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Spring 2021 Commencement Book
SPRING 2021 P RESIDENT Ava L. Parker, J.D. D ISTRICT B OARD OF T RUSTEES Palm Beach State College Wendy S. Link, Esq., Chairperson Carolyn L. Williams, Vice Chairperson Alma Mater Patrice Bishop Melissa Friedman-Levine, MD Omar Soto Gabrielle Louis, Student T H E V I S I O N Palm Beach State College is nationally recognized as an innovative academic leader advancing student success through its unparalleled commitment to excellence, engagement, and dynamic partnerships. T H E M I S S I O N Palm Beach State College provides accessible, student-centered teaching and learning experiences in academic, technical and lifelong learning to transform lives and strengthen our community. Palm Beach State College, an equal access/equal opportunity institution, complies with all applicable state and federal laws granting rights to applicants for employment or admission to the College, employees, and students and therefore does not discriminate on the basis of race, color, creed, ethnicity, national origin, gender, sexual orientation, age, religion, marital status, veteran status, disability, genetic information, pregnancy status, and any other factor protected under the law, state or federal, in employment, admissions, or educational programs and activities. SPRING 2021 C O M M E N C E M E N T P R O G R A M Bachelor of Applied Science Degree Bachelor of Science in Nursing Degree Associate in Science Degree Associate in Applied Science Degree College Credit Certificate Advanced Technical Certificate Career Certificate Program Certificate Educator Preparation Institute Certificate Associate in Arts Degree 1 PALM BEACH STATE COLLEGE PALM BEACH STATE COLLEGE PRESIDENT’S ADDRESS District Board of Trusteees Chair Address AVA L. -
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Musica, Teatro, Danza Musik[È] Musica, Teatro, Danza Musikè Musica Teatro Danza Giovani
3^ edizione 2014 musik[è] musica, teatro, danza musik[è] musica, teatro, danza Musikè Musica Teatro Danza Giovani Ideazione e coordinamento Alessandro Zattarin Gruppo di lavoro Mario Giovanni Ingrassia Claudio Ronda Gabriele Vianelli Comunicazione Roberto Fioretto Supervisione Alessandra Veronese Progetto grafico Metropolis ADV Ufficio stampa Studio Pierrepi [è] Musikè Musica Teatro Danza Giovani 1 2 3 4 5 Musica Teatro Musica 12 maggio 2014 ore 21 19 maggio 2014 ore 21 Rovigo, Tempio della Beata Vergine del Soccorso (La Rotonda) Bagnoli di Sopra (PD), Teatro Goldoni ESCLUSIVA NAZIONALE LINA JOB WERTMÜLLER Un’allegra fin de siècle CORO DA CAMERA DELLA FILARMONICA ESTONE in recital Daniel Reuss direttore Testo di Lina Job Wertmüller Musiche di Sergej Rachmaninov Musiche e canzoni di Italo “Lilli” Greco e Lucio Gregoretti Premiato con il Diapason d’or, il Preis der Deutschen Schallplattenkritik, il Danish Music Award e il Lina Job Wertmüller voce recitante Grammy Award per la miglior esibizione corale (nel 2007 e nel 2014), l’Estonian Philharmonic Nicoletta Della Corte voce cantante Chamber Choir propone ogni anno tra i 60 e i 70 concerti, divisi tra l’Estonia e l’estero, grazie a uno Francesco Bancalari pianoforte straordinario repertorio che spazia dal canto gregoriano e barocco fino alla musica del ventunesimo secolo, con speciale attenzione alle opere di compositori estoni (Arvo Pärt, Veljo Tormis, Erkki-Sven Produzione Promo Music Tüür, Galina Grigoryeva, Toivo Tulev, Tõnu Kõrvits, Helena Tulve). Fondato nel 1981 da Tõnu Kaljuste, ha collaborato con orchestre e direttori di assoluto prestigio (Claudio Abbado, Neeme e Paavo Järvi, Un viaggio attraverso il Novecento, secolo segnato da due guerre mondiali e da brutali dittature, Olari Elts, Andrew Lawrence-King, Roland Böer, Stephen Layton, Marc Minkowski, Christoph Poppen, raccontato con il timbro dissacrante e incontenibile della grande regista Lina Job Wertmüller, qui Sir Colin Davis). -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
