Kīrtimukha in the Art of the Kapili-Jamuna Valley of Assam: An Artistic Survey RESEARCH PAPER MRIGAKHEE SAIKIA PAROMITA DAS *Author affiliations can be found in the back matter of this article ABSTRACT CORRESPONDING AUTHOR: Mrigakhee Saikia The figure of thek īrtimukha or ‘glory- face’ is an artistic motif that appears on early Gauhati University, IN Indian art and architecture, initially as a sacred symbol and then more commonly as
[email protected] a decorative element. In Assam, the motif of kīrtimukha is seen crowning the stele of the stray icons of the early medieval period. The motif also appeared in the structural components of the ancient and early medieval temples of Assam. The Kapili-Jamuna valley, situated in the districts of Nagaon, Marigaon and Hojai in central Assam houses TO CITE THIS ARTICLE: Saikia, M and Das, P. 2021. innumerable rich archaeological remains, especially temple ruins and sculptures, Kīrtimukha in the Art of the both stone and terracotta. Many such architectural components are adorned by the Kapili-Jamuna Valley of kīrtimukha figures, usually carved in low relief. It is proposed to discuss the iconographic Assam: An Artistic Survey. features of the kīrtimukha motif in the art of the Kapili-Jamuna valley of Assam and Ancient Asia, 12: 2, pp. 1–15. also examine whether the iconographic depictions of the kīrtimukha as prescribed in DOI: https://doi.org/10.5334/ canonical texts, such as the Śilpaśāstras are reflected in the art of the valley. Pan Asian aa.211 linkages of the kīrtimukha motif will also be examined. INTRODUCTION Saikia and Das 2 Ancient Asia Quite inextricably, art in India, in its early historical period, mostly catered to the religious need of DOI: 10.5334/aa.211 the people.