Biological Inheritance and the Social Order in Late-Victorian Fiction and Science" (2011)

Total Page:16

File Type:pdf, Size:1020Kb

Biological Inheritance and the Social Order in Late-Victorian Fiction and Science Western University Scholarship@Western Electronic Thesis and Dissertation Repository December 2011 Biological Inheritance and the Social Order in Late- Victorian Fiction and Science Sherrin Berezowsky The University of Western Ontario Supervisor Dr. Christopher Keep The University of Western Ontario Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree in Doctor of Philosophy © Sherrin Berezowsky 2011 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Literature in English, British Isles Commons Recommended Citation Berezowsky, Sherrin, "Biological Inheritance and the Social Order in Late-Victorian Fiction and Science" (2011). Electronic Thesis and Dissertation Repository. 330. https://ir.lib.uwo.ca/etd/330 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. BIOLOGICAL INHERITANCE AND THE SOCIAL ORDER IN LATE-VICTORIAN FICTION AND SCIENCE (Spine title: Biological Inheritance and the Social Order) (Thesis format: Monograph) by Sherrin Elaine Berezowsky Graduate Program in English A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Sherrin Elaine Berezowsky 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ ______________________________ Dr. Christopher Keep Dr. Matthew Rowlinson ______________________________ Supervisory Committee Dr. Joel Faflak ______________________________ ______________________________ Dr. Matthew Rowlinson Dr. Gillian Barker ______________________________ Dr. Daniel Novak The thesis by Sherrin Elaine Berezowsky entitled: Biological Inheritance and the Social Order in Late-Victorian Fiction and Science is accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Date__________________________ _______________________________ Chair of the Thesis Examination Board ii Abstract This dissertation investigates the heightened interest in heredity as a kind of biological inheritance that arises after the publication of Charles Darwin’s On the Origin of Species (1859) and how this interest intersects with concerns about class mobility and the shifting social order. Within this framework, this project considers how heredity became a means of organizing and regulating bodies in keeping with what Michel Foucault terms bio- power. It unearths the cultural work within literary and scientific writings as they respond to narratives of self-help and self-improvement by imagining heredity as a means of stabilizing the social order, and by extension the nation, at the very moment that it was undergoing significant change. In studying diverse texts, this project highlights the shared ideological concerns behind both literary and scientific narratives. This study begins by examining Mary Elizabeth Braddon’s Lady Audley’s Secret (1861–2) for the way in which this sensation novel, published so soon after Origin reflects the tension between hereditary determination and the figure of the self-made man. The second chapter on George Eliot’s Daniel Deronda (1876) explores the limits and possibilities of biological inheritance as expressed within the confines of the realist novel. The third chapter turns to Francis Galton’s work on heredity, exploring the way in which his scientific research and program of eugenics are underscored by a desire to develop a narrative for British progress. The final chapter focuses on two eugenic romance novels—Ménie Muriel Dowie’s Gallia (1895) and Grant Allen’s A Splendid Sin (1896)—that reflect the way in which biopolitical concerns enter the domestic space by transposing biological inheritance onto the framework of financial inheritance. iii Keywords Literature; English literature; nineteenth century; Victorian; heredity; inheritance; science; class; biography; biopolitics; buildungsroman; evolution; George Eliot; Mary Elizabeth Braddon; Francis Galton; Ménie Muriel Dowie; Grant Allen; Charles Darwin; Daniel Deronda; Lady Audley’s Secret; Hereditary Genius;; Gallia; A Splendid Sin; On the Origin of Species iv Acknowledgements First, I want to thank my supervisor, Christopher Keep for seeing potential in this project and in me. His feedback frequently pushed me outside of my comfort zone, challenging me in so many ways, but I owe so much of my development as a scholar to those moments that encouraged me to stretch and grow in ways that I would not have thought possible. I also want to thank my second reader, Matthew Rowlinson, who set me back on track when I went astray with issues as large as evolutionary theory and as small as preposition choice. I would also like to thank the rest of my examiners—Gillian Barker, Joel Faflak, and Daniel Novak—for giving me a new perspective on this work and for the insights they provided on how it