From Nietzsche to Superman Philosophy and Popular Culture
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
NEDOR HEROES! $ NEDOR HEROES! In8 Th.E9 U5SA
Roy Tho mas ’Sta nd ard Comi cs Fan zine OKAY,, AXIS—HERE COME THE GOLDEN AGE NEDOR HEROES! $ NEDOR HEROES! In8 th.e9 U5SA No.111 July 2012 . y e l o F e n a h S 2 1 0 2 © t r A 0 7 1 82658 27763 5 Vol. 3, No. 111 / July 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck Comic Crypt Editor Michael T. Gilbert Editorial Honor Roll Jerry G. Bails (founder) Ronn Foss, Biljo White, Mike Friedrich Proofreaders Rob Smentek, William J. Dowlding Cover Artist Shane Foley (after Frank Robbins & John Romita) Cover Colorist Tom Ziuko With Special Thanks to: Deane Aikins Liz Galeria Bob Mitsch Contents Heidi Amash Jeff Gelb Drury Moroz Ger Apeldoorn Janet Gilbert Brian K. Morris Writer/Editorial: Setting The Standard . 2 Mark Austin Joe Goggin Hoy Murphy Jean Bails Golden Age Comic Nedor-a-Day (website) Nedor Comic Index . 3 Matt D. Baker Book Stories (website) Michelle Nolan illustrated! John Baldwin M.C. Goodwin Frank Nuessel Michelle Nolan re-presents the 1968 salute to The Black Terror & co.— John Barrett Grand Comics Wayne Pearce “None Of Us Were Working For The Ages” . 49 Barry Bauman Database Charles Pelto Howard Bayliss Michael Gronsky John G. Pierce Continuing Jim Amash’s in-depth interview with comic art great Leonard Starr. Rod Beck Larry Guidry Bud Plant Mr. Monster’s Comic Crypt! Twice-Told DC Covers! . 57 John Benson Jennifer Hamerlinck Gene Reed Larry Bigman Claude Held Charles Reinsel Michael T. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
Animal Studies Ecocriticism and Kafkas Animal Stories 4
Citation for published version: Goodbody, A 2016, Animal Studies: Kafka's Animal Stories. in Handbook of Ecocriticism and Cultural Ecology. Handbook of English and American Studies, vol. 2, De Gruyter, Berlin, pp. 249-272. Publication date: 2016 Document Version Peer reviewed version Link to publication University of Bath Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 26. Sep. 2021 Animal Studies: Kafka’s Animal Stories Axel Goodbody Franz Kafka, who lived in the city of Prague as a member of the German-speaking Jewish minority, is usually thought of as a quintessentially urban author. The role played by nature and the countryside in his work is insignificant. He was also no descriptive realist: his domain is commonly referred to as the ‘inner life’, and he is chiefly remembered for his depiction of outsider situations accompanied by feelings of inadequacy and guilt, in nightmarish scenarios reflecting the alienation of the modern subject. Kafka was only known to a small circle of when he died of tuberculosis, aged 40, in 1924. However, his enigmatic tales, bafflingly grotesque but memorably disturbing because they resonate with readers’ own experiences, anxieties and dreams, their sense of marginality in family and society, and their yearning for self-identity, rapidly acquired the status of world literature after the Holocaust and the Second World War. -
4. the Superman/Kent Hypothesis: on the Epistemological Limit Between Human and Superhuman
Page no.57 4. The Superman/Kent hypothesis: On the epistemological limit between human and superhuman. Alexandros Schismenos PhD Scholar Philosophy of Science University of Ioannina Greece ORCID iD: http://orcid.org/0000-0001-8490-4223 E-Mail: [email protected] Abstract Everybody knows that Superman is Clark Kent. Nobody knows that Superman is Clark Kent. Located between these two absolute statements is the epistemological limit that separates the superhero fictitious universe from our universe of causal reality. The superheroic double identity is a secret shared by the superhero and the reader of the comic or the viewer of the movie, and quite often the superhero winks at the outside world, thus breaking the 4th wall and establishing this collusive relationship. However, in our hypothesis, we are interested in Superman not as a fictitious archetype, but rather as a fictitious metaphor. We are not interested in his