Composed by: Knut Riisnæs Quartet 2nd thoughts Knut Riisnæs Quartet 2nd thoughts Composed by: 1 2nd Thoughts 5:08 Mulgrew Miller Knut Riisnæs Quartet 1 2nd Thoughts 5:08 Mulgrew Miller Knut Riisnæs Quartet 2 Petite Prix 5:15 Anders Aarum 2 Petite Prix 5:15 Anders Aarum 3 She Was Too Good To Me 4:50 Richard Rodgers 2nd Thoughts 3 She Was Too Good To Me 4:50 Richard Rodgers 2nd Thoughts 4 Meet The Wickeds 6:11 Anders Aarum 4 Meet The Wickeds 6:11 Anders Aarum 5 Sniper 4:33 Anders Aarum 5 Sniper 4:33 Anders Aarum 6 Touching 4:58 Knut Riisnæs 6 Touching 4:58 Knut Riisnæs 7 Liten vals 6:54 Dag Arnesen 7 Liten vals 6:54 Dag Arnesen 8 Crazy She Calls Me 7:21 Carl Sigman 8 Crazy She Calls Me 7:21 Carl Sigman Total Time 45:26 Total Time 45:26 Knut Riisnæs – saxophone Knut Riisnæs – saxophone Anders Aarum – piano Anders Aarum – piano Jens Fossum – bass Jens Fossum – bass Tom Olstad – drums Tom Olstad – drums Track 1-6 recorded at Sparkle Sound Studios, Sofiemyr Track 1-6 recorded at Sparkle Sound Studios, Sofiemyr by Marius Stegegjerde-Kristiansen, 19.10.2015 and 10.12.2015 by Marius Stegegjerde-Kristiansen, 19.10.2015 and 10.12.2015 Track 7 recorded live at Herr Nilsen, Oslo by Anders Brenna 29.05.2016 Track 7 recorded live at Herr Nilsen, Oslo by Anders Brenna 29.05.2016 Track 8 recorded live at Herr Nilsen, Oslo by Anders Brenna 09.04.2016 Track 8 recorded live at Herr Nilsen, Oslo by Anders Brenna 09.04.2016 Mixed at Musikkloftet, Oslo by Vidar Lunden, September 2016 Mixed at Musikkloftet, Oslo by Vidar Lunden, September 2016 Mastered at Musikkloftet, Oslo by Vidar Lunden, October 2016 Losen Records LOS 146-2
Mastered at Musikkloftet, Oslo by Vidar Lunden, October 2016 Losen Records LOS 146-2 Produced by Knut Riisnæs Produced by Knut Riisnæs Executive producer Odd Gjelsnes Executive producer Odd Gjelsnes Front cover painting by Sylva Karin Johansen Front cover painting by Sylva Karin Johansen Cover design by design holtmanns Cover design by design holtmanns © 2016 Losen Records www.losenrecords.no [email protected] ISRC: NO2NJ1646 LOS 146-2 © 2016 Losen Records www.losenrecords.no [email protected] ISRC: NO2NJ1646 LOS 146-2 All rights reserved. Unauthorized duplication, All rights reserved. Unauthorized duplication, public performance and broadcasting of the music public performance and broadcasting of the music on this CD is a violation of applicable laws. 7 090025 831461
on this CD is a violation of applicable laws. 7 090025 831461
up session – it’s a BAND! a it’s – session up
David Fishel David up session – it’s a BAND! a it’s – session up
as empathic as it gets. It’s not a studio pick pick studio a not It’s gets. it as empathic as
David Fishel David
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Long live jazz! Long live Knut Riisnæs! Knut live Long jazz! live Long
seamless, is interplay The quadruplets!
1953) on drums, the band sound more like like more sound band the drums, on 1953) Long live jazz! Long live Knut Riisnæs! Knut live Long jazz! live Long
1953) on drums, the band sound more like like more sound band the drums, on 1953) . (born in in (born with along but Knut, Crazy She Calls Me Calls She Crazy Tom Olstad Tom
. (born in in (born with along but Knut, Crazy She Calls Me Calls She Crazy Tom Olstad Tom
ballad, played superlatively another
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of jazz lovers. jazz of
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(Knut’s only composition composition only (Knut’s titled ately
SWINGS wonderfully flowing and fertile solos from Anders Touching
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from both Anders and Knut. and Anders both from John Coltrane and Sonny Rollins, Knut has has Knut Rollins, Sonny and Coltrane John and sax, which leads to compelling solos solos compelling to leads which sax, and stated early influences as Charlie Parker, Parker, Charlie as influences early stated
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name.
