Danger! a True History of a Great City's Wiles and Temptations, by William Howe and Abraham Hummel
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Howard Willard Cook, Our Poets of Today
MODERN AMERICAN WRITERS OUR POETS OF TODAY Our Poets of Today BY HOWARD WILLARD COOK NEW YORK MOFFAT, YARD & COMPANY 1919 COPYRIGHT, 1918, BY MOFFAT, YARP & COMPANY C77I I count myself in nothing else so happy as in a soul remembering my good friends: JULIA ELLSWORTH FORD WITTER BYNNER KAHLIL GIBRAN PERCY MACKAYE 4405 ACKNOWLEDGMENTS To our American poets, to the publishers and editors of the various periodicals and books from whose pages the quotations in this work are taken, I wish to give my sincere thanks for their interest and co-operation in making this book possible. To the following publishers I am obliged for the privilege of using selections which appear, under their copyright, and from which I have quoted in full or in part: The Macmillan Company: The Chinese Nightingale, The Congo and Other Poems and General Booth Enters Heaven by Vachel Lindsay, Love Songs by Sara Teasdale, The Road to Cas- taly by Alice Brown, The New Poetry and Anthology by Harriet Monroe and Alice Corbin Henderson, Songs and Satires, Spoon River Anthology and Toward the Gulf by Edgar Lee Masters, The Man Against the Sky and Merlin by Edwin Arlington Rob- inson, Poems by Percy MacKaye and Tendencies in Modern American Poetry by Am> Lowell. Messrs. Henry Holt and Company: Chicago Poems by Carl Sandburg, These Times by Louis Untermeyer, A Boy's Will, North of Boston and Mountain Interval by Robert Frost, The Old Road to Paradise by Margaret Widdener, My Ireland by Francis Carlin, and Outcasts in Beulah Land by Roy Helton. Messrs. -
Old Police Trails in the Town That
OLD POLICE TRAILS IN THE TOWN THAT I WAS PLACE that would have delighted Louis Not all were ii /"k Robert Stevenson, Morgan pirate lairs along the Spanish there was a famous one on tinguished company. Gathered about,, hir-i ¿% Robertson or any of those old sea Main; Cherry Street. were Mrs. Langtry, Harry Parker *H-'th<?n al*- writers was 'The Sailor's Rest,' As to dives* known along Broadway M The Fashion Plate" a sort of divo where in New York could a u Cherry Hill, crimp»s" and to-day you find Fleahag? .Charlotte Carew, of the Henry Irvine com»-, wading house run by 'Mother' Olson." pany; Denman Thompson, of 'Old Homesteac was Francis Bv ARTHUR JAMES PEGLER »rjja speaker Cadell, former Drawings by J. NORMAN LYND fame; Barney Dillon, who sang the comely Oaf York City detective, lately retired after song 'Seven Ages of Shakespeare'; Charlie g_rty-efght years' service. I found him on Mitchell, English ring champion, and hi?r fath¬ ¡porch of his home in Brooklyn. His mood er-in-law, 'Pony' Moore; P. S. Gil more, mana¬ ¿g reminiscent ger of Niblo's Gardon, at that time in its hey¬ «.This woman was a Scandinavian with a day; Colonel Mapleson, «Signor Campanari, fcd record," Cadell went on. "Her place was Emma Juch, Lillian Lehman, Caroline ,-Grau («a favorite haunt of Jerry McAuley, after and Clementine de Veré. Some company! «rd «s a reformed character in charge of "I was on duty at the Brighton onc^night He a when 5_e McAuley Mil-ion. -
SUMMER 2020 REGISTER NOW Summer 2020 Semester Starts May 23 REGISTER ONLINE OR by PHONE Thecontemporaryaustin.Org/Artschool 512 323 6380