double identity as the matrix of superheroic attributes and narratives, but rather as the differential limit between superhuman and human within the fictional universe. Because, the reader or the viewer may share the secret identity with Superman and also with Spiderman or Batman or any other superhuman, but the secret equivalence of Superman and Clark Kent contains another hidden antithesis. Keywords Epistemology; Superman; Nostalgia; Ubermensch; Cognition Vol 3 No 1 (2015) ISSUE – March ISSN 2347-6869 (E) & ISSN 2347-2146 (P) The Superman/Kent hypothesis by Alexandros Schismenos Page No. 57-65 Page no.58 The Superman/Kent hypothesis: On the epistemological limit between human and superhuman Everybody knows that Superman is Clark Kent. -
The Fragments Around Franz Kafka's “A Report to an Academy”
humanities Article Narrative Transformed: The Fragments around Franz Kafka’s “A Report to an Academy” Doreen Densky Department of German, New York University, 19 University Place, 3rd Floor, New York, NY 10003, USA; [email protected] Academic Editor: Joela Jacobs Received: 7 February 2017; Accepted: 6 April 2017; Published: 10 April 2017 Abstract: Franz Kafka’s “A Report to an Academy”, in which the ape-turned-human Rotpeter provides a narrative account of his life, has been scrutinized with regard to its allegorical, scientific, and historical implications. This article shifts the focus toward the narrative set-up by closely reading the transformation that can be traced in the sequence of several narrative attempts found in Kafka’s manuscripts. Analyzing the fragments around this topic, I show how Kafka probes different angles—from a meeting between a first-person narrator and Rotpeter’s impresario and a dialogue between the narrator and Rotpeter, via the well-known “Report” itself, on to a letter by one of Rotpeter’s former teachers—that reveal a narrative transformation equally important as the metamorphosis from animal to human. The focus on the narrative constellations and on the lesser-known constitutive margins of the “Report” help to better understand, moreover, the complex relationship between immediacy and mediation, the ethnological concern of speech for the self and the unknown animal other, and poetological questions of production, representation, and reception. Keywords: animal narrators; human-animal studies; Franz Kafka; manuscripts; speaking-for; narrative representation; literary representation 1. Introduction Franz Kafka’s famous text narrated by an ape who has become human, “A Report to an Academy” (“Ein Bericht für eine Akademie”), was penned one hundred years ago, in 1917 [1–5]. -
Batwoman and Catwoman: Treatment of Women in DC Comics
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2013 Batwoman and Catwoman: Treatment of Women in DC Comics Kristen Coppess Race Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the English Language and Literature Commons Repository Citation Race, Kristen Coppess, "Batwoman and Catwoman: Treatment of Women in DC Comics" (2013). Browse all Theses and Dissertations. 793. https://corescholar.libraries.wright.edu/etd_all/793 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. BATWOMAN AND CATWOMAN: TREATMENT OF WOMEN IN DC COMICS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts By KRISTEN COPPESS RACE B.A., Wright State University, 2004 M.Ed., Xavier University, 2007 2013 Wright State University WRIGHT STATE UNIVERSITY GRADUATE SCHOOL Date: June 4, 2013 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Kristen Coppess Race ENTITLED Batwoman and Catwoman: Treatment of Women in DC Comics . BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Arts. _____________________________ Kelli Zaytoun, Ph.D. Thesis Director _____________________________ Carol Loranger, Ph.D. Chair, Department of English Language and Literature Committee on Final Examination _____________________________ Kelli Zaytoun, Ph.D. _____________________________ Carol Mejia-LaPerle, Ph.D. _____________________________ Crystal Lake, Ph.D. _____________________________ R. William Ayres, Ph.D. -