Item Box Subject Author Title Exps Pages Size Inches Pub. Date Grand
Item Box Subject Author Title Exps Pages Size Inches Pub. Date Grand Total: 3, 139, 369, 104, 343, 159, [and the 210 Namibian 51, 612, 191, 21, 44, 1, 39, 95, 428, docs so far is 2809] (2599) Central Africa:3 1 Central Africa—General Economics UNECA Subregional Strategies 19 32 8x11.5 Hints to Businessmen Visiting The London Board of 2 Central Africa—General Economics Congo (Brazzaville), Chad, Gabon 19 32 4.75x7.125 Trade and Central African Republic Purpose and Perfection Pottery as 3 Central Africa—General Art The Smithsonian Institution 3 4 8x9.25 a Woman's Art in Central Africa Botswana:139 National Institute of Access to Manual Skills Training in 1 Botswana—Bibliographies Bibliography Development and Cultural Botswana: An Annotated 9 13 8x11.5 Research Bibliography Social Thandiwe Kgosidintsi and 2 Botswana—Bibliographies Sciences—Information Publishing in Botswana 2 2 8.5x11 Neil Parsons Science National Institute of 3 Botswana—Bibliographies Bibliography Development Rearch and Working Papers 5 8 5.75x8.25 Documentation University of Botswana and Department of Library Studies 1 Botswana—Social Sciences Social Sciences 28 25 8.25x11.75 Swaziland Prospectus Social Refugees In Botswana: a Policy of 2 Botswana—Social Sciences United Nations 3 7 4.125x10.5 Sciences—Refugees Resettlement Projet De College Exterieur Du 3 Botswana—Social Sciences Social Sciences unknown 3 3 8.25x11.75 Botswana Community Relations in Botswana, with special reference to Francistown. Statement 4 Botswana—Social Sciences Social Sciences Republic of Botswana Delivered to the National Assembly 4 5 5.5x8 1971 by His Honor the Vice President Dt. -
Weekly Bulletin July 21 2019
Our Lady of the Assumption Parish July 21, 2019 16th Sunday in Ordinary Time PASTOR Rev. Edward C. Domme On the Corner of Lomas and Tennessee NE PAROCHIAL VICAR Rev. Michelangelo Cimino DEACONS Deacon Jim Delgado Deacon Maurice Graff Deacon Jack Granato PARISH OFFICE (505) 256-9818 Fax (505) 256-3131 811 Guaymas Place NE, Albuquerque, NM 87108 Hours 8:30 am-12:00 pm & 1:00-4:30 pm Mon.-Fri. Closed Weekends, Holy Days & Holidays SCHOOL OFFICE (505) 256-3167 815 Guaymas Place NE, Albuquerque, NM 87108 WEBSITE www.olacs.org SUNDAY OBLIGATION MASS: 5:00 pm Saturday SUNDAY MASSES: 7:00 am, 10:00 am and 11:30 am (English) 8:30 am (Bilingual) WEEKDAY MASSES: Monday-Saturday 8:30 am CONFESSIONS: Saturday 3:30 pm - 4:30 pm or by appointment during regular office hours. Mission Statement: Created in God’s image, we are the people of Our Lady of the Assumption Catholic Parish. In communion with the Roman Catholic Church and the Archdiocese of Santa Fe, we dedicate ourselves to living the Gospel of Jesus Christ. Guided by the Holy Spirit; nourished by the Sacraments; and under the Patronage of Our Lady of the Assumption; we strive to use our varied gifts and rich heritage to build the Body of Christ through worship, prayer, education, and service to all. 1 MASS INTENTIONS FOR THE WEEK OF July 22 - July 28, 2019 Mon., 22nd * Weekday * St. Mary Magdalene Song of Songs 3:1-4b or 8:30am † Leonard Duran by Ruby Chavez and family 2 Corinthians 5:14-17 † James G. -
Fear the Walking Dead from Wikipedia, the Free Encyclopedia
Fear the Walking Dead From Wikipedia, the free encyclopedia Fear the Walking Dead is an American horror drama television series created by Robert Kirkman and Dave Erickson[1] that premiered on AMC on August 23, 2015.[2] It is a companion series and prequel to The Walking Dead,[3] which is based Fear the Walking Dead on the comic book series of the same name by Robert Kirkman, Tony Moore, and Charlie Adlard. The first season, consisting of six episodes, aired in 2015. Its second season will comprise 15 episodes and debut on April 10, 2016.