Can We Talk? Nonviolent Communication (NVC)
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Six Tips for Teaching Conversation Skills with Visual Strategies
Six Tips for Teaching Conversation Skills with Visual Strategies Six Tips for Teaching Conversation Skills with Visual Strategies Working with Autism Spectrum Disorders & Related Communication & Social Skill Challenges Linda Hodgdon, M.Ed., CCC-SLP Speech-Language Pathologist Consultant for Autism Spectrum Disorders [email protected] Learning effective conversation skills ranks as one of the most significant social abilities that students with Autism Spectrum Disorders (ASD) need to accomplish. Educators and parents list the challenges: “Steve talks too much.” “Shannon doesn’t take her turn.” “Aiden talks when no one is listening.” “Brandon perseverates on inappropriate topics.” “Kim doesn’t respond when people try to communicate with her.” The list goes on and on. Difficulty with conversation prevents these students from successfully taking part in social opportunities. What makes learning conversation skills so difficult? Conversation requires exactly the skills these students have difficulty with, such as: • Attending • Quickly taking in and processing information • Interpreting confusing social cues • Understanding vocabulary • Comprehending abstract language Many of those skills that create skillful conversation are just the ones that are difficult as a result of the core deficits in Autism Spectrum Disorders. Think about it. From the student’s point of view, conversation can be very puzzling. Conversation is dynamic. .fleeting. .changing. .unpredictable. © Linda Hodgdon, 2007 1 All Rights Reserved This article may not be duplicated, -
Sexuality, Spirituality and the 'Song of Songs'
setup 10-31-05-web 10/20/05 11:39 AM Page 8 October 31, 2005 America Vol. 193 No. 13, Whole No. 4709 Sexuality, Spirituality and the ‘Song of Songs’ – BY CHRISTOPHER PRAMUK – Only through the body does the way, the ascent to the life of blessedness, lie open to us. — St. Bernard of Clairvaux, Sermons on the Song of Songs HE SONG OF SONGS has long held a privileged place in the mystical theolo- gy and monastic tradition of the church. Commentary on this erotically charged, enigmatic love poetry of the Bible runs like a thread from Origen (d. 254) through St. Bernard (d. 1153) and up to St. John of the Cross (d. T1591). In more contemporary figures, too, like the Trappist monk and spiritual writer Thomas Merton, we find the song like a shimmering veil between the lines of his PHOTO BY TATYANA BORODINA CHRISTOPHER PRAMUK, the author of Surviving the Search: Sexuality, Spirituality and Love (Living the Good News, 1998), lives with his wife and two children in South Bend, Ind. 8 America October 31, 2005 setup 10-31-05-web 10/20/05 11:39 AM Page 9 poems and prayers. The regular reader of Merton expects composed over a period of 18 years—is rightly revered as the to find even in his prose spontaneous, canticle-like verses of masterpiece of medieval monastic literature. Like many others praise, or the dream-like yearning for “one whom my heart before and after him, Bernard saw the song as a sublime alle- loves.” gory on the love of God that can be experienced through con- It is natural to wonder why the Song of Songs has exert- templation. -
Recommended Reading
Recommended Reading: Nonviolent Communication: A Language of Life 2nd Ed Create Your Life, Your Relationships and Your World in Harmony with Your Values by Marshall B. Rosenberg, Ph.D. Most of us are hungry for skills to improve the quality of our relationships, to deepen our sense of personal empowerment or to simply communicate more effectively. Unfortunately, for centuries our prevailing culture has taught us to think and speak in ways that can actually perpetuate conflict, internal pain and even violence. Nonviolent Communication: A Language of Life partners practical skills with a powerful consciousness and vocabulary to help us get what we want peacefully. In this internationally acclaimed text, Marshall Rosenberg offers insightful stories, anecdotes, practical exercises and role-plays that will literally change your approach to communication for the better. Discover how the