Project Superpowers Hardcover Ebook Free Download
PROJECT SUPERPOWERS HARDCOVER PDF, EPUB, EBOOK Jim Krueger | 200 pages | 03 Dec 2008 | Dynamite Entertainment | 9781933305912 | English | Runnemede, United States Project Superpowers Hardcover PDF Book From the dawn of the 20th Century came a new chapter in mankind's history, unleashed during a time of great war and destruction. Only if they had a better writer on helm it may have caught on readily. All eight issues of the blockbuster Dynamite Entertainment mini-series Project Superpowers are collected in this hardcover edition, plus a cover gallery, Alex Ross sketches and designs, and unseen artwork! Alex Ross wraps the world-building phase of his Dynamite superhero universe with an explosive throwdown between literal gods and god-like heroes. Carter's ancestor arrives to argue with The American Spirit, to convince Carter that he did indeed do the right thing. Jul 09, Matt Beal rated it really liked it. Hardcover , pages. Dynamite Entertainment. Dynamic Man decides to change his strategy for combating the heroes; he will call out the nationwide Police Corp, a fascistic cadre of stormtroopers, and use them to manipulate the media, making martyrs of the Dynamic Family. Green Lama's friend and manservant Tsarong is fried by a Crusader ray blast, while another Crusader burns a gaping hole in Fighting Yank's chest which matches the hole Black Terror punched in the chest of Dynamic Man. There are a number of spin-off limited series from this series [13] including:. Dec 27, Rich Meyer rated it it was amazing Shelves: read-in Just a moment while we sign you in to your Goodreads account. -
A Report to an Academy: Some Untimely Meditations out of Season Jerry Zaslove Simon Fraser University
A Report to an Academy: Some Untimely Meditations Out of Season Jerry Zaslove Simon Fraser University The oversaturation of an age with history seems to me to be hostile and danger- ous to life in five respects: such an excess creates that contrast between inner and outer which we have just discussed, and thereby weakens the personal- ity; it leads an age to imagine that it possesses the rarest of virtues, justice, to a greater degree than any other age; it disrupts the instincts of a people, and hinders the individual no less than the whole in the attainment of maturity; it implants the belief, harmful at any time, in the old age of mankind, the belief that one is a latecomer and epigone; it leads an age into a dangerous mood of irony in regard to itself and subsequently into the even more dangerous mood of Cynicism: in this mood, however, it develops more and more a prudent prac- tical egoism through which the forces of life are paralyzed and at last destroyed. Nietzsche “On the Uses and Disadvantages of History for Life” Teachers are the forlorn hope of the culture of Western modernity. I use that expres- sion in the original sixteenth-century Dutch sense (verloren hoop) of an assault party sent out on some dangerous offensive mission in advance of the main forces, as well as in its later English sense of an enterprise on whose success we have to depend, but which is in fact bound to fail. For the mission with which contemporary teachers are entrusted is both essential and impossible. -
Heret, by Illustrator and Comics Creator Dan Mucha and Toulouse Letrec Were in Brereton
Featured New Items FAMOUS AMERICAN ILLUSTRATORS On our Cover Specially Priced SOI file copies from 1997! Our NAUGHTY AND NICE The Good Girl Art of Highest Recommendation. By Bruce Timm Publisher Edition Arpi Ermoyan. Fascinating insights New Edition. Special into the lives and works of 82 top exclusive Publisher’s artists elected to the Society of Hardcover edition, 1500. Illustrators Hall of Fame make Highly Recommended. this an inspiring reference and art An extensive survey of book. From illustrators such as N.C. Bruce Timm’s celebrated Wyeth to Charles Dana Gibson to “after hours” private works. Dean Cornwell, Al Parker, Austin These tastefully drawn Briggs, Jon Whitcomb, Parrish, nudes, completed purely for