7 Honarpisheh KIAROSTAMI P. 16 12:00 Fanny and Alexander P. 21 1:30 The Tiger of Eschnapur P. 25 7:00 Amazing Grace P. 14 12/THU 7:00 Varda by Agnès VARDA P. 22 3:00 Guts ROUNDTABLE READING P. 7 7:00 River’s Edge 2/MON Introduction by J. Hoberman 3:45 The Indian Tomb P. 25 27/FRI 6:30 Art, Health, and Equity in the City AFTERIMAGE P. 17 6:00 Cléo from 5 to 7 VARDA P. 23 2:00 Tokyo Twilight P. 15 of Richmond ARTS + DESIGN P. 5 8:00 Eraserhead LYNCH P. 26 13/FRI 5:00 Amazing Grace P.
    [Show full text]
  • Sight & Sound Films of 2007
    Sight & Sound Films of 2007 Each year we ask a selection of our contributors - reviewers and critics from around the world - for their five films of the year. It's a very loosely policed subjective selection, based on films the writer has seen and enjoyed that year, and we don't deny them the choice of films that haven't yet reached the UK. And we don't give them much time to ponder, either - just about a week. So below you'll find the familiar and the obscure, the new and the old. From this we put together the top ten you see here. What distinguishes this particular list is that it's been drawn up from one of the best years for all-round quality I can remember. 2007 has seen some extraordinary films. So all of the films in the ten are must-sees and so are many more. Enjoy. - Nick James, Editor. 1 4 Months, 3 Weeks and 2 Days (Cristian Mungiu) 2 Inland Empire (David Lynch) 3 Zodiac (David Fincher) = 4 I’m Not There (Todd Haynes) The Lives of Others (Florian Henckel von Donnersmarck) 6 Silent Light (Carlos Reygadas) = 7 The Assassination of Jesse James by the Coward Robert Ford (Andrew Dominik) Syndromes and a Century (Apichatpong Weerasethakul) No Country for Old Men (Ethan and Joel Coen) Eastern Promises (David Cronenberg) 1 Table of Contents – alphabetical by critic Gilbert Adair (Critic and author, UK)............................................................................................4 Kaleem Aftab (Critic, The Independent, UK)...............................................................................4 Geoff Andrew (Critic
    [Show full text]
  • My Wonderful World of Slapstick
    THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
    [Show full text]
  • Gus Van Sant Regis Dialogue Formatted
    Gus Van Sant Regis Dialogue with Scott Macaulay, 2003 Scott Macaulay: We're here at the Walker Art Center for Regis dialogue with American filmmaker Gus Van Sant. He'll be discussing the unique artistic vision that runs through his entire body of work. Gus was first recognized for a trilogy of films that dealt with street hustlers, Mala Noche, Drugstore Cowboy, My Own Private Idaho. He then went on to experiment with forum and a number of other films including To Die For, Psycho and even Cowgirls Get the Blues. Gus is perhaps best known for his films, Goodwill Hunting and Finding Forrester, but all of his work including his latest film, Gerry, has his own unique touch. We'll be discussing Gus' films today during this Regis dialogue. I'm Scott Macaulay, producer and editor of Filmmaker Magazine. I'll be your guide through Gus' work today in this Regis dialogue. Thanks. Gus Van Sant: Thank you. Scott Macaulay: It's a real pleasure to be here with Gus Van Sant on this retrospective ... Which is called on the road again. I guess there are a lot of different illusions in that title, a lot of very obvious ones because a lot of Gus' movies deal with travel and change and people going different places, both locations within America but also in their lives. But another interesting implication of the title is that this retrospective is occurring on the eve of the release here and also nationwide of Gerry, which is really one of Gus' best and most moving films but it's also yet sort of another new direction for Gus as a filmmaker.
    [Show full text]
  • Another Look at the Cultural Politics of My Own Private Idaho
    Journal X Volume 7 Number 1 Autumn 2002 Article 3 2020 Toward a Postmodern Pastoral: Another Look at the Cultural Politics of My Own Private Idaho Sharon O'Dair University of Alabama Follow this and additional works at: https://egrove.olemiss.edu/jx Part of the American Film Studies Commons Recommended Citation O'Dair, Sharon (2020) "Toward a Postmodern Pastoral: Another Look at the Cultural Politics of My Own Private Idaho," Journal X: Vol. 7 : No. 1 , Article 3. Available at: https://egrove.olemiss.edu/jx/vol7/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Journal X by an authorized editor of eGrove. For more information, please contact [email protected]. O'Dair: Toward a Postmodern Pastoral: Another Look at the Cultural Politi Toward a Postmodern Pastoral: Another Look at the Cultural Politics of My Own Private Idaho Sharon O'Dair Sharon O'Dair is Gus Van Sant's My Own Private Idaho (1991) is a professor of English film that rewrites Shakespeare's Henriad1 by fol­ at the University of lowing the adventures in the Pacific Northwest Alabama, where she of two male prostitutes, Scott Favor (played by teaches in the Hub- Keanu Reeves) and Mike Waters (played by son Strode Program in Renaissanc Stud­ River Phoenix). The film is a spicy conceit, but ies. She is the author in the criticism produced so far on it, cultural of Class, Critics, critique is bland and predictable, a register less and Shakespeare: of the film's politics than the critics'.
