Herald of Holiness Volume 85 Number 11 (1996) Wesley D
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New Mexico Musician Vol 37 No 1
New Mexico Musician Volume 37 | Number 1 Article 1 9-1989 New Mexico Musician Vol 37 No 1 Follow this and additional works at: https://digitalrepository.unm.edu/nm_musician Part of the Music Education Commons Recommended Citation . "New Mexico Musician Vol 37 No 1." New Mexico Musician 37, 1 (1989). https://digitalrepository.unm.edu/nm_musician/vol37/ iss1/1 This Full Issue is brought to you for free and open access by UNM Digital Repository. It has been accepted for inclusion in New Mexico Musician by an authorized editor of UNM Digital Repository. For more information, please contact [email protected]. FALL 1989 lmside: Award Winners! A 11-State Audition Information NTMMEA Handbook OFFICIAL PUBLICATION NEW MEXICO MUSIC EDUCATORS ASSOCIATION Volume XXXVII From digital pianos for classroom or MIDI lab use to the music educator's library, our delivery, service, direct school prices and 5-year instrument warranty are unmatched in the music industry. For all the right reasons, call or write to get our 24 page color catalogue. It's free and so is the phone call. Suzuki Corporation, P.O. We have rhythm instru Box 261030, San Diego, ments crafted from rock California 92126. CALL TOLL FREE FOR YOUR COPY TODAY 1 ·800·854·Conunemal US1594 1·800·542·6252Jn Calorornla � D []!}ll []!} CS D CORPORATION [ME.AOFFICERS SIDENT a McAltster·Servold E. Hairkness ;bad, lS8220 THE 1e:887-3143 Office. 887-3508 NEW MEXICO MUSICIAN &PRESIDENT, BAND ry Estrada Vaughn St Official Publication of the Lunas. NM 87031 1e:865-5751. Office:865-4646 New Mexico Music Educators Association &PRESIDENT. -
Controversial Night Dance Policy Time Restraints Are Changed on Trial Basis
lifestyle........7 Hdy 86/66° sports............ 9 Wednesday} Rüiuv' 86/670 classifieds.... 12 ALTON, EAST ST. LOUIS & EDWARDSVILLE Thursday: 84/67° ♦ Tuesday, September 16, 1997 SOUTHERN ILLINOIS UNIVERSITY AT EDWARDSVILLE Vol. 50 No. 16 ♦ Controversial night dance policy time restraints are changed on trial basis ■ By DANIELLE BELTON 12:30 a.m.or after capacity was reached; whichever came long lines that lasted until 1:00 a.m. instead of 12:30 a.m. NEWS EDITOR first. Now the policy has been temporarily adjusted, Still, despite this change, some organizations feel there making the cut off time 1:00 a.m. is a long way to go. Blank stares and looks of surprise appeared on many Vice Chancellor of Student Affairs, Dr. Emmanuel "It’s progress,” said SIUE student and member of faces after becoming aware of a change in the university’s made the decision after the meeting. Alpha Phi Alpha Fraternity, Inc., Brian Stemmons, “but late night dance policy. On Thursday, another adjustment “This was following the results of a discussion we did the doors don’t need to be locked, period, until a was made to the policy, making 1:00 a.m.the new cut off with a workshop with the students.” said Steven Sperotto, major incident.” time. The revised policy, which has been a source of con Director of the Student Leadership Development Center. This policy was greatly criticized by students because troversy between African American Greek organizations Sperotto sent out a memo Thursday detailing the several members of African American Greek and University officials, was changed on a trial basis due policy, which went into effect at Friday night’s dance, organizations felt that the policy was racially biased. -
DMB Promo Box Set