SUMMER 2020 REGISTER NOW Summer 2020 Semester starts May 23 REGISTER ONLINE OR BY PHONE thecontemporaryaustin.org/artschool 512 323 6380 SUPPLY LISTS for adult classes are available online: thecontemporaryaustin.org/supply-lists FACULTY BIOS Get to know our Art School instructors: thecontemporaryaustin.org/faculty APPLY FOR A SCHOLARSHIP thecontemporaryaustin.org/scholarships WELCOME TO SUMMER We are delighted to welcome you to an exciting summer at the Art School, with many intriguing TABLE OF CONTENTS new class offerings along with old favorites. Students can enjoy some of our most popular ADULTS Beginners 2 classes, such as Wheel Throwing, Claymation, Drawing 2 and Cartooning, and explore new opportunities. For our middle school age students, a new series Lady Bird Johnson Wildflower Center Classes 3 Painting 4 of Intro to Woodworking classes provides a hands-on introduction to the medium, while the new class Watercolor 6 3-D Modeling is part of our expanded digital media Printmaking 7 offerings. Teens can explore 3-D Modeling, a new Sculpture & Fabrication 8 Screen Printing for Teens series, and expanded, Ceramics 10 two-week-long sessions of Video Game Design and Photography & Digital Media 13 Metalworking for Teens, with twice the amount Collage 13 of time in the studio. These are just a few of the nearly 300 classes available for children, teens, CHILDREN & TEENS and adults this summer. Ages 4–5 14 Ages 6–8 16 As we announced with the spring semester, in an Ages 9–11 22 effort to fully engage students with our museum’s Ages 12–14 25 outstanding range of offerings, most classes will Ages 14–18 28 require a museum membership to register. -
The Gershwins' Bathhouse
The Gershwins’ Bathhouse: Pleasure, Perversion & the Technologies of Sexual Life During the 1893-1929 Era by David Rosen Too much of a good thing can be wonderful. Mae West1 Gershwins’ bathhouse backroom, movie theatre, washroom or comfort station (i.e., “tearoom”); and at a One of the most notorious venues for social gathering and an invitation-only homosexual assignations during the WW-I party. One could say that illicit -- if not era was the Lafayette Baths, located at illegal -- sex was taking place nearly 403–405 Lafayette Street just south of anywhere people could discreetly meet.3 Cooper Square in what is today’s New York’s East Village. The Lafayette was Bathhouses like the Lafayette were a one of a handful of bathhouses that unique sexual venue. The historian catered to an exclusively gay -- and George Chauncey notes, bathhouses mostly white -- clientele, providing a safe “constituted a singular gay environment.”4 environment for sexual encounters as well First and foremost, men came to meet as other forms of socializing. In addition, other men for explicitly physical, if not there were still other baths that overtly sexual, purposes. In catered to a mixed male New York, there were only a heterosexual-homosexual handful of such establishments clientele and tolerated discreet and they tended to serve an sexual encounters. However, affluent, white clientele. And what distinguishes the Lafayette when they met, the men were from the other popular either naked or modestly bathhouses is that on December clothed, making explicit what 29, 1916, the Gershwin family under most public conditions took over its ownership and Ira would have remained and George Gershwin, whose concealed. -
The Shakespeare List Is a Group of 1625 Words That Have Appeared on Past SAT/PSAT Tests
The Shakespeare List The Shakespeare List is a group of 1625 words that have appeared on past SAT/PSAT tests. Many of the words have appeared several times on past tests. This section lists the words in alphabetical order along with definitions, pronunciation guide, synonyms, antonyms, sentences, and derivatives. The definitions given here, sometimes the secondary meaning, are those used on past SAT/PSAT tests. For that reason, it is expedient to give the students these definitions that they are likely to be tested on, rather than have the students look the words up themselves in dictionaries and copy definitions of their choice. A pronunciation guide is a simplified method of indicating the pronunciation of words so that the student who is not familiar with phonetic symbols is not handicapped. The synonyms are included in this section as a prediction of words that may appear on future SAT/PSAT tests. If ETS, the creators of the SAT/PSAT, feels a particular word