Ruth CV July 09

Total Page:16

File Type:pdf, Size:1020Kb

Ruth CV July 09 Ruth de la Lande - Costume Designer M :0412370010 E :[email protected] FEATURE FILM CREDITS BEAUTIFUL KATE-2008 Costume Designer Contemporary/80’s Director: Rachel Ward LUCKY MILES - 2006 Costume Designer 35mm - Contemporary Director: Micheal James Rowland 0PAL DREAMS - 2004 Costume Designer 35mm - Contemporary Director: Peter Cattaneo AUSTRALIAN RULES - 2001 Costume Designer 35mm – Contemporary Director: Paul Goldman RABBIT PROOF FENCE - 2000 Co-Costume Designer 35mm – 1930’s Director: Philip Noyce SAMPLE PEOPLE - 1998 Costume Designer 35mm – Contemporary Director: Clinton Smith SALLY MARSHALL IS NOT AN Costume Designer ALIEN - 1998 Director: Mario Andreacchio 35mm - Contemporary KISS OR KILL - 1996 Costume Designer Nominee 1997 AFI Awards 35mm – Contemporary Director: Bill Bennet HAMMERS OVER THE ANVIL - 1991 Wardrobe Supervisor 35mm - 1912 Director: Anne Turner FEVER - 1987 Costume Designer/Supervisor 35mm - Contemporary Director: Craig Lahiff FREEDOM - 1981 Costume Designer/Supervisor 35mm - Contemporary Director: Scott Hicks MIDNITE SPARES - 1981 Wardrobe Supervisor 35mm - Contemporary Director: Quentin Masters THE CLUB - 1980 Costume Designer Nominee 1981 AFI Awards 35mm – Contemporary Director: Bruce Beresford BREAKER MORANT - 1979 Standby Wardrobe 35mm - Early 1900's Director: Bruce Beresford THE MONEY MOVERS - 1978 Standby Wardrobe 35mm - Contemporary Director: Bruce Beresford BLUE FIN - 1978 Standby Wardrobe 35mm - Contemporary Director: Bruce Beresford Ruth de la Lande's CV 2 TELEVISION CREDITS RAINSHADOW-2007 Costume Designer ABC miniseries Southern star productions FERGUS McPHAIL - 2003 Costume Designer Children’s TV Series Burberry Productions OCEAN STAR - 2002 Costume Designer Children’s TV Series BBHTV CHUCK FINN - 2000 Costume Designer Children’s TV Series Barron TV ROUND THE TWIST 3 - 1999 Costume Designer Children’s TV Series A.C.T.F. THE DEVILS GAME - 1997 Wardrobe Supervisor Tele-movie - 16mm Barron Films TERRITORIANS - 1996 Wardrobe Supervisor Tele-movie - 16mm Robert Bruning Productions McLEODS DAUGHTERS - 1995/6 Wardrobe Supervisor Tele-movie - 16mm Millennium Pictures GLADRAGS - 1994 Wardrobe Supervisor Children's TV Series – 16mm Nomad Films TRACKS OF GLORY - 1991 Wardrobe Supervisor. Mini Series - 16mm - Early 1900's Barron Films & S.A.F.C THE RIVER KINGS - 1990 Costume Designer/Supervisor Mini Series - 16mm - 1900s South Australian Film Corporation Director: Don Crombie ULTRAMAN - 1989/90 Costume Designer/Supervisor TV Series - 16mm - Futuristic South Australian Film Corporation GRIM PICKINGS - 1989 Wardrobe Supervisor Mini Series - 16mm South Australian Film Corporation SARA DANE - 1981 Standby Wardrobe Mini Series - 16mm - 1860's South Australian Film Corporation NO GOING BACK - 1980 Costume Designer/Supervisor 30 min Drama - 16mm Director: Scott Hicks THE SULLIVANS - 1979 Standby Wardrobe TV Series - 16mm – 1939-45 Crawford Productions THE PLUMBER - 1978 Wardrobe Supervisor Tele-feature - 16mm South Australian Film Corporation Director: Peter Weir .