DMB Promo Box set Live Trax Vol. 1 CD (12.8.1998) 2 CD The second night of a two night stand at the Centrum in Worcester, MA. According to crew reports, these were shows that showcased a period of musical growth for the band in which set list standards transcended into virtually new songs. Live Trax Vol. 2 CD (9.12.2004) 2 CD The show took place in the Polo Fields of Golden Gate Park in San Francisco, CA and was a benefit concert for Bay Area Charities. From the moment the band hit the stage, the concert immediately became one of the highlights of Dave Matthews Band's career. Carlos Santana sits in as a special guest for several songs, including the recently written Sugar Will. The 3 CD set also features two additional previously unreleased songs, Joyride and Hello Again. Live Trax Vol. 3 CD (8.27.2000) 3 CD This was the third show in a three-night stand at the Meadows in Hartford, CT, a show that many fans have listed in their top 5 due to the choice set list and the energy with which the songs were played that summer evening. Live Trax Volume 4 CD (4.30.1996) 4 CD Classic Amphitheatre, Richmond, VA was the show that started the Crash tour. In addition to hearing many new songs for the first time, fans in attendance were the first to hear the new sound system which DMB had recently inherited from the Grateful Dead. This sound system helped to take DMB's live show experience to the next level. -
Music Collection
collection! 2573 songs, 6:19:50:59 total time, 9.72 GB Artist Album # Songs Total Time The Arcade Fire 2001 Demos 10 51:06 Arcade Fire EP 7 32:52 Funeral 14 1:06:04 The Arcade Fire/David Bowie Live EP 3 14:28 Audioslave Audioslave 9 39:54 Out of Exile 16 1:10:20 The Beatles A Hard Day's Night 13 30:30 Abbey Road 17 47:22 Alternate Abbey Road 7 25:44 Beatles For Sale 14 34:13 Help 15 37:30 Let It Be 10 28:15 Magical Mystery Tour 10 32:51 Past Masters - Volume One 18 42:28 Past Masters - Volume Two 13 40:02 Please Please Me 13 30:23 Revolver 13 32:19 Rubber Soul 14 35:48 Sgt. Pepper's Lonely Hearts Club Band 13 39:50 The White Album CD1 17 46:21 The White Album CD2 14 54:17 With The Beatles 14 33:24 Yellow Submarine 13 40:07 Bob Dylan Blood On The Tracks 10 51:53 Bob Dylan 14 41:07 Highway 61 Revisited 8 45:24 Love And Theft 8 36:34 Nashville 1 2:17 Shot of Love 10 44:55 The Best of Bob Dylan 6 31:31 The Essential Bob Dylan 26 1:47:02 The Freewheeling Bob Dylan 13 50:07 The Rolling Thunder Revue CD1 11 51:02 The Rolling Thunder Revue CD2 11 51:12 Bob Dylan/Johnny Cash Nashville 20 59:45 Buffalo Springfield Retrospective: The Best of Buffalo Springfield 12 40:21 The Cardigans First Band on the Moon 11 39:06 Life 14 48:07 Super Extra Gravity 14 47:57 Clap Your Hands Say Yeah Clap Your Hands Say Yeah 12 38:41 Coldplay A Rush of Blood To The Head 12 58:47 Live 2003 14 1:17:35 Live at Glastonbury 2005 15 1:17:26 Parachutes 10 35:51 X&Y 14 1:05:53 Danny Elfman Big Fish OST 22 57:39 Dave Matthews Band Before These Crowed Streets 11 1:10:21 Busted -
^Fts Se Entertainment
^ fts Se Entertainment November 13,1997 WSQPsTopTen RECORD RELEASES Nov. 13 Wahlberg has ’talent* for movies 1,X— "Wild Thing" Erik Akelaitis performance as Jack Horner, the mood changes and the audience ii Belmont Playboys— Asst. A&E Editor porn movie director who discovers sees the true quality of the charac "Running Wild" MC8 Diggler’s “hidden talent” and ters in the film as they experience 3. Everclear— "Every Ozzy Osborne Mark “Marky Mark” makes him a star. hardships. thing to Everyone" Bush Wahlberg offers a unique perfor Throughout the film, there are Wahlberg, Reynolds and the Lisa Loeh mance in Paul Anderson’s “Boogie various scenes that do a good job of majority of the other actors let their 4. Rage Against the Luniv Nights.” capturing the essence of the late abilities shine in the second part of Machine— "The SWV Wahlberg plays Dirk Diggler, 70s and early 80s. The music in the the film because they face tough Ghost of Tom Joad" Led Zeppelin a 17-year-old busboy who becomes film and the costumes offer a good challenges, such as drug abuse, 5. Phish— "Taste" a pom star overnight because of his representation of the atmosphere sexual dysfunction and suicide. Mystikal 13-inch “talent.” of the times. I give this film four stars out of 6. Manute Soul—^"Red The film is set in the 1970s and There are several scenes that five because the acting and charac Sand" begins by showing Diggler’s fam show disco clubs, bell bottoms, terization take a while to develop, 7.MetaIHca— 'The ily life and the challenges he faces polyester clothes and other cloth but the film still manages to do a Memory Remains’* BLOCKBUSTER VIDEO before he goes all the way to the ing that make this movie a success. -