is important enough to put on the test, then perhaps they will also put the synonym of that word on future tests. The sentences were added to assist the student in seeing how the words are used in context The derivatives of the words are predictors of words on future tests. Often a variation of a word will appear on a test, so we want to expose the student to as many forms of the words as possible. Copyright 2005 © by Advanced Placement Strategies 197 Shakespeare List 1. a cappella ah cuh PEL luh without accompaniment by an instrument Synonyms >> Antonym >> accompanied The girl had to sing acappella when her piano accompanist did not appear at the audition. -
Rwitc, Ltd. Annual Auction Sale of Two Year Old Bloodstock 142 Lots
2020 R.W.I.T.C., LTD. ANNUAL AUCTION SALE OF TWO YEAR OLD BLOODSTOCK 142 LOTS ROYAL WESTERN INDIA TURF CLUB, LTD. Mahalakshmi Race Course 6 Arjun Marg MUMBAI - 400 034 PUNE - 411 001 2020 TWO YEAR OLDS TO BE SOLD BY AUCTION BY ROYAL WESTERN INDIA TURF CLUB, LTD. IN THE Race Course, Mahalakshmi, Mumbai - 400 034 ON MONDAY, Commencing at 4.00 p.m. FEBRUARY, 03RD (LOT NUMBERS 1 TO 71) AND TUESDAY, Commencing at 4.00 p.m. FEBRUARY, 04TH (LOT NUMBERS 72 TO 142) Published by: N.H.S. Mani Secretary & CEO, Royal Western India Turf Club, Ltd. eistere ce Race Course, Mahalakshmi, Mumbai - 400 034. Printed at: MUDRA 383, Narayan Peth, Pune - 411 030. IMPORTANT NOTICES ALLOTMENT OF RACING STABLES Acceptance of an entry for the Sale does not automatically entitle the Vendor/Owner of a 2-Year-Old for racing stable accommodation in Western India. Racing stable accommodation in Western India will be allotted as per the norms being formulated by the Stewards of the Club and will be at their sole discretion. THIS CLAUSE OVERRIDES ANY OTHER RELEVANT CLAUSE. For application of Ownership under the Royal Western India Turf Club Limited, Rules of Racing. For further details please contact Stipendiary Steward at [email protected] BUYERS BEWARE All prospective buyers, who intend purchasing any of the lots rolling, are requested to kindly note:- 1. All Sale Forms are to be lodged with a Turf Authority only since all foals born in 2018 are under jurisdiction of Turf Authorities with effect from Jan . -
Latin Derivatives Dictionary
Dedication: 3/15/05 I dedicate this collection to my friends Orville and Evelyn Brynelson and my parents George and Marion Greenwald. I especially thank James Steckel, Barbara Zbikowski, Gustavo Betancourt, and Joshua Ellis, colleagues and computer experts extraordinaire, for their invaluable assistance. Kathy Hart, MUHS librarian, was most helpful in suggesting sources. I further thank Gaylan DuBose, Ed Long, Hugh Himwich, Susan Schearer, Gardy Warren, and Kaye Warren for their encouragement and advice. My former students and now Classics professors Daniel Curley and Anthony Hollingsworth also deserve mention for their advice, assistance, and friendship. My student Michael Kocorowski encouraged and provoked me into beginning this dictionary. Certamen players Michael Fleisch, James Ruel, Jeff Tudor, and Ryan Thom were inspirations. Sue Smith provided advice. James Radtke, James Beaudoin, Richard Hallberg, Sylvester Kreilein, and James Wilkinson assisted with words from modern foreign languages. Without the advice of these and many others this dictionary could not have been compiled. Lastly I thank all my colleagues and students at Marquette University High School who have made my teaching career a joy. Basic sources: American College Dictionary (ACD) American Heritage Dictionary of the English Language (AHD) Oxford Dictionary of English Etymology (ODEE) Oxford English Dictionary (OCD) Webster’s International Dictionary (eds. 2, 3) (W2, W3) Liddell and Scott (LS) Lewis and Short (LS) Oxford Latin Dictionary (OLD) Schaffer: Greek Derivative Dictionary, Latin Derivative Dictionary In addition many other sources were consulted; numerous etymology texts and readers were helpful. Zeno’s Word Frequency guide assisted in determining the relative importance of words. However, all judgments (and errors) are finally mine. -