might be further developed in the future. I want to thank Michelle Elleray for introducing me to Galton and planting the seeds of what would become this dissertation. I also wish to thank Teresa Zackodnik whose off- hand comment to an undergraduate about her work practices have served as a model for my own and have undoubtedly contributed to the project's speedy completion. Thank you to everyone who has, at any point in my academic career, encouraged me and written letters for me: Bryce Traister, Pablo Ramirez, Allan Filewod, Heather Zwicker, Garret Epp, and the late Bruce Stovel. My thanks also go out to Leanne Trask and Viv Foglton, for making everything run smoothly and for their unending patience in dealing with lost, confused, and anxious graduate students. I appreciate all my friends and colleagues who have supported me along this journey and have generally made it far more pleasant by their very presence: Mandy Penney, Nadine Fladd, Sarah Pesce, Rebecca Campbell, Stephanie Oliver, Elan Paulson, David Hickey, and David Drysdale. I am immensely grateful for Jeff King and Shalon Noble who have walked alongside me. Our meetings made an unspeakable difference and often came at just the moment when I most needed to remember that I was not alone in this. And thank you, Regina Yung Lee, (I think) for getting the ball rolling. I am thankful for the support of my parents from whom I inherited my love of learning. I wish to thank my mother, Janet Berezowsky Hay who offered wise counsel when times got tough. And, of course, I must thank my father, Walter Berezowsky, who both taught me to read (under much duress) and encouraged me to become a doctor (even if I did turn out to be a different kind of doctor than him). I am unendingly grateful for the love and support of my husband, Patrick Hughes. You have taught me so much about love, peace, patience, kindness, goodness, faithfulness, gentleness, and understanding. My life would be so much the poorer without you in it. I am thankful for all the sacrifices you have made and all the hard work that you have done that made it possible for me to see this through. Though I am the scholar and writer, you have always far outstripped me in your written expressions of love. I know I can't do justice to all you are and all you do in these few sentences, and I look forward to continuing to spend my life expressing my love and thanks. Above all, I am thankful for my greatest inheritance and the one from whom it comes. v Table of Contents Page Certificate of Examination ii Abstract & Keywords iii Acknowledgements v Table of Contents vi Introduction 1 The Evolution of the Biological Inheritance Narrative Chapter 1 50 Lady Audley’s Secret and the Menaces of Heredity Chapter 2 92 Invisible History and Inherited Identity in Daniel Deronda Chapter 3 135 The Literary Inheritance of Francis Galton: From Statistical Criticism to Eugenic Utopia Chapter 4 178 The ‘Birthright of Being Well-born’: Biological Inheritance at the Fin de Siècle Conclusion 225 Bibliography 233 Curriculum Vitae 249 vi 1 Introduction The Evolution of the Biological Inheritance Narrative Though a legal mechanism, inheritance looks to natural laws to support its authority to govern the way in which property is transferred from one generation to another. Legal inheritance in Victorian England was governed primarily by common law, and as such, it emerged relatively organically, revealing roots in the intersection of social custom and natural lineage. This melding of natural laws and social constructions underlies William Blackstone’s concept of the common law in his definitive guide, Commentaries on the Law of England (1765–69) which envisions the common law, as William L. Miller puts it, as “men’s approximation of the laws of nature,” “subject to incremental efforts by jurists to move nearer the ideal” (577). This perspective on the law would have been in keeping with the general movement from the eighteenth century onward (evidenced in Adam Smith’s vision of the Invisible Hand and Darwin’s explanation of the laws that govern evolution) to understand the world—including human society—as operating according to the principles of nature. This vision of the common law strengthened custom as the laws of the country became rooted in some greater, if somewhat opaque, natural law. Yet while Blackstone’s general approach to the common law might seek to find its roots in natural laws, this tendency surprisingly does not hold true when it comes to his understanding of inheritance: The right of inheritance, or descent to the children and relations of the deceased, seems to have been allowed much earlier than the right of devising by testament. We are apt to conceive at first view that it has nature on its side; yet we often mistake for nature what we find established by long and inveterate custom.
