OBJ (Application/Pdf)

Total Page:16

File Type:pdf, Size:1020Kb

OBJ (Application/Pdf) WWW.MAROONTTGER.ORG Vol. LXXX, Issue 05 THE MAROON TIGER Morehouse Coli.ege.Ai lanta, GA Wednesday.October 5, 2005 The Organ oe Student Expression Since 1925 “Transitioning” the AUC Shana Pinnock the black church is demonstrated, as well as the disregard that many youths The room lights dim as two lines of feel is directed toward them by the young men and women make their way elders because of their adolescence. through the aisles. The ground seems “We hoped that the elders in the audi­ to come alive as it quivers and shakes ence did not feel that we were trying X from the stamping feet of the perform­ to poke fun at the church through the rrr ers. As the live guitarist, keyboardist, z ‘Worship is 4 Real’ scene,” says co-di­ drummer and saxophone player stroke « rector Kashara Robinson, “...We were out an infectious, pulsating rhythm, a X trying to express how interesting it is booming voice informs the audience that the black church is so universal. that, “...We have been called for such It is so deeply rooted within our cul­ a time as this, not to entertain, but to ture. We were trying to bring forth that minister.” This was the opening scene there is a challenge now, not out of to the AUC Drama Ministry’s “Transi­ disrespect, but because the youths are tions: a Probate Experience like Never trying to find their place in the black Before.” 33 church. Too often do they feel shunned As the AUC Ministry’s first official and uncomfortable in the church be­ show of the school year, Transitions, cause the elders are telling them that which took place Oct. 2 in Morehouse they cannot praise the way they want College’s Sale Hall, proved to be “awe­ to.” The goal appeared to have been some to see so many young people reached, because audience member, working on one accord,” exclaims au­ Darrid Graham, whose granddaughter dience member, Carlotta Griggs. The is a member of the AUC, states, “I just play, which included a variety of skits love to see young people praise God in from past productions, was comprised any way they see fit. I am so happy to of students of Clark-Atlanta Universi­ see the outpouring and the spirit vibe of ty, Spelman College, Morehouse Col­ the young people.. .All that can be said lege, Morehouse 1TC, and Morehouse is that it is just beautiful.” School of Medicine. Transitions incor­ At the conclusion of the perfor­ porated all aspects of the arts. Through ITC and Morehouse School of Medi­ as this one, took place within the AUC. that it is time for them to do God’s mances, Rainey asked audience mem­ song, dance, spoken word, and theater, cine, also explained that, “the AUC Co-director, Brandon Rainey, best vin­ work...[Transitions] is a way to reach bers to come to the stage if they desired the production “was touching and truly Ministry is a blessing to my life and I dicates this by saying, “our main mis- the students within the AUC that do not to grow on a deeper level with their inspirational,” says Clark-Atlanta Uni­ attend church, for what ever reason. If Creator. Instantaneously, several audi­ versity freshman, Chawneé Hunt. a they do not attend church or bible ence members, both men and women, Throughout the entire production, study, we are hoping that they will feel came forth, knelt before the stage, and audience members often interacted compelled to attend a production that prayed. Almost immediately, members with the performers through song, It is so wonderful to see young is not ‘old school,’ but something that of the audience, cast, and crew greet­ laughter, and even tears. During vari­ is of more relevance to their lives. This ed one another with warm embraces. ous moments, audience members were black kids coming together like this is why the play includes stories about Tears were not in short supply, as ev­ so moved by the content of the perfor­ rape, murder, and relationships, among eryone in the area, even on the bal­ mances that they stood up and swayed because we do not see it as often as we other topics.” cony, seemed to pray and smile, all in to the music or shouted praises as if they Spelman College freshman, Des­ the same moment, as a powerful aura were in church. “Transitions touched should.. .1 have never witnessed some­ tinee Moore, noted, “It is so wonder­ moved throughout the room. All of this almost every aspect of my life," ex­ ful to see young black kids coming seemed to sustain Robinson’s aspira­ plains Clive E. Aden III, a performer thing like that in my life. together like this because we do not tion that, “If we [AUC Ministry] do and