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FY14 Tappin' Study Guide
Student Matinee Series Maurice Hines is Tappin’ Thru Life Study Guide Created by Miller Grove High School Drama Class of Joyce Scott As part of the Alliance Theatre Institute for Educators and Teaching Artists’ Dramaturgy by Students Under the guidance of Teaching Artist Barry Stewart Mann Maurice Hines is Tappin’ Thru Life was produced at the Arena Theatre in Washington, DC, from Nov. 15 to Dec. 29, 2013 The Alliance Theatre Production runs from April 2 to May 4, 2014 The production will travel to Beverly Hills, California from May 9-24, 2014, and to the Cleveland Playhouse from May 30 to June 29, 2014. Reviews Keith Loria, on theatermania.com, called the show “a tender glimpse into the Hineses’ rise to fame and a touching tribute to a brother.” Benjamin Tomchik wrote in Broadway World, that the show “seems determined not only to love the audience, but to entertain them, and it succeeds at doing just that! While Tappin' Thru Life does have some flaws, it's hard to find anyone who isn't won over by Hines showmanship, humor, timing and above all else, talent.” In The Washington Post, Nelson Pressley wrote, “’Tappin’ is basically a breezy, personable concert. The show doesn’t flinch from hard-core nostalgia; the heart-on-his-sleeve Hines is too sentimental for that. It’s frankly schmaltzy, and it’s barely written — it zips through selected moments of Hines’s life, creating a mood more than telling a story. it’s a pleasure to be in the company of a shameless, ebullient vaudeville heart.” Maurice Hines Is . -
Pale Intrusions Into Blue: the Development of a Color Hannah Rose Mendoza
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2004 Pale Intrusions into Blue: The Development of a Color Hannah Rose Mendoza Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF VISUAL ARTS AND DANCE PALE INTRUSIONS INTO BLUE: THE DEVELOPMENT OF A COLOR By HANNAH ROSE MENDOZA A Thesis submitted to the Department of Interior Design in partial fulfillment of the requirements for the degree of Master of Fine Arts Degree Awarded: Fall Semester, 2004 The members of the Committee approve the thesis of Hannah Rose Mendoza defended on October 21, 2004. _________________________ Lisa Waxman Professor Directing Thesis _________________________ Peter Munton Committee Member _________________________ Ricardo Navarro Committee Member Approved: ______________________________________ Eric Wiedegreen, Chair, Department of Interior Design ______________________________________ Sally Mcrorie, Dean, School of Visual Arts & Dance The Office of Graduate Studies has verified and approved the above named committee members. ii To Pepe, te amo y gracias. iii ACKNOWLEDGMENTS I want to express my gratitude to Lisa Waxman for her unflagging enthusiasm and sharp attention to detail. I also wish to thank the other members of my committee, Peter Munton and Rick Navarro for taking the time to read my thesis and offer a very helpful critique. I want to acknowledge the support received from my Mom and Dad, whose faith in me helped me get through this. Finally, I want to thank my son Jack, who despite being born as my thesis was nearing completion, saw fit to spit up on the manuscript only once. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
Resolution Adopting Affirmative Marketing Plan with Checklist
BER-L-006120-15 01/22/2021 1:19:30 PM Pg 1 of 22 Trans ID: LCV2021170382 R# 51-21 COUNCIL OF THE BOROUGH OF SADDLE RIVER Resolution Offered by Council President Ruffino Date: 2/1/21 Seconded by Councilmember RESOLUTION ADOPTING AN AFFIRMATIVE MARKETING PLAN WHEREAS, in accordance with applicable Council on Affordable Housing (“COAH”) regulations, the New Jersey Uniform Housing Affordability Controls (“UHAC”)(N.J.A.C. 5:80- 26., et seq.), and the terms of a Settlement Agreement between the Borough of Saddle River and Fair Share Housing Center (“FSHC”), which was entered into as part of the Borough’s Declaratory Judgment action entitled “In the Matter