Dicorsa Newsletter Settimanale Di Sga Sales, Anno 2011, Settimana 39, Numero 34
ANAC - Associazione Nazionale Allevatori Cavalli Pur osangue diCorsa Newsletter settimanale di SgA Sales, Anno 2011, Settimana 39, Numero 34 guendo la raccolta di gioco, non è riuscito a farlo vedere. Manu Roussel, vec- Raimondo chio amico e ora direttore del canale francese, ha spiegato il tutto con un’in- formazione errata pervenuta dal loro uomo sul posto circa l’orario di partenza Visione e da un incastro mancato con il convegno di Craon. Il Merano, che doveva partire alle 17,25 è andato alle 17.27 (niente di grave) ma sulla comunica- L’ultima volta che Claudio Icardi è entrato a zione dal campo era stato annunciato un 17.33 che avrebbe portato allo San Siro galoppo, entrambi marciavamo come scontro con Craon che doveva partire alle 17.30 ma è in effetti slittato alle pitoni e Lester Piggott faceva ancora il fantino. 17.40, riaprendo quindi la possibilità di avere l’antenna. Vuol dire che l’ippodromo più bello d’Italia – Da un piccolo incidente, però, si arriva a un ragionamento più largo. Roussel non ammettiamo discussioni a riguardo – è dice: “Noi prenderemmo anche più corse italiane ma ci manca, come in ger- sparito dalla televisione. E’ solo una delle mania e in Scandinavia, la garanzia degli orari. Il pubblico francese per giocare tante strofe di un San Siro Blues che prima o ha bisogno di vedere la corsa, preceduto da almeno 3 minuti di collegamento poi ci metteremo a scrivere, o di un rap da stendere in collaborazione con che permettano di vedere le sgambature, i canter per andare in partenza o Dario Vargiu. -
They Sang for Horses; a Study of the Impact of the Horse on Navajo and Apache Folklore
They sang for horses; a study of the impact of the horse on Navajo and Apache folklore Item Type text; Thesis-Reproduction (electronic) Authors Clark, LaVerne Harrell Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 11/10/2021 10:05:24 Link to Item http://hdl.handle.net/10150/551590 THEY SANG FOR HORSES: A STUDY OF THE IMPACT OF THE HORSE ON NAVAJO AND APACHE FOLKLORE by LaVerne Harrell Clark A Thesis Submitted to the Faculty of the DEPARTMENT OF ENGLISH In Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 6 2 STATEMENT BY AUTHOR This thesis has been submitted In partial fulfillment of requirements for an advanced degree at The University of Ari zona and is deposited in The University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permission for extended quota tion from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in their judgment the proposed use of the material is in the interests of scholar ship. -
American Restaurant Culture and the Rise of the Middle Class, 1880-1920
TURNING THE TABLES: AMERICAN RESTAURANT CULTURE AND THE RISE OF THE MIDDLE CLASS, 1880-1920 by Andrew Peter Haley BA, Tufts University, 1991 MA, University of Pittsburgh, 1997 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2005 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Andrew Peter Haley It was defended on May 26, 2005 and approved by Dr. Paula Baker, History, The Ohio State University Co-Dissertation Director Dr. Donna Gabaccia, History, University of Pittsburgh Co-Dissertation Director Dr. Richard Oestreicher, History, University of Pittsburgh Dr. Carol Stabile, Communications, University of Pittsburgh Dr. Bruce Venarde, History, University of Pittsburgh ii © Andrew Peter Haley iii TURNING THE TABLES: AMERICAN RESTAURANT CULTURE AND THE RISE OF THE MIDDLE CLASS, 1880-1920 Andrew Peter Haley, PhD University of Pittsburgh, 2005 This dissertation examines changes in restaurant dining during the Gilded Age and the Progressive Era as a means of understanding the growing