freshman of Morehouse College. see it as often as we should...What is nothing else, we hope that people see He continued to say, “That is why so - Destinee Moore, Freshman Class even more inspiring is to see the great God through us.” many young people, I think, can relate amount of young black men that were The next show, Miscellaneous to the play.. .Its relevance made it much in the production...! have never wit­ Characters, marks the three-year anni­ easier for me to go forth and perform to am so honored to be a part of this group sion is to remind people who they are. nessed something like that in my life.” versary of the AUC Ministry’s creation, the best of my ability.” Walter R. Higgs of talented young people.” They are to know that they are chosen During one scene, entitled “Wor­ and will take place Nov. 19-20. III, a performer and recent graduate of Many wonder why an event, such men and women of God, and to know ship is 4 Real,” the traditional form of Hazardous Classrooms at CAU Black Bi White Girl Put Students In Harm’s Way Interracial Belationships Remain Taboo white women. Snipes was once quoted Courtney Salmon & resumed in the building, though the to the fact that the generator, which is as saying “black females do not know Autumn Arnett HaRREAM PlRDIE________________ conditions students met upon their re­ located on Fair Street right next to the how to treat black males and white A number of Clark Atlanta math turn were unacceptable. building, is fueled by diesel oil. Clark In 1967, Sidney Portier starred females are just easier to get along and science students have been dis­ Students returned to classes to Atlanta’s Facilities Director, Edwin in the groundbreaking “Guess Who’s with.” placed from their regular labs and discover that the rooms were incredibly Taylor, checked the building for toxins, Coming To Dinner.” In the contro­ Donnie Taylor, a senior business fi­ classrooms for almost a month, due to hot and humid and were infiltrated with and determined that there was no threat versial film, Poiter comes home to the nance major from New York City, said, environmental concerns in the univer­ an unpleasant odor. There has been to students’ health, but was unavailable family of his White fiancé to deliver “I just think that white woman are more sity’s McPheeters-Den- for comment. the news that they are engaged. At the submissive and they don’t give you all nis Hall. a A report time, thefilm shocked America because that attitude. When you approach them Wednesday, Au­ published by the Cali­ interracial marriage was considered il­ they are not so full of themselves and gust 31 the power in the I think that all of the classes fornia Air and Re­ legal. However, the award winning they are more open minded. They are building was cut ofifby of­ sources Board and the film brought the issue of interracial not so worried about what you have.” ficials at Georgia Power, should be moved permanently Office of Environmen­ relationships to the forefront with the In the November 1997 issue of the area’s primary power tal Health Hazard As­ possibility that a black man and a white Ebony Magazine, Snipes talks about supplier when there was instead of having students wander sessment confirms that woman could love one another. why he chooses to date white women. a major breakage to the these concerns regard­ Today, interracial relationships re­ Snipes said, “A man doesn’t want to underground wiring to from building to building until ( ing the possibility that main a taboo issue, despite its reoccur­ come home to someone who’s going to the main power line. diesel fuel exhaust is a rences in our society. be mean and aggravating and unkind. Classes were suspended they completely fix the problem. toxic air contaminant Many black women have con­ He doesn’t want to come home to that. while university admin­ are valid discrepancies, tempt for black males who date white He doesn’t want to come home to have istrators met to determine but there has been no women instead of black women. And a fight with someone who is supposed the course of action that Alexandra Conway, Freshman Class confirmation to the fact in response, black males are charged as to be his helpmate. So it’s very natural would ensue. A back-up that these toxins exist in disloyal and many black women feel that he’s going to turn to some place power generator was secured despite speculation that the odor and tempera­ any building on the campus of Clark abandoned and betrayed. This is espe­ that’s more compassionate.” the difficulties faced because of Hur­ ture in the building were the result of Atlanta University.