Recommended publications
  • SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists ______
    __________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1-3 Special Lists __________________________________________________________________ SOUTH AUSTRALIAN FILM CORPORATION BRG 276 Series 1 Special list __________________________________________________________________ 1. Aarons Way 1.1 Pt 1 & 2 - Third Draft Revised Dec. 22 1986. 2. Australia 2.1 Screenplay - Provisional Title, June 1987. 2.2 Screenplay - Working Title, May 1988. 3. The Battlers 3.1 Screenplay - First Draft, Feb. 1989. 3.2 Screenplay - Second Draft, June 1989. 3.3 Screenplay - Third Draft, Aug. 1989. 3.4 Screenplay - Fourth Draft, March 1991. 3.5 Story for Mini Series - (Master Copy) Second Draft, Dec. 1988. 3.6 Story for Mini Series - 1988 3.7 Story for Mini Series - 1989 3.8 Mini Series - Second Draft (with added notes) 1989. 3.9 Mini Series - Third Draft, July 1989 3.10 Synopsis - Brief outline of story for the Mini Series. 4. Blue Fin 4.1 Screenplay - Third Draft. 4.2 Screenplay - Fourth & Final Draft. 4.3 Screenplay - May 3rd 1978. 4.4 Screenplay - Script for Rewrites, May 11th 1978 (short and long version). 4.5 Continuity Script. 4.6 Folder includes : Script notes, Revisions and Amendments, and correspondence from the S.A. Film Corporation. 4.7 Folder includes: Media Releases, Posters, Newsletters, Minutes regarding promotion of Blue Fin, the Project Blue Fin School Package and merchandising of Blue Fin products. 4.8 Synopsis - Brief outline of Story. 4.9 Production Notes - include Synopsis, Photo’s, Character Biographies and Newspaper clippings. 4.10 Trailer - TV Advertisement Script. 4.11 Shooting Script. 5. Breaker Morant 5.1 Script - First Draft by Michael Craig, Nov.
    [Show full text]
  • Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    Bruce Beresford 电影 串行 (大全) Bride of the Wind https://zh.listvote.com/lists/film/movies/bride-of-the-wind-2839051/actors Puberty Blues https://zh.listvote.com/lists/film/movies/puberty-blues-3283835/actors Barry McKenzie Holds His https://zh.listvote.com/lists/film/movies/barry-mckenzie-holds-his-own-4864500/actors Own Don's Party https://zh.listvote.com/lists/film/movies/don%27s-party-5291409/actors Money Movers https://zh.listvote.com/lists/film/movies/money-movers-6899176/actors The Contract https://zh.listvote.com/lists/film/movies/the-contract-700875/actors Side by Side https://zh.listvote.com/lists/film/movies/side-by-side-7508311/actors Sydney – A Story of a https://zh.listvote.com/lists/film/movies/sydney-%E2%80%93-a-story-of-a-city-7660245/actors City The Adventures of Barry https://zh.listvote.com/lists/film/movies/the-adventures-of-barry-mckenzie-7712494/actors McKenzie The Club https://zh.listvote.com/lists/film/movies/the-club-7723514/actors The Fringe Dwellers https://zh.listvote.com/lists/film/movies/the-fringe-dwellers-7735329/actors The Getting of Wisdom https://zh.listvote.com/lists/film/movies/the-getting-of-wisdom-7736240/actors 怜情蜜æ„​ https://zh.listvote.com/lists/film/movies/%E6%80%9C%E6%83%85%E8%9C%9C%E6%84%8F-1113987/actors 芳心之罪 https://zh.listvote.com/lists/film/movies/%E8%8A%B3%E5%BF%83%E4%B9%8B%E7%BD%AA-1169380/actors 烈血焚城 https://zh.listvote.com/lists/film/movies/%E7%83%88%E8%A1%80%E7%84%9A%E5%9F%8E-1195774/actors ç„¡è²​ 的陷阱 https://zh.listvote.com/lists/film/movies/%E7%84%A1%E8%81%B2%E7%9A%84%E9%99%B7%E9%98%B1-1304103/actors