The Soundtrack of Politics a Case Study of Anashid in Hamas and Hizbullah
The Soundtrack of Politics A Case Study of Anashid in Hamas and Hizbullah The Soundtrack of Politics A Case Study of Anashid in Hamas and Hizbullah Carin Berg SCHOOL OF GLOBAL STUDIES Doctoral Dissertation in Peace and Development Research School of Global Studies University of Gothenburg June 2017 © Carin Berg Cover layout: Mats Kamperin Cover photo top: Almahdi Music Harmony Cover photos bottom: Carin Berg Printing: Ineko AB, 2017 ISBN: 978-91-629-0169-1 (Print) ISBN: 978-91-629-0170-7 (PDF) http://hdl.handle.net/2077/52195 This thesis is dedicated to my parents, Rolf and Ywonne, for endless support and for always believing in me Abstract Carin Berg (2017): The Soundtrack of Politics. A Case Study of Anashid in Hamas and Hizbullah. PhD Dissertation in Peace and Development Research, School of Global Studies, University of Gothenburg (P.O. Box 700, 405 30 Gothenburg, Sweden). Language: English, with a summary in Swedish ISBN: 978-91-629-0169-1 (Print) ISBN: 978-91-629-0170-7 (PDF) http://hdl.handle.net/2077/52195 Music is commonly used as a tool in political organizations in general. Due to religi- ous norms and interpretations, Islamist organizations use anashid as the main musical genre for political aims. By exploring how anashid is used in Hamas and Hizbullah, two major political players in the Middle East, this thesis adds to the sparse academic analysis about the role of anashid and its relation to Islamist organizations. By merging the academic fields of politics, music, and Islam, the study makes sense of anashid theo- retically in organizations. -
Preacher's Magazine Volume 69 Number 01 Randal E
Olivet Nazarene University Digital Commons @ Olivet Preacher's Magazine Church of the Nazarene 9-1-1993 Preacher's Magazine Volume 69 Number 01 Randal E. Denny (Editor) Olivet Nazarene University Follow this and additional works at: https://digitalcommons.olivet.edu/cotn_pm Part of the Biblical Studies Commons, Christian Denominations and Sects Commons, International and Intercultural Communication Commons, Liturgy and Worship Commons, Missions and World Christianity Commons, and the Practical Theology Commons Recommended Citation Denny, Randal E. (Editor), "Preacher's Magazine Volume 69 Number 01" (1993). Preacher's Magazine. 628. https://digitalcommons.olivet.edu/cotn_pm/628 This Journal Issue is brought to you for free and open access by the Church of the Nazarene at Digital Commons @ Olivet. It has been accepted for inclusion in Preacher's Magazine by an authorized administrator of Digital Commons @ Olivet. For more information, please contact [email protected]. MAGAZINE A NEW LOOK AT JUSTIFICATION TRANSLATING THE LANGUAGE OF THEOLOGY JESUS PREACHED DIRECTLY HURTING PARENTS (People today need to have their faith reinforcedj they need to have their hope renewed, and they need to have their Cove restored\ — ‘-Riek 9v(c‘Danief u EDITORIAL RESTORING GENTLY r- o ' ^tot, "2 ■£} by Randal E. Denny A C -5 ^ Spokane, Wash. 93 O 1b ± he church has been accused of hurts, it should bring no joy to the is in the wrong” (v. 1, TLB). The shooting its own wounded. other members. Greek word for “humility” or “meek However, I witnessed the op Let the church family resist the urge ness” is not a sissy, weak word. It de Tposite today. -
University of Cincinnati