Recommended publications
  • Music 18145 Songs, 119.5 Days, 75.69 GB
    Music 18145 songs, 119.5 days, 75.69 GB Name Time Album Artist Interlude 0:13 Second Semester (The Essentials Part ... A-Trak Back & Forth (Mr. Lee's Club Mix) 4:31 MTV Party To Go Vol. 6 Aaliyah It's Gonna Be Alright 5:34 Boomerang Aaron Hall Feat. Charlie Wilson Please Come Home For Christmas 2:52 Aaron Neville's Soulful Christmas Aaron Neville O Holy Night 4:44 Aaron Neville's Soulful Christmas Aaron Neville The Christmas Song 4:20 Aaron Neville's Soulful Christmas Aaron Neville Let It Snow! Let It Snow! Let It Snow! 2:22 Aaron Neville's Soulful Christmas Aaron Neville White Christmas 4:48 Aaron Neville's Soulful Christmas Aaron Neville Such A Night 3:24 Aaron Neville's Soulful Christmas Aaron Neville O Little Town Of Bethlehem 3:56 Aaron Neville's Soulful Christmas Aaron Neville Silent Night 4:06 Aaron Neville's Soulful Christmas Aaron Neville Louisiana Christmas Day 3:40 Aaron Neville's Soulful Christmas Aaron Neville The Star Carol 2:13 Aaron Neville's Soulful Christmas Aaron Neville The Bells Of St. Mary's 2:44 Aaron Neville's Soulful Christmas Aaron Neville Tell It Like It Is 2:42 Billboard Top R&B 1967 Aaron Neville Tell It Like It Is 2:41 Classic Soul Ballads: Lovin' You (Disc 2) Aaron Neville Don't Take Away My Heaven 4:38 The Grand Tour Aaron Neville I Owe You One 5:33 The Grand Tour Aaron Neville Don't Fall Apart On Me Tonight 4:24 The Grand Tour Aaron Neville My Brother, My Brother 4:59 The Grand Tour Aaron Neville Betcha By Golly, Wow 3:56 The Grand Tour Aaron Neville Song Of Bernadette 4:04 The Grand Tour Aaron Neville You Never Can Tell 2:54 The Grand Tour Aaron Neville The Bells 3:22 The Grand Tour Aaron Neville These Foolish Things 4:23 The Grand Tour Aaron Neville The Roadie Song 4:41 The Grand Tour Aaron Neville Ain't No Way 5:01 The Grand Tour Aaron Neville The Grand Tour 3:22 The Grand Tour Aaron Neville The Lord's Prayer 1:58 The Grand Tour Aaron Neville Tell It Like It Is 2:43 Smooth Grooves: The 60s, Volume 3 L..
    [Show full text]
  • By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
    A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible.
    [Show full text]
  • Mood Music Programs
    MOOD MUSIC PROGRAMS MOOD: 2 Pop Adult Contemporary Hot FM ‡ Current Adult Contemporary Hits Hot Adult Contemporary Hits Sample Artists: Andy Grammer, Taylor Swift, Echosmith, Ed Sample Artists: Selena Gomez, Maroon 5, Leona Lewis, Sheeran, Hozier, Colbie Caillat, Sam Hunt, Kelly Clarkson, X George Ezra, Vance Joy, Jason Derulo, Train, Phillip Phillips, Ambassadors, KT Tunstall Daniel Powter, Andrew McMahon in the Wilderness Metro ‡ Be-Tween Chic Metropolitan Blend Kid-friendly, Modern Pop Hits Sample