influence of the middle- class consumer. It is about class, consumption and culture; it is also about food and identity. In the mid-nineteenth century, restaurants served French food prepared by European chefs to elite Americans with aristocratic pretensions. “Turning the Tables” explores the subsequent transformation of aristocratic restaurants into public spaces where the middle classes could feel comfortable dining. Digging deeply into the changes restaurants underwent at the turn of the century, I argue that the struggles over restaurant culture—the battles over the French-language menu, the scientific eating movement, the celebration of cosmopolitan cuisines, the growing acceptance of unescorted women diners, the failed attempts to eliminate tipping—offer evidence that the urban middle class would play a central role in the construction of twentieth-century American culture. -
2020 International List of Protected Names
INTERNATIONAL LIST OF PROTECTED NAMES (only available on IFHA Web site : www.IFHAonline.org) International Federation of Horseracing Authorities 03/06/21 46 place Abel Gance, 92100 Boulogne-Billancourt, France Tel : + 33 1 49 10 20 15 ; Fax : + 33 1 47 61 93 32 E-mail : [email protected] Internet : www.IFHAonline.org The list of Protected Names includes the names of : Prior 1996, the horses who are internationally renowned, either as main stallions and broodmares or as champions in racing (flat or jump) From 1996 to 2004, the winners of the nine following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Japan Cup, Melbourne Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Queen Elizabeth II Stakes North America : Breeders’ Cup Classic, Breeders’ Cup Turf Since 2005, the winners of the eleven famous following international races : South America : Gran Premio Carlos Pellegrini, Grande Premio Brazil Asia : Cox Plate (2005), Melbourne Cup (from 2006 onwards), Dubai World Cup, Hong Kong Cup, Japan Cup Europe : Prix de l’Arc de Triomphe, King George VI and Queen Elizabeth Stakes, Irish Champion North America : Breeders’ Cup Classic, Breeders’ Cup Turf The main stallions and broodmares, registered on request of the International Stud Book Committee (ISBC). Updates made on the IFHA website The horses whose name has been protected on request of a Horseracing Authority. Updates made on the IFHA website * 2 03/06/2021 In 2020, the list of Protected -
The Demon of the Orient, and His Satellite Fiends of the Joints : Our
DurO ifllllllHtlffiSI'Sr LISBARV 3 1924 064 122 678 OLIN V^k^yoUE^^^^ %U- T« . ,»».- -M. *il I'ily # snaSS- APJii^a''^ Sg!_ PRINTED IN U.S.A. Cornell University Library The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924064122678 Production Note Cornell University Library pro- duced this volume to replace the irreparably deteriorated original. It was scanned using Xerox soft- ware and equipment at 5S0 dots per inch resolution and com- pressed prior to storage using CCITT Group 4 compression. The digital data were used to create Cornell's replacement volume on paper that meets the ANSI Stand- ard Z39. 48-1984. The production of this volume was supported in part by the Commission on Pres- ervation and Access and the Xerox Corporation. Digital file copy- right by Cornell University Library 1991. ®0men Uttirmitg Jitatg THE GIFT OF HEBER GUSHING PETERS CLASS OF 1892 /\...Q-.^^.L?v.'r:7 \.\.v'>'\» .T^.T.... 5226 PRESS PROPHECIES. Mail and Expraa, If. Y. The recent exposures of the iniqnities practiced in the "opinm joints " of Cbinatown will lend additional interest to a forthoominB book written by Allen S. Williams, a metropolitan journalist, late of the Times staff. The work will be entitled ''^The Demon of the Orient, and his Satellite Fiends of the Joints : Our Opium-smokers as Thej are in Tartar Hells and American Paradises," and will contain a por- trait of the author, etched from life by Valerian Gribayedotf.