language you use can strengthen your relationships, build trust, prevent conflicts and heal pain. Revolutionary, yet simple, Nonviolent Communication: A Language of Life offers the most effective tools to reduce violence and create peace by changing how we communicate. Over 250,000 copies have been sold. Printed in over 20 languages around the world. Approximately 250,000 people each year from all walks of life are learning these life-changing communication skills. Speak Peace in a World of Conflict What You Say Next Will Change Your World by Marshall B. Rosenberg, Ph.D. In every interaction, every conversation and in every thought, you have a choice – to promote peace or perpetuate violence. International peacemaker, mediator and healer, Dr. Marshall B. Rosenberg shows you how the language you use is the key to enriching life. -
Chinese Fables and Folk Stories
.s;^ '^ "It--::;'*-' =^-^^^H > STC) yi^n^rnit-^,; ^r^-'-,. i-^*:;- ;v^ r:| '|r rra!rg; iiHSZuBs.;:^::^: >» y>| «^ Tif" ^..^..,... Jj AMERICMJ V:B00lt> eOMI^^NY"' ;y:»T:ii;TOiriai5ia5ty..>:y:uy4»r^x<aiiua^^ nu,S i ;:;ti! !fii!i i! !!ir:i!;^ | iM,,TOwnt;;ar NY PUBLIC LIBRARY THE BRANCH LIBRARIES 3 3333 08102 9908 G258034 Digitized by the Internet Arciiive in 2007 with funding from IVIicrosoft Corporation http://www.archive.org/details/chinesefablesfolOOdavi CHINESE FABLES AND FOLK STORIES MARY HAYES DAVIS AND CHOW-LEUNG WITH AN INTRODUCTION BY YIN-CHWANG WANG TSEN-ZAN NEW YORK •:• CINCINNATI •: CHICAGO AMERICAN BOOKCOMPANY Copyright, 1908, by AMERICAN BOOK COMPANY Entered at Stationers' Hall, London Copyright, 1908, Tokyo Chinese Fables W. p. 13 y\9^^ PROPERTY OF THE ^ CITY OF MW YOBK G^X£y:>^c^ TO MY FRIEND MARY F. NIXON-ROULET PREFACE It requires much study of the Oriental mind to catch even brief glimpses of the secret of its mysterious charm. An open mind and the wisdom of great sympathy are conditions essential to making it at all possible. Contemplative, gentle, and metaphysical in their habit of thought, the Chinese have reflected profoundly and worked out many riddles of the universe in ways peculiarly their own. Realization of the value and need to us of a more definite knowledge of the mental processes of our Oriental brothers, increases wonder- fully as one begins to comprehend the richness, depth, and beauty of their thought, ripened as it is by the hidden processes of evolution throughout the ages. To obtain literal translations from the mental store- house of the Chinese has not been found easy of accom- plishment; but it is a more difficult, and a most elusive task to attempt to translate their fancies, to see life itself as it appears from the Chinese point of view, and to retell these impressions without losing quite all of their color and charm. -
Religious-Verses-And-Poems
A CLUSTER OF PRECIOUS MEMORIES A bud the Gardener gave us, A cluster of precious memories A pure and lovely child. Sprayed with a million tears He gave it to our keeping Wishing God had spared you If only for a few more years. To cherish undefiled; You left a special memory And just as it was opening And a sorrow too great to hold, To the glory of the day, To us who loved and lost you Down came the Heavenly Father Your memory will never grow old. Thanks for the years we had, And took our bud away. Thanks for the memories we shared. We only prayed that when you left us That you knew how much we cared. 1 2 AFTERGLOW A Heart of Gold I’d like the memory of me A heart of gold stopped beating to be a happy one. I’d like to leave an afterglow Working hands at rest of smiles when life is done. God broke our hearts to prove to us I’d like to leave an echo He only takes the best whispering softly down the ways, Leaves and flowers may wither Of happy times and laughing times The golden sun may set and bright and sunny days. I’d like the tears of those who grieve But the hearts that loved you dearly to dry before too long, Are the ones that won’t forget. And cherish those very special memories to which I belong. 4 3 ALL IS WELL A LIFE – WELL LIVED Death is nothing at all, I have only slipped away into the next room. -
Social Communication Skills – the Pragmatics Checklist