Artists: Roxy Music, Goldfrapp, Charlotte Gainsbourg, Sample Artists: Zendaya, Justin Bieber, Bella Thorne, Cody Hercules & Love Affair, Grace Jones, Carla Bruni, Flight Simpson, Shane Harper, Austin Mahone, One Direction, Facilities, Chromatics, Saint Etienne, Roisin Murphy Bridgit Mendler, Carrie Underwood, China Anne McClain Pop Style Cashmere ‡ Youthful Pop Hits Warm cosmopolitan vocals Sample Artists: Taylor Swift, Justin Bieber, Kelly Clarkson, Sample Artists: The Bird and The Bee, Priscilla Ahn, Jamie Matt Wertz, Katy Perry, Carrie Underwood, Selena Gomez, Woon, Coldplay, Kaskade Phillip Phillips, Andy Grammer, Carly Rae Jepsen Divas Reflections ‡ Dynamic female vocals Mature Pop and classic Jazz vocals Sample Artists: Beyonce, Chaka Khan, Jennifer Hudson, Tina Sample Artists: Ella Fitzgerald, Connie Evingson, Elivs Turner, Paloma Faith, Mary J. Blige, Donna Summer, En Vogue, Costello, Norah Jones, Kurt Elling, Aretha Franklin, Michael Emeli Sande, Etta James, Christina Aguilera Bublé, Mary J. Blige, Sting, Sachal Vasandani FM1 ‡ Shine
    [Show full text]
  • 91-Yearbook-Zz43.Pdf
    e Q� OU ... DeDJL Mc�� TllOops, 9Je wouhl �� to -tROW2 �ou {JOJL �oWL oo.�cw ebiJO!Lt 00 COWLage dwu� DeseJLt Stollwl (Jrut. 16, 1QQ1- 9eb. 28, 1QQ1). �oWL dedieatio� rutd Rmd wollk?. sRowed us wRot o posrriO-e gJLoup ebiJO!Lt erut �eO'e. �OU wtOde US Cl� pllOUci 1ROW2 OU, 1Re. Studems ot QS Faculty David Nonnenmacher Sandra Cheng Carl Bruetsch Thomas Nuttycomb Cathleen Spall Joseph Walsh Lynne Kraack Robert Wolfe John Ogozalek Hugh McCammon Lionel Billard Clifford Kelly Harriet Luben Robert Olear, Jr. Roseann Auditor! Robert Elco Debra Ravitz Marlene Buhrmaster Anne Jaggie Barry Bea Battina Farber Ronald Scheuren Patricia Feagles Karen Bliss Steven Layman Administration and Staff Cheryl Weber Carol Yewchuck Anne King Sophie Schneider Martin Christen Sandra Bodine Linda Knecht Carolyn Tyler, Emily Bud­ and denhagen, Virginia Ferranti Diana Cormier and Ruby Kraus Joseph Kilker Athletics '91 -- Soccer '90 Bottom Row (L to R): A. Crocitto, J. Meyer; left wing, L. Hawker; right full, A. Reeves, T. Jay, K. Grund; left half. Second Row: A. Crandall, R. Reeves, B. Gonzalez, C. Grunf; right wing, D. Jungblut; left full, M. Feagles; left striker, K. Knecht; Goalie Fourth Row: L. Umnlk, C. Scheuren; center half, L. Kelly; right half, V. Walter; right striker Top Row: T. Lohmann, Coach Scheuren Missing from picture; B. Starner Breaktime 5 J. V. Boys and Girls Basketball . ·\\l': . �a;-...,._ ........ ·. ' t. ... , .•--- - ,.\ . , . ' � �, ,, . .. .. _.. - � . - Kneeling (L to R): L. Hawker, A. Crocitto, J. Meyer. Standing: A. Agnello, K. Lingle, H. Emigh, A. Reeves. Kneeling (L to R): J. Knapp, D. Prendergast, J. Curreri, D.