Recommended publications
  • Issue 3.2 (Summer 2007)
    NINETEENTH-CENTURY GENDER STUDIES ISSUE 3.2 (SUMMER 2007) The New Woman’s Work: Past, Present, and Future <1> A full generation after New Woman fiction was re-introduced to academic readers (by Elaine Showalter’s A Literature of Their Own, Lloyd Fernando’s “New Women” in the Late Victorian Novel in 1977 and Gail Cunningham’s The New Woman and The Victorian Novel in 1978) and a decade beyond outpourings of gender-inflected essays, dissertations and books aroused as the most recent fin de siècle approached, the impact of this scholarship — and of the women, the writers and the texts it studies — is far from exhausted. Although undergraduates may continue to insist that Victorian women were silent, subservient and confined to their homes, the papers from the New Woman Roundtable at the 2007 British Women Writers Conference not only reflect the conference theme, “Speaking With Authority” but also focus on the importance of work. Together, our three papers illuminate the literal work in the public sphere done by middle-class women in the 1880s and 1890s; the cultural work performed by the stereotyped “New Woman” and by the backlash against her; the twentieth-century scholarship on her that reshaped the study of modernity and examined evolving questions about gender, nationality, race, class and empire. In the early twenty-first century this work again feels urgent. Its implications fuel the search for new frames of analysis and raise complex and suggestive debates about new ways that we, collectively, might think about our own work as woman scholars and about the place of humanities in an increasingly vocational and technological system of higher education.
    [Show full text]
  • Chapter 5 Progress
    Tuberculosis and Disabled Identity in Nineteenth-Century Literature: Invalid Lives Item Type Book Authors Tankard, Alex Citation Tankard, A. (2018). Tuberculosis and Disabled Identity in Nineteenth-Century Literature: Invalid Lives. London: Palgrave Macmillan. DOI 10.1007/978-3-319-71446-2 Publisher Palgrave Macmillan Download date 29/09/2021 04:09:28 Item License https://creativecommons.org/licenses/by-nc-nd/3.0/ Link to Item http://hdl.handle.net/10034/621467 Chapter 5 Progress: Valid Invalid Identity in Ships That Pass in the Night (1893) Introduction Wuthering Heights ridiculed consumptive stereotypes, and Jude the Obscure exposed socioeconomic and cultural factors that disabled people with chronic illness, but neither could hope for a better future – much less suggest real strategies for improving the lives of people with tuberculosis in the nineteenth century. Beatrice Harraden’s 1893 bestseller Ships That Pass in the Night also offers a complex, bitter critique of the way in which sentimentality obscures the abuse and neglect of disabled people by nondisabled carers; it undermines the Romanticisation of consumptives, and shows consumptives driven to suicide by social marginalisation that leaves them feeling useless and hopeless. Yet its depiction of a romantic friendship between an emancipated woman and a disabled man also engages with the exciting possibilities of 1890s’ gender politics, and imagines new comradeship between disabled and nondisabled people based on mutual care and respect. Ships That Pass in the Night is a love story set in an Alpine ‘Kurhaus’ for invalids. Once enormously popular, adapted for the stage in remote corners of America and translated into several languages, including Braille, Ships was ‘said to be the only book found in the room of Cecil Rhodes when he died.’1 The novel is rarely read now, and so requires a brief synopsis.
    [Show full text]
  • Towards a Critical Edition of the Short Fiction of Sarah Grand, Part 1
    TOWARDS A CRITICAL EDITION OF THE SHORT FICTION OF SARAH GRAND, PART 1. KATHRYN ANNE ATKINS A thesis submitted in partial fulfilment of the requirements of the University of the West of England, Bristol for the degree of Doctor of Philosophy. Faculty of Arts, Creative Industries and Education, University of the West of England, Bristol. August 2015 1 THESIS ABSTRACT The majority of Sarah Grand’s short stories have been out of print since their first publication in book form. As Grand is today considered to be a significant feminist writer of the 1890s and early 1900s, it therefore seems timely to make readily available a large body of her work which has previously proved difficult to access. The thesis is, therefore, submitted in two parts. Part 1 contains critical and contextual work on Grand and her stories, and Part 2 comprises a collected, annotated edition of the twenty-six stories published as Our Manifold Nature (1894), Emotional Moments (1908) and Variety (1922). In working towards presenting a critical edition of the short fiction of Sarah Grand, I have set out to show how reading these stories can contribute to an increased understanding of both the author, her most widely read novels, and her role in contributing to the debates about women and marriage in the 1890s and beyond. In Part 1, the Introduction sets out the aims of the thesis, the research undertaken, provides biographical information about Grand and her times, and offers an overview of the stories and their publication history. Chapter One demonstrates the significant shifts in critical evaluation of Grand’s writing from 1894 to the present day.