UNIVERSITY OF CINCINNATI Date: 28-May-2010 I, Dominic DeStefano , hereby submit this original work as part of the requirements for the degree of: Doctor of Musical Arts in Viola It is entitled: A Guide to the Pedagogy of Microtonal Intonation in Recent Viola Repertoire: Prologue by Gérard Grisey as Case Study Student Signature: Dominic DeStefano This work and its defense approved by: Committee Chair: Catharine Carroll, DMA Catharine Carroll, DMA 5/28/2010 777 A Guide to the Pedagogy of Microtonal Intonation in Recent Viola Repertoire: Prologue by Gérard Grisey as Case Study a document submitted to The Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of DOCTOR OF MUSICAL ARTS in the Performance Studies Division of the College-Conservatory of Music May 28, 2010 by Dominic DeStefano 3407 Clifton Ave Apt 23 Cincinnati, OH 45220 [email protected] B.M., University of Cincinnati, 2003 M.M., University of Cincinnati, 2006 ____________________________________ Advisor: Catharine Carroll, DMA ____________________________________ Reader: Masao Kawasaki ____________________________________ Reader: Lee Fiser Abstract Since its establishment as a solo instrument, the viola’s repertoire has always heavily depended upon the works of composers contemporary with its first great soloists. As this dependence on recent repertoire continues, the viola boasts a growing number of works containing microtonal pitch collections, and the modern performer and pedagogue must have the skills to interpret these works. This document serves as a guide to the intonation of microtonal viola repertoire, asserting that the first step lies in understanding the pitch collections from the composer’s point of view. -
Voiceworks Voiceworks
VOICEWORKS Q UICKSTART G UIDE TC Electronic A/S | Sindalsvej 34 | DK-8240 Risskov | Denmark | Phone: +45 8742 7000 | Fax: +45 8742 7010 TC Electronic Inc. | 742-A Hampshire Road | Westlake Village | CA 91361 USA | Phone: (805) 373 1828 | Fax: (805) 379 2648 E-Mail: [email protected] | Web: www.tc-helicon.com PART I – TOURING THE BASIC CONTROLS Setting Up First, connect VoiceWorks to your system by: plugging in a microphone, connecting a MIDI keyboard, providing power, connecting the audio outputs to your mixer etc. Setting M ic Level/Phantom Pow er 1. Set MIC GAIN knob to minimum (fully counter clockwise). 2. Push MIC IN key so the light comes on (this enables the microphone). If you are using a condenser mic that needs phantom power, also turn on the phantom power by pressing and holding the +48V key for 2 seconds until the light comes on. 3. While singing into the mic, increase the MIC GAIN knob until the signal level LED ladder to the left of the display peaks at –5 dB. 4. Set your mixer levels to a comfortable volume. Trying the Presets Loading Presets using the UP/DOW N ARROW Keys This gives you a chance to hear what the VoiceWorks can do. 1. Press the RECALL Key to make sure that it is lit. 2. Push on the UP-ARROW key to move to higher number presets. Push on the DOWN-ARROW key to move to lower number presets. Notice that when you change presets a name will be displayed for 2-3 seconds before it scrolls off the side of the display, leaving you with important information about the preset. -
C'era UNA Volta in America
OS 22 23 Dave MatthewsClub Band Dogo foto Federico Riva LIVESTYLE Concorso > di DanieleClaudio SalomoneMorsenchio regalati una Wii info a pagina 4 e 5 C’ERA UNA VOLTA IN AMERICA C’è stato un tempo in cui fenomeni musicali nasce- vano spontaneamente, ora da una parte, ora da un’altra. Anni, decenni, in cui intere scene o singole band emergevano dall’anonimato grazie al rapporto Dave Matthews Band Live diretto tra artisti e pubblico. Se si escludono rarissi- mi casi, oggi quel tempo non c’è più. Per sua e nostra 22/02 Milano fortuna, Dave Matthews ha messo in piedi la band 23/02 Roma quando ancora le vie della musica erano libere da 25/02 Padova caselli e posti di blocco. Mylive, il primo social network dedicato agli MyLive.it amanti della musica dal vivo! Cerca il gruppo del tuo artista preferito, carica foto e video, crea il tuo blog, incontra altri fan! 24 LIVESTYLE/ DAVE MATTHEWS BAND 25 dopo undici anni di assenza (anche se sarebbe meglio parlare di prima volta, viste le pochissime presenze della data del ‘98) grazie ad una singolare iniziativa dei foto Federico Riva ragazzi di Con-Fusion. “Tutto è nato dopo il concerto acustico di Dave come soli- Remember this things sta a Milano, nel marzo del 2007” ci racconta ancora Lenzi. “ Abbiamo conosciuto da vicino il manager della band, ed abbiamo deciso di azzardare una petizione on Dal 1993 a oggi, in totale sono 9 le produzioni in studio della line, da consegnare al gruppo, che chiedesse alla gente di manifestare il proprio Dave Matthews Band. -