    [Show full text]
  • Earnest Walker Jr
    EARNEST WALKER JR. Smooth Groove Artist Earnest Walker Jr. spent the first 15 years of his life traveling the country with his family. The experience taught him an appreciation of different cultures and musical styles. At the age of nine, Walker started playing the guitar, but a year later he picked up the saxophone and it has been his passion ever since. When he was only 14 years old, the established musicians in Pensacola, Florida felt his playing was so essential they would sneak Walker into night clubs to showcase his talents. Walker studied music education at Bethune-Cookman College in Daytona Beach, and later attended Florida State University, quickly establishing himself as one of the most sought-after saxophonists on both campuses and all around the state of Florida. After college, Walker joined the Air Force, where he performed with different groups in each town he was stationed. After the military, Walker toured and performed in most of the central to eastern portions of the country, including Miami, Daytona Beach, Charleston SC, Philadelphia, New Orleans, Atlanta, Tampa, Orlando and Denver. In the late 90’s, he moved to Philadelphia and became a member of the prestigious smooth jazz band “Blind Date”. Returning to Miami in 2003, Earnest Walker Jr is well known in the city of South Beach as a show stopper that is sure to leave the audience breathless. Location: Miami, FL USA Influences: Grover Washington Jr, Cannonball Adderly, Maceo Parker, Earth Wind & Fire, Gerald Albright, Ronnie Laws Booking & Media Contact: HJ Entertainment | 816.945.0288 | www.EarnestWalkerJr.com ON STAGE As solid, compelling and in the pocket as Walker is on disc, he’s best known in the jazz world as a powerhouse performer whose stage presence and creative style guarantees that every crowd is in an uproar.
    [Show full text]
  • PRESS RELEASE July 24, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 Or [email protected]
    PRESS RELEASE July 24, 2014 Contact: Camille Cintrón, Manager, Public Relations 703.255.4096 or [email protected] High-resolution images of the artists listed are available on Wolf Trap’s website: wolftrap.org/Media_and_Newsroom/Photos_for_Publication.aspx Wolf Trap Presents Noche Flamenca, Nickel Creek and Josh Ritter, Boney James and Eric Benet, YANNI, and ABBA—The Concert All Shows at the Filene Center at Wolf Trap National Park for the Performing Arts, 1551 Trap Road, Vienna, Virginia 22182 Noche Flamenca Tuesday, August 12, 2014 at 8:30 pm The passionate flair of traditional Spanish dance and music strikes a pose onstage at the Filene Center with Noche Flamenca. The group, founded in Madrid in 1993, is highly decorated, having been honored with the Lucille Lortel Award for Special Theatrical Experience in 2003 and awards from the National Dance Project in 2006 and 2009. Additionally, lead dancer and co-founder Soledad Barrio won a New York Dance and Performance Award for her acclaimed style. Her husband Martín Santangelo co- founded the group with her and serves as the artistic director, stylizing shows that are performed throughout the world, including full annual seasons in Buenos Aires and New York City. Dance Magazine says Barrio is “a gift to flamenco and the troupe a testament to the art’s underlying relevance.” Video: Noche Flamenca – Promotional Video Nickel Creek Josh Ritter Wednesday, August 13, 2014 at 7:30 pm “Newgrass” band Nickel Creek partners with acoustic artist Josh Ritter to create an evening of homey folk at the Filene Center. Nickel Creek brings their unique blend of progressive bluegrass and acoustic folk to their Wolf Trap debut.
    [Show full text]
  • Dave Koz and Friends Christmas Tour 2019 at The
    FOR IMMEDIATE RELEASE November 21, 2019 CONTACT: DeAnn Lubell-Ames – (760) 831-3090 Note: Photos available at http://mccallumtheatre.com/index.php/media Dave Koz And Friends Christmas Tour 2019 Featuring Jonathan Butler, Melissa Manchester, Michael Lington With Special Guest Chris Walker McCallum THEATRE Wednesday – December 18 – 8:00pm Palm Desert, CA – A holiday tradition returns as the McCallum Theatre welcomes the Dave Koz and Friends Christmas Tour 2019 at 8:00 p.m., Wednesday, December 18. The show is made possible through the generosity of Wayne and Rachelle Prim. Since the beginning of his career, Koz has been all about dodging expectations and traditions. His brand-new holiday album, Gifts of the Season, is his seventh holiday release, and features the very same guests with him on this year’s Christmas tour. The saxophonist has earned nine Grammy Award nominations, had 11 No. 1 albums on Billboard’s Current Contemporary Jazz Albums chart, starred in numerous world tours, played for multiple presidents, received a star on the Hollywood Walk of Fame—and much more. A platinum-selling artist, Koz is also known as a humanitarian, entrepreneur, radio host, instrumental music advocate and restaurateur. Signed to Capitol Records in 1987, Koz released his self-titled solo debut album in the fall of 1990. This was the first installment in a large body of best-selling work, which includes the Gold-certified Lucky Man (1993) and Off the Beaten Path (1996). Koz and his friends Gerald Albright, Richard Elliot and Mindi Abair turned to producer Paul Brown (Al Jarreau, George Benson, Boney James) in 2013 to make Summer Horns, which paid tribute to the high-octane, richly arranged horn sections that fueled so many hits in the ’60s and ’70s.