of the Borough of Saddle River, County of Bergen, Docket No. BER-L-6120-15, which was filed in response to Supreme Court decision In re N.J.A.C. 5:96 and 5:97, 221 N.J. 1, 30 (2015) (“Mount Laurel IV”), the Borough of Saddle River is required to adopt by resolution an Affirmative Marketing Plan to ensure that all affordable housing units created, including those created by rehabilitation, are affirmatively marketed to very low, low and moderate income households, particularly those living and/or working within Housing Region 1, which encompasses the Borough of Saddle River; and NOW, THEREFORE, BE IT RESOLVED, that the Mayor and Council of the Borough of Saddle River, County of Bergen, State of New Jersey, do hereby adopt the following Affirmative Marketing Plan: Affirmative Marketing Plan A. All affordable housing units in the Borough of Saddle River shall be marketed in accordance with the provisions herein unless otherwise provided in N.J.A.C. -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company
Name Description Address Borough Zip Code Phone Number Email Apostle NYC Film & Televsion Production Company. Mainly dealing with tv production. 568 Broadway SuiteManhattan 601 10012 212-541-4323 http://apostlenyc.com/contact/ Atlatntic Televsion Documentaries, Reality shows, Magazine shows, promos, and corporate videos 150 West 28th St,Manhattan 8th Floor 10001 212 625-9327 Belladonna Offers production services to international producers who want to shoot in North America 164 W 25th St, 9thManhattan Floor 10001 212 807-0108 [email protected] Casual Films Shoots coprorate, consumer, employer or CSR communications, commerical, etc 73 Calyer Street Brooklyn 11222 212 796-4933 [email protected] Chelsea Production and Talent Management Company, has directors who shot various movies, commericals, direcotrs,33 Bond etc. Street UnitManhattan 1 10012 212 431-3434 Click Play Films Produces corporate videos, commercials and animation 154 Grand Street Manhattan 10013 646 417-5330 [email protected] Co. Mission Content Groupcreative production company focusing on global video creation and participatory brand experiences. Deals202 with Plymouth mostly commercials St. EntranceBrooklyn B 11201 718 374-5205 [email protected] DePalma Productions Produces videos for the corporate, health care & entertainment industries. Also offers post-production. Also159 offers East equipmentMain Street,New including Suite Rochelle 300 green screen 10807 914 576-3500 Departure Films Produces mostly non-scripted shows for cable channels 240 West 37th -
Stations Monitored
Stations Monitored 10/01/2019 Format Call Letters Market Station Name Adult Contemporary WHBC-FM AKRON, OH MIX 94.1 Adult Contemporary WKDD-FM AKRON, OH 98.1 WKDD Adult Contemporary WRVE-FM ALBANY-SCHENECTADY-TROY, NY 99.5 THE RIVER Adult Contemporary WYJB-FM ALBANY-SCHENECTADY-TROY, NY B95.5 Adult Contemporary KDRF-FM ALBUQUERQUE, NM 103.3 eD FM Adult Contemporary KMGA-FM ALBUQUERQUE, NM 99.5 MAGIC FM Adult Contemporary KPEK-FM ALBUQUERQUE, NM 100.3 THE PEAK Adult Contemporary WLEV-FM ALLENTOWN-BETHLEHEM, PA 100.7 WLEV Adult Contemporary KMVN-FM ANCHORAGE, AK MOViN 105.7 Adult Contemporary KMXS-FM ANCHORAGE, AK MIX 103.1 Adult Contemporary WOXL-FS ASHEVILLE, NC MIX 96.5 Adult Contemporary WSB-FM ATLANTA, GA B98.5 Adult Contemporary WSTR-FM ATLANTA, GA STAR 94.1 Adult Contemporary WFPG-FM ATLANTIC CITY-CAPE MAY, NJ LITE ROCK 96.9 Adult Contemporary WSJO-FM ATLANTIC CITY-CAPE MAY, NJ SOJO 104.9 Adult Contemporary KAMX-FM AUSTIN, TX MIX 94.7 Adult Contemporary KBPA-FM AUSTIN, TX 103.5 BOB FM Adult Contemporary KKMJ-FM AUSTIN, TX MAJIC 95.5 Adult Contemporary WLIF-FM BALTIMORE, MD TODAY'S 101.9 Adult Contemporary WQSR-FM BALTIMORE, MD 102.7 JACK FM Adult Contemporary WWMX-FM BALTIMORE, MD MIX 106.5 Adult Contemporary KRVE-FM BATON ROUGE, LA 96.1 THE RIVER Adult Contemporary WMJY-FS BILOXI-GULFPORT-PASCAGOULA, MS MAGIC 93.7 Adult Contemporary WMJJ-FM BIRMINGHAM, AL MAGIC 96 Adult Contemporary KCIX-FM BOISE, ID MIX 106 Adult Contemporary KXLT-FM BOISE, ID LITE 107.9 Adult Contemporary WMJX-FM BOSTON, MA MAGIC 106.7 Adult Contemporary WWBX-FM -