[4][5][6] Set in Los Angeles, California, the series follows a dysfunctional family composed of high school guidance counselor Madison Clark, her English teacher boyfriend Travis Manawa, her daughter Alicia, her drug-addicted son Nick, and Travis' son from a previous marriage, Chris, at the onset of the zombie apocalypse.[7][8] They must either revamp themselves or cling to their deep flaws as they come to terms with the impending collapse of civilization.[9] Genre Horror Contents Drama Created by Robert Kirkman 1 Cast and characters Dave Erickson Based on The Walking Dead 1.1 Main cast by Robert Kirkman Tony Moore 1.2 Recurring cast Charlie Adlard 2 Series overview Starring Kim Dickens 3 Production Cliff Curtis Frank Dillane 3.1 Development Alycia Debnam- Carey 3.2 Casting Elizabeth Rodriguez 3.3 Filming Mercedes Mason Lorenzo James 4 Broadcast 5 Reception Henrie Rubén Blades 5.1 Critical response Colman Domingo 5.1.1 Season 1 Theme music Atticus Ross composer 5.2 Ratings Composer(s) Paul Haslinger 5.3 Awards and nominations Country of United States origin 6 Home media Original English 7 References language(s) No. -
University of California Santa Cruz
UNIVERSITY OF CALIFORNIA SANTA CRUZ EXTENDED FROM WHAT?: TRACING THE CONSTRUCTION, FLEXIBLE MEANING, AND CULTURAL DISCOURSES OF “EXTENDED VOCAL TECHNIQUES” A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Charissa Noble March 2019 The Dissertation of Charissa Noble is approved: Professor Leta Miller, chair Professor Amy C. Beal Professor Larry Polansky Lori Kletzer Vice Provost and Dean of Graduate Studies Copyright © by Charissa Noble 2019 TABLE OF CONTENTS List of Figures v Abstract vi Acknowledgements and Dedications viii Introduction to Extended Vocal Techniques: Concepts and Practices 1 Chapter One: Reading the Trace-History of “Extended Vocal Techniques” Introduction 13 The State of EVT 16 Before EVT: A Brief Note 18 History of a Construct: In Search of EVT 20 Ted Szántó (1977): EVT in the Experimental Tradition 21 István Anhalt’s Alternative Voices (1984): Collecting and Codifying EVT 28evt in Vocal Taxonomies: EVT Diversification 32 EVT in Journalism: From the Musical Fringe to the Mainstream 42 EVT and the Classical Music Framework 51 Chapter Two: Vocal Virtuosity and Score-Based EVT Composition: Cathy Berberian, Bethany Beardslee, and EVT in the Conservatory-Oriented Prestige Economy Introduction: EVT and the “Voice-as-Instrument” Concept 53 Formalism, Voice-as-Instrument, and Prestige: Understanding EVT in Avant- Garde Music 58 Cathy Berberian and Luciano Berio 62 Bethany Beardslee and Milton Babbitt 81 Conclusion: The Plight of EVT Singers in the Avant-Garde -
1 Jose Ornelas Ramirez 2 Daniel Salazar Valadez 3
MUNICIPIO DE JUANACATLAN NOMINA CORRESPONDIENTE DEL 16 AL 28 DE FEBRERO 2015 No. NOMBRE PUESTO SEGURIDAD PUBLICA 1 JOSE ORNELAS RAMIREZ DIRECTOR GENERAL 2 DANIEL SALAZAR VALADEZ COORDINADOR OPERATIVO 3 ANGEL CRUZ CABRERA COMANDANTE DE TURNO COORDINADOR 4 ROLANDO JULIAN DURAN SANCHEZ COMANDANTE DE TURNO COORDINADOR 5 ALFREDO ASCENCIO CERVANTES POLICIA DE LINEA 6 JONATHAN LOPEZ CRUZ POLICIA DE LINEA 7 JUAN LINDORO HERNANDEZ SANCHES POLICIA DE LINEA 8 EMMA RAMIREZ GUERRERO POLICIA DE LINEA 9 BERNARDINO HERNANDEZ GARCIA POLICIA DE LINEA 10 FELIX GUSTAVO SOLORZANO ACEVES POLICIA DE LINEA 11 MARIA GUADALUPE SANTIAGO MACIAS POLICIA DE LINEA 12 ENEDINA DE ANDA GOMEZ POLICIA DE LINEA 13 ADAN GARCIA CONTRERAS POLICIA DE LINEA 14 ROGELIO MACIAS RUIZ POLICIA DE LINEA 15 NESTOR DANIEL ALVAREZ MARQUEZ POLICIA DE LINEA 16 FELIPE DE JESUS AZUARA GUERRERO POLICIA DE LINEA 17 GUILLERMO ALVAREZ DE LA CRUZ POLICIA DE LINEA 18 PRISCILLA SANTIAGO PULIDO MERCADO POLICIA DE LINEA 19 ANTONIO CORTES PEREZ DIRECTOR GENERAL 20 FENANDO VALADEZ CURIEL COORDINADOR 21 GERONIMO CORTES MORENO COORDINADOR 22 VICTOR MANUEL PEREZ COSIO ASCESOR/CAPACITADOR 23 JORGE MEDINA GONZALEZ OFICIAL 24 GUILLERMO CORTES MORENO OFICIAL 25 IVAN ALEJANDRO LARIOS CORTES OFICIAL 26 JUAN ENRIQUE ACEVES GONZALEZ OFICIAL 27 ALVARO GONZALEZ TORRES OFICIAL 28 GILBERTO CERVANTEZ ALCALA OFICIAL C.JOSE PASTOR MARTINEZ TORRES PRESIDENTE MUNICIPAL MUNICIPIO DE JUANACATLAN NOMINA CORRESPONDIENTE DEL 16 AL 28 DE FEBRERO 2015 No. NOMBRE PUESTO GOBERNACION 1 JOSE PASTOR MARTINEZ TORRES PRESIDENTE MUNICIPAL -