    [Show full text]
  • Magic EPK Nov2012 P2
    MEDIA KIT CONTENTS Page 2 Synopses Page 4 Don’s Biography Page 5 Don’s Filmography Page 6 Quotes from Don’s Colleagues Page 8 Company Profiles Page 9 Director’s Notes: Cathy Henkel Page 11 Producer’s Notes: Trish Lake Page 13 Crew Profiles Page 15 Credits LINK TO THE TRAILER www.showmethemagic.com.au Actor/ producer Hugh Jackman and cinematographer Don McAlpine on the set of X-Men Origins: Wolverine in Sydney. Image: Cathy Henkel. 1 The Adventures of Don McAlpine SHORT SYNOPSIS LONG SYNOPSIS Show Me The Magic takes us on an enthralling journey into the life and Show Me The Magic takes us on an enthralling and joyful journey into the life work of legendary Australian cinematographer Don McAlpine. A tender and work of the legendary and world-renowned Australian cinematographer, portrait of a life in film, Show Me The Magic weaves together footage from Don McAlpine. Don’s personal archive, his filmography, and on-set observation of his work. Including interviews with filmmakers Baz Luhrmann, Bruce Beresford, Gavin A country kid from the small wheat-belt town of Quandialla in isolated south- Hood, P.J. Hogan, Gillian Armstrong, Paul Mazursky and Hugh Jackman, Show western New South Wales, McAlpine was born in 1934 - the year before the Me The Magic will engage and delight anyone who has ever been first technicolour film was released. There wasn’t even a cinema in Quandialla. touched by the magic of movies. Don helped hi s mother support their family from the age of 14, when his father was stricken by tuberculosis.
    [Show full text]
  • SAFC Umbrella Partnership
    South Australian Film Corporation partners with Umbrella Entertainment to re-release South Aussie screen classics Cannes: The South Australian Film Corporation and Umbrella Entertainment today announced a partnership to give iconic South Australian film and television productions from the 1970s, 80s and 90s, a new life for audiences worldwide. SUNDAY TOO FAR AWAY (1975), BREAKER MORANT (1979), THE CLUB (1980), STORM BOY (1976), MONEY MOVERS (1978) and THE SHIRALEE (1986) are among 25 SAFC-produced titles to be re-launched into the marketplace across multiple platforms by Umbrella Entertainment, in some cases with special features. The announcement was made from the Cannes Film Festival by SAFC CEO Annabelle Sheehan who said these key heritage titles, representing South Australia’s unique cinematic voice, would sit perfectly within Umbrella Entertainment’s slate. Umbrella Entertainment is an Australian film distribution company headed by Jeff Harrison which specialises in content for theatrical exhibition, home entertainment, TV broadcasting, online download platforms and all ancillary. The catalogue of over 200 titles features includes many rare, classic and cult titles. Umbrella’s recent restoration includes: The Chant of Jimmie Blacksmith, Road Games, Long Weekend, The Man From Hong Kong, Dark Age, Cosi, Body Melt, Malcolm and Angel Baby to name just a few. The first wave of SAFC film re-releases will include: • Ken Hannam’s Australian new wave classic SUNDAY TOO FAR AWAY (1975) starring the young Jack Thompson in his AFI-Award winning performance as a hard-drinking but hard- working sheep shearer. Winner of 3 AFI Awards including Best Feature Film. • One of the most iconic South Australian films of all time, STORM BOY (1976), celebrated its 30th anniversary in November.