    [Show full text]
  • New Men?: Exploring Constructions of Masculinity in Late Nineteenth-Century New Woman Novels
    NEW MEN?: EXPLORING CONSTRUCTIONS OF MASCULINITY IN LATE NINETEENTH-CENTURY NEW WOMAN NOVELS By BARBARA TILLEY A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2002 Copyright 2002 by Barbara Tilley ACKNOWLEDGEMENTS I extend a warm and exhuberant thank you to Elizabeth Langland for offering her constant support and words of wisdom as I struggled through the long and sometimes incredibly frustrating process of writing this dissertation. I thank Pamela Gilbert for her guidance when I thought that I could not write another word. A grateful thank you goes to my mother, Susan Solomon, for sheltering me while I wrote and researched this project. 1 wish to thank Rita Manarino for her emotional support when times were tough and for making the serious research and writing of this dissertation possible with the gift of my laptop computer. Finally a special thank you goes to my dear, beloved friend Margaret McPeake, who has been making me laugh for almost ten years. m TABLE OF CONTENTS page ACKNOWLEDGEMENTS iii ABSTRACT v CHAPTER INTRODUCTION: THE "NEW WOMAN" AND THE "NEW MAN 1 1 IMAGES OF MASCULINITY IN OLIVE SCHREINER'S THE STORY OF AN AFRICAN FARM AND MONA CAIRO'S THE WING OF AZRAEL 12 The Story of an African Farm (1883) 13 The Wing of Azrael (1889) 25 2 "NEW MANHOOD": THE LOVER IN GEORGE GISSING'S THE ODD WOMEN AND EMMA FRANCES BROOKE'S A SUPERFLUOUS WOMAN 36 The Odd Women (1893) 40 A Superfluous Woman (1894) 49 3
    [Show full text]
  • Feminist Writing 1880-1900
    Coventry University DOCTOR OF PHILOSOPHY The new woman and the new science feminist writing 1880-1900 Randolph, Lyssa Award date: 2001 Awarding institution: Coventry University University College Worcester Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of this thesis for personal non-commercial research or study • This thesis cannot be reproduced or quoted extensively from without first obtaining permission from the copyright holder(s) • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 09. Oct. 2021 LANICIDTIT IILIIRITYll 1 1 II 3 8001 00333 6165 THE NEW WOMAN AND THE NEW SCIENCE: FEMINIST WRITING 1880-1900 LYSSA RANDOLPH A thesis submitted in partial fulfilment of the University's requirements for the Degree of Doctor of Philosophy OCTOBER 2001 Coventry University in collaboration with University College Worcester i Abstract In this thesis I contend that evolutionary scientific discourses were integral to the work of "New Woman" writers of late Victorian literary culture in Britain. In the cultural debates that raged over the new gender politics and their relationship to social and moral values at the fin de siècle, the questions raised about femininity, modernity and the "woman question" were also central to the "new sciences" of sexology, eugenics, psychology and anthropology.
    [Show full text]
  • Hardy and Women Who Did (EAS3100)
    Hardy and Women Who Did (EAS3100) MODULE CODE EAS3100 MODULE 3 LEVEL MODULE TITLE Hardy and Women Who Did LECTURER(S) Dr Angelique Richardson (Convenor) CREDIT VALUE 30 ECTS 15 VALUE PRE-REQUISITES None CO-REQUISITES None DURATION OF MODULE 11 weeks TOTAL STUDENT STUDY TIME 300 hours (including 1 x 2-hr and 1 x 1-hr seminar per week) AIMS Exploring the relationship of the late Victorians to modernity, the module aims to recreate the time in which New Women, Thomas Hardy and other men such as George Gissing and George Moore, were writing - a moment of dynamic social transformation and heightened self-consciousness. Popular perceptions of Hardy continue to privilege pastoral myth, landscape and country houses above his more radical insights into class politics, marriage and the oppression of women which took him into the thick of the Woman Question debates. On both sides of the Atlantic a new uncertainty was emerging. What constituted the nature of woman? What difference did class make? What was the relationship of women to men, to education, labour and citizenship? Bestselling New Woman writers such Sarah Grand, Mona Caird (Hardy's friend), Charlotte Perkins Gilman and Kate Chopin sought new self-definition, envisioned alternative social arrangements to the family, and debated the nature of femininity, engaging, like Hardy, and the popular and prolific Grant Allen, author of the notorious Woman Who Did (1895) with Darwinian and other scientific ideas. Working with novels, short stories, poems, letters, illustrations and other material from contemporary periodicals, including satirical cartoons, we consider issues of class, urbanization and sexual identity, fears of racial degeneration and the intersection of feminism with imperial discourses.