Pyle, Dunn, Peak, Whitmore, Ley- fun, are showcased in this endecker, Abbey, Flagg, Gruger, exquisite new release. This Raleigh, Booth, LaGatta, Frost, volume boasts over 250 Kent, Sundblom, Erté, Held, full-color or line and pencil Jessie Willcox Smith, Georgi, images, each one full page. McGinnis, Harry Anderson, Bar- It’s all about sexy, nubile clay, Coll, Schoonover, McCay... girls: partially clothed or fully nude, of almost every con- the list of greats goes on and on. ceivable description and temperament. Girls-next-door, Society of Illustrators, 1997. seductresses, vampires, girls with guns, teases...Timm FAMAMH. HC, 12x12, 224pg, FC blends his animation style with his passion for traditional $40.00 $29.95 good-girl art for an approach that is unmistakably all his JOHN HASSALL own. Flesk, 2021. Mature readers. NOTE: Unlike the The Life and Art of the Poster King first, Timm didn’t sign this second printing. -
BYSTANDER TOKENS Text from Player’S Guide 1/29/2014
BYSTANDER TOKENS Text from Player’s Guide 1/29/2014 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) PRINTING INSTRUCTIONS 1. From Adobe® Reader® or Adobe® Acrobat® open the print dialog box (File>Print or Ctrl/Cmd+P). 2. Under Pages to Print>Pages input the pages you would like to print. (See Table of Contents) 3. Under Page Sizing & Handling>Size select Actual size. 4. Under Page Sizing & Handling>Multiple> Pages per sheet select Custom and enter 3 by 3. ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. PRINTING INSTRUCTIONS (CONTINUED) 5. Under Page Sizing & Handling>Multiple> Orientation select Landscape. 6. If you want a crisp black border around each card as a cutting guide, click the checkbox next to Print page border (under Page Sizing & Handling>Multiple). 7. Click OK. 8. When cutting out tokens use dotted 3 1 lines as a guide or use a 1/8”–1/2” hole punch (readily available at most hobby or scrapbooking stores). ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. (s15) Text from Player’s Guide 1/29/2014. TABLE OF CONTENTS Adeline Wilson™, 54 Dehydrated Henchman, 67 Alfred Pennyworth™, 7 Detective Chimp™, 33 Amadeus Arkham, 70 Dolphin™, 57 Amanda Waller™, 41 Dr. Jeremiah Arkham™, 23 Angry Spirit, 40 Eddie Fyers™, 34 Black Lantern Risen, 73 Green Lantern Initiate, 75 Businesswoman, 18 Harvey Bullock™, 22 Carol Ferris™, 24 Iris West-Allen™, 19 Congo Bill™, 59 Jaina Hudson, 86 Congorilla™, 60 Jimmy Olsen™, 25 Cowgirl, 79 Joe Chill™, 53 Dane Dorrance™, 44 Jonathan Kent™, 11 Daxamite, 76 Kamandi™, 61 ©2015 WIZKIDS/NECA, LLC TM & © DC Comics. -
Maskierte Helden
Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics Populäre Literaturen und Medien 13 Herausgegeben von Ingrid Tomkowiak Aleta-Amirée von Holzen Maskierte Helden Zur Doppelidentität in Pulp-Novels und Superheldencomics DiePubliziert Druckvorstufe mit Unterstützung dieser Publikation des Schweizerischen wurde vom Nationalfonds Schweizerischen Nationalfondszur Förderung derzur wissenschaftlichenFörderung der wissenschaftlichen Forschung. Forschung unterstützt. Die vorliegende Arbeit wurde von der Philosophischen Fakultät der Universität Zürich im Frühjahrssemester 2018 auf Antrag von Prof. Dr. Ingrid Tomkowiak und Prof. Dr. Klaus Müller-Wille als Dissertation angenommen. Weitere Informationen zum Verlagsprogramm: www.chronos-verlag.ch Umschlagbild: Steve Ditko (Zeichner), Stan Lee (Autor) et al.: «Unmasked by Dr. Octopus», in: Spider-Man Classics Vol. 1, No. 13, April 1994, S. 5 (Nachdruck aus: The Amazing Spider-Man 12, Mai 1964). © Marvel Comics © 2019 Chronos Verlag, Zürich Print: ISBN 978-3-0340-1508-0 E-Book (PDF): DOI 10.33057/chronos.1508 5 Inhalt Einleitung 7 Maskerade und Geheimnis 17 Verbergen und Zeigen – Enthüllung durch Verhüllung 18 Geheimnisbedrohung und -bewahrung: Narrative Koordinaten der Doppelidentität 30 Masken, Rollen, Identitäten 45 «Die ganze Welt ist eine Bühne» – die metaphorische Maske 49 Interaktion und Identität, Konformität und Einzigartigkeit 56 Interpretationsansätze zur Doppelidentität (der Mann aus Stahl und der unscheinbare Reporter) 67 Die zivile Identität