    [Show full text]
  • Tom Braxton Press
    TOM BRAXTON Career Highlights Tom was a featured headliner on the first Smooth Jazz Europe Festival in Hengelo, Netherlands, along with Bob Baldwin and Chieli Minucci. Tom was a featured performer with Keiko Matsui on her three-week tour of Russia and the Ukraine. Tom Braxton's latest CD, Endless Highway, reached #21 on the Photo by Walter Goyen Billboard Top Contemporary Jazz Album Chart. Endless Highway's singles, "That Wayman Smile" and "Open Road," have made waves on numerous jazz charts including SmoothJazz.com, Groove Jazz Music, RadioWave, Smooth Jazz Now and Capital Jazz Radio. Tom was featured on the cover of the November 2009 issue of Smooth Jazz News magazine. (www.smoothjazznews.com) Endless Highway has been ranked #1 on the Amazon.com Bestsellers List for MP3 Downloads in Smooth Jazz. Tom has been a featured performer and fan favorite on The Smooth Jazz Cruise since 2005. He ranked in the top 5 for CD sales on the 2010 cruise. Tom toured extensively with Wayman Tisdale for 17 years, serving as Musical Director for 10 of those years. Tom has shared the stage with many well-known artists including Dave Koz, Rick Braun, Peter White, Candy Dulfer, Bob James, George Duke, Kirk Whalum, Jonathan Butler, Jeff Golub, Marcus Miller, Keiko Matsui, Aretha Franklin, Luther Vandross and Philip Bailey. www.tombraxton.com TOM BRAXTON Tour Highlights Las Vegas City of Lights Jazz Festival: 94.7 The Wave Event in Los Angeles: Breast Cancer Benefit Tom with Wayman Tisdale ** Tom and Brian Culbertson (on trombone) in Sacramento ** Dave
    [Show full text]
  • Run Date: 08/30/21 12Th District Court Page
    RUN DATE: 09/27/21 12TH DISTRICT COURT PAGE: 1 312 S. JACKSON STREET JACKSON MI 49201 OUTSTANDING WARRANTS DATE STATUS -WRNT WARRANT DT NAME CUR CHARGE C/M/F DOB 5/15/2018 ABBAS MIAN/ZAHEE OVER CMV V C 1/01/1961 9/03/2021 ABBEY STEVEN/JOH TEL/HARASS M 7/09/1990 9/11/2020 ABBOTT JESSICA/MA CS USE NAR M 3/03/1983 11/06/2020 ABDULLAH ASANI/HASA DIST. PEAC M 11/04/1998 12/04/2020 ABDULLAH ASANI/HASA HOME INV 2 F 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA DRUG PARAP M 11/04/1998 11/06/2020 ABDULLAH ASANI/HASA TRESPASSIN M 11/04/1998 10/20/2017 ABERNATHY DAMIAN/DEN CITYDOMEST M 1/23/1990 8/23/2021 ABREGO JAIME/SANT SPD 1-5 OV C 8/23/1993 8/23/2021 ABREGO JAIME/SANT IMPR PLATE M 8/23/1993 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 2/16/2021 ABSTON CHERICE/KI NO PROOF I C 9/06/1968 2/16/2021 ABSTON CHERICE/KI SUSPEND OP M 9/06/1968 8/04/2021 ABSTON CHERICE/KI OPERATING M 9/06/1968 2/16/2021 ABSTON CHERICE/KI REGISTRATI C 9/06/1968 8/09/2021 ABSTON TYLER/RENA DRUGPARAPH M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OPERATING M 7/16/1988 8/09/2021 ABSTON TYLER/RENA USE MARIJ M 7/16/1988 8/09/2021 ABSTON TYLER/RENA OWPD M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA IMPR PLATE M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SEAT BELT C 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON TYLER/RENA SUSPEND OP M 7/16/1988 8/09/2021 ABSTON
    [Show full text]
  • Tula's Restaurant & Jazz Club