Who Is Barbara De Laleu, Aka “Roxie Digital”? Barbara Is a Major Media Master and a Pop Culture News Phenom in Her Own Right
Who is Barbara De Laleu, aka “Roxie Digital”? Barbara is a major media master and a pop culture news phenom in her own right. Her accolades include but are barely limited to her new title as Dr. Barbara De Laleu, newest member of the illustrious Zeta Phi Beta Sorority, Inc. Sigma Kappa Zeta Brooklyn Graduate Chapter, Department of Mass Communications Adjunct Professor at Iona College, commentator, entrepreneur, podcaster, social media influencer, and have been heard in her primary role as On air personality for New York’s 95.5 PLJ and Radio 103.9. De Laleu has worked across several New York City radio stations like WWRL 1600AM - La Invasora, 107.5 WBLS FM, 1190 WLIB, 102.3 WBAB and 106.1 BLI and Radio 103.9 where she began her NYC radio career under hherer nnewew nnameame ““Roxie!”Roxie!” PPreviously,reviously, fforor aalmostlmost 9 yyearsears , DDee LLaleuale used the radio moniker “The Beautiful Stranger” rocking tthehe mmicic oovernightsvernights aandnd wweekendseekends oonn LLongo Island’s #1 Rock station 102.3 WBAB and 106.1 WBLI wwhilehile concurrenconcurrentlytly hholdingolding ddownown ppositionsositi as radio producer and board operator gigs for heritage stationi WWWRLWRL 11600600 AAMM andd ffor theh llegendary Imhotep Gary Byrd at 107.5 WBLS and 1190AM WLIB to name a few. Not being deterred by her already impressive resume, Barbara has close ties to her community both stateside and abroad, and takes her work in bringing awareness to the most pressing topics quite seriously speaking at various colleges, universities, high schools, workshops and open forums. In the fall of 2017, De Laleu brought her talents as a Social Media and Video Production workshop instructor at CUNY LaGuardia Community College and back in 2013 at Essex Community College in Newark, NJ. -
Papers of ADOLF A. SERLE, 1912-1974
Papers of ADOLF A. SERLE, 1912-1974 Accession Numbers: Ms. 74-11 , Ms . 74-14, Ms . 75- 9, Ms . 83-11 , The papers were presented to the Library by Mrs. Adolf A. Serle in 1973, 1974, a nd 1982. Mrs. Be rle 's copyrigh t interest in these papers has been do nated to the' Un ited States Government. However, Mrs. Serle and Travis S. Jacobs published an edited version of Adolf A. Berle 's diary under the title Navigating the Rapids 1918-1971: From the Papers of Adolf A. Serle. Copy right to tha t part of the diary published in Navig a ting the Rapids, which amoun ts to approximately 20 percent of the total di ary fi le, has been retained by the publishe r Harcourt Srace Jovanovich, Inc. Researchers who wish to re produce or quote from copyrighted portio ns of the diary must. obta in permission from the publisher. Quantity: 98 linear feet (196,000 pages) Restrictions: These papers conta in documents restricted in accordance w ith Executive Order 12356, and material that might be used to e mba rrass, harass, or injure living persons has been c losed. Rela ted Material: Transcript of the interview with Adolf A. Serle conducted by the C olumbia Oral History Project. Permission to c ite or quote must be obtained from Mrs. Adolf A. Serle. Electros tptic copies of correspondence between Fletcher Warren and A. A. Serle from the Warren Papers in East Texas State Unive r si t y Library at Commerce, Texas 75428. I ADOLF A. -
Savion Glover Resume
