Panayiotis Kokoras, PhD Acoustic and Electronic Composition www.panayiotiskokoras.com |
[email protected] “The work has clear motives, strong development, and the dramatic structure, although not immediately obvious, is masterful.” Ian Whalley, Computer Music Journal, winter 2009, Vol.33, No.4. “… this is a bold piece with striking, unforgettable sounds.” Amy Waldron, Chorus America (Feb 12th, 2012) “This is one of the best integrations of acoustic & electronic sounds that I’ve heard in a long time…” Simon Cummings, blog 5-against-4 (Jun 15, 2011) 66 Prizes and distinctions: First Prize (22), Second Prize (6), Third Prize (1), Honorable Mention (12), Finalist (25), grants (7) and scholarships (9) judged by over ninety jury members from around the world with competition ratio as high as one among seventy entries. Kazmierz Serocki (Poland), Franco Evangelisti (Italy), Prix Destellos (Argentina), Prix Ars Electronica (Austria), Métamorphoses (Belgium), Giga-Hertz Music Award (Germany), Bourges (France), Gaudeamus (The Netherlands) Takemitsu Composition Award (Japan), Noroit Prize (France). 34 commissions: Fromm Music Foundation (Harvard University), ZKM (Germany), Musiques-Recherches (Belgium), Siemens Stiftung (Germany), MATA (New York), Ircam (France), Athens State Orchestra (Greece), IMEB (France) & others. 209 international call for scores selections: ISCM World Music Days 2014, 2010, 2009, 2007, 2006, 2005, ICMC International computer Music Conference 2012, 2006, 2005, 2004, 2003, 2002, Ai-Maako Festival International de Música