    A Mirror and Focus for the Jazz Community September 2012 Vol. 28, No. 9 EARSHOT JAZZSeattle, Washington Tula’s Restaurant & Jazz Club Jason Moore, Elliott “Mack” Waldron and Sherrill Moore. Photo by Daniel Sheehan. NOTES Seattle’s Women in Jazz Festival bassist celebrates a new band and new current members, contact information The Women in Jazz Festival is sched- CD release. and more. uled for April 26-28, 2013, Seattle. Jazz Series, Bend, Ore. Arts Means Business Funding Festival organizers are currently seek- The Jazz at the Oxford series, at Applications for the Office of Arts & ing charitable donations, event spon- the Oxford Hotel in Bend, Oregon, Cultural Affairs Arts Mean Business sorships, volunteers and performers. launched in 2010 and recently an- funding program are due Monday, Please contact seattlewomeninjazz@ nounced next season’s schedule. The September 10. The program awards gmail.com for more information. monthly series includes Jeremy Pelt, one-time funding to Seattle arts, On the Horizon: Art of Jazz Karrin Allyson, and Portland’s Mel heritage, cultural and arts-service or- Seattle Art Museum, September- Brown Septet, on dates from October ganizations for arts jobs that make a December to March. More information at www. difference in an organization’s ability oxfordhotelbend.com. to generate extra revenue to carry out The Art of Jazz series continues, sec- Gallery 1412 Seeks New Members its mission. Seattle-based arts, culture ond Thursdays, 5:30pm, at the Seattle and heritage non-profits are eligible. Art Museum. Here’s the schedule for The non-commercial, artist-run, cre- More information is available at www.
    [Show full text]
  • Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
    DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays.
    [Show full text]
  • Spartan Daily Multimedia: Serving San José State University Since 1934 Feathers of Fury Volume 138 / Issue 8 Spartandaily.Com/?P=64937
    Spartan Daily Multimedia: Serving San José State University since 1934 Feathers of Fury Volume 138 / Issue 8 spartandaily.com/?p=64937 t Twitter: @spartandaily 59˚˚ f facebook.com/spartandaily 39˚ 77 years... and counting Spartans split thrilling Monday SPARTAN DAILY View exclusive stories and multimedia at February 13, 2012 weekend see p. 4 Volume 138, Issue 8 SpartanDaily.com spartandaily.com Envisioning a dream Mayor Reed predicts optimistic, hopeful year for San Jose by Julie Tran structure ranging from the con- Staff Writer vention center fi nancing team to the grants management working San Jose mayor Chuck Reed group. and several elected offi cials were Matt hew Mahood, president present in the San Jose Civic and CEO of San Jose Silicon Val- Auditorium on Friday Feb. 9 to ley Chamber of Commerce, gave discuss the 2012 State of the City an introduction for Reed as well Address. as speaking about his experienc- Some of the topics mentioned es working in the city. ranged from homelessness to “Like all things in America, academic performance and gang San Jose is a place of the people, violence. by the people and for the peo- Th e event was emceed by ple,” Mahood said in his presen- Jennifer Loving, executive direc- tation. tor of Destination: Home, and In a round of applause, Reed Jenny Niklaus, chief executive appeared in front of the audi- offi cer of EHC LifeBuilders. ence and gave his greetings. Th e beginning of the program “Th e year of 2012 will be the started off with the Pledge of Al- year of hope, optimism and re- legiance, which was led by 20 covery in San Jose,” Reed said.
    [Show full text]