    [Show full text]
  • An Interview with Bruce Beresford
    [ The NFSA’s Atlab/Kodak Cinema Collection ] FROM OCKERS TO THE OSCARS: AN INTERVIEW WITH Bruce Beresford 1 Bruce Beresford was one of the most prolific and proficient of the first generation of filmmakers in the Australian revival of the 1970s. More than most he worked adventurously across a wide genre range, and perhaps it was this facility that made him such an attractive proposition to Hollywood and elsewhere. HEN Bruce Beresford was in girl who played the violin to play a couple Melbourne in August to promote of folk songs, and then I added some gun- Whis memoir, Josh Hartnett defi- shots. There was a guy at the studio who nitely wants to do this … true stories from said, ‘That’s easy,’ and I could see how he a life in the screen trade (HarperCollins, did it – laying the film in one synchroniz- 2007), he spoke to Brian McFarlane about er and putting parallel ‘bang-bangs’ in the his Australian films. other. I thought this was a pushover and we just mixed the sound. The film was shown To get the trivial over first, did you once, at the Sydney Film Festival, then it went off 10 as one database confidently states, use to a few European ones. the pseudonym ‘Martin Agrippa’? As I understand it, you spent the early 7 No, Barry Humphries and I made a film for part of your career in the UK. What took one of his stage shows about a moviemak- you there? er whose name was Martin Agrippa. It was a send-up; he was an underground film- When I graduated from the University of maker and we called him Martin Agrippa.
    [Show full text]
  • Bruce Beresford, TENDER MERCIES (1983, 100 Min)
    November 2, 2010 (XXI:10) Bruce Beresford, TENDER MERCIES (1983, 100 min) Directed by Bruce Beresford Written by Horton Foote Produced by Philip Hobel Original Music by George Dreyfus Cinematography by Russell Boyd Film Editing by William M. Anderson Robert Duvall...Mac Sledge Tess Harper...Rosa Lee Betty Buckley...Dixie Wilford Brimley...Harry Ellen Barkin...Sue Anne Allan Hubbard...Sonny Lenny von Dohlen...Robert Paul Gleason...Reporter Michael Crabtree...Lewis Menefee Norman Bennett...Reverend Hotchkiss Andrew Scott Hollon...Larue Rick Murray...Jake - Slater Mill Boys Member Stephen Funchess...Bertie - Slater Mill Boys Member Glen Fleming...Steve - Slater Mill Boys Member James Aaron...Henry - Slater Mill Boys Member Jerry Abbot...Piano - Country Blues Band Member Bobby Hibbitts...Drums - Country Blues Band Member Bountiful” 1953. He won two screenwriting Oscars: Tender Buddie Hrabal...Steel Guitar - Country Blues Band Member Mercies and To Kill a Mockingbird 1962, which was Robert Jerry Matheny...Guitar - Country Blues Band Member Duvall’s first film role (as Arthur ‘Boo’ Radley). He also won a Wayne Milligan...Bass - Country Blues Band Member Pulitzer Prize (for his play, “The Young Man from Atlanta”, 1995) and an Emmy (for his adaptation of a Faulkner story as “Old Man”, BRUCE BERESFORD (16 August 1940, Sydney, New South Wales, 1997). Australia) has directed 34 films, among them Mao's Last Dancer 2009, Evelyn 2002, Bride of the Wind 2001, Double Jeopardy 1999, RUSSELL BOYD (21 April 1944, Victoria, Australia) was Paradise Road 1997,
    [Show full text]
  • Film Club Sky 328 Newsletter Freesat 306 DEC/JAN 2020 Virgin 445
    Freeview 81 Film Club Sky 328 newsletter Freesat 306 DEC/JAN 2020 Virgin 445 You can always call us V 0808 178 8212 Or 01923 290555 Dear Supporters of Film and TV History,BAH HUMBUG!!! Can you believe that Christmas is almost upon us?! It’s been a tough year for so many but I do hope we’ve brought you some comfort in such difficult times. Christmas might be a bit ‘Bah Humbug!’ for us all this year, but we have lots to keep you entertained and there is room for you all in our cinema! Sad news this month as we say goodbye to John Fraser a fine actor who can be seen on the channel in Doctor in Clover and El Cid. Good news for Old Mother Riley fans in the New Year: Noel has managed to license the ‘lost’ films to air on Talking Pictures TV. More on this in the next newsletter. This month we have a new crime release for you, our new Crime Collection Volume 7! This enthralling box set features a fantastic selection of films, includingDevil’s Bait with Jane Hylton, Geoffrey Keen and Gordon Jackson as a policeman, long before his butlering days! Warren Mitchell also features in a superb performance as a magician, in Where Has Poor Mickey Gone; a rarely seen thriller, The Black Abbot and a gripping yarn about two boys on the hunt for a stolen painting, The Secret Tunnel – plus many more! If you are struggling for gift ideas this year, please don’t forget we have gift vouchers available – they never expire and can be used on anything we sell.
