Air from orchestral suite No. 3 In D major (sounding) for double reeds J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt 
I - Oboe 
 

II - Oboe
 
 
III - Cor anglais

     IV - Bassoon 





3 

  













5 1. 2. 


  

  

 



   
 

 

8 

 


 
     


   

 



Typed by Marc Schaefer. Copy, distribute, play freely. 2 10 



  





  


 12 



 






 
 



 14 
    















16    



  


    

 18 
 
 

    


    

  For four variable instruments with double reed. The oboe d’amore is written a minor third higher than sounding. The tenor oboe (often called baritone or bass oboe), lupophone or heckelphone is written an octave higher than sounding. Air from orchestral suite No. 3 In D major (sounding) for double reeds I - Oboe

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt



I - Oboe        4 
     

6 1. 2.   


8         10    
12
     

14    
   17   
    

Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds I - Oboe d'amore

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt



I - Oboe d'amore    4
    

6 1. 2. 

8       10  

12     14 
   

17 
    

Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds II - Oboe

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt II - Oboe     
  4 1. 2.   
 
 

8     

  
    

12       
   16     

Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds II - Oboe d'amore

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt  II - Oboe d'amore 
 

4 1. 2.
     

8 

  
   

12   
     16   



Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds II - Cor anglais

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt    II - Cor anglais 
  

4 1. 2.  
     

8

 
          

12         
  

16     



Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds III - Cor anglais

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt

1. 2. III - Cor anglais  

  
 

   8     
  

12       

16     



Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds III - Oboe d'amore

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt

1. 2.

III - Oboe d'amore  


  

8  
  

12      16   

Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds III - Tenor oboe, lupophone, heckelphone

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt

1. 2.

III - Tenor oboe 
 

      8 
 
    12             16  
 


Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds III - Bassoon

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt

1. 2.

III - Bassoon  
 

      8
  
  

12              16 
 


Typed by Marc Schaefer. Copy, distribute, play freely. Air from orchestral suite No. 3 In D major (sounding) for double reeds IV - Bassoon

J. S. Bach (1685 - 1750) BWV 1068, 2nd. movt

IV - Bassoon           1. 2. 4       
 8            12           16        

Typed by Marc Schaefer. Copy, distribute, play freely.