Religion, Miss America, and the Construction of Evangelical Womanhood
Religion, Miss America, and the Construction of Evangelical Womanhood by Mandy Ellene McMichael Graduate Program in Religion Duke University Date: April 8, 2014 Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Mark Chaves ___________________________ Randy L. Maddox ___________________________ Thomas A. Tweed ___________________________ Timothy B. Tyson Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2014 ABSTRACT Religion, Miss America, and the Construction of Evangelical Womanhood by Mandy Ellene McMichael Graduate Program in Religion Duke University Date: April 8, 2014 Approved: ___________________________ Grant Wacker, Supervisor ___________________________ Mark Chaves ___________________________ Randy L. Maddox ___________________________ Thomas A. Tweed ___________________________ Timothy B. Tyson An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate Program in Religion in the Graduate School of Duke University 2014 Copyright by Mandy Ellene McMichael 2014 Abstract Christian engagement with beauty contests shifted dramatically between the initial Miss America pageant in 1921 and its 90 th anniversary in 2011. This dissertation explores how and why many Christians found the organization an institution worthy of partnership with the church. It examines three aspects of Christian involvement in the contest: the long history of beauty pageants, the persistent emphasis on individual physical attractiveness, and the idea of witness in southern evangelical culture. It argues that after 1965, at least two factors enabled the unlikely marriage of Christians and the Miss America Organization: the perceived threat of second-wave feminism and evangelicalism’s increasing desire to engage culture. -
Dave Matthews Band Plays in the Field House by MATTHEW PRINCE Todd Were Having Difficulty De- Editor-In-Chief Ciding Who Would Be the Head- Lining Band
BULK RATE U.S. POSTAGE PAID HARTFORD, CT PERMIT NO. 2159 Vol. XCIII No. 14 PUBLISHED BY THE STUDENTS OF TRINITY COLLEGE SINCE 1904 FEBRUARY 7, 1995 Dave Matthews Band Plays In The Field House BY MATTHEW PRINCE Todd were having difficulty de- Editor-in-Chief ciding who would be the head- lining band. Jarrett Rushmore The largest concert at Trin- '95, President of TCAC, an- ity so far this year coincided with nounced at the TCAC meeting Connecticut's largestsnowstorm on January 22nd that the prob- of the season. Last Friday, Dave lems between the two bands had Matthews and Big Head Todd been resolved and the concert and the Monsters were sched- would occur. uled to play before a packed "The only reason that Dave house of 1750. But while most Matthews got to headline was students looked forward to the at the time the contract was snow storm and the concert, some signed they were selling more were disappointed when both fi- albums per week [than Big Head nally came. Todd]," Rushmore said. Members of the Trinity Col- Brian Kelly, Director of lege Activities Council (TCAC) Campus Safety, arranged in ad- began building a stage in the Field vance with TCAC that it would House at 10:00 PM the night be- be a "dry" concert. Alcohol of fore the concert. The concert had any kind was not permitted in- been arranged before Christmas side the Field House; bags had Students enjoy sledding on the Chapel Hill after the recent .snow that fell Saturday Break, but there was doubt over to be left at the door, and jackets morning.