SOCIAL COMMUNICATION SKILLS – THE PRAGMATICS CHECKLIST Child’s Name Date .Completed by . Words Preverbal) Parent: These social communication skills develop over time. Read the behaviors below and place an X - 3 in the appropriate column that describes how your child uses words/language, no words (gestures – - Language preverbal) or does not yet show a behavior. Present Not Uses Complex Uses Complex Gestures Uses Words NO Uses 1 Pragmatic Objective ( INSTRUMENTAL – States needs (I want….) 1. Makes polite requests 2. Makes choices 3. Gives description of an object wanted 4. Expresses a specific personal need 5. Requests help REGULATORY - Gives commands (Do as I tell you…) 6. Gives directions to play a game 7. Gives directions to make something 8. Changes the style of commands or requests depending on who the child is speaking to and what the child wants PERSONAL – Expresses feelings 9. Identifies feelings (I’m happy.) 10. Explains feelings (I’m happy because it’s my birthday) 11. Provides excuses or reasons 12. Offers an opinion with support 13. Complains 14. Blames others 15. Provides pertinent information on request (2 or 3 of the following: name, address, phone, birthdate) INTERACTIONAL - Me and You… 16. Interacts with others in a polite manner 17. Uses appropriate social rules such as greetings, farewells, thank you, getting attention 18. Attends to the speaker 19. Revises/repairs an incomplete message 20. Initiates a topic of conversation (doesn’t just start talking in the middle of a topic) 21. Maintains a conversation (able to keep it going) 22. Ends a conversation (doesn’t just walk away) 23. -
Hierarchy of Social/Pragmatic Skills As Related to the Development of Executive Function Created by Kimberly Peters, Ph.D
Hierarchy of Social/Pragmatic Skills as Related to the Development of Executive Function created by Kimberly Peters, Ph.D. Age Pragmatic Skills EF Development/Tasks requiring EF Treatment Ideas/Strategies 0-3 Illocutionary—caregiver attributes Development: - face to face interaction months intent to child actions - behavior is designed to meet - vocal-turn-taking with care-providers - smiles/coos in response immediate needs - attends to eyes and mouth - cognitive flexibility not emerged - has preference for faces - exhibits turn-taking 3-6 - laughs while socializing - vocal turn-taking with care-providers months - maintains eye contact appropriately - facial expressions: tongue protrusion, - takes turns by vocalizing “oh”, raspberries. - maintains topic by following gaze - copies facial expressions 6-9 - calls to get attention Development: - peek-a-boo months - demonstrates attachment - Early inhibitory control emerges - place toys slightly out of reach - shows self/acts coy to Peek-a-boo - tolerates longer delays and still - imitative babbling (first true communicative intent) maintains simple, focused attention - imitating actions (waving, covering - reaches/points to request eyes with hands). 9-12 - begins directing others Development: - singing/finger plays/nursery rhymes months - participates in verbal routines - Early inhibitory control emerges - routines (so big! where is baby?), - repeats actions that are laughed at - tolerates longer delays and still peek-a-boo, patta-cake, this little piggy - tries to restart play maintain simple, -
A Communication Aid Which Models Conversational Patterns
A communication aid which models conversational patterns. Norman Alm, Alan F. Newell & John L. Arnott. Published in: Proc. of the Tenth Annual Conference on Rehabilitation Technology (RESNA ‘87), San Jose, California, USA, 19-23 June 1987, pp. 127-129. A communication aid which models conversational patterns Norman ALM*, Alan F. NEWELL and John L. ARNOTT University of Dundee, Dundee DD1 4HN, Scotland, U.K. The research reported here was published in: Proceedings of the Tenth Annual Conference on Rehabilitation Technology (RESNA ’87), San Jose, California, USA, 19-23 June 1987, pp. 127-129. The RESNA (Rehabilitation Engineering and Assistive Technology Society of North America) site is at: http://www.resna.org/ Abstract: We have developed a prototype communication system that helps non-speakers to perform communication acts competently, rather than concentrating on improving the production efficiency for specific letters, words or phrases. The