Graduation Program
JohnTom M. C. HarlanClark High School TOM OL C. CLARK HIGH SCHO Thank You for Supporting Public Education Class of 20212019 EXCELLENCE Northside Independent School District Northside Independent School District Northside Independent School District 5900 Evers Road 5900 Evers Road San Antonio, TX 78238-1606 San Antonio, TX 78238-1606 strd TheThe1133CommencementCommencement NORTHSIDE INDEPENDENT SCHOOL DISTRICT Graduation Restrictions & Policies Northside graduation ceremonies are dignified events. Students, families and guests are expected to respect the dignity of the occasion. 1. All bags, purses, backpacks, cases, and persons are subject to inspection. 2. NO noise makers (air horns, bull horns, bells, whistles, etc.) are allowed. The use of noise makers will result in immediate removal from the premises. 3. NO extremely loud shouting and screaming, or disruptive verbal outbursts are allowed. 4. NO weapons or firecrackers, etc. of any kind are allowed. Possession of these items will result in immediate removal from the premises. 5. NO “laser” pointing devices are permitted. 6. NO balloons are allowed. 7. Children must be supervised by an adult at all times. 8. NO “Reserving” or “Saving” of seats, multiple seats or rows. 9. NO standing or sitting in the aisles or walkways is allowed. 10. All guests must have their own seats. 11. When using cameras and video recording devices, you are not allowed to block the view of others. 12. NO tripods are allowed. 13. NO wrapped presents will be allowed. 14. Banners and signs are prohibited. Violation of the above can result in ejection from the ceremony. DISTRITO ESCOLAR INDEPENDIENTE DE NORTHSIDE Restricciones y reglamentos de graduación Las ceremonias de graduación son eventos serios. -
Deutsche Nationalbibliografie
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD -
Battles Around New Music in New York in the Seventies
Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis. -
Dear Environmental Protection Agency Employees
December 14, 2017 (Updated May 7, 2018) Dear Environmental Protection Agency Employees, This letter is written to express support and thanks for the work you do every day to protect public health and the environment. We want you to know your dedication is valued by millions of Americans despite indication that the current Administration feels otherwise. Equally important, we also write to better inform members of the public who may not understand what a frontline role you play in preventing premature death, other avoidable health consequences, irreversible ecosystem damage, and yes, even climate change. States, Tribes, and EPA play vital roles in protecting Americans and the environment from the impacts of pollution. In the late 60s and early 70s, our Congressional leaders created a system of environmental protection based on the principle of cooperative federalism. For this reason, and today more than ever, the safeguarding of our health and natural resources depends on robust state and Tribal programs as well as a fully functioning EPA. In every part of this country, you provide vital expertise and guidance, in partnership with the states and Tribes, by setting pollution limits to protect public health and the environment, facilitating development of multi-state solutions to pollution, using sound science to inform and address complex environmental challenges, responding to extreme weather events and catastrophes, and assisting states and Tribes with monitoring, enforcement and compliance. All of these functions (and there are many more) creates a level playing field among states and industry, which in turn guarantees a level of protection against harmful pollution for all Americans, regardless of where you live.