    [Show full text]
  • Show Me the Magic the Adventures of Don Mcalpine
    Show Me the Magic The Adventures of Don McAlpine © ATOM 2013 A STUDY GUIDE BY ANNE CHESHER AND RUSSELL BURTON http://www.metromagazine.com.au ISBN: 978-1-74295-300-7 http://www.theeducationshop.com.au and the Arts for secondary school students in Years 9–12. The combined Show Me the Magic film and ATOM study guide has two educational applications: All cinema is deception – 1. As a vehicle to learn about the life and work of one of Australia’s a beautiful deception. most awarded and accomplished – Don McAlpine cinematographers, and 2. As an opportunity for analysis and INTRODUCTION appraisal of an Australian feature film documentary. Show Me the Magic (Cathy Henkel, first film … the only other director I’ll 2012) takes us on an enthralling jour- mention is Paul Mazursky. His mantra, The resource includes various ele- ney into the life and work of legend- “Show me the magic!”, has been my ments for inspiring classroom and ary Australian cinematographer Don guiding force all my career.’ self-guided learning. For example: McAlpine. A tender portrait of a life in film, Show Me the Magic weaves Director Baz Lurhmann on Don • Notes on the Show Me the Magic together footage from Don’s personal McAlpine: production and direction provide archive, his filmography, and on-set insight into the vision and execu- observation of his work. Including He’s been the absolute heartbeat tion of the film as well as the extent interviews with filmmakers Baz of cinematography in this country. and body of Don McAlpine’s work. Luhrmann, Bruce Beresford, Gavin From those that have been hugely • An essay provides a discourse Hood, PJ Hogan, Gillian Armstrong recognised, from those that have won on the art of cinematography and and Paul Mazursky, and actor/produc- Oscars – ask them – from first-time Don’s philosophy on life and work.
    [Show full text]
  • The Kennedy Miller Method: a Half-Century of Australian Screen Production
    The Kennedy Miller Method: A Half-Century of Australian Screen Production A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy James Robert Douglas BA(Hon) – The University of Melbourne GradDip – The University of Melbourne School of Media and Communication College of Design and Social Context RMIT University October 2019 i Candidate Declaration I certify that except where due acknowledgement has been made, the work is that of the author alone; the work has not been submitted previously, in whole or in part, to qualify for any other academic award; the content of the thesis is the result of work which has been carried out since the official commencement date of the approved research program; any editorial work, paid or unpaid, carried out by a third party is acknowledged; and, ethics procedures and guidelines have been followed. I acknowledge the support I have received for my research through the provision of an Australian Government Research Training Program Scholarship. I also certify that elements of Chapter 2 have previously been published as: Douglas, James. “Leaving home: Kennedy Miller in Melbourne.” Senses of Cinema 85 (December 2017): 1-1, http://sensesofcinema.com/2017/screening- melbourne/kennedy-miller-in-melbourne/. James Douglas October 25, 2019 ii Acknowledgements I would like to express sincere gratitude to my supervisors Associate Professor Adrian Danks and Dr. Stephen Gaunson for their advice and support throughout my candidature, and to Dr. Ramon Lobato for helping to guide my project in its concluding stages. Thank you to Senior Curator Gayle Lake, Senior Collection Reference Officer Siobhan Dee, and Collection Reference Officer Sean Bridgeman at the National Film and Sound Archive for granting me access to invaluable archival materials.
    [Show full text]