    [Show full text]
  • Uncut! First Time In
    45833_AFI_AGS 3/30/04 11:38 AM Page 1 THE AMERICAN FILM INSTITUTE GUIDE April 23 - June 13, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 10 AFIPREVIEW UNCUT! FIRST TIME IN DC! GODZILLA!GODZILLA! Plus: Great World War II Films, Filmfest DC, Val Lewton Centennial, Three by Alfred Hitchcock, Natalie Wood Tribute MC5*A TRUE TESTIMONIAL POINT OF ORDER A STREETCAR NAMED DESIRE CITY LIGHTS GODSEND SYLVIA BLOWUP DARK VICTORY SEPARATE BUT EQUAL STORMY WEATHER CAT ON A HOT TIN ROOF WAR AND PEACE PHOTO NEEDED WORD WARS 45833_AFI_AGS 3/30/04 11:39 AM Page 2 Features 2, 3, 4, 7, 13 2 POINT OF ORDER MEMBERS ONLY SPECIAL EVENT! 3 MC5 *A TRUE TESTIMONIAL, GODZILLA GODSEND MEMBERS ONLY 4WORD WARS, CITY LIGHTS ●M ADVANCE SCREENING! 7 KIRIKOU AND THE SORCERESS Wednesday, April 28, 7:30 13 WAR AND PEACE, BLOWUP When an only child, Adam (Cameron Bright), is tragically killed 13 Two by Tennessee Williams—CAT ON A HOT on his eighth birthday, bereaved parents Rebecca Romijn-Stamos TIN ROOF and A STREETCAR NAMED DESIRE and Greg Kinnear are befriended by Robert De Niro—one of Romijn-Stamos’s former teachers and a doctor on the forefront of Filmfest DC 4 genetic research. He offers a unique solution: reverse the laws of nature by cloning their son. The desperate couple agrees to the The Greatest Generation 6-7 experiment, and, for a while, all goes well under 6Featured Showcase—America Celebrates the the doctor’s watchful eye. Greatest Generation, including THE BRIDGE ON The “new” Adam grows THE RIVER KWAI, CASABLANCA, and SAVING into a healthy and happy PRIVATE RYAN young boy—until his Film Series 5, 11, 12, 14 eighth birthday, when things start to go horri- 5 Three by Alfred Hitchcock: NORTH BY bly wrong.
    [Show full text]
  • Lecture Outlines
    21L011 The Film Experience Professor David Thorburn Lecture 1 - Introduction I. What is Film? Chemistry Novelty Manufactured object Social formation II. Think Away iPods The novelty of movement Early films and early audiences III. The Fred Ott Principle IV. Three Phases of Media Evolution Imitation Technical Advance Maturity V. "And there was Charlie" - Film as a cultural form Reference: James Agee, A Death in the Family (1957) Lecture 2 - Keaton I. The Fred Ott Principle, continued The myth of technological determinism A paradox: capitalism and the movies II. The Great Train Robbery (1903) III. The Lonedale Operator (1911) Reference: Tom Gunning, "Systematizing the Electronic Message: Narrative Form, Gender and Modernity in 'The Lonedale Operator'." In American Cinema's Transitional Era, ed. Charlie Keil and Shelley Stamp. Univ. of California Press, 1994, pp. 15-50. IV. Buster Keaton Acrobat / actor Technician / director Metaphysician / artist V. The multiplicity principle: entertainment vs. art VI. The General (1927) "A culminating text" Structure The Keaton hero: steadfast, muddling The Keaton universe: contingency Lecture 3 - Chaplin 1 I. Movies before Chaplin II. Enter Chaplin III. Chaplin's career The multiplicity principle, continued IV. The Tramp as myth V. Chaplin's world - elemental themes Lecture 4 - Chaplin 2 I. Keaton vs. Chaplin II. Three passages Cops (1922) The Gold Rush (1925) City Lights (1931) III. Modern Times (1936) Context A culminating film The gamin Sound Structure Chaplin's complexity Lecture 5 - Film as a global and cultural form I. Film as a cultural form Global vs. national cinema American vs. European cinema High culture vs. Hollywood II.
    [Show full text]