savion glover choreographer contact: (818) 509-0121 FILM / TELEVISION Molly (*to be released) Tap Improvography Dir. Sally Potter World of Dance Guest Mentor NBC / Season 2 So You Think You Can Dance Choreographer FOX / Season 13 Choreographer / Motion Capture Happy Feet Dir. George Miller, Warren Coleman, Judy Morris Performer Happy Feet Two Choreographer Dir. George Miller, Gary Eck, David Peers Bamboozled Choreographer Dir. Spike Lee The Jamie Foxx Show Choreographer Dir. John Bowab / Warner Bros. Television The Rat Pack Choreographer Dir. Rob Cohen / HBO Savion Glover’s Nu York Choreographer Dir. Jim Gable / ABC THEATRE BROADWAY Shuffle Along, Or the Making of the Music Box Theatre / Dir. George C. Wolfe / *Tony Musical Sensation of 1921 and All That Choreographer Award Nominated Followed (2016) Bring in ‘Da Noise, Bring in ‘Da Funk Choreographer / As da Beat (Original) Public Theater / Dir. George C. Wolfe / (1996-1999) / as Lil’ Dahlin’ (Original) *Tony Award Winner Virginia Theatre / Chor. Gregory Hines, Ted L. Levy / Jelly’s Last Jam (1992-1993) As Young Jelly (Original) Dir. George C. Wolfe Minskoff Theatre / Chor. Cholly Atkins / Dir. Hector Black and Blue (1989) As Younger Generation (Original) Orezzoli, Claudio Segovia Minskoff Theatre / Chor. Danny Daniels / Dir. Vivian The Tap Dance Kid (1984-1985) As Willie (Replacement) Matalon OFF-BROADWAY Don’t Bother Me, I Can’t Cope (2018) Director / Choreographer Encores! / New York City Center Bring in ‘Da Noise, Bring in ‘Da Funk Choreographer New York Shakespeare Festival / Public -
WEPN-FM, WLIB(AM) and Employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 I
WEPN-FM, WLIB(AM) and employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 I. VACANCY LIST See Master Recruitment Source List (MRSL) for recruitment source data Recruitment Sources (RS) Used to RS Referring Job Title Fill Vacancy Hiree Digital Account Coordinator 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 6 41-46, 50-56, 59-73, 75-78, 89 Broadcast Engineer 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 6 41-47, 50-56, 59-73, 75-78, 89 Field Promotions Manager 1-4, 6-10, 12-21, 24, 27, 29-32, 34, 39, 86 41-47, 50-56, 59-73, 75-78, 86, 89 WEPN-FM, WLIB(AM) and employees at WBLS(FM), WQHT(FM) EEO PUBLIC FILE REPORT February 1, 2019 – January 31, 2020 II. MASTER RECRUITMENT SOURCE LIST (MRSL) Source Entitled No. of Interviewees RS Referred by RS RS Information to Vacancy Number Notification? over (Yes/No) 12-month period Wagner College – Center for Academic and Career Engagement (CACE) Attn: Tara Chiari– Assistant Director 1 One Campus Road Y 0 Staten Island, NY 10301-9831 Phone : 718-390-3430 [email protected] Queensborough Community College 222-05 56th Avenue LA29 Bayside, NY 11364 2 N 0 Tel: 718-631-6262 Attn: Constance Peluso Email: [email protected] [email protected] Congress of Racial Equality P.O. Box 264 New York, NY 10276 3 N 0 Attn: Brian McLaughlin- Executive Producer Email: [email protected] Phone: 212-598-4000 Emma L. -
New River Bro Aug 15
August 28, 2009 New River Dramatists is in the 10th year of its mission: to help raise the standards of storytelling in theatre, film and television by assisting writers to achieve their best work; and to connect that work to producing entities . To the ears of most writers, this mission sounds angelic, and NRD’s assistance has been gratefully accepted by such literary lights as Denis Johnson and N. Scott Momaday, as well as by 68 other established and emerging playwrights. These talented artists have used NRD’s staff, facilities and its unique crafting process to develop 345 new plays and screen- plays, almost half of which have been either optioned or produced as plays or films. This is a stunning record of artistic and commercial success, especially by an organiza- tion of such modest resources as ours. And so, building on our achievement, I’m thrilled to announce the expansion of NRD’s mission: to nurture artistic excellence in poetry, fiction and music, along with the plays and screenplays it has so long fostered. And as we broaden our scope, we’re simplifying our name to just New River . But there’s more… Our Board of Directors recently chose for New River: • a beautiful new home – River House — that can support and fully accommo- date our growing mission. (See photos on page 4.) • a New River publishing imprint with McFarland & Co, Inc. is in the works; a first book of 3 New River plays is scheduled for late-2009 publication. • Master Classes – taught by prize-winning New River teachers – are taking place this fall.