system, called CHAT, is based on patterns which are found in normal unconstrained dialogue. It contains information about the present conversational move, the next likely move, the person being addressed, and the mood of the interaction. The system can move automatically through a dialogue, or can offer the user a selection of conversational moves on the basis of single keystrokes. The increased communication speed which is thus offered can significantly improve both the flow of the conversation and the disabled person’s control of the dialogue. * Corresponding author: Dr. N. Alm, University of Dundee, Dundee DD1 4HN, Scotland, UK. A communication aid which models conversational patterns INTRODUCTION The slow rate of communication of people using communication aids is a crucial problem. -
Drama Recommended Monologues
Bachelor of Creative Arts (Drama) Recommended Monologues 1 AUDITION PIECES – FEMALE THREE SISTERS by Anton Chekhov IRINA: Tell me, why is it I’m so happy today? Just as if I were sailing along in a boat with big white sails, and above me the wide, blue sky and in the sky great white birds floating around? You know, when I woke up this morning, and after I’d got up and washed, I suddenly felt as if everything in the world had become clear to me, and I knew the way I ought to live. I know it all now, my dear Ivan Romanych. Man must work by the sweat of his brow whatever his class, and that should make up the whole meaning and purpose of his life and happiness and contentment. Oh, how good it must be to be a workman, getting up with the sun and breaking stones by the roadside – or a shepherd – or a school-master teaching the children – or an engine-driver on the railway. Good Heavens! It’s better to be a mere ox or horse, and work, than the sort of young woman who wakes up at twelve, and drinks her coffee in bed, and then takes two hours dressing…How dreadful! You know how you long for a cool drink in hot weather? Well, that’s the way I long for work. And if I don’t get up early from now on and really work, you can refuse to be friends with me any more, Ivan Romanych. 2 HONOUR BY JOANNA MURRAY-SMITH SOPHIE: I wish—I wish I was more… Like you. -
Song & Music in the Movement
Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing. -
2 Parts and 4 Components of NVC
2 Parts and 4 Components of NVC empathetically listening: honestly expressing: observations observations feelings feelings needs needs requests requests Both sides of the NVC model: empathetically listening and honestly expressing, use the four steps of the model: observations, feelings, needs, requests. Nonviolent Communication (NVC) is sometimes referred to as compassionate communication. Its purpose is to: 1. create human connections that empower compassionate giving and receiving 2. create governmental and corporate structures that support compassionate giving and receiving. NVC involves both communication skills that foster compassionate relating and consciousness of the interdependence of our well being and using power with others to work together to meet the needs of all concerned. This approach to communication emphasizes compassion as the motivation for action rather than fear, guilt, shame, blame, coercion, threat or justification for punishment. In other words, it is about getting what you want for reasons you will not regret later. NVC is NOT about getting people to do what we want. It is about creating a quality of connection that gets everyone’s needs met through compassionate giving. www.lindavanderlee.com The process of NVC encourages us to focus on what we and others are observing separate from our interpretations and judgments, to connect our thoughts and feelings to underlying human needs/values (e.g. protection, support, love), and to be clear about what we would like towards meeting those needs. These skills give the ability to translate from a language of criticism, blame, and demand into a language of human needs -- a language of life that consciously connects us to the universal qualities “alive in us” that sustain and enrich our well being, and focuses our attention on what actions we could take to manifest these qualities. -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind.