INTERNATIONAL YEARBOOK OF FUTURISM STUDIES VOLUME 1: 2011 Ed. by Günter Berghaus x The Futurist art movement, founded by F.T. Marinetti in 1909, had a world-wide impact and made important contributions to avant-garde movements in many countries and artistic genres. This Yearbook is designed to act as a medium of communication amongst a global community of Futurism scholars. It has an inter-disciplinary orienta- tion and presents new research on Futurism across national borders in fields such as literature, fine arts, music, theatre, design, etc. Apart from essays and country surveys it contains reports, reviews and an annual bibliography of recent Futurism studies. x Günter Berghaus, University of Bristol, UK.

Table of Contents

Section 1: The 2009 Centenary of Futurism: Critical responses to Exhibitions, conferences and publications: Giorgio di Genova; Chris Michaelides; Günter Approx. 350 pages. 50 fig. Berghaus Hardcover € 99.95 [D] / *US$ 140.00 ISBN 978-3-11-023776-4

Section 2: Country Surveys: Nina Gurianova: Russia; Oleh Ilnytzkyj: Ukraine Online € 99.95 [D] / *US$ 140.00 ISBN 978-3-11-023777-1 Section 3: Futurism in Eastern and Central Europe Print + Online € 114.95 [D] / *US$ 161.00 Przemysław Strożek (Institute of Art, Polish Academy of Sciences): "Marinetti is ISBN 978-3-11-023778-8 foreign to us": Early Polish Modern Art and its Responses to Italian Futurism (1909- TO BE PUBLISHED 10/2011 1924) – Emilia David Drogoreanu (Faculty of Letters, University of Turin): Aes- LANGUAGE English thetic affinities and political divergences between Italian and Romanian Futurism – Aija Brasliņa (Latvian National Museum of Art): Latvian Modernists in Berlin and Rome in the 1920s: Encounters with secondo futurismo – Želimir Koščević (Mu- seum of Computer Art , Zagreb): Futurism and Photography: The Cases of Yugosla- via and Czechoslovakia – Marina Dmitrieva (Centre for the History and Culture of Eastern Europe, University of Leipzig): Ukrainian Panfuturism – Irina Subotić (Cu- rator of the National Museum in Belgrade): Zenitism / Futurism: Similarities and Differences – Oksana Bulgakowa (Institute of Film Studies, University of Mainz): Futurism, Film and the Factory of Eccentric Actor (FEKS) – András Kappanyos (Institute of Literary Studies, Budapest) The Reception of Futurism in 'Nyugat' and the Kassák Circle of Activists – Ilona Gwóźdź-Szewczenko (Institute of Slavic Studies, University of Wrocław): Futurism in Czech Literature: S.K. Neumann, Prole- tarian Poetry and Devětsil – Sonia Reisingerová Savoye de Puineuf (Department of Art History, Université Paris-Sorbonne, Paris IV): Quicksands of Typography: The Futurist Experience in Central Europe of the 1920s – Maria Elena Versari (Humani- ties Research Center, Rice University): The "Borders of Futurism": Ruggero Vasari in Poland – Irina Genova (Institute of Art Studies, New Bulgarian University, Sofia ): The Critical Interest in the Hybrid Artistic Identity: Nicolay Diulgheroff and secondo futurismo – Marijan Dović (Institute of Slovenian Literature and Literary Sciences, Slovenian Academy of Sciences and Arts, Ljubljana): Anton Podbevšek, Italian Fu- turism and the Slovenian Interwar Avant-garde – Bela Tsipuria (Faculty of Humani- ties and Cultural Research, Ilia State University, Tbilisi): H2SO4: The Futurist Ex- perience in Georgia – Ilona Fried (Dept. of Italian Literature, Eötvös Loránd Univer- sity, Budapest): Margit Gáspár's Encounters with Marinetti, 1931 and 1935

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