    [Show full text]
  • Menie Muriel Dowie's a Girl in the Karpathians (1891): Girlhood and the Spirit of Adventure Rodgers, Beth
    Aberystwyth University Menie Muriel Dowie's A Girl in the Karpathians (1891): Girlhood and the Spirit of Adventure Rodgers, Beth Published in: Victorian Literature and Culture DOI: 10.1017/S1060150315000285 Publication date: 2015 Citation for published version (APA): Rodgers, B. (2015). Menie Muriel Dowie's A Girl in the Karpathians (1891): Girlhood and the Spirit of Adventure. Victorian Literature and Culture, 43(4), 841-856. https://doi.org/10.1017/S1060150315000285 General rights Copyright and moral rights for the publications made accessible in the Aberystwyth Research Portal (the Institutional Repository) are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the Aberystwyth Research Portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the Aberystwyth Research Portal Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. tel: +44 1970 62 2400 email: [email protected] Download date: 24. Sep. 2021 1 Ménie Muriel Dowie’s A Girl in the Karpathians (1891): Girlhood and the Spirit of Adventure By Beth Rodgers Although she did not feature in W.T. Stead’s influential 1894 essay “The Novel of the Modern Woman,” the publication of Gallia in 1895 firmly established Ménie Muriel Dowie (1867-1945) as one of the pre-eminent New Woman writers.
    [Show full text]
  • Transforming the Race-Mother: Motherhood and Eugenics in British Modernism
    TRANSFORMING THE RACE-MOTHER: MOTHERHOOD AND EUGENICS IN BRITISH MODERNISM By Persephone Emily Harbin Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillments of the requirements for the degree of DOCTOR OF PHILOSOPHY in English August, 2008 Nashville, Tennessee Approved: Professor Mark A. Wollaeger Professor Jay B. Clayton Professor Roy K. Gottfried Professor Volney P. Gay Copyright © 2008 by Persephone Emily Harbin All Rights Reserved ACKNOWLEDGEMENTS I would like to thank the Vanderbilt English Department for the financial and academic support I received while a student at Vanderbilt. In particular, I would like to acknowledge the English Department Research Grant that made possible my archival research. I would like to thank my advisor, Mark Wollaeger, for his support and excellent editing suggestions. I am grateful to the other members of my committee, Roy Gottfried, Jay Clayton, and Volney Gay, for their input and questions. Special thanks also go to Kathryn Schwartz, who deserves recognition as an advocate for graduate students. Thanks to the members of the department and my fellow graduate students who supported and encouraged me, and to Carolyn Dever for steering me toward the initial concept of the dissertation. Thanks to Rosa Shand for her encouragement and input on the early drafts of the dissertation and to the faculty of Converse College for providing me with a nurturing environment, both as an undergraduate student and as a teacher. I would also like to acknowledge the Wellcome Trust Centre for the History of Medicine, University College London and The Galton Collection, also affiliated with University College London, for access to their archives and help with my research.
    [Show full text]
  • The Language of Dress in the New Woman Novel
    THE LANGUAGE OF DRESS IN THE NEW WOMAN NOVEL By KATHRYN IRENE MOODY Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. William R. Siebenschuh Department of English CASE WESTERN RESERVE UNIVERSITY August, 2011 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the thesis/dissertation of Kathryn Irene Moody candidate for the Doctor of Philosophy degree *. (signed) William R. Siebenschuh (chair of the committee) Kurt Koenigsberger T. Kenny Fountain Mary E. Davis (date) 7/13/2011 *We also certify that written approval has been obtained for any proprietary material contained therein. i Table of Contents List of Figures ..................................................................................................................... ii Acknowledgements ............................................................................................................ iii Abstract .............................................................................................................................. iv Introduction ..........................................................................................................................1 Chapter 1 Aesthetic Dress and the Painted Heroine ...........................................................................11 Chapter 2 The Tea Gown: “Perhaps More than You Think” .............................................................43 Chapter 3 The Tailor-Made Girl .........................................................................................................80
    [Show full text]