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name. from Anders and Knut. and Anders from albums, but precious few under his own own his under few precious but albums,
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with wonderfully flowing and fertile solos solos fertile and flowing wonderfully with
A Scandinavian saxophone stalwartof abundance an on whoappeared hashe’s 1945, Cuban and Swing. It’s straight-ahead jazz jazz straight-ahead It’s Swing. and Cuban CD is released. Born into bop in in bop into Born released. is CD Riisnæs
Cuban and Swing. It’s straight-ahead jazz jazz straight-ahead It’s Swing. and Cuban CD is released. Born into bop in in bop into Born released. is CD Riisnæs Afro- of blend lovely a composition, Miller It’s a very rare treat when a new a when treat rare very a It’s Knut
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Knut Knut In She Was Too Good For Me, a delicious Rodgers stated early influences as Charlie Parker, John Mulgrew a is track title The throughout.
throughout. The title track is a Mulgrew Mulgrew a is track title The throughout. identifiable jazz vocabulary, plays exquisitely exquisitely plays vocabulary, jazz identifiable . it and – SWINGS
identifiable jazz vocabulary, plays exquisitely exquisitely plays vocabulary, jazz identifiable . it and –
SWINGS
On Knut Riisnæs with his very very his with Riisnæs Knut album a is This alert! Spoiler 2 Thoughts
Coltrane and Sonny Rollins, Knut has recorded and Hart ballad, we’re invited to Knut’s inner JAZZ
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and toured with such nd musicians as John Scofield, sanctum. It’s a stunning example of a maestro at Jon Christensen, Red Holloway and Arild work; his finely developed and passionate sound Andersen. is moving. It’s a track that will come to wear out my CD player. For those who think of Norwegian jazz music as only ‘sonic landscape’, poetic and minimalistic, All of the above also applies to the appropriately 2nd Thoughts comes as a realistic reminder that titled Touching (Knut’s only composition on the the country has very strong roots in bebop, with album). The album closes with two live tracks several musicians acknowledged worldwide. recorded at Oslo Jazz shrine, Herr Nilsen (2016). Knut is one of them, admired and revered by Liten Vals is a charming piece in three time which generations of jazz lovers. surprisingly but gratifyingly opens with a bass solo. The finale is another superlatively played Talking of generations, the album’s pianist, ballad, Anders Aarum and bassist, Jens Fossum were Crazy She Calls Me. born more than a generation on from Knut, but along with Tom Olstad (born in 1953) on drums, Long live jazz! Long live Knut Riisnæs! the band sound more like quadruplets! The interplay is seamless, as empathic as it gets. David Fishel It’s not a studio pick up session – it’s a BAND! On 2nd Thoughts Knut Riisnæs with his very identifiable jazz vocabulary, plays exquisitely throughout. The title track is a Mulgrew Miller composition, a lovely blend of Afro- The band
Anders Aarum (piano) studied extensively at acad- Tom Olstad (drums) has been playing profession- emies in both Norway and Sweden. In addition to ally in on stages and in studios with trios and with producing and composing material on over 100 orchestras since 1975. He has played/recorded albums for other artists, he has released three with among others, Art Farmer, Kenny Drew, solo CDs under his own name. He has worked James Moody, John Surman and Karin Krog. with the likes of Sonny Simmons, Herb Geller, He released a solo album, Changes for Mingus Jesper Thilo, Silje Nergaard, Leroy Jones, Roscoe in 2007 (Poncha Jazz Records). Mitchell and Louis Stewart.
Jens Fossum (bass) studied at NTNU (jazz depart- ment) in Trondheim, Norway. He has a Masters degree in Jazz Performance from the University of Miami. He released his first solo album,Bass Detector in 2015 on the German label, Ozella Records. Jens was nominated for a Norwegian Grammy (Spellemannspris) with the Sigurd Køhn Quartet (2006) and the Fossum/Aarum Quartet (2008).
Release MusikkLosen January 20, 2017 Tel. + 47 22 19 82 82 LOS 146-2 [email protected] 7090025831461 www.losenrecords.no